Eclipses in Siam, 1685 and 1688, and Their Representation
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Le Siam Et Les Siamois D'après Les Mémoires Du Comte De Forbin Par
Le Siam et les Siamois d’après les Mémoires du Comte de Forbin Par Jirawan Kiatphotha Mémoire d’études françaises Diplôme de Maîtrise Département de Français École des Études Supérieures Université Silpakorn 2010 Le Siam et les Siamois d’après les Mémoires du Comte de Forbin Par Jirawan Kiatphotha Mémoire d’études françaises Diplôme de Maîtrise Département de Français École des Études Supérieures Université Silpakorn 2010 ´¤Å¥Â¨³µª¥µ¤Ä "´¹ªµ¤¦Îµ ° Áµr Á° ¢°¦rÂÈ" Ã¥ µµª·¦µª¦¦ Á¸¥¦·Ã¡µ ª·¥µ·¡r¸ÊÁ}nª® °µ¦«¹É ¹¬µµ¤®¨´¼¦¦·µ°´¬¦«µ¦¤®µ´ · µ µª·µ ¦Á««´É ¹¬µ £µªµ£µ¬µ ¦· ´ÉÁ« ´·ª·¥µ¨´¥ ¤®µª·¥µ¨¥«´ ·¨µ¦ eµ¦«¹¬µ 2553 ¨· ··Í °´ ·ª·¥µ¨´¥ ¤®µª·¥µ¨´¥«·¨µ¦ L’École des Études Supérieures de l’Université Silpakorn a accepté le mémoire : « Le Siam et les Siamois d’après les Mémoires du comte de Forbin » proposé par Mademoiselle Jirawan Kiatphotha dans le cadre des études françaises de maîtrise. ………………………………………… (Dr . Panjai Tantatsanawong, maître assistant) Doyen de l’École des Études Supérieures Date …….. mois ……… année ……… Directeur du mémoire Dr . Bernard Wirth Le jury ……………………………….. président ……………………………….. …..membre (Dr. Prayat Nichalanont, maître assistant) (Dr. Pensiri Charoenpote, maître de conférence) ……. /……./…….. ……. /……./…….. ……………………………….. membre …………………………………….. membre (Dr. Kanika Chansang, maître de conférence) (Dr. Bernard Wirth) ……. /……./…….. ……. /……./…….. 51203201 : Majeur : Études françaises Mots clés : Le comte de Forbin / Mémoires du comte de Forbin / Le Siam et les Siamois Jirawan Kiatphotha : Le Siam et les Siamois d’après les « Mémoires du comte de Forbin ». Directeur du mémoire : Bernard Wirth, Ph.D. 171 pp. Pour étudier l’image de la société siamoise et les Siamois au XVIIe siècle, il est intéressant de profiter des documents occidentaux. -
“White Elephant” the King's Auspicious Animal
แนวทางการบริหารการจัดการเรียนรู้ภาษาจีนส าหรับโรงเรียนสองภาษา (ไทย-จีน) สังกัดกรุงเทพมหานคร ประกอบด้วยองค์ประกอบหลักที่ส าคัญ 4 องค์ประกอบ ได้แก่ 1) เป้าหมายและ หลักการ 2) หลักสูตรและสื่อการสอน 3) เทคนิคและวิธีการสอน และ 4) การพัฒนาผู้สอนและผู้เรียน ค าส าคัญ: แนวทาง, การบริหารการจัดการเรียนรู้ภาษาจีน, โรงเรียนสองภาษา (ไทย-จีน) Abstract This study aimed to develop a guidelines on managing Chinese language learning for Bilingual Schools (Thai – Chinese) under the Bangkok Metropolitan Administration. The study was divided into 2 phases. Phase 1 was to investigate the present state and needs on managing Chinese language learning for Bilingual Schools (Thai – Chinese) under the Bangkok Metropolitan Administration from the perspectives of the involved personnel in Bilingual Schools (Thai – Chinese) under the Bangkok Metropolitan Administration Phase 2 was to create guidelines on managing Chinese language learning for Bilingual Schools (Thai – Chinese) under the Bangkok Metropolitan Administration and to verify the accuracy and suitability of the guidelines by interviewing experts on teaching Chinese language and school management. A questionnaire, a semi-structured interview form, and an evaluation form were used as tools for collecting data. Percentage, mean, and Standard Deviation were employed for analyzing quantitative data. Modified Priority Needs Index (PNImodified) and content analysis were used for needs assessment and analyzing qualitative data, respectively. The results of this research found that the actual state of the Chinese language learning management for Bilingual Schools (Thai – Chinese) in all aspects was at a high level ( x =4.00) and the expected state of the Chinese language learning management for Bilingual Schools (Thai – Chinese) in the overall was at the highest level ( x =4.62). The difference between the actual state and the expected state were significant different at .01 level. -
Sports in Pre-Modern and Early Modern Siam: Aggressive and Civilised Masculinities
Sports in Pre-Modern and Early Modern Siam: Aggressive and Civilised Masculinities Charn Panarut A thesis submitted in fulfilment of The requirements for the Degree of Doctor of Philosophy Department of Sociology and Social Policy Faculty of Arts and Social Sciences The University of Sydney 2018 Statement of Authorship This dissertation is the copyrighted work of the author, Charn Panarut, and the University of Sydney. This thesis has not been previously submitted for any degree or other objectives. I certify that this thesis contains no documents previously written or published by anyone except where due reference is referenced in the dissertation itself. i Abstract This thesis is a contribution to two bodies of scholarship: first, the historical understanding of the modernisation process in Siam, and in particular the role of sport in the gradual pacification of violent forms of behaviour; second, one of the central bodies of scholarship used to analyse sport sociologically, the work of Norbert Elias and Eric Dunning on sport and the civilising process. Previous studies of the emergence of a more civilised form of behaviour in modern Siam highlight the imitation of Western civilised conducts in political and sporting contexts, largely overlooking the continued role of violence in this change in Siamese behaviour from the pre- modern to modern periods. This thesis examines the historical evidence which shows that, from around the 1900s, Siamese elites engaged in deliberate projects to civilise prevalent non-elites’ aggressive conducts. This in turn has implications for the Eliasian understanding of sports and civilising process, which emphasises their unplanned development alongside political and economic changes in Europe, at the expense of grasping the deliberate interventions of the Siamese elites. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title “Wond’rous Machines”: How Eighteenth-Century Harpsichords Managed the Human-Animal, Human-Machine Boundaries Permalink https://escholarship.org/uc/item/2c83x38q Author Bonczyk, Patrick David-Jung Publication Date 2021 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles “Wond’rous Machines”: How Eighteenth-Century Harpsichords Managed the Human-Animal, Human-Machine Boundaries A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Patrick David-Jung Bonczyk 2021 © Copyright by Patrick David-Jung Bonczyk 2021 ABSTRACT OF THE DISSERTATION “Wond’rous Machines”: How Eighteenth-Century Harpsichords Managed the Human-Animal, Human-Machine Boundaries by Patrick David-Jung Bonczyk Doctor of Philosophy in Musicology University of California, Los Angeles, 2021 Professor Mitchell Bryan Morris, Chair The tenuous boundaries that separate humans, animals, and machines fascinate and sometimes unsettle us. In eighteenth-century France, conceptions of what differentiates humans from animals and machines became a sustained topic of interest in spaces that were public and private, recreational and intellectual. This dissertation argues that eighteenth-century harpsichords were porous sites where performers, composers, artisans, academics, and pedagogues negotiated the limits of these fragile boundaries. French harpsichords are at the center of my dissertation because they embodied an experimental collision of animal parts and other biomatter, complex machinery, and visual and musical performance. Taken together, I consider the ways that instruments had social import apart from sound production alone, expanding the definition of ii “instrument” beyond traditional organological studies of style in craftsmanship and musical aesthetics. -
Ayutthaya Wat Phra Si Sanphet Saraburi • Ang Thong • Suphan Buri Pathum Thani • Nonthaburi Contents Ayutthaya 8 Pathum Thani 44
Ayutthaya Wat Phra Si Sanphet Saraburi • Ang Thong • Suphan Buri Pathum Thani • Nonthaburi Contents Ayutthaya 8 Pathum Thani 44 Saraburi 24 Nonthaburi 50 Ang Thong 32 Suphan Buri 38 8 Wat Mahathat Ayutthaya The ancient city of Ayutthaya, formally designated Phra Nakhon Si Ayutthaya was the Thai capital for 417 years, and is one of Thailand’s major tourist attractions. 8 9 Ayutthaya province is relatively small at 2,557 sq. km. and is easily accessible due to good road, rail and river connections and its proximity to Bangkok. Straddling the Chao Phraya River, the nation’s principal waterway, the province is extremely important, as it was the Siamese capital for four centuries. The city of Ayutthaya is 76 km. north of Bangkok and boasts numerous magnificent ruins from its days as the capital. Just to the south, in perfect condition, stands the royal palace of Bang Pa-in set in splendid gardens. The province is also noted for H.M. the Queen’s Bang Sai Arts and Crafts Centre. The ancient city of Ayutthaya, formally designated Phra Nakhon Si Ayutthaya was the Thai capital for 417 years, and is one of Thailand’s major tourist attractions. Many ancient ruins and art works can be seen in a city that was founded in 1350 by King U-Thong when the Thais were forced southwards by northern neighbours. During the period when Ayutthaya was capital, 33 kings and several dynasties ruled the kingdom, until the glittering city was sacked by the Burmese in 1767, ruined and abandoned. The extensive ruins and the historical records demonstrate that Ayutthaya was one of Southeast Asia’s most prosperous cities. -
Lully in Siam: Music and Diplomacy in French–Siamese Cultural Exchanges, 1680–1690 Downloaded From
David R. M. Irving Lully in Siam: music and diplomacy in French–Siamese cultural exchanges, 1680–1690 Downloaded from ean-Baptiste Lully no more went to Siam (the cross-cultural reception of French opera, we must Jname for Thailand before 1939) than Arcangelo bear in mind that this seemingly innocuous perfor- Corelli to South America, Niccolò Piccinni to China mance for the entertainment of the Siamese court http://em.oxfordjournals.org/ or Joseph Haydn to India. Yet the reception of the in fact masked a deep desire of the French crown to works and reputations of canonic composers in seize control of two Southeast Asian ports, to convert distant lands during or shortly after their lifetimes a Buddhist king to Christianity and to institute trad- remains an irresistible trope in musicology.1 The ing monopolies. impetus for this study came from an encounter with The present article proposes to bring together and an intriguing sentence in a 17th-century French reassess the many disparate details of music’s role book: Simon de La Loubère’s Du royaume de Siam in diplomatic and intercultural exchanges between (Paris, 1691)—published in English as A new histori- France and Siam in the 1680s. By examining this at The Australian National University on September 4, 2014 cal relation of the kingdom of Siam (London, 1693)— remarkable story, it aims to contribute to broader which is still considered one of the most authoritative narratives of worldwide intercultural interaction and detailed early modern European descriptions through music in the early modern period. After of Siam.2 The sentence in question describes how setting out some social and historical contexts, the Siamese king Phra Narai (r.1656–88) listened to it discusses the musical elements of diplomatic extracts of French opera during a visit of a French contact and evaluates several different types of embassy in 1687, before succinctly pronouncing his sources produced in the aftermath of these contacts. -
Thai Kingship During the Ayutthaya Period : a Note on Its Divine Aspects Concerning Indra*
Thai Kingship during the Ayutthaya Period : A Note on Its Divine Aspects Concerning Indra* Woraporn Poopongpan Abstract This article is an initial attempt to highlight the divine aspects of Thai kingship during the Ayutthaya period, the interesting characteristic of which was an association of the king’s divinity with the Buddhist and Brahman god, Indra. Thai concept of the king’s divinity was identified closely with many Brahman gods such as Narayana, Rama or Siva (Isuan) but the divine aspects concerning Indra had a special place in Thai intellectual thinking as attested by ceremonies associated with the kingship recorded in Palatine Law and other sources. Thai kingship associated with Indra was reflected in the following elements: 1. The Royal ceremonies 2. The names of Indra’s residences 3. The number of the king’s consorts The article concludes that the emphasis on the king’s divine being as Indra derived not only from the influence of Brahmanism on the Thai society but more importantly from the high status of Indra in Buddhist belief. This can be easily understood since Buddhism is the main religion of Thai society. While some aspects * This article is based on the PhD dissertation “The Palatine Law as a source for Thai History from Ayutthaya period to 1805”, Submitted to the Department of History, Chulalongkorn University. It would not have been possible without considerable helps and valuable guidance from Dr. Dhiravat na Pombejra, my advisor, and all kind helps from Miss Apinya Odthon, my close friend. Silpakorn University International Journal Vol.7 : 143-171, 2007 Ayutthaya Thai Kingship Concerning Indra Silpakorn University International Journal Vol.7, 2007 of kingship are derived from Brahmanic Indra because Thailand adopted several conceptions of state and kingship from India, it was the Thai Buddhist understanding of Indra as a supporter of the Buddha that had a more significant impact. -
Literary Historiography and the History of the Thai Novel
Literary Historiography and the History of the Thai Novel Maurice Simmons Presented for the Degree of Master of Philosophy of the University of London (School of Oriental and African Studies) 2005 ProQuest Number: 10731334 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731334 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 2 Abstract The novel first appeared in Thailand approximately one hundred years ago. But for many years it lacked the cultural prestige of its Western counterpart. When the first histories of Thai literature appeared in the 1950s/Siyjtnade no mention of the Xu. novel and it was not until the 1960s that the first attempts to record its history were made. This study plots the major landmarks in charting the history of the Thai novel in the ensuing thirty years. Chapter 1 discusses the terms for ‘literature’ and the ‘novel’ and looks at the first histories of Thai literature and histories of Thai literature written in English. Chapter 2 surveys the work of the first ‘historians’ of the Thai novel, Yot Watcharasathian, Prakat Watcharapho’n and Sathian Chanthimatho’n. -
The “Beijing Experience” of Eighteenth-Century French Jesuits a Discussion Centered on Lettres Édifiantes Et Curieuses Écrites Des Missions Étrangères
winter 2012–13 35 Chinese Studies in History, vol. 46, no. 2, Winter 2012–13, pp. 35–57. © 2013 M.E. Sharpe, Inc. All rights reserved. Permissions: www.copyright.com ISSN 0009–4633 (print)/ISSN 1558–0407 (online) DOI: 10.2753/CSH0009-4633460202 OU YA N G ZHESHENG The “Beijing Experience” of Eighteenth-Century French Jesuits A Discussion Centered on Lettres édifiantes et curieuses écrites des missions étrangères Abstract: Of the European Jesuit missionaries who went to China during the eighteenth century, the French Jesuits were a notable group. The Lettres édifiantes et curieuses écrites des missions étrangères (Edifying and Curious Letters Written from Foreign Missions), a collection of these missionaries’ correspondences, revealed how the Jesuits described their impression of the city Beijing and the imperial court, their religious activities, and their scientific works. These descriptions played a role in shaping the Europeans’ view of China, contributing to the rise of “chinoiserie” in eighteenth-century Europe. French Jesuits dominated the West’s “Beijing experience” during the eighteenth century. Whether in terms of the numbers of French Jesuits who came to China’s capital and the important roles they played there, or in terms of the weight carried by the historical English translation © 2013 M.E. Sharpe, Inc., from the Chinese text. “Shiba shiji Faguo Yasu huishi de Beijing jingyan: Yi Yesu huishi Zhongguo shujianji weizhongxin de taolun.” Translated by Carissa Fletcher. Ouyang Zhesheng is professor of history at Peking University. Notes renumbered for this edition.—Ed. 35 36 chINESE STUDIES IN HISTORY materials they passed down regarding the “Beijing experience,” the French Jesuits had a marked advantage over the other Western missionaries who came to Beijing. -
Khōn: Masked Dance Drama of the Thai Epic Ramakien Amolwan Kiriwat
The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 5-2001 Khōn: masked dance drama of the Thai epic Ramakien Amolwan Kiriwat Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Dramatic Literature, Criticism and Theory Commons, Performance Studies Commons, and the Theatre History Commons Recommended Citation Kiriwat, Amolwan, "Khōn: masked dance drama of the Thai epic Ramakien" (2001). Electronic Theses and Dissertations. 631. http://digitalcommons.library.umaine.edu/etd/631 This Open-Access Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. KHON: MASKED DANCE DRAMA OF THE THAI EPIC RAMAKIEN BY Amolwan Kiriwat B.A. Chulalongkorn University, Thailand, 1997 A THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Theatre) The Graduate School The University of Maine May, 2001 Advisory Committee: Sandra E. Hardy, Associate Professor of Theatre, Advisor Thomas J. Mikotowicz, Associate Professor of Theatre Marcia J. Douglas, Assistant Professor of Theatre KHON: MASKED DANCE DRAMA OF THE THAI EPIC RAMAKIEN By Amolwan Kiriwat Thesis Advisor: Dr. Sandra E. Hardy An Abstract of the Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Theatre) May, 2001 This thesis will analyze and document khon, which is a masked dance drama, and the Ramakien, which is the Thai epic. This thesis will present the history and structure of khon and show how it is used to present the story of the Ramakien. -
REVIEWS ‘Silk’ Is Only One of Several Possible Similes, Such As ‘Spices’ Or ‘Ceramics’
REVIEWS ‘silk’ is only one of several possible similes, such as ‘spices’ or ‘ceramics’. Roderich Ptak, Die Maritime While the vast ocean is an entity defined Seidenstrasse. Küstenräume, Seefahrt by physical conditions, its numerous und Handel in vorkolonialer Zeit. various segments are distinguished by Munich, C. H. Beck, 2007, 368 pp., 46 cultures and histories of exchange. The ills, 14 maps (Historische Bibliothek segmentation recorded in texts of the der Gerda Henkel Stiftung). Song Period (960–1281) is apparently based on Arab categorization. European Literally translated, the title reads ‘the advances connecting the Asian, Atlantic maritime silk road, its coastal areas, sea- and Pacific regions of the globe confine faring and trade in pre-colonial times’. the time frame of this presentation. This, as in the original German wording, Through an essay rather than an does not reveal the book’s rather semi- introduction, the author offers a nal approach and gist, which challenge discourse of the Mediterranean model the European-trained perspective and, by Fernand Braudel (La Méditerranée much more importantly, almost close a et le monde méditerranéen à l’époque gap while studiously pinpointing certain de Philippe II), a seminal work that has lacunae. reinforced interest in historical research The coastal area of present-day China into maritime relations elsewhere. is dotted with entrepôts that established Though triggered by this academic and operated maritime links across the stimulus, the Asian physical, geo- oceans, roughly between the longi- graphical factors require a distinctively tudes of 35ºE (the Red Sea) and 132ºE different approach, coupled with a (Kyushu, Japan and Moluccas, Indone- perspective originating from the East. -
A Revised Dating of Ayudhya Architecture (Ii)
A REVISED DATING OF AYUDHYA ARCHITECTURE (II) PIRIYA KRAIRIKSH PRESIDENT OF THE SIAM SOCIETY In the previous issue of the Journal of the Siam Society (Vol. 80.1 cially the Sinhalese-type stupas. These are the two great stupas 1992, 37-55) this writer proposed in an article entitled "A Revised enshrining the ashes of King Borommatrailokanat and King Dating of A yudhya Architecture" that H.R.H. Prince Damrong Borommaracha III in the Temple Royal of Wat Phra Sri Sanphet, Rajanubhab's dating of Ayudhya monuments first set forth in as well as the colossal image of a standing Buddha called Phra the Tamnan Phuttha Chedi Say am (Chronicle of the Monuments of Sri Sanphet, all built by King Ramathibodi II (1491-1529). The the Buddha in Siam), published in 1926, should be revised on author of the Tamnan Phuttha Chedi Sayam later surmised that account of misconceptions in its basic methodology, for the the third great in the same Temple Royal of Wat Phra Sri Prince correlated the structures remaining today with those Sanphet was built by a later king to enshrine the ashes of King mentioned in the Phraratcha Phongsawadan (Royal Chronicles). Ramathibodi II, which explains why there are three great stupas Furthermore, he did not take into account the possibility that in Wat Phra Sri Sanphet.1 the monuments we see today may have been built at a later Another example of the monuments from the Tamnan period, nor did he attempt to verify the credibility of the Royal Phuttha Chedi Sayam's Second Sub-Period is the Victory Chedi Chronicles by comparing them with foreign sources.