Spectrum Bios 2017

Total Page:16

File Type:pdf, Size:1020Kb

Spectrum Bios 2017 Tuesday, May 23 • Wednesday, May 24 North America Headquarters 1290 Lakeside Drive Gurnee, IL 847 244 2501 800 444 4512 dominodigitalprinting.com Welcome Welcome to Digital Printing Spectrum 2017. This event is for YOU. Our goal is to create and provide the environment, platform, and information to deliver to you an exceptional networking and educational experience. This event is about bringing together all facets of the industry… a wide range or “spectrum” of industry leaders, market research experts, and companies looking for answers to help their business succeed, be efficient, and be profitable with digital printing. This event celebrates with you our Domino “do more” attitude, our culture, our people, our year-on-year growth, and our continued investment in world-class digital printing solutions. Through today’s presentations, table-top exhibits, networking meals, Q&A panel discussion, and demonstrations at Domino, we strive to meet your objectives and exceed your expectations. We hope you enjoy your visit and that you take home with you new knowledge, new business relationships, and new opportunities. Thank you for sharing your time with us. Sincerely, Team Domino Agenda 7:00 Registration / Networking Breakfast / Table-Top Exhibits 8:00 David Ellen, President – Domino Digital Printing North America “Objectives of Digital Printing Spectrum 2017.” 8:05 Dan Muenzer, Vice President of Marketing – Constantia Flexibles/ Event Moderator “An overview of your day ahead.” 8:10 David Walsh & Jennifer Dochstader – LPC “Our Label Printing World: Where we’ve been, where we are, where we’re headed.” 8:30 Doug Bartlett, Director of Graphics – Constantia Flexibles Simon Gross, CEO– Converting Equipment International (CEI) “How does digital fit a large, multi-national label printer?” 9:00 Matt Condon, OEM Manager – Domino Digital Printing North America “Roll-to-roll? Roll-to-inline? Roll-to-near-line? Hybrid?” 9:30 Refreshment Break / Table-Top Exhibits 10:00 Kevin Hayes, Executive Vice President – Outlook Group “Label Printers, Brand Owners, Retailers…how all segments of the supply chain are utilizing digital printing for profitable opportunities.” 10:30 Steve Katz, Editor – Label & Narrow Web “Workplace Culture: An Editor’s view of the best practices of highly successful label printers.” 10:40 Lynn Perenic, President & CEO – Argent Tape & Label Evan Schiebout, Owner – Delta ModTech “Zero-defect challenge + entering new markets = why we went digital.” dominodigitalprinting.com Agenda - continued 11:10 Scott Fisher, President – Smyth Companies “Building your organization and infrastructure to make digital printing successful & profitable.” 11:40 Patrick LaMourie, Digital Solutions Manager – Domino “Digital Solutions Program: maximizing your digital investment, job costing for profitability, understanding the digital ecosystem, and positioning for growth.” 12:10 Lunch & Table-Top Exhibits 1:30 Julie Cross, Technical Director, Domino Digital Printing UK “Are you being told the truth about food compliant ink? What it is, what it is not.” 2:00 Q&A Panel Discussion with Label Printer Converters (Organizing your business to make digital efficient, successful, and profitable; the infrastructure; the workflow; marketing & selling digital to your customers, and more.) • Doug Bartlett – Constantia Flexibles • Kevin Hayes – Outlook Group • Lynn Perenic – Argent Tape & Label • Scott Fisher – Smyth Companies • Sharon Zampogna – McCourt Label • Mark Turk – International Label & Printing 2:45 Refreshment Break & Table-Top Exhibits 2:45 First shuttle bus to Domino (returns to Holiday Inn at 3:30) Demonstrations of Domino N610i digital UV inkjet label press and K600i digital UV inkjet printer. 3:15 Sharon Zampogna, Vice President of Sales – McCourt Label “Our company’s evolution as a label printer and how we use digital and flexo as complementary technologies.” dominodigitalprinting.com 3:45 Second shuttle bus to Domino (returns to the Holiday Inn at 4:30) Demonstrations of Domino N610i digital UV inkjet label press and K600i digital UV inkjet printer. 3:45 Paul Laporte, Marketing & Communications Manager – TLMI (Tag & Label Manufacturers Institute) “Value of Membership” 3:55 Denny McGee, President – MPS Americas Kees Nijenhuis, Vice President – MPS Americas “The Hybrid Solution: Flexo & Digital.” 4:25 Jay Kaible, Director of Business Development – FTA (Flexographic Technical Association) “Value of Membership” 4:35 Refreshment Break & Table-Top Exhibits 4:45 Third shuttle bus to Domino (returns to the Holiday Inn at 5:30) Demonstrations of Domino N610i digital UV inkjet label press and K600i digital UV inkjet printer. 5:05 Bill Gibson, Illinois Director – GLGA (Great Lakes Graphics Association) Mark Turk, President – International Label & Printing / Director of GLGA “Value of Membership” 5:15 Dan Muenzer, Vice President of Marketing – Constantia Flexibles/ Event Moderator Summary of the day 5:20 David Ellen, President – Domino Digital Printing North America Closing Statements 5:25 Adjourn 6:30 – 9:30 Evening Reception & Table-Top Exhibits Monday, May 22 • Tuesday, May 23 dominodigitalprinting.com Bios David Ellen, President - Domino Digital Printing North America David’s roles within Domino over the past 22 years have included management & executive positions, both in the United States and United Kingdom. His previous position of VP Sales - Digital Printing North America spanned over 12 years since coming over from Domino UK in 2005. While in the UK, David held positions of Global Director Commercial Printing, European Director Commercial Printing, UK Sales Manager, and UK Account Manager since joining Domino in 1995. As President of Domino Digital Printing North America, David is positioning the business to soar to even greater heights. Says David, “I’m very excited by our market-leading position in digital UV inkjet printing, our year-on-year growth, and our expansion as Domino continues to invest in digital printing. We have excellent people joining us, as well as existing employees being promoted into new positions. It’s an exciting time at Domino. Our employees are not only energized by their career opportunities, but also by our customers, our culture, and our world-class products.” Dan Muenzer, Vice President of Marketing - Constantia Flexibles, Labels Division Moderator Dan Muenzer has held label industry leadership positions since 1994 including his current role as Vice President for Constantia Flexibles. Mr. Muenzer is active in the packaging industry and is the past chairman of TLMI. He also serves on their Board of Directors, is founding chair of its Government and Regulation committee and former chair of its Recycling Committee. Through TLMI Dan is also a member of the L9, the global label industry association. Dan also has a long history working with network industries including GPI (Glass Packaging Institute) and APR (Association of Post Consumer Plastics Recyclers.) In addition, Dan has been a frequent guest lecturer on printing and packaging at industry events and in university business schools. On July 1st of this year Dan will leave Constantia Flexibles and assume the role of President of TLMI. David Walsh, Owner - LPC, Inc. Presenter In 1990 David Walsh moved from London to New York City to direct development and research communications for a leading design software company that had previously been one of his own clients. In 1997, he co-founded LPC, Inc. and for the past 20 years has been working closely with printers, suppliers, industry organizations and brand owners to help them better understand and profit from their products, their customers’ perceptions, and their place in the market. His day to day efforts at LPC focus on further developing research techniques and innovative marketing initiatives for the label, flexible packaging, corrugated and folding carton industries. He doesn’t play rugby anymore. Jennifer Dochstader, Managing Director - LPC, Inc. Presenter Growing up in the printing and packaging industry Jennifer Dochstader, founding partner of LPC, Inc., has spent her life associated with industry suppliers, printers and converters, and brand owners. Jennifer has been a professional in the printing and packaging industries for 25 years and is recognized for her knowledge and expertise throughout the printing and packaging supply chain. She has spoken at industry conferences around the globe and her work has been featured in a wide range of publications including Packaging Digest, packagePrinting, Labels & Labeling, Label & Narrow Web, FLEXO, FLEXO Español, Converting, Paper Film & Foil, Boxboard Container, Wine Business Monthly, and FORBES. Doug Bartlett, Director of Graphics - Constantia Flexibles Presenter / Q&A Panel Discussion Doug has worked in the label and packaging industry for over 34 years… most of those years with Spear in various positions ranging from graphics, pre-press, technical service and process improvement. He is responsible for Graphics, Color management and Printing Technology and is involved with specifying, developing and improving printing capabilities across all North America Constantia Flexibles Labels plants. Doug is a Certified FIRST implementation specialist and was also instrumental in leading Spear to G7 master printer qualification and is the Lead for digital print technology investigation and development for Constantia Flexibles Labels worldwide 2013 to present. Doug is a speaker and presenter on Color management and Digital print technologies at various industry events. Simon Gross,
Recommended publications
  • Spinning Wheel (1969) Blood, Sweat & Tears
    MUSC-21600: The Art of Rock Music Prof. Freeze Spinning Wheel (1969) Blood, Sweat & Tears LISTEN FOR • Fusion of musical styles • Prominent horn section (like in big band) • Sophisticated jazz harmonies, improvisation • Syncopated R&B bass riffs • Heavy rock backbeat CREATION Songwriters David Clayton-Thomas Album Blood, Sweat & Tears Label Columbia 44871 Musicians David Clayton-Thoma (vocals), Steve Katz (guitar), Bobby Colomby (drums), Jim Fielder (Bass), Fred Lipsius (alto saxophone), Lew Soloff (trumpet), Alan Rubin (trumpet), Jerry Hyman (trombone), Dick Halligan (piano) Producer James William Guercio Engineer Roy Halee, Fred Catero Recording October 1968; stereo Charts Pop 2, Easy 1, R&B 45 MUSIC Genre Jazz rock Form Simple verse with contrasting middle section, improvised solos, complex outro Key G major Meter 4/4 (alternates with 3/8 in Coda) MUSC-21600 Listening Guide Freeze “Spinning Wheel” (Blood, Sweat & Tears, 1969) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro • Short intro for horns, with crescendo on sustained note and then riff punctuated by snare. 0:07 A1 “What goes up” • Vocals enter, accompanying texture gradually accumulates, starting with R&B bass/piano riff, then cowbell, drums, tambourine, horns. 0:21 • Refrain begins with stop time. 0:26 A2 “You got no money” • As before, with big-band-inspired horn section punctuating the texture, sometimes with jazzy, swung filler. 0:41 • Refrain. 0:46 B “Did you find” • Extensive contrasting section. • More four-square rhythmic structure with slower harmonic rhythm. • Ends with digital distortion of last vocal note. 1:16 Intro • Overlaps with previous section. 1:30 A3 “Someone is waiting” • As in A2, but with stop time for new stop time for trombone glissando (slide).
    [Show full text]
  • Steve Katz of Blood, Sweat & Tears and the Blues
    Catskill Mountain Region July 2015 GUIDEwww.catskillregionguide.com STEVE KATZ OF BLOOD, SWEAT & TEARS AND THE BLUES PROJECT COMES TO TANNERSVILLE THIS JULY! TABLE OF CONTENTS TABLE On the cover: Singer/songwriter Steve Katz, of The Blues Project and Blood, Sweat & Tears, will perform an acoustic evening of story and song at the Catskill www.catskillregionguide.com Mountain Foundation Annual Benefit this July. Greg Dayton will be a special guest. For more VOLUME 30, NUMBER 7 July 2015 information about Steve, read the interview on page 16 and PUBLISHERS the book review on page 19. Peter Finn, Chairman, Catskill Mountain Foundation Sarah Finn, President, Catskill Mountain Foundation EDITORIAL DIRECTOR, CATSKILL MOUNTAIN FOUNDATION Sarah Taft ADVERTISING SALES Rita Adami Steve Friedman Albert Verdesca CONTRIBUTING WRITERS Heather Magnan Jeff Senterman Sarah Taft Maggie Uhalde ADMINISTRATION & FINANCE Candy McKee Cara Dantzig PRINTING Catskill Mountain Printing Services DISTRIBUTION 2 THE ARTS Catskill Mountain Foundation EDITORIAL DEADLINE FOR NEXT ISSUE: July 6 10 DO NOT GO GENTLE: The Catskill Mountain Region Guide is published 12 times a year THE LAST DAYS OF DYLAN THOMAS by the Catskill Mountain Foundation, Inc., Main Street, PO Box By Sarah Taft 924, Hunter, NY 12442. If you have events or programs that you would like to have covered, please send them by e-mail to tafts@ catskillmtn.org. Please be sure to furnish a contact name and in- clude your address, telephone, fax, and e-mail information on all 16 AN INTERVIEW WITH STEVE KATZ correspondence. For editorial and photo submission guidelines Interview by Margaret Uhalde send a request via e-mail to [email protected].
    [Show full text]
  • Muni 20081106
    MUNI 20081106 JAZZ ROCK, FUSION… 01 Ballet (Mike Gibbs) 4:55 Gary Burton Quartet : Gary Burton-vibes; Larry Coryell-g; Steve Swallow-b; Roy Haynes-dr. New York, April 18, 1967. RCA LSP-3835. 02 It’s All Becoming So Clear Now (Mike Mainieri) 5:25 Mike Mainieri -vib; Jeremy Steig-fl; Joe Beck-elg; Sam Brown-elg,acg; Warren Bernhardt-p,org; Hal Gaylor-b; Chuck Rainey-elb; Donald MacDonald-dr. Published 1969. Solid State SS 18049. 03 Little Church (Miles Davis) 3:17 Miles Davis -tp; Steve Grossman-ss; Chick Corea, Herbie Hancock-elp; Keith Jarrett-org; John McLaughlin-g; Dave Holland-b,elb; Jack DeJohnette-dr; Airto Moreira-perc; Hermeto Pascoal-dr,whistling,voc,elp. New York, June 4, 1970. Columbia C2K 65135. 04 Medley: Gemini (Miles Davis) /Double Image (Joe Zawinul) 5:56 Miles Davis -tp; Wayne Shorter-ss; Joe Zawinul, Chick Corea-elp; John McLaughlin-g; Dave Holland-b; Khalil Balakrishna-sitar; Billy Cobham, Jack DeJohnette-dr; Airto Moreira-perc. New York, February 6, 1970. Columbia C2K 65135. 05 Milky Way (Wayne Shorter-Joe Zawinul) 2:33 06 Umbrellas (Miroslav Vitouš-W. Shorter-J. Zawinul) 3:26 Weather Report : Wayne Shorter -ss,ts; Miroslav Vitouš-b; Joe Zawinul -p,kb; Alphonse Mouzon-dr; Airto Moreira-perc. 1971. Columbia 468212 2. 07 Birds of Fire (John McLaughlin) 5:39 Mahavishnu Orchestra : John McLaughlin -g; Jerry Goodman-vio; Jan Hammer-kb,Moog syn; Rick Laird-b; Billy Cobham-dr. New York, 1973. Columbia KC 31996. 08 La Fiesta (Chick Corea) 7:49 Return to Forever : Joe Farrell-ss; Chick Corea -elp; Stanley Clarke-b; Airto Moreira-dr,perc; Flora Purim-perc.
    [Show full text]
  • 391 À 437 .Cwk
    Aux Etats-Unis, Blood, Sweat and Tears est sans conteste le groupe de rock de la fin des sixties qui intègre le plus de jazz à sa démarche musicale : passages swing intégrés aux compositions binaires, présence active d’une phalange de souffleurs (trompette, trombone, sax) qui ne se limite pas à un travail de section (comme dans le R’n B ou dans un groupe comme Chicago) mais est faite de vrais solistes - parmi ces solistes, un trompettiste qui fera ensuite une belle carrière dans le jazz, Lew Soloff, le tromboniste Jerry Hyman et un saxophoniste dont on ne sait trop ce qu’il est devenu depuis, Fred Lipsius. Tous trois sont mis à contribution dans la superbe version du God bless the child de Billie Holiday qui figure dans le disque BST 2 (sans doute le meilleur) : 439. Blood, Sweat and Tears: God Bless the child David Clayton-Thomas (voc) Lew Soloff, Chuck Winfield (tp, flgh) Jerry Hyman (tb) Fred Lipsius (as, pn) Dick Halligan (org, pn) Steve Katz (gt, hca) Jim Fielder (b) Bobby Colomby (dms); rec 1968 (CBS) A côté de ces groupes rock (et de plusieurs autres) qui lorgnent vers le jazz, il nous faut maintenant repasser de l’autre côté, et évoquer le phénomène inverse : l’impact qu’a le rock sur de nombreux jazzmen, à commencer par Miles Davis ! Electric Miles - Le Jazz-Rock en gestation Et revoilà Miles Davis ! Décidément omniprésent dans l’histoire du jazz moderne. Un petit rappel, peut-être ? 1945 : débuts dans le be-bop aux côtés de Charlie Parker : d’emblée, le son et le phrasé de Miles se situent aux antipodes de ceux de Dizzy et des autres trompettistes be-bop.
    [Show full text]
  • Epk Sk Copy 2.Pages
    The Legendary STEVE KATZ In an Evening Of Story and Song Guitarist/singer/songwriter/storyteller Steve Katz has played on an enviable string of recordings during the 1960s and '70s in acoustic folk, jazz, blues, R&B, hard rock, and almost every other popular genre that's come along in America since the start of the 1960s. Katz was born in Brooklyn, NY in 1945 and grew up in the upstate city of Schenectady. Already a gifted musician in his early teens, he was good enough to get hired for a local television program called Teenage Barn, doing his versions of pop hits of the late '50s. As he got older, Steve was drawn to folk music and blues. He studied traditional American guitar styles with Dave Van Ronk and the Rev. Gary Davis. Eventually, he became part of a circle of similarly minded folk and blues enthusiasts who formed the Even Dozen Jug Band, which also included John Sebastian, Maria Muldaur, David Grisman, and Stefan Grossman. After moving to Greenwich Village, Steve Katz became an established part of the Village music scene, eventually joining The Blues Project, New York City's first major home-grown contribution to blues- rock. The Blues Project had an impact on music that far exceeded their relatively modest record sales. Katz was part of the Blues Project lineup that played the Monterey Pop Festival. Later that same year, with Blues Project bandmate, Al Kooper, Katz founded the original Blood Sweat & Tears. He recorded five albums with the band. Throughout the end of the 1960s and early 70s, Katz performed at countless historic venues including the Fillmore East, and several major rock festivals including Woodstock.
    [Show full text]
  • AVANT-POP 101. Here's a List of Works That Helped to Shape Avant-Pop Ideology and Aesthetics, Along with Books, Albums, Films, T
    Larry McCaffery AVANT-POP 101. Here's a list of works that helped to shape Avant-Pop ideology and aesthetics, along with books, albums, films, television shows, works of criticism, and other cultural artifacts by the Avant-Pop artists themselves, in roughly chronological order. PRECURSORS: The Odyssey (Homer, c. 700 B.C.). Homer's The Odyssey had it all: a memorable, larger-than-life super-hero (Ulysses); a war grand enough that its name alone (Trojan) is still used to sell condoms; descriptions of travels through exotic places; hideous bad-guys (like the Cyclops) and bad gals (Circe); an enduring love affair (Penelope); a happy ending. Commentators have long regarded The Odyssey as Western literature's first epic and masterpiece. What hasn't been noted until now, however, is that its central features—for instance, its blend of high seriousness with popular culture, a self-conscious narrator, magical realism, appropriation, plagiarism, casual blending of historical materials with purely invented ones, foregrounding of its own artifice, reflexivity, the use of montage and jump cuts—also made it the first postmodern, A-P masterpiece, as well. Choju giga (Bishop Toba, 12th century). Choju giga—or the "Animal Scrolls," as Toba's work is known—was a narrative picture scroll that portrayed, among other things, Walt Disney-style anthropomorphized animals engaged in a series of wild (and occasionally wildly erotic) antics that mocked Toba's own calling (the Buddhist clergy); in its surrealist blend of nightmare and revelry, Toba Choju giga can rightly be said to be the origins not only of cartoons but of an avant-pop aesthetics of cartoon forms that successfully serve "serious" purposes of satire, philosophical speculation and social commentary.
    [Show full text]
  • ).1Ar..R. O UT ETTE
    ISSUE 256 A i t u sFEBRUARY 26, 1979 ..).1Ar..R. O UT ETTE ho signed these guys?" into the production of erstwhile That's the time-honored gospel singer Mavis Staples's W response to much of the solo albu m — which brings up a music that comes pouring out of major A&R problem. the vinyl pipelines each month, "If you're doing black music and anyone who's ever received, today and it's not disco," Wexler say, a fresh-pressed Jobriath says, "you've got a hell of a albu m in the mail can surely problem on your hands. I mean, sympathize. so many doors seem to be closing In an effort to throw some light on the artist & repertoire Meaning radio? Exactly: "It's business — that process by almost a cliche. Everything's so which artists are sought out, formularized; there's no more signed, and ultimately marketed inn free-form, there's no place to go, — Walrus conducted a survey of there's no underground. And of key major-label A&R personnel course a very terrible thing to on both coasts. How do they deal with is the virtual Coventry perceive their job? What are that black music has been put their special problems in into by FM radio — by the world, evaluating new talent? What I mean. Sure it's demographics, does the public want? How does and its the advertisers and radio help — or hinder — them? people playing safe. But if this The answers were illu minating, isn't another reversion to racism to say the least.
    [Show full text]
  • U.S. Postal Service: New Canton Post Office Is ' Done Deal '
    P\vnio*itn District y - V . I M S .Mmn Strm _ Hytfftoath, MI 48170-1687- 7 5 < t Crier Vol. 23 No. 12 ©PCCC Inc. 223 S. Main Street April 24, 1996 -M y m o u th r M i m i T m T o p t a p p e r U.S. Postal Service: New Canton post office is ‘ done deal ’ BY BOB KIRKBRIDE r— Following years of lobbying, V - y. % phone calls and negotiation, ^ US. POSTAGE Canton is finally? getting a post office of its own. , Canton officials are guarded­ * 0.32 ? ly optimistic about the new post /ssO fflj office. It wouldn’t be the first time Canton’s plans for a full service postal branch of its own were dashed at the last minute. Construction on the proposed Canton post office is But Lou Eberhardt, spokesper­ expected to begin in 1997. (Crier illustration by son for the U.S. Postal Service Brandy Sereno) Chicago District said the project Canton Supervisor Tom Yack. “It will be is a “done deal.” placed where it will best serve the com­ Eberhardt said the Canton post office munity. W e’re looking' at the Canton would be the first funding priority for Center corridor between Cherry Hill and 1997. The post office will be full service Warren roads. That site seems to make with retail sales and postal delivery routes the most sense.” from the site. It’s been a long road for the many Canton Clerk Terry Bennett said the Canton residents, administration and gov­ original plans for the Canton post office ernment officials who have gone to bat to were expanded to reflect the growth in secure a full service post office for the the community and are in postal officials’ community.
    [Show full text]
  • B I O G R a P H Y B I O G R a P H Y
    B I O G R A P H Y B I O G R A P H Y T H E A S I D E S 1 The High Reel 2.43 2 Dearg Doom 3.06 3 More Than You Can Chew* 3.09 4 Nighttown Boy** 3.10 5 King Of The Fairies 3.21 6 (If That’s What You Want) That’s What You Get** 4.56 7 Warm Sweet Breath Of Love 3.27 8 The Power And The Glory* 4.00 9 Speed The Plough 3.32 10 The Man Who Built America 3.39 11 Loneliness 4.19 T H E B S I D E S 12 Furniture 5.13 13 The Shamrock Shore 4.35 14 Faster Than The Hound 5.39 15 We Bring The Summer With Us 2.30 16 Sunburst 4.37 17 The Snakes’ Farewell To The Emerald Isle 5.32 18 King Of Morning, Queen Of Day 4.32 19 Sir Festus Burke 2.18 20 Bridge From Heart To Heart 2.50 21 Red River Rock (live) 1.49 22 Long Weekend 3.39 23 Homesick 4.05 3 & 8 are original single remixes * 4 & 6 are original single edits ** 3, 4, 8, 19, 20 & 21 previously unreleased on CD 2 One of the greatest and most important bands ever to come out of Ireland, Horslips pioneered a whole new style of music: Celtic Rock, a fusion of traditional music and powerful, electric rock’n’roll, packed with melodic hooks and virtuosity. Founded in 1970, Horslips released 12 genre-dening albums and toured relentlessly through out Ireland, the UK, Europe and North America over their original 10 year career.
    [Show full text]
  • Blood Sweat and 3 Years Album Zip Download Blood Sweat and 3 Years Album Zip Download
    blood sweat and 3 years album zip download Blood sweat and 3 years album zip download. Artist: Cash Cash Album: Blood, Sweat and 3 Years Released: 2016 Style: Powerpop. Format: MP3 320Kbps. Tracklist: 01 – How To Love 02 – Broken Drum 03 – Millionaire 04 – Hero 05 – Devil 06 – Aftershock 07 – The Gun 08 – Turn 09 – Escarole 10 – Lightning 11 – Arrows In The Dark 12 – We Will Live 13 – Bada Boom 14 – Take Me Home 15 – Sweat 16 – Surrender. DOWNLOAD LINKS: RAPIDGATOR: DOWNLOAD HITFILE: DOWNLOAD. Blood, Sweat & Tears 3. Blood, Sweat & Tears had a hard act to follow in recording their third album. Nevertheless, BS&T constructed a convincing, if not quite as impressive, companion to their previous hit. David Clayton-Thomas remained an enthusiastic blues shouter, and the band still managed to put together lively arrangements, especially on the Top 40 hits "Hi-De-Ho" and "Lucretia Mac Evil." Elsewhere, they re-created the previous album's jazzing up of Laura Nyro ("He's a Runner") and Traffic ("40,000 Headmen"), although their pretentiousness, on the extended "Symphony/Sympathy for the Devil," and their tendency to borrow other artists' better-known material (James Taylor's "Fire and Rain") rather than generating more of their own, were warning signs for the future. In the meantime, BS&T 3 was another chart-topping gold hit. BLOOD, SWEAT & TEARS. BLOOD SWEAT & TEARS Blood, Sweat & Tears ratings distribution. BLOOD SWEAT & TEARS Blood, Sweat & Tears reviews. Collaborators/Experts Reviews. History has not been as kind as it might, and arguably should, have been to Blood Sweat and Tears.
    [Show full text]
  • National Endowment for the Arts Annual Report 1976
    1976 Annual Report National Endowment National Council ior the Arts on the Arts National Endowment National Council 1976 on the Arts Annual Report tor the Arts National Endowment for the Arts Washington, D.C. 20506 Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended June 30, 1976, and the Transition Quarter ended September 30, 1976. Respectfully, Nancy Hanks Chairman The President The White House Washington, D.C. April 1976 Contents Chairman’s Statement 4 Organization 6 National Council on the Arts 7 Architecture ÷ Environmental Arts 8 Dance 20 Education 30 Expansion Arts 36 Federal-State Partnership 50 Literature 58 Museums 66 Music 82 Public Media 100 Special Projects 108 Theatre 118 Visual Arts 126 The Treasury Fund 140 Contributors to the Treasury Fund, Fiscal Year 1976 141 History of Authorizations and Appropriations 148 Financial Summary, Fiscal Year 1976 150 Staff of the National Endowment for the Arts 151 Chairman’s Statement In recognition of the great value to the public of the cans felt the arts to be essential to the quality of life for country’s arts, artists, and cultural institutions, the National participation, many cultural institutions face mounting themselves and their children. Similar attitudes have been gaps between costs and earnings which must be filled by Endowment for the Arts was established in 1965 to help expressed in resolutions of the National Association of to strengthen the arts professionally and to ensure that additional contributions.
    [Show full text]
  • Ebony Hillbillies Series Concert; Community Church, 7:30Pm ☺ Note Changed Date 10 Sat Chantey Sing at Seamen’S Church Institute, 8Pm 12 Mon NYPFMC Exec
    Folk Music Society of New York, Inc. February 2007 vol 42, No.2 February 2-4 Winter Folk Music Weekend--call 718-549-1344 (after 11am) to see if space is still available. See p.3. 4 Sun Sea Music: Deirdre & Sean Murtha +NY Packet; 3pm, South Street Seaport. 7WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 6:30pm. 12 Mon NYPFMC Exec. Board Meeting 7:15pm location tba. 17 Sat Chantey Sing at Seamen’s Church Institute, 8pm. 18 Sun Sacred Harp Sing at St. Barts: 2:30pm. 25 Sun Gospel and Sacred Harp Sing in Queens, 3pm 28 Wed Newsletter Mailing, 7pm; in Jackson Heights ( Queens). March 4 Sun Sea Music: NY Packet+ Johnson Girls; 3pm, South Street Seaport 7WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 6:30pm 9 Fri Ebony Hillbillies series concert; Community Church, 7:30pm ☺ Note Changed Date 10 Sat Chantey Sing at Seamen’s Church Institute, 8pm 12 Mon NYPFMC Exec. Board Meeting; 7:15pm location tba 18 Sun Sacred Harp Sing at St. Barts: 2:30pm 31 Sat Arthur Sherry house concert in Manhattan Details next pages; ☺= free to members Table of Contents Society Events details ...........2-3 Calendar Listings..................10 From The editor .................... 3 Repeating Events ..................12 Folk Music Society Info .......... 4 Calendar Location Info ...........19 Topical Listing of Events ......... 5 30 Years Ago ......................22 Ebony Hillbillies flyer ............. 7 ads ...................................22 CD & Eisteddfod Reviews .....6-8 Pinewoods Hot Line ..............23 Membership Form ................24 Ebony Hillbillies Friday, March 9 7:30pm at the Community Church reserve on-line: www.folkconcert2.eventbrite.com - 1 - SEA MUSIC CONCERTS; Sundays, Feb.4 & Mar.
    [Show full text]