blood sweat and 3 years album zip download Blood sweat and 3 years album zip download. Artist: Cash Cash Album: Blood, Sweat and 3 Years Released: 2016 Style: Powerpop. Format: MP3 320Kbps. Tracklist: 01 – How To Love 02 – Broken Drum 03 – Millionaire 04 – Hero 05 – Devil 06 – Aftershock 07 – The Gun 08 – Turn 09 – Escarole 10 – Lightning 11 – Arrows In The Dark 12 – We Will Live 13 – Bada Boom 14 – Take Me Home 15 – Sweat 16 – Surrender. DOWNLOAD LINKS: RAPIDGATOR: DOWNLOAD HITFILE: DOWNLOAD. Blood, Sweat & Tears 3. Blood, Sweat & Tears had a hard act to follow in recording their third album. Nevertheless, BS&T constructed a convincing, if not quite as impressive, companion to their previous hit. David Clayton-Thomas remained an enthusiastic blues shouter, and the band still managed to put together lively arrangements, especially on the Top 40 hits "Hi-De-Ho" and "Lucretia Mac Evil." Elsewhere, they re-created the previous album's jazzing up of Laura Nyro ("He's a Runner") and Traffic ("40,000 Headmen"), although their pretentiousness, on the extended "Symphony/Sympathy for the Devil," and their tendency to borrow other artists' better-known material (James Taylor's "Fire and Rain") rather than generating more of their own, were warning signs for the future. In the meantime, BS&T 3 was another chart-topping gold hit. BLOOD, SWEAT & TEARS. BLOOD SWEAT & TEARS Blood, Sweat & Tears ratings distribution. BLOOD SWEAT & TEARS Blood, Sweat & Tears reviews. Collaborators/Experts Reviews. History has not been as kind as it might, and arguably should, have been to Blood Sweat and Tears. In their day, they made some of the most exciting progressively influenced jazz rock ever. Their greatest asset was the wonderful voice of David Clayton- Thomas, but there was far more to the band than simply a voice and a brass section. Confusingly, this self titled release was actually the band's second album. By this time, Al Kooper had already left the band (he was invited to leave), his keyboards duties being assumed by the multi-talented Dick Halligan. Clayton-Thomas, who was not present on the first album, makes his debut here. The album opens with a brief interpretation entitled "Variations on a theme by Eric Satie", taken from his "Trois Gymnopedies". This offers a misleadingly classical hint before the brass kicks in to introduce an upbeat cover of Traffic's "Smiling phases". Here, Clayton-Thomas makes an immediate impression, his gruff tones carrying the song to an altogether higher level. Steve Katz gets a rare shot at centre stage providing lead vocal on the lilting "Sometimes in winter". His voice is pleasant but far less distinctive, giving the song a mellow, west coast feel. Clayton-Thomas soon returns though with a couple of magnificently powerful pieces "More and more" and Laura Nyro's "And when I die". The former features some fine guitar work by Katz, while the latter has a noticably more intricate structure. Side one closes with a joyful interpretation of Billie Holiday's "God bless the child". Just when the track appears to have ended, a wonderful impromptu jam bursts forward. "Blood Sweat and Tears" enjoyed significant chart success, due almost entirely to the inclusion of what are arguably the band's best known songs. "Spinning wheel" and "You made me so very happy" may have been huge hit singles, but that in no way diminishes the quality of the product. Indeed, there is a surprising jazz core and degenerated ending to "Spinning wheel" which belies its status as a single at all. If Vanilla Fudge showed how a simple pop song could be transformed into a heavy anthem, BS&T similarly showed how a brass/jazz interpretation could be used equally effectively. "You've made me so very happy" may have started out as a soul standard, but here it becomes one of the late 60's most enduring works. Interestingly, the arrangement here was reportedly by the departed Al Kooper. The 11+ minute "Blues-Part2" may at first appear to be the prog core of the album, but it is in reality a relatively weak piece of indulgence or perhaps padding. The mini-suite opens with some stimulating organ work, which is linked through some phasing and a brief brass burst to an unnecessary bass and drum interlude, which in turn leads into a jazzy sax solo. Bizarrely, the bass then picks out the main theme to Cream's "Sunshine of your love", which the rest of the band then pick up on in fanfare fashion before Clayton-Thomas brings things to a more orthodox conclusion with a bluesy vocal. The album closes with a reprisal of Satie's "Trois Gymnopedies". In retrospect, if "Blues part 2" was indeed intended as filler on the album, it was unnecessary, the album running for a reasonable length even without it. The track does have its merits, which become more apparent after a number of listens. It is however at odds with the instant accessibility of the rest of the album. "Blood sweat and tears" is unjustly forgotten in the history of rock. It laid the foundations for many of the jazz prog bands who followed, and indeed in a wider context in contributed significantly to the general progression in music in the early 1970's. If you are looking for a place to start with Blood Sweat and Tears, this is undoubtedly their finest work. With a drawn front artwork and a cheap psych rear-sleeve artwork, BS&T is book-ended by the group's rendition of Satie's theme of Three Gymnopedias and even if impressive in its overture, it doesn't help making this album as a unit much. Among the covers are Traffic's Smiling Phases, a correct rendition, but I prefer the original, even with the daring mid-section brass work, or Nyro's disastrous but #2 hit And When I Die (she was thought of the lead singer and even rehearsed with the group) and an interesting version of More And More, one of the album's highlights. Amongst the other hits with the public and airwaves were the ambitious but over-cheesy version of Billie Holiday's God Bless The Child, the ambitious but overtly-cheesy Motown classic Made Me So Very Happy (I would've loved Vanilla Fudge deconstructing/destroying this one) and of course their own Spinning Wheel. Among the originals is the correct but unremarkable Katz-penned Sometimes In Winter, the absolutely ugly and overblown, but hugely successful Spinning Wheel (this track always rubbed me the wrong way, despite Colomby's excellent drumming) and Blues - Part II, which is mostly a space for the musicians to blow up steam and despite the drum solo, it's my fave track onto this album. If you thought a good part of BS&T's debut lacked cohesiveness, wait until you get to their second album, despite the book-ending, it's absolutely only a collection of unconnected songs, making the album's listen arduous and nevertheless sometimes challenging. Still a worthy album, despite it being a monstrous seller. I�m not a big fan of jazz rock or brass driven bands like this, but you have to be deaf not to see their talent and skill. Most important,. they play SONGS and play it greatly. Well, with one exception, the group�s 11 minute jam Blues-Part II. Typical of the period, but still interesting anyway. I loved their versatily of tackiling so many different styles and doing that so well. the cover of Traffic Smiling Phases is absolutely awesome! The slow ballad Sometimes In Winter is another good surprise. Amazingly is very well sung, even though is the only track that is nor perfomed by the great David Thomas Clayton. Guitarrist David Kats does a fine job here (granted: the tune is not too demanding, but his voice here is warm and convincing). More And More is also a highlight. The only flaw I saw here was an overlong and not very good version of Billie Holliday�s classic God Bless The Child, but that�s just my personal taste. After just a few spins I was completely taken by this CD. The combination of the band�s instrumental prowness. creative arrangements and Clayton�s terrific, soulful delivering was a rare breed indeed. I don�t know if the following albums were that good (probably not), but this one is a masterpiece in its genre, whatever it is. As a prog site goes I wouldn�t go as far as giving it five stars. Still, an essential addition to any prog rock music collection for its boldness. greatness and groundbreaking status. Whereas Chicago were a rock band with heavy jazz influences interspersed with R&B, classical and psych, and all of those styles meshed together well in highly original tunes, BST has mostly covers and adaptations here that are more jazz-pop with slightly haphazard minglings with classical, blues, rock, and even can show off some Broadway flair. Some of the tunes have quite desirable melodies that good pop has in the form of ''And When I Die'', ''You Make Me So Very Happy'' and ''More and More''. The hitch is that David Clayton-Thomas is singing, and unlike Kath's warm rasp, Clayton-Thomas sings like he's trying too hard to hit high notes he simply cannot hit. The horn section picks up that flaw. The self-titled album is too hit and miss all over the place. Whatever magic befell on the better poppier tracks never happened on ''Spinning Wheel'' and ''Sometimes in Winter''. The band can get a bit too humdrum and can never spark amazement like their rivals can. Even on three star albums, Chicago can really get some pizazz going to make me forget about other flaws (until review time). ''Blues Part II'' is the huge elephant in the room that lingers on a jam for too long (and references without credit Cream's ''Sunshine of Your Love''; doesn't work in a jazz-pop context) and pales in comparison to ''Liberation''. If you love jazz-rock, get Chicago's first, second and seventh albums, and if you want ''More and More'', seek out this. Not that shabby, but you won't remember half the album five minutes later. Keeping in mind that this observation was released before 'jazz rock' was truly solidified as a genre by innovators like Miles Davis, Chicago, and Frank Zappa (all of whom released some of their biggest contributions to the style in 1969), it's quite surprising how innovative Blood, Sweat & Tears is. Although the album rarely deviates into extended jams that characterized jazz-rock classics like In a Silent Way or Hot Rats , Blood, Sweat & Tears does exhibit a unique mix of brass and electric instrumentation, the raw power of rock music, and the instrumental prowess of jazz. Whereas Frank Zappa approached jazz rock from the 'rock' side of things and Miles Davis approached the genre from the 'jazz' side, Blood, Sweat & Tears approaches the genre from a more pop-oriented perspective. Whilst the band's style is not very commercial by today's standards, this is an album characterized by memorable hooks and unforgettable melodies - although there's much more to Blood, Sweat & Tears than simple pop choruses, the band manages to brilliantly incorporate melodic hooks into their style without sounding forced. Although a very small amount of the music here was actually composed by the band (which is a minor turn-off for me), the song selection is top- notch and the performances are flawless. The brass arrangements complement the music perfectly, and the 'main' band is exceptional as well - lead singer David Clayton-Thomas especially deserves a shout out, as his warm tone and exciting delivery is a big part of what makes this album so enjoyable. The album is also quite diverse, sporting everything from the excellent ballad "You've Made Me So Very Happy" to extended jam sections in "Blues - Part II". While it does work really well for the most part, there is a bit of inconsistency in the quality of the songs ("And When I Die" is nowhere on par with the best the album has to offer), and the observation's high points can leave the listener a bit unsatisfied by its less impressive portions. That said, however, Blood, Sweat & Tears is an excellent album in nearly every sense of the word, and a true joy to listen to. This is one of those records that always manages to put me in a good mood - whether it be the emotional melodies, funky instrumentation, or brilliant jamming sections, listening to this album is just a hell of a lot of fun in virtually any scenario. While it may not be entirely without its faults, Blood, Sweat & Tears is still an invigorating classic that deserves to be heard by every music lover. . which is a testimony to how open minded listeners, radio stations and labels were in those days. There are definitely some mainstream oriented material on the album, but to my ears this is predominantly a semi-progressive jazz rock album and at times a fairly challenging one at that. Blood, Sweat & Tears have further developed on the brass rock sound of their debut album (which also included strong elements of r�n�b, classical music and mainstream pop) and added more jazz elements and at times progressive elements like complex songstructures and strong classical music leanings. Apparently this adventurous fusion of music styles went down well with the music listeners in 1968. I love the fact that those listening to the album back then (and with 4 million copies sold I assume that some of them weren�t necessarily accustomed to more adventurous music) could actually embrace such a diverse and relatively complex album. Just take a listen to the three opening tracks on the album to get an idea of how diverse this album is. The opening track "Variations On A Theme By Erik Satie (1st and 2nd Movements, Adapted from "Trois Gymnopedies")" is a classical piece, "Smiling Phases" is a progressive jazz rock tune and "Sometimes In Winter" is a more mellow and pop oriented track. Brass are omnipresent throughout the album and define the band�s (at the time) unique sound. New lead vocalist David Clayton- Thomas is a more raw sounding vocalist than Al Kooper , and as a result the music on the album features slightly more edge, than the case was on the debut album. "Blood, Sweat & Tears" is one of the first albums recorded on a 16-track recorder, in a time when 4- and 8-track recorders were the norm. And it�s audible. Not that the debut album didn�t feature a professional and well sounding production, but this sound production is even more detailed and well sounding. All in all "Blood, Sweat & Tears" is a step up from the debut album in every department and also a very strong release on it�s own merits. A 4 star (80%) rating is deserved. Latest members reviews. I'm honestly not sure why this album hasn't received more attention on PA, given how important it was to the development of jazz fusion. That said, "proto prog" might be a better way to refer to this album, as it's a little more focused on R&B and country than your average jamfest. In truth, t . (read more) BS&T found their success with this one. They had three hits, which were: "You Made Me so Very Happy," "And when I Die," and "Spinning Wheel." The last song being one of my favorites. I like most of the album. At the time it was a fresh and exciting sound that I wanted to keep hearing. Later, I wo . (read more) Post a review of BLOOD SWEAT & TEARS "Blood, Sweat & Tears" You must be a forum member to post a review, please register here if you are not. MEMBERS LOGIN ZONE. As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums. You are not logged, please complete authentication before continuing (use forum credentials). Blood, Sweat & 3 Years. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £13.99. Blood, Sweat & 3 Years. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then £14,99/ month. Ilsey Juber, Writer - Alexander Makhlouf, Writer - Jean Paul Makhlouf, Writer - Jenn Decilveo, Writer - Cash Cash, Producer, Mixer, Masterer, MainArtist - Samuel Warren Frisch, Writer - Sofia Reyes, FeaturedArtist. © 2016 Big Beat Records, Inc. for the United States and WEA International Inc. for the world outside of the United States except for Millionaire which is 2016 Tim & Danny Music, LLC under exclusive license to Big Beat Records, Inc. for the United States a ℗ 2016 Big Beat Records Inc. Alexander Makhlouf, Writer - Jean Paul Makhlouf, Writer - Fitz & the Tantrums, FeaturedArtist - Michael Fitzpatrick, Writer - Cash Cash, Producer, Mixer, Masterer, MainArtist - Samuel Warren Frisch, Writer. © 2016 Big Beat Records, Inc. for the United States and WEA International Inc. for the world outside of the United States except for Millionaire which is 2016 Tim & Danny Music, LLC under exclusive license to Big Beat Records, Inc. for the United States a ℗ 2016 Big Beat Records Inc. Etterlene Jordan, Writer - Eldra DeBarge, Writer - Cornell Haynes, Jr., Writer - Jason Epperson, Writer - Nelly, FeaturedArtist - Alexander Makhlouf, Writer - Jean Paul Makhlouf, Writer - Cash Cash, Producer, Mixer, Masterer, MainArtist - Samuel Frisch, Writer - Digital Farm Animals, Producer, MainArtist - Lavell Webb, Writer - Nicholas Gale pka Digital Farm Animals, Writer. © 2016 Big Beat Records, Inc. for the United States and WEA International Inc. for the world outside of the United States except for Millionaire which is 2016 Tim & Danny Music, LLC under exclusive license to Big Beat Records, Inc. for the United States a ℗ 2016 Tim & Danny Music, LLC under non-exclusive license to WEA International for the world outside of the United States and Canada. Blood, Sweat & 3 Years. Get notified on all the latest Music, Movies and TV Shows. With a unique loyalty program, the Hungama rewards you for predefined action on our platform. 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