The Wall of Lies
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The Wall of Lies
The Wall of Lies Number 142 Newsletter established 1991, club formed June first 1980 The newsletter of the South Australian Doctor Who Fan Club Inc., also known as SFSA MFinal STATE Adelaide, May--June 2013 WEATHER: Cold, wet, some oxygen Free Austerity Budget for Rich, Evil by staff writers Australian budget mildly inconvenient for terrible people. The Tuesday 14 May 2013 federal Australian budget has upset miners, their friends and well wishers around the world. Miners have claimed $11 billion in tax breaks, largely for purchasing smaller companies who have spent on exploration. Across Europe, countries suffering severe austerity cuts have looked beyond their own suffering to reach out to the maggots unable to use this scam any more. In Cyprus a protest march of malnourished children wound its way through Nicosia, Greeks self immolated and an ensemble of Latvians showed solidarity by playing The Smallest Violins In The World. “Come on, what else are you going to do with the rocks? Leave them in the ground until someone who’s O ut willing to pay to dig them up comes along?” asked a t N An untended consequence of No bloated mining executive. ow the severe budget involves pets ! unable to afford faces. But then apparently choked on their own bile. BBC/ABC Divorce, Dr Who Love Child by staff writers BBC cancels ABC contract, Doctor Who excluded. News broke on 17 April 2013 via a joint BBC/Foxtel press release that BBC Worldwide (formerly BBC Enterprises) had decided to Chameleon Factor # 80 finish its output deal with the ABC when the current three year O contract expires mid-2014. -
THE CRIMSON HORROR.Fdr
(Name of Project) by (Name of First Writer) (Based on, If Any) Revisions by (Names of Subsequent Writers, in Order of Work Performed) Current Revisions by (Current Writer, date) Name (of company, if applicable) Address Phone Number 1 INT. MRS GILLYFLOWER’S HOUSE. PARLOUR. DUSK. 1 The crashing chords of a pipe organ. Someone is bashing out the tune of a grim and worthy hymn. We’re in a large, red- walled room, suffocating in Victorian bric-a-brac. Track past a series of strange still-lifes. Those oddly disturbing Victorian tableaux - colourful birds stuffed and arranged on twigs, surrounded by artificial flowers and under big glass bell-jars. Gas-light glints in the creatures’ beady glass eyes. The playing stops and a woman rises from the organ. We don’t see her face as she runs her hand over the line of bell-jars. MRS GILLYFLOWER Like pretty maids all in a row. She makes a gentle cooing. Then there’s another sound. A strangely horrible gurgling. Like a contented baby. A door opens behind the woman, framing a black-bonneted silhouette. CUT TO: 2 INT. MILL. SPIRAL STAIRCASE. DUSK. 2 Tap, tap, tap. A white cane clatters away as a pair of neat little feet ascend a darkened, spiral staircase. The staircase finally ends in a door, padded with old, stained green baize. Fumbling, lace-gloved female hands flutter around the bottom of the door, eventually locating a sort of cat-flap. The hands push through a bowl of grisly-looking food. From the other side of the door comes the sound of heavy, ragged breathing. -
Scuttlebutt from the Spermaceti Press 2021
Jan 21 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) did not gather in New York to celebrate the Great Detective’s 167th birthday this year, but the somewhat shorter long weekend offered plenty of events, thanks to Zoom and other modern technol- ogy. Detailed reports will be available soon at the web-site of The Baker Street Irregulars <www.bakerstreetirregulars.com>, but here are few brief paragraphs to tide you over: The BSI’s Distinguished Speaker on Thursday was Andrew Lycett, the author of two fine books about Conan Doyle; his topic was “Conan Doyle’s Questing World” (and close to 400 people were able to attend the virtual lecture); the event also included the announcement by Steve Rothman, editor of the Baker Street Journal, of the winner of the Morley-Montgomery Award for the best article the BSJ last year: Jessica Schilling (for her “Just His Type: An Analysis of the Découpé Warning in The Hound of the Baskervilles”). Irregulars and guests gathered on Friday for the BSI’s annual dinner, with Andrew Joffe offering the traditional first toast to Nina Singleton as The Woman, and the program continued with the usual toasts, rituals, and pap- ers; this year the toast to Mrs. Hudson was delivered by the lady herself, splendidly impersonated by Denny Dobry from his recreation of the sitting- room at 221B Baker Street. Mike Kean (the “Wiggins” of the BSI) presented the Birthday Honours (Irregular Shillings and Investitures) to Dan Andri- acco (St. Saviour’s Near King’s Cross), Deborah Clark (Mrs. Cecil Forres- ter), Carla Coupe (London Bridge), Ann Margaret Lewis (The Polyphonic Mo- tets of Lassus), Steve Mason (The Fortescue Scholarship), Ashley Polasek (Singlestick), Svend Ranild (A “Copenhagen” Label), Ray Riethmeier (Mor- rison, Morrison, and Dodd), Alan Rettig (The Red Lamp), and Tracy Revels (A Black Sequin-Covered Dinner-Dress). -
Doctor Who Party
The Annual DoctorCostume ComparisonWho Gallery Party Tim Harrison, Sr. as the 4th Doctor and Eric Stein as Captain Jack Harkness Jim Martin as the 9th Doctor Sarah Gilbertson as Raffalo (The End of the World) Esther Harrison as Harriet Jones (The Christmas Invasion) Karen Martin as Rose Tyler Jesse Stein as the 10th Doctor Katie Grzebin as Novice Hame (New Earth) Timothy Harrison, Jr. as the 10th Doctor and Lindsay Harrison as Rose Tyler (Tooth and Claw) JoLynn Graubart as Martha Jones and Matt Graubart as a Weeping Angel (Blink) Andrew Gilbertson as Prof. Yana (Utopia) Kayleigh Bickings as Lady Christina (Planet of the Dead) Joe Harrison as a Whifferdill (taking the form of Joe Harrison) (DWM: Voyager) 4, 9, 10, and everyone’s favorite Canine Computer... A bowl of Adipose... No substitute for a sonic blaster, but the 9th and 10th are fans... HOME 2010 The Annual DoctorCostume ComparisonWho Gallery Party Andrew Gilbertson as the 1st Doctor Hayley as a Dalek Camryn Bickings as ...Koquillion? (The Rescue) Timothy Harrison, Jr. as the 5th Doctor Jim Martin as the 9th Doctor Esther Harrison as Sarah Jane Smith BJ Johnson as a Weeping Angel (Blink) Sarah Gilbertson as Lucy Saxon (Last of the Time Lords) Katie Grzebin as Jenny (The Doctor’s Daughter) Karen Martin as the Visionary (The End of Time) Eric Stein as the post-regeneration 11th Doctor (The Eleventh Hour) Joe Harrison as the 11th Doctor Lindsay Harrison as Liz 10 (The Beast Below) JoLynn Graubart as Amy Pond and Matt Graubart as Rory the Roman (The Pandorica Opens) HOME 2009 2011 The Annual DoctorCostume ComparisonWho Gallery Party Andrew Gilbertson as the 2nd Doctor Joe Harrison as Jamie McCrimmon Timothy Harrison, Jr. -
ARTHUR AROHA KAMINSKI DA SILVA.Pdf
UNIVERSIDADE FEDERAL DO PARANÁ ARTHUR AROHA KAMINSKI DA SILVA UM OCEANO DE HESITAÇÕES: AS CONSTITUIÇÕES DO EU E DO FANTÁSTICO EM O OCEANO NO FIM DO CAMINHO DE NEIL GAIMAN. CURITIBA 2018 ARTHUR AROHA KAMINSKI DA SILVA UM OCEANO DE HESITAÇÕES: AS CONSTITUIÇÕES DO EU E DO FANTÁSTICO EM O OCEANO NO FIM DO CAMINHO DE NEIL GAIMAN. Dissertação apresentada ao Programa de Pós- Graduação em Letras, do Setor de Ciências Humanas da Universidade Federal do Paraná (PPGL/UFPR), como requisito parcial à obtenção do título de Mestre em Letras na área de Estudos Literários. Orientador: Prof. Dr. Alexandre André Nodari. CURITIBA 2018 FICHA CATALOGRÁFICA ELABORADA PELO SISTEMA DE BIBLIOTECAS/ UFPR COM OS DADOS FORNECIDOS PELO (A) AUTOR(A) BIBLIOTECA DE CIÊNCIAS HUMANAS BIBLIOTECÁRIO: RITA DE CÁSSIA ALVES DE SOUZA – CRB-9/ 816 Silva, Arthur Aroha Kaminski da. Um oceano de hesitações : as constituições do eu e do fantástico em O oceano no fim do caminho de Neil Gaiman / Arthur Aroha Kaminski da Silva. – Curitiba, 2018. 263 f. Dissertação (Mestrado) – Universidade Federal do Paraná. Setor de Ciências Humanas, Programa de Pós-Graduação em Letras. Orientador: Prof. Dr. Alexandre André Nodari. AGRADECIMENTOS Esta dissertação foi escrita em dois lugares, e consequentemente foi influenciada por diversas pessoas e seres aos quais devo agradecer. Uma primeira parte das ideias aqui contidas foi discutida e produzida nas cercanias de um edifício que frequento desde que tinha cinco anos, e ao qual, de tempos em tempos, sempre pareço voltar: a reitoria da UFPR, no centro de Curitiba, capital paranaense. Este curioso espaço, com seus numerosos e congelantes corredores de pedra, seus excêntricos frequentadores, suas inconfundíveis e intermináveis rampas, e seu aprazível pátio onde se praticam obscuros esportes, sempre se constituiu para mim como uma espécie de segunda casa, e eu posso afirmar, sem sombra de dúvidas, de que foi lá que, em grande medida, eu cresci. -
Orthia & Morgain 2016 the Gendered Culture of Scientific Competence
CULTURE OF SCIENTIFIC COMPETENCE 1 The Gendered Culture of Scientific Competence: A Study of Scientist Characters in Doctor Who 1963-2013 Lindy A. Orthia and Rachel Morgain The Australian National University Author Note Lindy A. Orthia, Australian National Centre for the Public Awareness of Science, The Australian National University; Rachel Morgain, School of Culture, History and Language, College of Asia and the Pacific, The Australian National University. Thanks to Emlyn Williams for statistical advice, and two anonymous peer reviewers for their useful suggestions. Address correspondence concerning this manuscript to Lindy A. Orthia, Australian National Centre for the Public Awareness of Science, The Australian National University, Peter Baume Building 42A, Acton ACT 2601, Australia. Email: [email protected] Published in Sex Roles. Final publication available at Springer via http://dx.doi.org/10.1007/s11199-016-0597-y CULTURE OF SCIENTIFIC COMPETENCE 2 Abstract The present study examines the relationship between gender and scientific competence in fictional representations of scientists in the British science fiction television program Doctor Who. Previous studies of fictional scientists have argued that women are often depicted as less scientifically capable than men, but these have largely taken a simple demographic approach or focused exclusively on female scientist characters. By examining both male and female scientists (n = 222) depicted over the first 50 years of Doctor Who, our study shows that, although male scientists significantly outnumbered female scientists in all but the most recent decade, both genders have consistently been depicted as equally competent in scientific matters. However, an in-depth analysis of several characters depicted as extremely scientifically non-credible found that their behavior, appearance, and relations were universally marked by more subtle violations of gender expectations. -
Doctor Who and the Creation of a Non-Gendered Hero Archetype
Illinois State University ISU ReD: Research and eData Theses and Dissertations 10-13-2014 Doctor Who and the Creation of a Non-Gendered Hero Archetype Alessandra J. Pelusi Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Mass Communication Commons Recommended Citation Pelusi, Alessandra J., "Doctor Who and the Creation of a Non-Gendered Hero Archetype" (2014). Theses and Dissertations. 272. https://ir.library.illinoisstate.edu/etd/272 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. DOCTOR WHO AND THE CREATION OF A NON-GENDERED HERO ARCHETYPE Alessandra J. Pelusi 85 Pages December 2014 This thesis investigates the ways in which the television program Doctor Who forges a new, non-gendered, hero archetype from the amalgamation of its main characters. In order to demonstrate how this is achieved, I begin with reviewing some of the significant and relevant characters that contribute to this. I then examine the ways in which female and male characters are represented in Doctor Who, including who they are, their relationship with the Doctor, and what major narrative roles they play. I follow this with a discussion of the significance of the companion, including their status as equal to the Doctor. From there, I explore the ways in which the program utilizes existing archetypes by subverting them and disrupting the status quo. -
Finery June July August 1St Draft
Greater Bay Area Costumers Guild Volume 13, Number 3 June-July-August 2015 Which Who Are You? ???? All photos courtesy of Jean Martin and Christopher Erickson Tickets for the Doctor Who Who-Dunnit Murder Mystery are on sale now. See The GBACG website for more information Page 2 In This Issue: 50 Plus years of “Doctor Who” Costuming , page 2-Cypress Lawn, page 7 - President’s Letter, page 7 - Editor’s Letter, page 8 – How to Get a Free Decades Of Style Pattern, Page 8- Upcoming Events, Page 9 Finery is the newsletter of the Greater Bay Area Costumers Guild, an educational group dedicated to all aspects of costume and textile arts, and is published bi-monthly. The next deadline for submissions is 8/15/15 If you have any suggestions for articles or topics of interest, please contact the editor, Robin McGann, at [email protected] 50 Plus Years of “Doctor Who” Costuming By Jean Martin and Christopher Erickson “Doctor Who” is a classic, long-running British science fiction show that began in 1963 about a time- traveling alien who regenerates, has adventures, saves the universe and has an affection for the human race. “Doctor Who” has become even more popular since its re-launch in 2005, and you can see fans in costumes from its 50 plus-year run at numerous conventions and events. With more than five decades of characters and episodes to choose from, fans have a wealth of costume inspirations from the 12 Doctors (so far) who mostly wear suits that are either based on various time periods or are whimsical creations. -
Deuses Americanos, De Neil Gaiman
A (des)construção do sujeito: a arqueologia da personagem em Deuses Americanos, de Neil Gaiman The (di)construction of the subject: the archeology of the character in american gods, by Neil Gaiman Ilse Maria da Rosa Vivian1 Guilherme Buzatto2 Resumo: American Gods, é um romance de Neil Gaiman, autor britânico, reconhecido mundialmente pela autoria de HQs e de roteiros para o cinema e para a televisão. Dentre outras produções, Gaiman escreveu o roteiro de dois episódios da série Doctor Who: "The Doctor's Wife" foi transmitido em 2011 durante a sexta temporada da série, e "Nightmare in Silver" foi transmitido em 2013 na sétima temporada. Autor do famoso Sandman, que consiste numa série de HQs que tem como protagonista a personificação do Sonho ou de Morpheus, Gaiman é produtor de obras que transitam pelas vertentes da mitologia antiga e moderna. É o caso de Deus Americanos, cuja saga é vivida pelo misterioso e emblemático protagonista Shadow, um ex-condenado, recém liberto da prisão. Sem noção de sua real identidade, inicia uma série de viagens pelas diversas paisagens americanas, cuja motivação é a busca por aliados para uma guerra que está prestes a acontecer entre deuses antigos e modernos. Ao viver a desventura do mundo contemporâneo, Shadow vai se tornando uma figura complexa: em devir, busca compor-se em meio às fatalidades dos embates de forças opostas, as quais representam o antigo e o novo, o espiritual e o mundano, a sacralidade e a tecnologia. Esses elementos são pano de fundo dos eventos que norteiam (ou que desnorteiam) a narrativa. O choque entre opostos atinge o ápice com o nascimento da pós- modernidade. -
Program Listings” Christopher C
WXXI-TV/HD | WORLD | CREATE | AM1370 | CLASSICAL 91.5 | WRUR 88.5 | THE LITTLE PROGRAMPUBLIC TELEVISION & PUBLIC RADIO FOR ROCHESTER LISTINGSJANUARY 2014 PREMIERES SUNDAY, JANUARY 5 AT 9 P.M. ON WXXI-TV Season 4 of the international hit finds aristocrats coping with last season’s shocking finale. Change is in the air as three generations of the Crawley family have conflicting interests in the estate. Paul Giamatti makes an appearance alongside the beloved returning ensemble, including Dame Maggie Smith, Elizabeth McGovern, Hugh Bonneville, Michelle Dockery, Jim Carter, Joanne Froggatt, guest star Shirley MacLaine and many others. AFTER DOWNTON LIVE SUNDAY, JANUARY 5 & 12 AT 11 P.M. ON WXXI-TV After Downton Abbey be sure to stay tuned for After Downton Live, WXXI’s “post-game” wrap up show. Host Danielle Abramson and special local guests will dissect the episode, invite viewers to share their take on the show by calling (866) 264-5904 or on Twitter using hashtag: #ADLWXXI, and talk about what “buzz” is brewing about the upcoming episode. EVAN DAWSON JANUARY 25 AT THE LITTLE THEATRE DETAILS INSIDE>> JOINS WXXI NEWS DETAILS INSIDE>> 384 East Avenue Inn & Suites Ferrel’s Garage Leary’s Rochester Area Booksellers Association AMC Lowes Webster Ferris Hills at West Lake Legacy Dental Laboratory Rochester Area Community Foundation Accu-Roll Inc. Festa Italia Productions LTD Lento Restaurant Rochester Brainery Advanced Motion Systems Finger Lakes Grassroots Festival LiDestri Foods, Inc. Rochester Broadway Theatre League Alesco Advisors First National Rochester Fringe Festival Lifespan of Greater Rochester Rochester City Ballet Alfred University Fox Run Vineyards Lift Bridge Book Shop Rochester City School District Allendale Columbia School Freed Maxick, CPAs, P. -
Read Book Doctor Who Character Encyclopedia Pdf Free Download
DOCTOR WHO CHARACTER ENCYCLOPEDIA PDF, EPUB, EBOOK DK,Jason Loborik,Annabel Gibson,Moray Laing | 216 pages | 02 Apr 2013 | Dorling Kindersley Ltd | 9781409325710 | English | London, United Kingdom Doctor Who Character Encyclopedia | Tardis | Fandom Main article: Doctor Who spin-offs. Both are Eleventh Doctor episodes. He gains his surname when he returns in the Twelfth Doctor episode, " Deep Breath ". Kennedy's American University speech of 10 June days prior to the episode's 22 November setting ; the episode's cliffhanger end takes place in the early evening of 22 November, at or about the moment of Kennedy's assassination. The Wheel in Space. Doctor Who. The War Games. Doctor Who Magazine Despite only small scenes in " Mummy on the Orient Express " and " Flatline ", he was credited for both. After appearing in ten episodes most significantly in " The Caretaker ", " In the Forest of the Night ", " Dark Water " and " Death in Heaven " , he died in the pre-credit scene of "Dark Water", but he still appeared in the post-credit scenes of the episode, and its follower. The turning point for the finale was when Danny sacrificed himself to save Earth from "Missy" the Master. His name is additionally shown on- screen in a newspaper in " Turn Left ", in which he is reported killed in a Doctor-less version of the events of " Smith and Jones ". The Abominable Snowmen. The Web of Fear. BBC One. Wells is the only named character to appear in all three series, although Anthony Debaeck's unnamed French newsreader does as well, and the TARDIS is heard in all three. -
Doctor Who and the Politics of Casting Lorna Jowett, University
Doctor Who and the politics of casting Lorna Jowett, University of Northampton Abstract: This article argues that while long-running science fiction series Doctor Who (1963-89; 1996; 2005-) has started to address a lack of diversity in its casting, there are still significant imbalances. Characters appearing in single episodes are more likely to be colourblind cast than recurring and major characters, particularly the title character. This is problematic for the BBC as a public service broadcaster but is also indicative of larger inequalities in the television industry. Examining various examples of actors cast in Doctor Who, including Pearl Mackie who plays companion Bill Potts, the article argues that while steady progress is being made – in the series and in the industry – colourblind casting often comes into tension with commercial interests and more risk-averse decision-making. Keywords: colourblind casting, television industry, actors, inequality, diversity, race, LGBTQ+ 1 Doctor Who and the politics of casting Lorna Jowett The Britain I come from is the most successful, diverse, multicultural country on earth. But here’s my point: you wouldn’t know it if you turned on the TV. Too many of our creative decision-makers share the same background. They decide which stories get told, and those stories decide how Britain is viewed. (Idris Elba 2016) If anyone watches Bill and she makes them feel that there is more of a place for them then that’s fantastic. I remember not seeing people that looked like me on TV when I was little. My mum would shout: ‘Pearl! Come and see.