Practicing Nostalgia: Time and Memory in Nabokov's Early Russian Fiction
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Vladimir Nabokov Lolita by John Lennard “There Are No Verbal Obscenities
Literature Insights General Editor: Charles Moseley Vladimir Nabokov Lolita by John Lennard “there are no verbal obscenities ... in Lolita, only the low moans of ... abused pain.” HEB ☼ FOR ADVICE ON THE USE OF THIS EBOOK PLEASE SCROLL TO PAGE 2 Reading t * This book is designed to be read in single page view, using the ‘fit page’ command. * To navigate through the contents use the hyperlinked ‘Book- marks’ at the left of the screen. * To search, click the magnifying glass symbol and select ‘show all results’. * For ease of reading, use <CTRL+L> to enlarge the page to full screen, and return to normal view using < Esc >. * Hyperlinks (if any) appear in Blue Underlined Text. Permissions Your purchase of this ebook licenses you to read this work on- screen. No part of this publication may be otherwise reproduced or transmitted or distributed without the prior written permission of both the copyright owner and the publisher. You may print one copy of the book for your own use but copy and paste functions are disabled. Making or distributing copies of this book would constitute copyright infringement and would be liable to prosecution. Thank you for respecting the rights of the author. ISBN 978-1-84760-073-8 Vladimir Nabokov: ‘Lolita’ John Lennard HEB ☼ Humanities-Ebooks, LLP Copyright © John Lennard, 2008 The Author has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. First published by Humanities-Ebooks, LLP, Tirril Hall, Tirril, Penrith CA10 2JE Contents Preface Part 1. -
AS WE RECALL the Growth of Agricultural Estimates^ 1933-1961 L M Brooks
^t^f.t.i^A^( fk^^^ /^v..<. S AS WE RECALL The Growth of Agricultural Estimates^ 1933-1961 L M Brooks Statistical Reporting s Service U.S. Department of Agriculture Washington, D.C As We Recall, THE GROWTH OF AGRICULTURAL ESTIMATES, 1933-1961 U.S. OEPÎ. or AGRlCUtTURE NATIONAL AGRICULTURAL UBRARY OECIT CATALOGmC PREP E. M. Brooks, Statistical Reporting Service, U.S. Dept. of Agriculture 1977 I FOREWORD The Statistical Reporting Service, as with any organization, needs to know its past to understand the present and appraise the future. Accordingly, our technical procedures are peri- ^odically set forth in ''Scope and Methods of the Statistical Reporting Service," and the agency's early development and program expansion were presented in "The Story of Agricultural Estimates." However, most important are the people who de- veloped this complex and efficient statistical service for agriculture and those who maintain and expand it today. Dr. Harry C. Trelogan, SRS Administrator, 1961-1975, arranged for Emerson M. Brooks to prepare this informal account of some of the people who steered SRS's course from 1933 to 1961. The series of biographical sketches selected by the author are representative of the people who helped develop the per- sonality of SRS and provide the talent to meet challenges for accurate and timely agricultural information. This narrative touching the critical issues of that period and the way they'^ were resolved adds to our understanding of the agency and helps maintain the esprit de corps that has strengthened our work since it started in 1862. Our history provides us some valuable lessons, for "those who cannot remember the past are condemned to repeat it." W. -
Optics, Involution, and Artifice in the Novels and Short Stories of Vladimir Nabokov" (2015)
Bates College SCARAB Honors Theses Capstone Projects Spring 5-2015 Reflections in the Author's Eye: Optics, Involution, and Artifice in the oN vels and Short Stories of Vladimir Nabokov Amelia J. Oliver Bates College, [email protected] Follow this and additional works at: http://scarab.bates.edu/honorstheses Recommended Citation Oliver, Amelia J., "Reflections in the Author's Eye: Optics, Involution, and Artifice in the Novels and Short Stories of Vladimir Nabokov" (2015). Honors Theses. 117. http://scarab.bates.edu/honorstheses/117 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. Reflections in the Author's Eye: Optics, Involution, and Artifice in the Novels and Short Stories of Vladimir Nabokov An Honors Thesis Presented to The Faculty of the Departments of English and Russian Studies Bates College In partial fulfillment of the requirements for the Degree of Bachelor of Arts By Amelia Josephine Oliver Lewiston, Maine March 30, 2015 Table of Contents Introduction ......................................................................................................................... 5 Chapter I: ‘A Bleak Knoll With a Relentless View’ ......................................................... 12 Chapter II: Tracing Reality, Imagination, and Ocular Function ....................................... 44 Chapter III: The Double’s Reflection .............................................................................. -
1 NORTHERN FLICKER MANUSCRIPT REVIEW HISTORY MANUSCRIPT (ROUND 2) Abstract the Extended Self Is Now 25 Years Old. Since It
1 NORTHERN FLICKER MANUSCRIPT REVIEW HISTORY MANUSCRIPT (ROUND 2) Abstract The extended self is now 25 years old. Since it was formulated many technological changes have dramatically affected the way we consume, present ourselves, and communicate. This conceptual update seeks to revitalize the extended self formulation, incorporate the impacts of digitization, and provide a more contemporary understanding of consumer sense of self in today’s technological environment. The final result is necessarily a work in progress, for the digital environment and our behavior within it are rapidly changing. But by sensitizing us to some of the impacts already felt from engaging our digital environment, we should be better prepared to appreciate new directions of change involving the extended self in the future. Seven changes with digital consumption are presented and their impacts on the nature of self and the nature of possessions are developed. Needed modifications and additions to the extended self are outlined and directions for future research are suggested. This document is part of a JCR Manuscript Review History. It should be used for educational purposes only. 2 All this content forms a rich collection that reflects who you are and what you think…When others respond with a comment or retweet, they’re adding value to your collection. As more … photos, … movies, and email messages are created, the entire collection becomes a fuller reflection of you (Carroll and Romano 2011, p. 3). Twenty-five years ago when Belk (1988) presented the concept of the extended self there were already personal computers. But there were no web pages, online games, online searches, virtual worlds, social media, Internet, e-mail, smart phones, MP-3 players, or digital cameras. -
Annotated Edition
ElizabethanDrama.org presents the Annotated Popular Edition of THE PICTURE A TRUE HUNGARIAN HISTORY by Philip Massinger Performed 1629 First Published 1630 Featuring complete and easy-to-read annotations. Annotations and notes © Copyright Peter Lukacs and ElizabethanDrama.org, 2019. This annotated play may be freely copied and distributed. 1 THE PICTURE A True Hungarian History By Philip Massinger Performed 1629 First Published 1630 A Tragecomedie, As it was often presented with good allowance, at the Globe, and Blacke Friers Play-houses, by the Kings Maiesties Servants. DRAMATIS PERSONAE. INTRODUCTION TO THE PLAY The Hungarian Court: The Picture, by Philip Massinger, is a highly entertaining drama-comedy which explores what happens to people who Ladislaus, king of Hungary. are unable or unwilling to control their feelings and Honoria, the queen. affections: unchecked suspicion, embarrassingly Acanthe, maid of honour. unrestrained adoration, and even immoderate lust, all will Sylvia, maid of honour. be repaid. The Picture is likely the only Elizabethan play Ferdinand, general of the army. to take place in Hungary's ancient royal capital, Alba Eubulus, an old counsellor. Regalis, modern Székesfehérvár. Ubaldo, a wild courtier. Ricardo, a wild courtier. NOTES ON THE TEXT Bohemian Characters: The text of The Picture is adopted from Gifford's edition of our play, cited at #16 below, but with some Mathias, a knight of Bohemia. of the 1630 quarto's original spellings restored. Sophia, wife to Mathias. Hilario, servant to Sophia. NOTES ON THE ANNOTATIONS Corisca, Sophia's woman. Julio Baptista, a great scholar. References in the annotations to Gifford refer to the notes supplied by editor W. -
Chronology of Lolita
Chronology of Lolita CHRONOLOGY OF LOLITA This chronology is based on information gathered from the text of Nabokov’s Lolita as well as from the chronological reconstructions prepared by Carl Proffer in his Keys to Lolita and Dieter Zimmer’s online chronology at <http://www.d-e-zimmer.de/LolitaUSA/LoChrono.htm> (last accessed on No- vember 13, 2008). For a discussion of the problems of chronology in the novel, see Zimmer’s site. The page numbers in parenthesis refer to passages in the text where the information on chronology can be found. 1910 Humbert Humbert born in Paris, France (9) 1911 Clare Quilty born in Ocean City, Maryland (31) 1913 Humbert’s mother dies from a lightning strike (10) 1923 Summer: Humbert and Annabel Leigh have romance (11) Autumn: Humbert attends lycée in Lyon (11) December (?): Annabel dies in Corfu (13) 1934 Charlotte Becker and Harold E. Haze honeymoon in Veracruz, Mexico; Dolores Haze conceived on this trip (57, 100) 1935 January 1: Dolores Haze born in Pisky, a town in the Midwest (65, 46) April: Humbert has brief relationship with Monique, a Parisian prostitute (23) Humbert marries Valeria Zborovski (25, 30) 1937 Dolly’s brother born (68) 1939 Dolly’s brother dies (68) Humbert receives inheritance from relative in America (27) Valeria discloses to Humbert that she is having an affair; divorce proceedings ensue (27, 32) xv Chronology of Lolita 1940 Winter: Humbert spends winter in Portugal (32) Spring: Humbert arrives in United States and takes up job devising and editing perfume ads (32) Over next two years -
Nabokov's Speak, Memory As
THE EUROPEAN JOURNAL OF LIFE WRITING VOLUME VIII(2019)28–46 The Memoirist against History: Nabokov’s Speak, Memory as the (re)negotiation of a literary form at the intersection of personal experience and historical narrative Michael Sala University of Newcastle, Australia Abstract: Nabokov’s Speak, Memory is a literary memoir that negotiates the relationship between history and personal experience by illuminating one end of a spectrum of authoritative effects that range from artifice to sponta- neity. In using play to leverage and highlight the tension between the artifice of a work of literature and the spontaneity of personal expression (or sense making on an individual level,) and by implicating both reader and writer within that tension, it demonstrates how literary memoir can negotiate its relationship to its genre. There are thus two forms of negotiation at work in Speak, Memory, the one between artifice and spontaneity, the other between individual experience and historical narrative. In this way, by using play to invite the reader into the interpretative act, Nabokov emphasises the role of artifice in the autobiographical project, and, by doing so, stakes out a claim for the literary autobiographical writer in the face of historical narrative. Keywords: Nabokov, history, memoir, artifice One of the most studied episodes in Vladimir Nabokov’s autobiographi- cal work, Speak, Memory, is a sequence of events in the opening chapter unified by what the author describes as “the match stick theme.” The episode involves two encounters with Alexey Nikolayevich Kuropatkin, a member of the old Russian aristocracy. During the first encounter, at the European Journal of Life Writing, Vol VIII, 28–46 2019. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit „Narrative and the self in British author-autobiography: Kingsley Amis, Martin Amis, Elizabeth Jane Howard“ Verfasserin Verena Gappmaier angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2009 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Diplomstudium Anglistik und Amerikanistik Betreuer: Ao.Univ.-Prof. Dr. Rudolf Weiss To my parents Hans and Marianne Gappmaier with love There are various people I would like to thank: my supervisor Ao.Univ.-Prof. Dr. Rudolf Weiss – for his invaluable support, encouragement and expertise, my family – for everything, Tom – for sharing all the joys and frustrations associated with this thesis, Theresa, Ursula and Verena – for being great friends and supporting me emotionally, Prof. Mag. Dr. Richard Lechner – for sparking my interest in English literature, and again Verena – for proofreading the final draft. Our lives with all their miracles and wonders are merely a discontinuous string of incidents – until we create the narrative that gives them meaning. (Arlene Goldbard) TABLE OF CONTENTS Introduction ………………………………………………………. 1 Theory 1. Theorising autobiography as a genre………………………... 4 1.1. Genre as a working hypothesis…………………………………….. 4 1.2. Structuralism…………………………………….………………...... 6 1.2.1. Before structuralism: Georges Gusdorf’s ‘Conditions and Limits of Autobiography’…...……………………………….. 6 1.2.2. Philippe Lejeune’s ‘The Autobiographical Pact’…………….. 7 1.3. Poststructuralism……………………………………………….…... 10 1.3.1. Philippe Lejeune’s ‘The Autobiographical Pact (Bis)’............. 10 1.3.2. Paul de Man’s ‘Autobiography as De-facement’...................... 11 1.3.3. Michael Sprinker’s ‘Fictions of the Self: The End of Autobiography’......................................................................... 11 1.4. Emerging from poststructuralist cynicism………………………... 12 1.4.1. Philippe Lejeune’s ‘Bis’ revisited……………………………. -
From Russia to America: the Depiction of Nationality in Nabokov’S Work
From Russia to America: The Depiction of Nationality in Nabokov’s Work Julian W. Connolly University of Virginia A truly international writer, Vladimir Nabokov once 26). Of course, even at this point Nabokov had declared: “the nationality of a worthwhile writer is moved on from America to Switzerland, though he of secondary importance […] The writer’s art is his always thought he might return to the States and he real passport. His identity should be immediately never relinquished in American citizenship. recognized by a special pattern or unique coloration” (Strong Opinions, 63). Despite this affirmation, An avid and accomplished lepidopterist as well however, the treatment of nationalities in Nabokov’s as a celebrated writer, Nabokov was a perceptive work is highly individualized and distinctive. He observer of the world around him. It is not surprising, himself traveled along an extraordinarily complex then, that his creative work would feature indelible path through life. Born into a wealthy family in St. portraits of the peoples and places he had come Petersburg, Russia, Nabokov was forced to leave to know in his life. As one looks carefully at his his homeland in 1919 because of the Bolshevik writings, one sees that each of the lands Nabokov Revolution. He attended Cambridge University in depicted is given a distinctive national coloring, England, and after graduation moved to Berlin to and it is likely that Nabokov’s personal experience launch a career as a writer. After a decade and a of living in these different lands had a decisive half he moved again, this time to France when life influence on they way they emerge in his art. -
The Invention of Cultural Memory
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/216723904 The Invention of Cultural Memory Chapter · January 2008 DOI: 10.13140/2.1.1296.4807 CITATIONS READS 4 10,020 Some of the authors of this publication are also working on these related projects: José Rizals fin de siècle View project Wissenschaftstheorie View project All content following this page was uploaded by Dietrich Harth on 20 May 2014. The user has requested enhancement of the downloaded file. Cultural Memory Studies ≥ Media and Cultural Memory/ Medien und kulturelle Erinnerung Edited by/ Herausgegeben von Astrid Erll · Ansgar Nünning Editorial Board / Wissenschaftlicher Beirat Aleida Assmann · Mieke Bal · Marshall Brown · Vita Fortunati Udo Hebel · Claus Leggewie · Gunilla Lindberg-Wada Jürgen Reulecke · Jean Marie Schaeffer · Jürgen Schlaeger Siegfried J. Schmidt · Werner Sollors · Frederic Tygstrup Harald Welzer 8 Walter de Gruyter · Berlin · New York Cultural Memory Studies An International and Interdisciplinary Handbook Edited by Astrid Erll · Ansgar Nünning in collaboration with Sara B. Young Walter de Gruyter · Berlin · New York Țȍ Printed on acid-free paper which falls within the guidelines of the ANSI to ensure permanence and durability. Library of Congress Cataloging-in-Publication Data Cultural memory studies : an international and interdisciplinary hand- book / edited by Astrid Erll, Ansgar Nünning. p. cm. Ϫ (Media and cultural memory ; 8 ϭ Medien und kultu- relle Erinnerung ; 8) Includes bibliographical references and index. ISBN 978-3-11-018860-8 (alk. paper) 1. Culture Ϫ Handbooks, manuals, etc. 2. Memory Ϫ Cross-cul- tural studies Ϫ Handbooks, manuals, etc. I. Erll, Astrid. II. -
Martin Amis on Vladimir Nabokov's Work | Books | the Guardian
Martin Amis on Vladimir Nabokov's work | Books | The Guardian http://www.guardian.co.uk/books/2009/nov/14/vladimir-naboko... The problem with Nabokov Vladimir Nabokov's unfinished novella, The Original of Laura, is being published despite the author's instructions that it be destroyed after his death. Martin Amis confronts the tortuous questions posed by a genius in decline Martin Amis The Guardian, Saturday 14 November 2009 larger | smaller Vladimir Nabokov in Switzerland, in about 1975. Photograph: Horst Tappe/Getty Images Language leads a double life – and so does the novelist. You chat with family and friends, you attend to your correspondence, you consult menus and shopping lists, you observe road signs (LOOK LEFT), and so on. Then you enter your study, where language exists in quite another form – as the stuff of patterned artifice. Most writers, I think, would want to go along with Vladimir Nabokov (1899-1977), when he reminisced in 1974: The Original of Laura: (Dying is Fun) a Novel in Fragments (Penguin Modern Classics) by Vladimir Nabokov 304pp, Penguin Classics, £25 1 of 11 11/15/09 12:59 AM Martin Amis on Vladimir Nabokov's work | Books | The Guardian http://www.guardian.co.uk/books/2009/nov/14/vladimir-naboko... Buy The Original of Laura: (Dying is Fun) a Novel in Fragments (Penguin Modern Classics) at the Guardian bookshop ". I regarded Paris, with its gray-toned days and charcoal nights, merely as the chance setting for the most authentic and faithful joys of my life: the coloured phrase in my mind under the drizzle, the white page under the desk lamp awaiting me in my humble home." Well, the creative joy is authentic; and yet it isn't faithful (in common with pretty well the entire cast of Nabokov's fictional women, creative joy, in the end, is sadistically fickle). -
Radical/Domestic: Representations of the Professor in Willa Cather's the Professor's House and Vladimir Nabokov's Pnin
AN ABSTRACT OF THE THESIS OF Ian Butcher for the degree of Master of Arts in English presented on May 20, 2010. Title: Radical/Domestic: Representations of the Professor in Willa Cather's The Professor's House and Vladimir Nabokov's Pnin . Abstract approved: _____________________________________________________________________ Peter Betjemann This thesis is an exploration of literary representation of professors, specificially in Willa Cather's The Professor's House and Vladimir Nabokov's Pnin. I explicate the political unconscious of these texts by teasing out the tensions and ironies stemming from the conflict between the radical political consequences of the titular characters' scholarship (which aims to break down binaries and promote collective or communal interests) and their inability to fully articulate or enact those consequences. I argue that in The Professor's House, Godfrey St. Peter's desire to evacuate the content of his historical research of violence by writing his memories and domestic experiences into the text compromises his connection to the ground-level history he attempts to write. Only the end of the novel and its violent domestic event can prompt him to seek interaction with the outside “world of Augustas.” In Pnin, Timofey Pnin compromises his own radical work—an attempt to use popular beliefs and customs as a way to mirror the narratives and events of larger historical trends—through his failure to clearly articulate his position as a stakeholder in those larger historical events. The “untranslatable” nature of the exile's language leaves him silenced and without a place in the academy. © Copyright by Ian Butcher May 20, 2010 All Rights Reserved Radical/Domestic: Representations of the Professor in Willa Cather's The Professor's House and Vladimir Nabokov's Pnin by Ian Butcher A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts Presented May 20, 2010 Commencement June 2010 Master of Arts thesis of Ian Butcher presented on May 20, 2010.