Twentieth Century Art & Design
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Joy Division and Cultural Collaborators in Popular Music Briana E
Western University Scholarship@Western Electronic Thesis and Dissertation Repository August 2016 Not In "Isolation": Joy Division and Cultural Collaborators in Popular Music Briana E. Morley The University of Western Ontario Supervisor Dr. Keir Keightley The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the requirements for the degree in Master of Arts © Briana E. Morley 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Music Commons Recommended Citation Morley, Briana E., "Not In "Isolation": Joy Division and Cultural Collaborators in Popular Music" (2016). Electronic Thesis and Dissertation Repository. 3991. https://ir.lib.uwo.ca/etd/3991 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected], [email protected]. Abstract There is a dark mythology surrounding the post-punk band Joy Division that tends to foreground the personal history of lead singer Ian Curtis. However, when evaluating the construction of Joy Division’s public image, the contributions of several other important figures must be addressed. This thesis shifts focus onto the peripheral figures who played key roles in the construction and perpetuation of Joy Division’s image. The roles of graphic designer Peter Saville, of television presenter and Factory Records founder Tony Wilson, and of photographers Kevin Cummins and Anton Corbijn will stand as examples in this discussion of cultural intermediaries and collaborators in popular music. -
Music & Film Memorabilia
MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played. -
The Psychedelic Furs
Periódico # 17 Marzo 2018 ……………………………………………………………………………………………………………… NEW TECHNOLOGIES IN EDUCATION Nowadays in our society, new technologies are an important aspect to consider in the academic world because it is true that we live in the society of technological changes. But, is using new technologies in education and advantage or a disadvantage? By Leticia Jiménez Some teachers argue that using new technologies in education is affecting young people´s concentration span, but I´m not convinced because new technologies bring us some benefits. For example, it helps motivate students, since it is more dynamic and entertaining. What is more, it offers us distance learning thanks to the Internet. In addition to this, distance learning offers opportunities to those who cannot attend class regularly. Fortunately, there has been a huge increase in the use of new technologies. Personally, I prefer face-to-face education but distance learning is a good alternative if you want to study in your free time. True, it is a different kind of education, but we should see it as a complement to face-to-face education. So, what is the answer? I am sure that new technologies are good in the academic world and they have some advantages, if and when we make good use of them. The riddle of axing time wasting All of us live in a hurry. Our way of life requires paying attention to a lot of things: job, family, friends, gym... So, time management has become 'El Dorado'. By Pedro Padilla We cannot avoid 21st century obligations, but at least we are able to manage our time better, for instance, in the workplace. -
IVOR CUTLER 1 Oct – 4 Nov 2018
IVOR CUTLER 1 Oct – 4 Nov 2018 Scottish poet, songwriter and humorist Ivor Cutler numerous artists including Jim O’Rourke, Laura Marling (1923–2006) was a singular force in popular culture. and Franz Ferdinand. Given his musical career he His oeuvre encompassed absurd songs and poems, was surprisingly a longstanding member of the Noise surreal performances, and illustrated publications. Abatement Society; he described pauses during his These abstract the banal and everyday with warmth, stage appearances as ‘free silence’. occasional darkness, and quiet radicalism. Self-styled as an ‘Oblique Musical Philosopher’, Cutler saw himself as Cutler wrote many books for children and adults, and his having ‘…the effect of a very mild earthquake, one that wish to open adults up to their childish self (as counter nudges people into having a look around themselves, to intellect and convention) was bolstered by his work through all the rubbish that passes for convention.’ as a teacher, at A. S. Neill’s Summerhill School and for inner-city schools in London for 30 years. This exhibition pulls from his archive (as yet unformalised) to present original musical scores, lyrics, The exhibition is accompanied by a publication featuring sketches, artworks, letters, press cuttings, and posters, items from the archive and an essay by writer Dan Fox. gathered to celebrate Cutler’s life and work, many of Two specially comissioned limited editions are available which have never been previously exhibited. Particularly on the CCA website and front desk. rarely seen are his drawings, doodles, and more formal artworks such as paintings. Some were published as With thanks to Daniel and Jeremy Cutler. -
Peter Saville –
S1:E5 “Peter Saville – OUTPUT – Gutta cavat lapidem” vai alla prima parte Playlist per OUTPUT|Saville – parte seconda: Gutta cavat lapidem La necessità di cambiare le carte in tavola nel mondo del rock, da parte di artisti che volevano imporre un nuovo linguaggio creativo, lo hanno fatto con costanza e determinazione, come una goccia che scava la “roccia”.(Valerio Michetti) La Factory di Wilson e Saville risponde all’urgenza di trovare “spiriti affini che potessero capire e reagire” [Post Punk: 1978-1984, Simon Reynolds] Le scelte grafiche permetteranno alla Factory e ai gruppi che rappresentano di fare da confine con l’era post punk, figli di un’eleganza austera, spezzano la prospettiva romantico pre punk e lo stereotipo new wave. Costruiscono il profilo visuale della loro vocazione neo modernista, hanno un catalogo irragionevole e sballato, pieno di idee fasulle e di progetti mai realizzati benedetti da dio Duchamp: Fac 8 era una clessidra mestruale ideata e mai prodotta da Linder Sterling; Fac 99 era il conto del dentista di Robert Gretton, codirettore della Factory. “Per Wilson, questo genere di trovate rientrava nello spirito del situazionismo, lo spirito francese anarco-dadaista degli anni sessanta, le cui idee ammirava particolarmente” [Post Punk: 1978-1984, Simon Reynolds] È una visione dell’arte che butta giù i muri che la separano dallo scenario quotidiano che circonda l’artista, oggetti decontestualizzati prendono vita e sono protagonisti altrove, come il segnale di pericolo rubato dalla residenza universitaria, cui si ispirò per la realizzazione del manifesto della Factory, disegnato nel maggio del 1978: Fac 1, opera classico-modernista che possiamo far rientrare nella corrente dello “sleeve design”. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
Un Análisis De Sociologı́a De La Cultura: Manchester Sound, Factory Records
Un análisis de sociologı́a de la cultura: Manchester sound, Factory Records y Joy Division LIC. CONSTANZA ALICIA ABEILLÉ DOCTORADO EN TEORÍA DE LA LITERATURA Y LITERATURA COMPARADA DE LA UNIVERSIDAD AUTÓNOMA DE BARCELONA Directores: Dr. Enric Sullà y Dr. Antoni Marti Monterde BARCELONA, 2015 Un análisis de sociología de la cultura: Manchester sound, Factory Records y Joy Division Constanza Alicia Abeillé Página 2 Un análisis de sociología de la cultura: Manchester sound, Factory Records y Joy Division Constanza Alicia Abeillé ÍNDICE Índice 3 Agradecimientos 7 Prólogo 9 Consideraciones de estilo y citas 17 EL ESTUDIO DE LA CULTURA POPULAR Y LA MÚSICA 1. Cultura popular y cultura de masas 21 1.1 El debate sobre la cultura popular y la cultura de masas 21 1.2 Theodor Adorno y la música popular 26 1.3 Una nueva clase, una nueva cultura 1.4 La definición de cultura popular de Stuart Hall 32 2. El circuito de la cultura dentro de los Estudios Culturales 43 2.1 El trabajo de los Estudios Culturales 44 2.2 El circuito de la cultura 51 2.2.1 Producción 56 2.2.2 Representación 58 2.2.3 Identidad 60 2.2.4 Consumo 63 2.2.5 Regulación 65 3. Sociología de la cultura aplicada a la música 69 3.1 La sociología de la cultura de Pierre Bourdieu 69 3.2 Conceptos centrales de la teoría de Pierre Bourdieu 71 Página 3 Un análisis de sociología de la cultura: Manchester sound, Factory Records y Joy Division Constanza Alicia Abeillé 3.2.1 Campo 72 3.2.2 El capital cultural 3.2.3 Habitus 73 3.2.4 Illusio 74 3.2.5 Posición, disposición y toma de posición 75 3.3 La sociología de la cultura aplicada a la música 77 3.3.1 Estilo, género y estilos de vida 81 3.3.2 Nuevos planteamientos que complementan la teoría subcultural 87 4. -
The Last Testament of George Harrison | the Rock and
Paul McCartney Really Is Dead: The Last Testament of George Harrison | The Rock and ... Page 1 of 5 News Feed Podcast Featured 468x60 Ad • Home • Submit Your Music • Podcast • Triple R Girl • About Rock and Roll Report • Links • Site Map • Contact Search this website... GO • Record Labels • Wanna Be a Rock Star? ◦ Rock Biz ◦ Opportunities ◦ Rock Tools • Triple R Girl • More Cool Stuff ◦ Uncategorized ◦ Live Rock and Roll ◦ Odds & Sods ◦ Features ◦ Rock History • Podcast • Reviews and Suggestions ◦ Featured Review • Artists and Bands • Rock Media ◦ Rock and Roll Reads ◦ Rock Radio 2.0 ◦ Rock on Film ◦ Rock Television 2.0 ◦ Rock and Roll Report TV ◦ Rock on the Net ◦ Rock News • Free MP3s Paul McCartney Really Is Dead: The Last Testament of George Harrison August 27, 2010 by Gary Pig Gold http://rockandrollreport.com/paul -mccartney -really -is -dead -the -last -testament -of -george -h... 8/31/2010 Paul McCartney Really Is Dead: The Last Testament of George Harrison | The Rock and ... Page 2 of 5 In the summer of 2005, a package arrived at the Hollywood offices of Highway 61 Entertainment from London with no return address. Inside were two mini-cassette audio tapes dated December 30, 1999 and labeled The Last Testament of George Harrison. A voice eerily similar to Harrison’s tells a shocking story: Paul McCartney was killed in a car crash in November of 1966 and replaced with a double!? British intelligence, MI5, had forced The Beatles to cover up McCartney’s death to prevent mass suicides of Beatle fans. However, the remaining Beatles tried to signal fans with clues on album covers and in songs. -
Un Film Di Michael Winterbottom
presenta un film di Michael Winterbottom con Steve Andy Sean Paddy Lennie Shirley Simon COOGAN SERKIS HARRIS CONSIDINE JAMES HENDERSON PEGG Candidato alla Palma d’oro Miglior produzione di successo 55° Festival di Cannes British Independent Film Award 112 minuti - 35mm - colore www.officineUBU.com www.partypeoplemovie.com www.24hourpartypeople-themovie.com www.myspace.com/24hourpartypeoplethemovie 24 Hour Party People CAST STEVE COOGAN ANTHONY WILSON LENNIE JAMES ALAN ERASMUS SHIRLEY HENDERSON LINDSAY WILSON PADDY CONSIDINE ROB GRETTON ANDY SERKIS MARTIN HANNETT SEAN HARRIS IAN CURTIS JOHN SIMM BERNARD SUMNER RALF LITTLE PETER HOOK DANNY CUNNINGHAM SHAUN RYDER CHRIS COGHILL BEZ PAUL POPPLEWELL PAUL RYDER ENZO CILENTI PETE SAVILLE SIMON PEGG GIORNALISTA Officine UBU srl - v. Imbonati, 4 Milano - tel. 0287383020 - www.officineubu.com - http://tv.officineubu.com 2 24 Hour Party People CAST TECNICO Regia MICHAEL WINTERBOTTOM Sceneggiatura FRANK COTTRELL BOYCE Produttore ANDREW EATON Fotografia ROBBY MULLER Costumi NATALIE WARD, STEPHEN NOBLE Montaggio TREVOR WAITE Scenografia MARK TILDESLEY Supervisione musicale LIZ GALLACHER Produzione REVOLUTION FILMS Distribuzione Italiana Officine UBU via Imbonati, 4 20159 - Milano tel. 0269311631 fax 0260730784 [email protected] www.officineUBU.com Ufficio stampa [email protected] Le immagini in H.Q. del film sono scaricabili nell’Area Press: http://www.officineubu.com/press/login.php username: user - password: pass Officine UBU srl - v. Imbonati, 4 Milano - tel. 0287383020 - www.officineubu.com - http://tv.officineubu.com 3 24 Hour Party People EDIZIONE ITALIANA Direzione del Doppiaggio MONICA PARIANTE Dialoghi Italiani VITTORIO BESTOSO Assistente al Doppiaggio MICHELA UBERTI Fonico di Doppiaggio MICHELE CONTI Fonico di Mix ENZO CATERINO Doppiaggio eseguito presso DREAM & DREAM LE VOCI Tony Wilson CLAUDIO MONETA Alan LORENZO SCATTORIN Ian Curtis ALESSANDRO RIGOTTI Shaun Rider FEDERICO ZANANDREA Lindsay ELISABETTA SPINELLI Martin ALESSANDRO D'ERRICO Tonay MARCELLO CORTESE Officine UBU srl - v. -
Song Name Artist
Sheet1 Song Name Artist Somethin' Hot The Afghan Whigs Crazy The Afghan Whigs Uptown Again The Afghan Whigs Sweet Son Of A Bitch The Afghan Whigs 66 The Afghan Whigs Cito Soleil The Afghan Whigs John The Baptist The Afghan Whigs The Slide Song The Afghan Whigs Neglekted The Afghan Whigs Omerta The Afghan Whigs The Vampire Lanois The Afghan Whigs Saor/Free/News from Nowhere Afro Celt Sound System Whirl-Y-Reel 1 Afro Celt Sound System Inion/Daughter Afro Celt Sound System Sure-As-Not/Sure-As-Knot Afro Celt Sound System Nu Cead Againn Dul Abhaile/We Cannot Go... Afro Celt Sound System Dark Moon, High Tide Afro Celt Sound System Whirl-Y-Reel 2 Afro Celt Sound System House Of The Ancestors Afro Celt Sound System Eistigh Liomsa Sealad/Listen To Me/Saor Reprise Afro Celt Sound System Amor Verdadero Afro-Cuban All Stars Alto Songo Afro-Cuban All Stars Habana del Este Afro-Cuban All Stars A Toda Cuba le Gusta Afro-Cuban All Stars Fiesta de la Rumba Afro-Cuban All Stars Los Sitio' Asere Afro-Cuban All Stars Pío Mentiroso Afro-Cuban All Stars Maria Caracoles Afro-Cuban All Stars Clasiqueando con Rubén Afro-Cuban All Stars Elube Chango Afro-Cuban All Stars Two of Us Aimee Mann & Michael Penn Tired of Being Alone Al Green Call Me (Come Back Home) Al Green I'm Still in Love With You Al Green Here I Am (Come and Take Me) Al Green Love and Happiness Al Green Let's Stay Together Al Green I Can't Get Next to You Al Green You Ought to Be With Me Al Green Look What You Done for Me Al Green Let's Get Married Al Green Livin' for You [*] Al Green Sha-La-La -
Toonzetters Tegendraadse Muziek Uit Een Nieuwe Werkplaats
Toonzetters Tegendraadse muziek uit een nieuwe werkplaats Listen to the silence, let it ring on Eyes, dark grey lenses frightened of the sun We would have a fine time living in the night, Left to blind destruction, Waiting for our sight Robert de Vaan 301111 DT4 KAL2 Toonzetters INHOUD (BLZ/HST/TITEL) 2 0. VOOR 3 1. JONGERENCULTUUR IN DE 20e EEUW:MASSA EN TEGENCULTUUR 4 2. PUNK 6 3. NEW WAVE 6 4. TONY WILSON 7 5 CLUBS 8 6. FACTORY RECORDS 9 7 JOY DIVISION 11 8. NEW ORDER 12 9. ACHTER 13 B1 BIJLAGE 1: ONAFHANKELIJKE LABELS IN DE JAREN 80 14 B2 BIJLAGE 2: FACTORY CATALOGUS 21 B3 BIJLAGE 3: BRONNNEN 0. VOOR Er bestaan in mijn optiek maar twee stromingen binnen de muziek, te weten goede en slechte. De goede is doorgaans authentiek en de gevoelens die Ian Curtis, frontman van Joy Division, bezong leken mij als tiener in de jaren 80 oprecht, hij had er niet voor niets een einde aan gemaakt. De muziek hoorde bij de stroming New Wave, waar ik actief onderdeel van werd . Generatie Nix, de naam die mijn generatie meekreeg, zou toch geen werk vinden en de atoomoorlog zou spoedig beginnen. I wear black on the outside because black is how I feel on the inside zei Morrisey en daar kan ik me tot op de dag van vandaag in vinden... In dit referaat ga ik op zoek naar mijn muzikale en sociale roots en naar de achtergronden van het verhaal van een bijzondere en alternatieve onderneming. New Wave, de stroming voor de subcultuur der alternatieven waarvan Ian Curtis pionier was, vond zijn oorsprong halverwege de jaren 70 in de tegendraadse Punk. -
¶Timglaset #3
¶Timglaset #3. 81 Bobbilott Fika: Innehållsförteckning / Table of Contents Joakim Norling: “proverb: words fly higher than eagles” 37 ¶Timglaset #3. ¶Nonsense is the sixth sense. PROVERB: ¶This issue is dedicated to the absurd, the nonsensical and the grotesque. Jokes and puns as serious artistic endeavour, but also boredom, WORDS FLY HIGHER THAN EAGLES seriousness and earnestness used to absurd or humouristic ends. (BENGT ADLERS Q & A) ¶Some of the inspiration was provided by: Akbar del Piombo Fuzz Against Junk (book), Eric Andersen The Untactis of Music (song), Hugo Ball Karawane (poem), Jacques Carelman Catalogue d’Objets Introuvables (drawings), Ivor Cutler Lemon Flower (song), Bill Domonkos, GIF animations, Bruno Dumont P’tit Quinquin (film), Jean Ferry Traveller with Luggage (story), Robert Filliou Futile Box (artwork), Franquin Black Pages (comic), John Greaves & Peter Blegvad & Lisa Herman Kew. Rhone. (album), ¶Bengt Adlers’ CV is a bit like a history of what Peter Greenaway The Falls (film), Ernst Jandl Tohuwabohu (poem/song), was exciting in art and literature in Malmö from Lyrikvännen 6/2012 Nonsens (magazine issue), Marx Brothers’ mirror the mid-seventies and onward. For fifteen years scene from Duck Soup (film), Francis Picabia Parade Amoureuse (painting), Bengt was the curator at Galerie Leger which Erik Satie A Mammal’s Notebook (writings), Soft Machine A Concise British was internationalist in its approach and in its Alphabet (song), Emmett Williams Duet (spoken word), ZNR Garden Party own way as important for the local art scene as (song). the council-owned Malmö konsthall/art gallery. And during those same years he pursued his own ¶Editor: Joakim Norling vision as an author of experimental, conceptual ¶Design & co-editor: Kolja Ogrumov and humourous books of poetry and stories.