A Bookman's Letters

Total Page:16

File Type:pdf, Size:1020Kb

A Bookman's Letters is 1\. -pl? FROM THE INCOME OF THE FISKE ENDOWMENT FUND THE BEQUEST OF . Librarian of the University 1868-1883 1905 . B..2?H:.'35S: asMH , ': The date shows when this volume was taken. To renew this book copy the catl No. and give to the librariani . ^Fh 2-i^ ;&H HOME USE RULES. All 'books must be returned at end of col- lege year for inspec- tion and repairs. V V Students must re- ^ - turn all books before leaving town. Officers , -J. ,,,,, , should arrange for ^' Uil fiS the return of books wanted during their 1 1 absence from town, I, niu »«•IV^A • Boo^sis needed by more than one person are held on the reserve . list. Volumes of periodi- - - dais and of pataphlets are in AUG f t92g - held the library as much as possible. , For special purposes Borrowers should '•"'"JIIN 7 mm ityxn ^°^ ^^^ their library / titjU privileges fojrthe bene- fit of other persons. — Books of special i'gl a^^^ag^a 'tM *'^y^^"^ value and gift books, when th^ giver wishes it, are not allowed tp circulate. Readers are asked 'i to report all cases of books marked or muti- lated. Do not defacf books by marks and writing. Cornell University Library PR 99.N64 A bookman's letters. 3 1924 013 356 146 The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924013356146 A BOOKMAN'S LETTERS Works by W. Robertson NicoU SONGS OF REST. Sixth Edition. 2s. 6d. JAMES MACDONELL, JOURNALIST. Third Edition. 6s. LITERARY ANECDOTES OF THE NINETEENTH CENTURY. By W. Robertson Nicoll and Thomas J. Wise. 2 Vols. LETTERS ON LIFE. By Claudius Clear. Forty-fourth Thousand, is. net. THE DAY BOOK OF CLAUDIUS CLEAR. Third Edition. 3s. 6d. IAN MACLAREN. The Life of the Rev. John Watson, D. D. With Portrait. Fifth Edition. 6s. MY FATHER. An Aberdeenshire Minister, 1812-1891. Third Edition. 2s. THE ROUND OF THE CLOCK. With Illustrations by George Morrow. Third Edition. 6s. THE PROBLEM OF EDWIN DROOD. Third Thousand. 3s. 6d. net. LONDON: HODDER AND STOUGHTON A BOOKMAN'S LETTERS BY W;^^ROBERTSON NICOLL FOURTH EDITION '^l n HODDER AND STOUGHTON LONDON NEW YORK TORONTO MCMXIII t\x^ ^^s% TO SIR GEORGE RIDDELL PREFACE This volume is, in the main, a selection from some hundreds of similar letters contributed to the British Weekly under the general title ' The Correspondence of Claudius Clear,' and addressed to a large popular audience interested in books and authors. I am deeply indebted to my colleague in the editorship of the Bookman, Mr. A. St. John Adcock, and other friends, for their kindness in helping me to choose from such a mass of material. Some pages are included from contributions to the North American Review, Blackwood's Magazine, and the Contemporary Review. Hampsteab, Nov. 1913. CONTENTS CHAT. PAQB I. MEMORIES OF (i) . MEREDITH . .1 II. MEMORIES OF MEREDITH (ii) ... 9 in. THE SIX BEST BIOGRAPHIES . .17 IV. THE CENTENARY OF RALPH WALDO EMERSON (1903) 26 V. THE SECRET OF EMERSON . , . .43 VI. WAS THACKERAY A CYNIC ? . .51 ' ' Vn. THEIR LIGHT ON TERESINA . .59 VIII. THE CONVERSATION OF EDMUND BURKE . 68 IX. PROFESSOR DAVID MASSON . .75 X. LETTERS OF SAMUEL BROWN TO GEORGE GILFILLAN 86 XI. THAT THE BEST LETTERS ARE WRITTEN BY THE MORTALLY WOUNDED . .97 XII. GEORGE AUGUSTUS SIMCOX . 105 Xin. THE TROUBLES OF THE ESSAYIST . 114 XIV. LORD ROSEBERY's LITERARY METHOD . 121 XV. THEODORE WATTS-DUNTON . • 131 A BOOKMAN'S LETTERS CHAP. XVI. MEDICATED LITEBATUEE : JOHN BROWN AND 139 OUVER WENDELL HOLMES . • 147 XVII. SIR WALTER BESANT . Xyill. GRAVY ..... 156 • 164 XIX. JANE AUSTEN . XX. THE ROMANCE OE A STILL LIFE, WITH A NOTE ON JANE AUSTEN .... 172 XXI. EDWARD FITZGERALD AND BERNARD BARTON . 183 XXII. WHY DID SHAKESPEARE RETIRE TO STRATFORD- ON-AVON ? . 192 XXin. THE LETTERS OF CHARLES LEVER . .199 XXrV. DR. RICHARD GARNETT . 207 XXV. LEARNING TO READ .... 216 XXVI. THE PLEASURES AND ADVANTAGES OF RE- READING ..... 226 XiiVII. ALGERNON CHARLES SWINBURNE . 235 XXVIII. STRANGER THAN FICTION . 255 XXIX. THE TEXT OF POETS : A. CORRECTION CORRECTED 264 XXX. FREDERICK GREENWOOD . 272 XXXI. ON THE TENDERNESS AND COURAGE OF JOHN RUSKIN ..... 281 XXXII. GEORGE GISSING .... 288 CONTENTS xi OHAP. PAGE xxxiii. MR. Balfour's pixEA for cheerful books . 297 THE art of the REVIEWER XXXIV. (i) SEVEN WAYS OF REVIEWING . 806 XXXV. (ii) ON literary gossip and the eighth WAY OF reviewing . 315 XXXVI. ROBERT BUCHANAN .... 823 XXXVn. LAFCADIO HEARN : AN UNCONVENTIONAL LIFE 381 XXXVm. A NEW CRITIC MR. JOHN BAILEY . 840 XXXIX. THE novelist's LIFE .... 848 XL. AN IDYLL OF OLD DEVONSHIRE . 357 memories of mark RUTHERFORD XLI. (i) THE MAN AND HIS BOOKS . 864 XLII. (ii) THE EARLY LIFE OF MARK RUTHERFORD . 376 XLHI. (iii) MARK RUTHERFORD AS A POLITICIAN . 387 XLIV. (iv) MARK RUTHERFORD AS A CRITIC . 398 XLV. (v) THE SPIRITUAL HISTORY OF MARK RUTHER- FORD .... 405 XLVI. ROBERT BURNS . .418 XLVII. HOME FROM THE HILL . 417 XLVni. THE ACACIAS OF LAUSANNE . 419 INDEX ..... 429 MEMORIES OF MEREDITH (i) The beginning of my love for Meredith was on this wise : My father was a subscriber to a Uterary journal, long dead, called the Critic. He had preserved many of the old numbers, and I found them delightful reading. Some of the most eager and generous spirits of the time were contributors, and there was much about new poets and reformers and the coming dawn, all written in the optimist spirit of the early fifties. Mr. W. M. Rossetti reviewed in the Critic Mr. Meredith's first book, the poems of 1851. He had the wisdom to quote ' Love in the Valley,' which he justly called a very charming, rhythmical, and melodious poem. But Mr. Rossetti, if I remember rightly, thought the heroine brainless. Since then a similar objection has been brought against the ' May Queen.' It may frankly be admitted that neither of the girls had been to Girton nor could by any stretch of imagination be described as American. Every boy finds out some lyrics which he takes ' to his heart, and Love in the Valley ' was chosen by me, along with Sydney Dobell's ' In the hall the coffin waits and the idle armourer stands,' Alexander Smith's ' The Garden and the Child,' and some of Tennyson's. Tennyson read the lines in the Critic, and said he could not get them out of his head, such was their magical music and melody. The poem, in fact, has its sure place in the golden A 2 A BOOKMAN'S LETTERS scriptures of love. It should be reprinted in its original form, with the lines which Meredith added after publication, but never gave to the public. There is a copy of the 1851 book, interleaved with notes and cor- rections and additions by the author, which ought to be published in its completeness. The 1851 volume did not miss its mark altogether, but it had no such reception as Alexander Smith's poems were accorded when they were published at the same time in the Critic. In the fifties people bought poetry, but they did not buy Meredith. Alexander Smith, as Lowell said, was ' launched as I have seen boys launch their little vessels, with so strong a push as to run wholly under water.' With characteristic generosity and high-hearted- ness, Meredith swelled the chorus of praise. He did so though he saw his own little craft go down, while his brother poet's were riding prosperously on. There is evidence to show that the 1851 volume was much nearer Meredith's heart than might be imagined. From that day I watched every allusion to Meredith, and took such means as were at my command to get hold of his books. The 1851 volume escaped me, but I procured for one and sixpence The Shaving of Shagpat, and also I got Modern Love for two shillings. These books I studied earnestly till I thought I understood them, and I am still of opinion that whoever understands The Shaving of Shag- pat, Modern Love, and Evan Harrington knows a great deal of Meredith's inner mind. The Shaving of Shagpat had one strong admirer at least. It used to be considered the main business of critics to pursue with their little watering-pots the prairie fire of popularity. They may do little, perhaps they may even pour oU on the flame, but the fire bums MEMORIES OF MEREDITH 3 out in due time. There was no need for any one to attempt staying the popularity of The Shaving of Shagpat, for it had very little. George Eliot was at that time emerging from the obscurity of a reviewer, and writing her first story. The Sad Fortunes of Amos Barton. She compared Shagpat to Beckford's Vathek, which Byron admired so much, and said she had received more pleasure from The Shaving of Shagpat than from its popular predecessor. She thought George Meredith's book might have been called ' The Thousand and Second Arabian Night.' Not that it was an imitation. It was a worthy following which came from genuine love and mental affinity. But George Eliot acutely remarked that Meredith had no wish to study the popular mood, and she was right, for the first edition of Shagpat was sold as a remainder, and nine years elapsed before a second edition was issued. The next book of Meredith's I got hold of was Farina, a book hideous in its outward appearance, and, on the whole, disappointing in its contents.
Recommended publications
  • Hip Hop's Hostile Gospel: a Post-Soul Theological Exploration
    Hip Hop’s Hostile Gospel <UN> Studies in Critical Research on Religion Series Editor Warren S. Goldstein Center for Critical Research on Religion and Harvard University (u.s.a.) Editorial Board Roland Boer, University of Newcastle (Australia) Christopher Craig Brittain, University of Aberdeen (u.k.) Darlene Juschka, University of Regina (Canada) Lauren Langman, Loyola University Chicago (u.s.a.) George Lundskow, Grand Valley State University (u.s.a.) Kenneth G. MacKendrick, University of Manitoba (Canada) Andrew M. McKinnon, University of Aberdeen (u.k.) Michael R. Ott, Grand Valley State University (u.s.a.) Sara Pike, California State University, Chico (u.s.a.) Dana Sawchuk, Wilfrid Laurier University (Canada) Advisory Board William Arnal, University of Regina (Canada) Jonathan Boyarin, Cornell University (u.s.a.) Jay Geller, Vanderbilt University (u.s.a.) Marsha Hewitt, University of Toronto (Canada) Michael Löwy, Centre National de la Recherche Scientifique (France) Eduardo Mendieta, Stony Brook University (u.s.a.) Rudolf J. Siebert, Western Michigan University (u.s.a.) Rhys H. Williams, Loyola University Chicago (u.s.a.) VOLUME 6 The titles published in this series are listed at brill.com/scrr <UN> Hip Hop’s Hostile Gospel A Post-Soul Theological Exploration By Daniel White Hodge LEIDEN | BOSTON <UN> Cover illustration: “The character is a fallen Angel spray-can. I was going for idolatry and the character is supposed to be an idol that people worship, a hip-hop idol. The eye inside the pyramid represents the illuminati and how many rappers fall for that false teaching. The right hand is doing a typical Jesus gesture while the left is holding a rod with a microphone at the end.
    [Show full text]
  • Papéis Normativos E Práticas Sociais
    Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs.
    [Show full text]
  • The Early Literary Career of Julius Charles Hare by G
    THE EARLY LITERARY CAREER OF JULIUS CHARLES HARE BY G. F. McFARLAND, M.A. PROFESSOR OF ENGLISH AT ST. LAWRENCE UNIVERSITY, NEW YORK XCEPT in several special connections the name of Julius ECharles Hare (1795-1855) means little today. C. R. Sanders devoted a chapter to Archdeacon Hare in his pioneeer study, Coleridge and the Broad Church Movement (1942), and R. H. Super in his life of Walter Savage Landor (1954) worked out in detail Julius Hare's relation to the publication of the Imaginary Conversations. Earnest readers of Carlyle have encountered his name in a number of generally unflattering references in The Life of John Sterling, and fans of Victorian memoirs may re­ member Hare as the beastly Uncle Julius who carriage-whipped a boy and acquiesced in the murder of a pet cat in Augustus J. C. Hare's story-telling autobiography.1 Nevertheless, I am certain that many scholars working the areas of nineteenth-century English literature and church history have been unable to avoid Hare's frequently indefinite involve­ ment with a remarkable number of eminent personalities: Wordsworth, Niebuhr, Tieck, Winthrop Praed, De Quincey, Thomas Arnold, Frederick Maurice, Connop Thirlwall, Daniel Macmillan, Arthur Stanley, Charles Kingsley, and Alfred Tennyson. Despite such pointed or suggestive notice, Julius Hare remains a shadowy figure, rather odd, frequently baffling, much too German, and not very interesting. When one does encounter him, Julius Hare is playing a supporting role in someone else's drama, yet more often than not he is billed as either an enthusiastic and influential disciple of Coleridge, or a leading figure in the Broad Church Movement, or an erudite but uncritical and volatile lover of German litera­ ture.
    [Show full text]
  • The Role of Academia in Promoting Gender and Women’S Rights in the Arab World and the European Region
    THE ROLE OF ACADEMIA IN PROMOTING GENDER AND WOMEN’S RIGHTS IN THE ARAB WORLD AND THE EUROPEAN REGION Erasmus+ project “Gender Studies Curriculum: A Step for Democracy and Peace in EU- Neighboring Countries with Different Traditions”, No. 561785-EPP-1-2015-1-LT-EPPKA2-CBHE-JP UDC 305(063) Dépôt Légal : 2019MO2902 ISBN : 978-9954-692-05-9 The Role Of Academia In Promoting Gender And Women’s Rights In The Arab World And The European Region // Edited by Souad Slaoui, Khalid Bekkaoui, Kebir Sandy, Sadik Rddad, Karima Belghiti. – Publ. Société Généraled’Equipement&d’impression, Fes, Morocco, 2019. – 382 pp. This book contains articles by participants in the Forum " The role of academia in promoting gender and women’s rights in the Arab world and the European region " (Morocco, Fez, October, 1- 5, 2018 ). In the articles, the actual problems of gender identity, gender equality, gender education, gender and politics, gender and religion are raised. The materials will be useful to researchers, scientists, graduate students and students dealing with the problems of gender equality, intersexual relations, statistical indices of gender equality and other aspects of this field. Technical Editors: Natalija Mažeikienė, Olga Avramenko, Volodymyr Naradovyi. Acknowedgements to PhD students Mrs.Hajar Brgharbi, Mr.Mouhssine El Hajjami who have extensively worked with editors on collecting the abstract and the paper at the first stage of the compilation of this Conference volume. Recommended for publication: Moroccan Cultural Studies Centre, University SIdi Mohammed Ben Abdallah, Faculty of Letters and Human Sciences Dhar Al Mahraz, Fez. ERASMUS+ Project “Gender Studies Curriculum: A Step for Democracy and Peace in EU- neighboring countries with different traditions – GeSt” [Ref.
    [Show full text]
  • Gloria Swanson
    Gloria Swanson: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Swanson, Gloria, 1899-1983 Title: Gloria Swanson Papers [18--]-1988 (bulk 1920-1983) Dates: [18--]-1988 Extent: 620 boxes, artwork, audio discs, bound volumes, film, galleys, microfilm, posters, and realia (292.5 linear feet) Abstract: The papers of this well-known American actress encompass her long film and theater career, her extensive business interests, and her interest in health and nutrition, as well as personal and family matters. Call Number: Film Collection FI-041 Language English. Access Open for research. Please note that an appointment is required to view items in Series VII. Formats, Subseries I. Realia. Administrative Information Acquisition Purchase (1982) and gift (1983-1988) Processed by Joan Sibley, with assistance from Kerry Bohannon, David Sparks, Steve Mielke, Jimmy Rittenberry, Eve Grauer, 1990-1993 Repository: Harry Ransom Center, University of Texas at Austin Swanson, Gloria, 1899-1983 Film Collection FI-041 Biographical Sketch Actress Gloria Swanson was born Gloria May Josephine Swanson on March 27, 1899, in Chicago, the only child of Joseph Theodore and Adelaide Klanowsky Swanson. Her father's position as a civilian supply officer with the army took the family to Key West, FL and San Juan, Puerto Rico, but the majority of Swanson's childhood was spent in Chicago. It was in Chicago at Essanay Studios in 1914 that she began her lifelong association with the motion picture industry. She moved to California where she worked for Sennett/Keystone Studios before rising to stardom at Paramount in such Cecil B.
    [Show full text]
  • English Female Artists
    ^ $525.- V ^ T R /S. / / \ * t {/<•/dti '/’rlk- Printed lor Hob'.Saryer.N?^ in Fleet Street ■ ENGLISH 'EMALE ART < rn us. Ei.LSK C. G) aYXO v A' £HOR Of •' QUi'JBKir OF 80N0 ' !,'TO. • • • VOL f. LONDON; ! OTHERS, S CATHERINE ST.. SXRAN I) 187C. (A'ii *1 ijkti r ;,d) * ENGLISH FEMALE ARTISTS. lBY ELLEN C. CLAYTON, AUTHOR OF “QUEENS OF SONG,” ETC. IN TWO VOLUMES. VOL. I. I- LONDON: TINSLEY BROTHERS, 8 CATHERINE ST., STRAND. 1876. (All rights reserved.) TO (gHsabftlt Sltompisian THIS BOOK, A ROLL CALL OF HONOURABLE NAMES, is BY PERMISSION INSCRIBED, IN TESTIMONY OF ADMIRATION FOR HER GENIUS. CONTENTS. CHAPTER I. PAGE Susannah Hornebolt. Lavinia Teerlinck ... ... ... 1 CHAPTER II. Anne Carlisle. Artemisia Gentileschi. The Sisters Cleyn 14 CHAPTER III. Anna Maria Carew. Elizabeth Neale. Mary More. Mrs. Boardman. Elizabeth Creed ... ... ... ... 35 CHAPTER IY. Mary Beale ... ... ... ... ... ... 40 CHAPTER Y. Susan Penelope Rose ... ... ... ... ... 54 CHAPTER VI. Anne Killigrew ... ... ... ... ... ... 59 CHAPTER VII. Maria Varelst ... ... ... ... ... ... 71 VI CONTENTS. CHAPTER VIII. PAGE Anne, Princess of Orange. Princess Caroline. Agatha Van- dermijn. Sarah Hoadley 78 CHAPTER IX. Elizabeth Blackwell 91 CHAPTER X. Mary Delany 96 CHAPTER XL Frances Reynolds 146 CHAPTER XII. Maria Anna Angelica Catherine Kauffman 233 CHAPTER XIII. Mary Moser 295 CHAPTER XIV. Maria Cecilia Louisa Cosway 314 CHAPTER XV. Amateurs: Temp. George the Third 336 CHAPTER XVI. The Close of the Eighteenth Century 359 CHAPTER XVII. The Earlier Years of the Nineteenth Century ... 379 CHAPTER XVIII. Mary Harrison. Anna Maria Charretie. Adelaide A. Maguire 410 LIST OF THE PRINCIPAL AUTHORITIES CONSULTED FOR THE FIRST VOLUME. Annual Registek. Abt Joubnal.
    [Show full text]
  • BEAUTIFUL CHILDREN IMMORTALISED by the MASTERS R^^=^
    ^s m ^ BEAUTIFUL CHILDREN Digitized by the Internet Archive in 2008 with funding from IVIicrosoft Corporation http://www.archive.org/details/beautifulchildreOOmacfrich MASTER LAMBTON BY SIR THOMAS LAWRENCE {From Lord Dtirhani's Collection) Of the many fine pictures of children painted by Lawrence, one of the most famous is that of the poetic seven-year-old son of the first Lord Durham by his second marriage with the daughter of the second Earl Grey. The boy appears older than his age ; indeed, the handsome patrician little fellow was a pensive child beyond his years. He was not destined to succeed to the title, dying the year after his painter. BEAUTIFUL CHILDREN IMMORTALISED BY THE MASTERS r^^=^ C. HALDAN E M9FALL WITH JO REPRODUCTIONS IN COlOffR OF FAMOUS PAINTINGS LONDON. T.C.^ E.C.JACK NEW YORK. DODD.MEAD &. CO M S. L c'fff^ — — THE PERSONAL NOTE It would ill become pen of mine to let this volume go forth without paying tribute to the generous help that has gone to the making of its chief claim to merit. To Lord Spencer, Lord Crewe, Lord Durham, and Lord Lucas the debt is heavy for the handsome way in which they have placed their treasure at the service of these pages. To the courtesy of the Keepers of the State collections of the National Gallery, the National Portrait Gallery, the Diploma Gallery, the Wallace Collection, and the Tate of the Louvre and at Versailles in Vienna, in Berlin, at Munich, at Turin, in Amsterdam, and at the Prado, also my thanks.
    [Show full text]
  • The Life of John Sterling
    The Life of John Sterling Thomas Carlyle The Life of John Sterling Table of Contents The Life of John Sterling..........................................................................................................................................1 Thomas Carlyle..............................................................................................................................................1 PART I...........................................................................................................................................................1 CHAPTER I. INTRODUCTORY..................................................................................................................1 CHAPTER II. BIRTH AND PARENTAGE.................................................................................................3 CHAPTER III. SCHOOLS: LLANBLETHIAN; PARIS; LONDON...........................................................6 CHAPTER IV. UNIVERSITIES: GLASGOW; CAMBRIDGE.................................................................13 CHAPTER V. A PROFESSION..................................................................................................................16 CHAPTER VI. LITERATURE: THE ATHENAEUM...............................................................................18 CHAPTER VII. REGENT STREET...........................................................................................................19 CHAPTER VIII. COLERIDGE...................................................................................................................22
    [Show full text]
  • A Whistleblower's Triumph Over Corruption and Retaliation at The
    CURRENT EVENTS / MEMOIR $27.95 (CAN $30.95) N As a young, black, MIT-educated social scientist, Marsha Coleman-Adebayo o Fe Marsha Coleman-Adebayo “Intensely gripping. Dr. Marsha Coleman-Adebayo’s story refuses to leave the reader’s memory. She is a cool force of nature whose example landed her dream job at the EPA, working teaches how to stand down fear and victoriously stand up for what is with Al Gore’s special commission to right. More will be right when others join her.” assist postapartheid South Africa. But —Ralph Nader when she tried to get the government to investigate allegations that a multinational “A remarkable book: absolute must reading for anyone who cares corporation was responsible for the about civil rights, whistleblowers, and justice.” a deaths of hundreds of South Africans —Stephen M. Kohn, executive director, National Whistleblowers Center mining vanadium—a vital strategic r mineral—the agency stonewalled. “An important account of Coleman’s discovery of an egregious No Fear Coleman-Adebayo blew the whistle. wrong and her courageous battle to fix it.” How could she know that the liberal —Randall Robinson, author of The Debt: What America Owes to Blacks Coleman- agency would use every racist and sexist Marsha Coleman-Adebayo’s victory in trick in their playbook in retaliation? “Marsha Coleman-Adebayo’s account of cowardice and betrayal at the Coleman-Adebayo v. Carol M. Browner The EPA endangered her family and EPA demonstrates that heroines like herself are indeed necessary. inspired the passage of the No FEAR The same agency that facilitated the poisoning of miners and their sacrificed more lives in the vanadium Act of 2002.
    [Show full text]
  • George Orwell: the Critical Heritage
    GEORGE ORWELL: THE CRITICAL HERITAGE THE CRITICAL HERITAGE SERIES General Editor: B.C.Southam The Critical Heritage series collects together a large body of criticism on major figures in literature. Each volume presents the contemporary responses to a particular writer, enabling the student to follow the formation of critical attitudes to the writer’s work and its place within a literary tradition. The carefully selected sources range from landmark essays in the history of criticism to fragments of contemporary opinion and little published documentary material, such as letters and diaries. Significant pieces of criticism from later periods are also included in order to demonstrate fluctuations in reputation following the writer’s death. GEORGE ORWELL THE CRITICAL HERITAGE Edited by JEFFREY MEYERS London and New York First published in 1975 Reprinted in 1997 by Routledge This edition published in the Taylor & Francis e-Library, 2002. 11 New Fetter Lane London EC4P 4EE & 29 West 35th Street New York, NY 10001 Compilation, introduction, notes and index © 1975 Jeffrey Meyers All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data ISBN 0–415–15923–7 (Print Edition) ISBN 0–203–19635–X Master e-book ISBN ISBN 0–203–19638–4 (Glassbook Format) For Alfredo and Barbara General Editor’s Preface The reception given to a writer by his contemporaries and near- contemporaries is evidence of considerable value to the student of literature.
    [Show full text]
  • UNIVERSITY of CALIFORNIA RIVERSIDE Aesthetic Intersections
    UNIVERSITY OF CALIFORNIA RIVERSIDE Aesthetic Intersections: Portraiture and British Women’s Life Writing in the Long Eighteenth Century A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Flavia Ruzi September 2017 Dissertation Committee: Dr. Adriana Craciun, Chairperson Dr. George Haggerty Dr. Malcolm Baker Copyright by Flavia Ruzi 2017 ii The Dissertation of Flavia Ruzi is approved: Committee Chairperson University of California, Riverside iii Acknowledgments This dissertation would not have been possible without the guidance and support of my committee, who have stood relentlessly beside me through every step of the process. I am immensely grateful to Adriana Craciun for her continued faith in my project and in my capacity to meet her ambitious expectations. She has made me a better writer and a more sophisticated thinker. I would also like to express my gratitude to Malcolm Baker, who has patiently born with my literary propensities through my examination of art historical materials. His dedicated guidance has enabled me to discuss such materials in each chapter with the art historical rigor they deserve. The interdisciplinary impetus of my project would not have been possible without him. And I would like to thank George Haggerty, who has been there for me since the first day of my graduate career and continues to inspire me with his unabating love for eighteenth- century literature. The reading group he organized for me and my friend, Rebecca Addicks-Salerno, was instrumental in the evolution of my project. Our invaluable conversations ensured that my dissertation was not a lonely and isolated process but the product of an eighteenth-century-salon-like culture of enjoyable intellectual exchange.
    [Show full text]
  • Sir Joshua Reynolds, Many Sheets by Barocci and Lely Which As Autograph Evidently Influenced the Study of His Great-Niece 1899, I, P
    Neil Jeffares, Dictionary of pastellists before 1800 Online edition J.6174.1191 ~cop., 19th century, pstl, 80x68 REYNOLDS, Sir Joshua Anon. related pastels Plympton 16.VII.1723 – London 23.II.1792 (London, Bonhams Knightsbridge, 7.III.2018, J.6174.106 SELF-PORTRAIT in spectacles, crayons, Reynolds was a founder and first president of Lot 1 repr., est. £1500–2000) ϕκ 35.5x28 (Darrill; Christie’s, 7.VII.1894, Lot 93, the Royal Academy of Arts in 1768. He was the Countess of CHATHAM, née Mary Elizabeth as autograph, 75 gns; Agnew) Townshend, v. Townshend pre-eminent British portraitist of his generation. J.6174.107 =?self-portrait in crayons [?chlk], 1799 Lady CREWE, née Frances Anne Greville (1744– Unlike his principal rival Gainsborough (q.v.) he (don: Mr Cribb, the artist’s framer, framed does not seem to have worked in pastel, and his 1818), full length, as St Genevieve, pnt., 1769– with Reynolds’s paeltte; London, Christie’s, 72 (PC). Lit.: Mannings 2000, no. 444 disapproval of the medium is well known, 1871, Lot 1, 200 gns; Mr Addington) notably in his comments on Liotard (q.v.). J.6174.121 ~version, crayons (Robertson; London, J.6174.108 ~cop., pstl, 35.5x31 (PC) Perhaps surprisingly Reynolds owned a number Christie’s, 2.VI.1866, Lot 183, b/i; 23.VI.1884, J.6174.109 SELF-PORTRAIT, pstl (Fritz Reiss 1906). of pastels (v. Index of collectors), among them Lot 60, £12; Lord Crewe). Lit.: Algernon Exh.: London 1906, upper gallery, no. 22 n.r., Graves, History of the works of Sir Joshua Reynolds, many sheets by Barocci and Lely which as autograph evidently influenced the study of his great-niece 1899, I, p.
    [Show full text]