The Path of the King

Total Page:16

File Type:pdf, Size:1020Kb

The Path of the King THE PATH OF THE KING BY JOHN BUCHAN © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc This PDF eBook was produced in the year 2009 by Tantor Media, Incorporated, which holds the copyright thereto. © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc Contents Prologue Chapter I: Hightown Under Sunfell Chapter II: The Englishman Part I Part II Part III Chapter III: The Wife of Flanders Chapter IV: Eyes of Youth Chapter V: The Maid Chapter VI: The Wood of Life Chapter VII: Eaucourt by the Waters Chapter VIII: The Hidden City Chapter IX: The Regicide Chapter X: The Marplot Chapter XI: The Lit Chamber Chapter XII: In the Dark Land Chapter XIII: The Last Stage Chapter XIV: The End of the Road Part I Part II Part III Part IV Epilogue © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc 2 Prologue THE three of us in that winter camp in the Selkirks were talking the slow aimless talk of wearied men. The Soldier, who had seen many campaigns, was riding his hobby of the Civil War and descanting on Lee’s tactics in the last Wilderness struggle. I said something about the stark romance of it—of Jeb Stuart flitting like a wraith through the forests; of Sheridan’s attack at Chattanooga, when the charging troops on the ridge were silhouetted against a harvest moon; of Leonidas Polk, last of the warrior Bishops, baptizing his fellow generals by the light of a mess candle. “Romance,” I said, “attended the sombre grey and blue levies as faithfully as she ever rode with knight-errant or crusader.” The Scholar, who was cutting a raw-hide thong, raised his wise eyes. “Does it never occur to you fellows that we are all pretty mixed in our notions? We look for romance in the well-cultivated garden-plots, and when it springs out of virgin soil we are surprised, though any fool might know it was the natural place for it.” He picked up a burning stick to relight his pipe. “The things we call aristocracies and reigning houses are the last places to look for masterful men. They began strongly, but they have been too long in possession. They have been cosseted and comforted and the devil has gone out of their blood. Don’t imagine that I undervalue descent. It is not for nothing that a great man leaves posterity. But who is more likely to inherit the fire—the elder son with his flesh-pots or the younger son with his fortune to find? Just think of it! All the younger sons of younger sons back through the generations! We none of us know our ancestors beyond a little way. We all of us may have kings’ blood in our veins. The dago who blacked my boots at Vancouver may be descended by curious byways from Julius Caesar. “Think of it!” he cried. “The spark once transmitted may smoulder © 2008 Tantor Media, Inc. © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media,for Inc © 2009 Tantor Media, Inc © 2009 Tantor generationsMedia, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media,under Inc © 2009 Tantor Media, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor ashes,Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media,but Inc © 2009 Tantor Media, Inc © 2009 Tantor Media,the Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantorap Media, Inc © 2009 Tantor Media, Inc © 200pointed9 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantortime Media, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 200will9 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media,come, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc. © 2009 Tantor Media,and Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Incit © 2009 Tantor Media, Inc © 2009 Tantorwill Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc. © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2009 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc © 2008 Tantor Media, Inc flare up to warm the world. God never allows waste.
Recommended publications
  • Aiello Calabro (CS) Italy
    Dr. Francesco Gallo OUTSTANDING FAMILIES of Aiello Calabro (CS) Italy from the XVI to the XX centuries EMIGRATION to USA and Canada from 1880 to 1930 Padua, Italy August 2014 1 Photo on front cover: Graphic drawing of Aiello of the XVII century by Pietro Angius 2014, an readaptation of Giovan Battista Pacichelli's drawing of 1693 (see page 6) Photo on page 1: Oil painting of Aiello Calabro by Rosario Bernardo (1993) Photo on back cover: George Benjamin Luks, In the Steerage, 1900 Oil on canvas 77.8 x 48.9 cm North Carolina Museum of Art, Raleigh. Purchased with funds from the Elizabeth Gibson Taylor and Walter Frank Taylor Fund and the North Carolina State Art Society (Robert F. Phifer Bequest), 98.12 2 With deep felt gratitude and humility I dedicate this publication to Prof. Rocco Liberti a pioneer in studying Aiello's local history and author of the books: "Ajello Calabro: note storiche " published in 1969 and "Storia dello Stato di Aiello in Calabria " published in 1978 The author is Francesco Gallo, a Medical Doctor, a Psychiatrist, a Professor at the University of Maryland (European Division) and a local history researcher. He is a member of various historical societies: Historical Association of Calabria, Academy of Cosenza and Historic Salida Inc. 3 Coat of arms of some Aiellese noble families (from the book by Cesare Orlandi (1734-1779): "Delle città d'Italia e sue isole adjacenti compendiose notizie", Printer "Augusta" in Perugia, 1770) 4 SUMMARY of the book Introduction 7 Presentation 9 Brief History of the town of Aiello Calabro
    [Show full text]
  • Hip Hop's Hostile Gospel: a Post-Soul Theological Exploration
    Hip Hop’s Hostile Gospel <UN> Studies in Critical Research on Religion Series Editor Warren S. Goldstein Center for Critical Research on Religion and Harvard University (u.s.a.) Editorial Board Roland Boer, University of Newcastle (Australia) Christopher Craig Brittain, University of Aberdeen (u.k.) Darlene Juschka, University of Regina (Canada) Lauren Langman, Loyola University Chicago (u.s.a.) George Lundskow, Grand Valley State University (u.s.a.) Kenneth G. MacKendrick, University of Manitoba (Canada) Andrew M. McKinnon, University of Aberdeen (u.k.) Michael R. Ott, Grand Valley State University (u.s.a.) Sara Pike, California State University, Chico (u.s.a.) Dana Sawchuk, Wilfrid Laurier University (Canada) Advisory Board William Arnal, University of Regina (Canada) Jonathan Boyarin, Cornell University (u.s.a.) Jay Geller, Vanderbilt University (u.s.a.) Marsha Hewitt, University of Toronto (Canada) Michael Löwy, Centre National de la Recherche Scientifique (France) Eduardo Mendieta, Stony Brook University (u.s.a.) Rudolf J. Siebert, Western Michigan University (u.s.a.) Rhys H. Williams, Loyola University Chicago (u.s.a.) VOLUME 6 The titles published in this series are listed at brill.com/scrr <UN> Hip Hop’s Hostile Gospel A Post-Soul Theological Exploration By Daniel White Hodge LEIDEN | BOSTON <UN> Cover illustration: “The character is a fallen Angel spray-can. I was going for idolatry and the character is supposed to be an idol that people worship, a hip-hop idol. The eye inside the pyramid represents the illuminati and how many rappers fall for that false teaching. The right hand is doing a typical Jesus gesture while the left is holding a rod with a microphone at the end.
    [Show full text]
  • DISSERTATION-Submission Reformatted
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Dilemma of Obedience: Persecution, Dissimulation, and Memory in Early Modern England, 1553-1603 Permalink https://escholarship.org/uc/item/5tv2w736 Author Harkins, Robert Lee Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Dilemma of Obedience: Persecution, Dissimulation, and Memory in Early Modern England, 1553-1603 By Robert Lee Harkins A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Ethan Shagan, Chair Professor Jonathan Sheehan Professor David Bates Fall 2013 © Robert Lee Harkins 2013 All Rights Reserved 1 Abstract The Dilemma of Obedience: Persecution, Dissimulation, and Memory in Early Modern England, 1553-1603 by Robert Lee Harkins Doctor of Philosophy in History University of California, Berkeley Professor Ethan Shagan, Chair This study examines the problem of religious and political obedience in early modern England. Drawing upon extensive manuscript research, it focuses on the reign of Mary I (1553-1558), when the official return to Roman Catholicism was accompanied by the prosecution of Protestants for heresy, and the reign of Elizabeth I (1558-1603), when the state religion again shifted to Protestantism. I argue that the cognitive dissonance created by these seesaw changes of official doctrine necessitated a society in which religious mutability became standard operating procedure. For most early modern men and women it was impossible to navigate between the competing and contradictory dictates of Tudor religion and politics without conforming, dissimulating, or changing important points of conscience and belief.
    [Show full text]
  • Treacherous 'Saracens' and Integrated Muslims
    TREACHEROUS ‘SARACENS’ AND INTEGRATED MUSLIMS: THE ISLAMIC OUTLAW IN ROBIN HOOD’S BAND AND THE RE-IMAGINING OF ENGLISH IDENTITY, 1800 TO THE PRESENT 1 ERIC MARTONE Stony Brook University [email protected] 53 In a recent Associated Press article on the impending decay of Sherwood Forest, a director of the conservancy forestry commission remarked, “If you ask someone to think of something typically English or British, they think of the Sherwood Forest and Robin Hood… They are part of our national identity” (Schuman 2007: 1). As this quote suggests, Robin Hood has become an integral component of what it means to be English. Yet the solidification of Robin Hood as a national symbol only dates from the 19 th century. The Robin Hood legend is an evolving narrative. Each generation has been free to appropriate Robin Hood for its own purposes and to graft elements of its contemporary society onto Robin’s medieval world. In this process, modern society has re-imagined the past to suit various needs. One of the needs for which Robin Hood has been re-imagined during late modern history has been the refashioning of English identity. What it means to be English has not been static, but rather in a constant state of revision during the past two centuries. Therefore, Robin Hood has been adjusted accordingly. Fictional narratives erase the incongruities through which national identity was formed into a linear and seemingly inevitable progression, thereby fashioning modern national consciousness. As social scientist Etiénne Balibar argues, the “formation of the nation thus appears as the fulfillment of a ‘project’ stretching over centuries, in which there are different stages and moments of coming to self-awareness” (1991: 86).
    [Show full text]
  • DISSERTATION-Submission Reformatted
    The Dilemma of Obedience: Persecution, Dissimulation, and Memory in Early Modern England, 1553-1603 By Robert Lee Harkins A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Ethan Shagan, Chair Professor Jonathan Sheehan Professor David Bates Fall 2013 © Robert Lee Harkins 2013 All Rights Reserved 1 Abstract The Dilemma of Obedience: Persecution, Dissimulation, and Memory in Early Modern England, 1553-1603 by Robert Lee Harkins Doctor of Philosophy in History University of California, Berkeley Professor Ethan Shagan, Chair This study examines the problem of religious and political obedience in early modern England. Drawing upon extensive manuscript research, it focuses on the reign of Mary I (1553-1558), when the official return to Roman Catholicism was accompanied by the prosecution of Protestants for heresy, and the reign of Elizabeth I (1558-1603), when the state religion again shifted to Protestantism. I argue that the cognitive dissonance created by these seesaw changes of official doctrine necessitated a society in which religious mutability became standard operating procedure. For most early modern men and women it was impossible to navigate between the competing and contradictory dictates of Tudor religion and politics without conforming, dissimulating, or changing important points of conscience and belief. Although early modern theologians and polemicists widely declared religious conformists to be shameless apostates, when we examine specific cases in context it becomes apparent that most individuals found ways to positively rationalize and justify their respective actions. This fraught history continued to have long-term effects on England’s religious, political, and intellectual culture.
    [Show full text]
  • The Beyond Heroes Roleplaying Game Book I: the Player's Guide
    1 2 The Beyond Heroes Roleplaying Game Book XXXII The Book of Earth’s Chronology Writing and Design: Marco Ferraro The Book of the History of the World Copyright © 2020 Marco Ferraro All Rights Reserved This is meant as an amateur free fan production. Absolutely no money is generated from it. Wizards of the Coast, Dungeons & Dragons, and their logos are trademarks of Wizards of the Coast LLC in the United States and other countries. © 2018 Wizards. All Rights Reserved. Beyond Heroes is not affiliated with, endorsed, sponsored, or specifically approved by Wizards of the Coast LLC. Contents Foreword 3 Creation Era 20,000,000,000 BC - 100,000 BC 3 Atlantean Era 100,000 BC - 70,000 BC 7 Dark Ages Era 70,000 BC - 20,500 BC 9 Roman Era 12,042 BC - 160 AD 12 Middle Ages Era 161 AD - 1580 AD 22 Discovery Era 1581 AD - 1900 AD 35 Heroic Era 1901 AD - 2100 AD 43 Enlightenment Era 2101 AD - 2499 AD 87 Far Future Era 2500 AD – 999,999 AD 107 Final Era 1,000,000 AD+ 112 3 Foreword The Creation Era The Beyond Heroes Role Playing Game 20,000,000,000 BC - The Big Bang is based on a heavily revised derivative creates the currently existing universe. version of the rules system from From the massive explosion mass and Advanced Dungeons and Dragons 2nd energy condense to form the universe. edition. It also makes extensive use of This is repeated an infinite amount of the optional point buying system as times over the multiverse.
    [Show full text]
  • Herman Boerhaave
    Herman Boerhaave History of Science and Scholarship in the Netherlands, volume â The series History of Science and Scholarship in the Netherlands presents studies on a variety of subjects in the history of science, scholarship and academic institu- tions in the Netherlands. Titles in this series ". Rienk Vermij, The Calvinist Copernicans. The reception of the new astronomy in the Dutch Republic, "äæä^"æäò. áòòá, isbn ñò-åñðã-âãò-ã á. Gerhard Wiesenfeldt, Leerer Raum in Minervas Haus. Experimentelle Natur- lehre an der Universita« t Leiden, "åæä^"æ"ä.áòòá,isbn ñò-åñðã-ââñ-ò â. Rina Knoeff, Herman Boerhaave ,"ååð^"æâð). Calvinist chemist and physician. áòòá, isbn ñò-åñðã-âãá-ò ã. Johanna Levelt Sengers, How fluids unmix. Discoveries by the School of Van der Waals and Kamerlingh Onnes. áòòá, isbn ñò-åñðã-âäæ-ñ Editorial Board K. van Berkel, University of Groningen W.Th.M. Frijhoff, Free University of Amsterdam A. van Helden, Utrecht University W.E. Krul, University of Groningen A. de Swaan, Amsterdam School of Sociological Research R.P.W. Visser, Utrecht University Herman Boerhaave 7"ååð-"æâð) Calvinist chemist and physician Rina Knoeff Koninklijke Nederlandse Akademie van Wetenschappen, Amsterdam áòòá ß áòòá Royal Netherlands Academy of Arts and Sciences No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopy- ing, recording or otherwise, without the prior written permission of the pub- lisher. Edita knaw, P.O. Box "ñ"á", "òòò gc Amsterdam, the Netherlands [email protected], www.knaw.nl/edita isbn ñò-åñðã-âãá-ò The paper in this publication meets the requirements of *? iso-norm ñæòå 7"ññã) for permanence For my parents Every man's work, whether it be literature or music or pictures or architecture or anything else, is always a portrait of himself, and the more he tries to conceal himself the more clearly will his character appear in spite of him.
    [Show full text]
  • L'ombre Du Punisher 13 Mai 2016, Par William Blanc
    L'ombre du Punisher 13 mai 2016, par William Blanc Conway Gerry (scénario), Andru Ross (dessins), The Amazing Spider-Man #129, février 1974. Première apparition du Punisher. Le Punisher, anti-héros à la tête de mort et l'un des personnages les plus célèbres de Marvel Comics, apparaît pour la première fois dans The Amazing Spider-Man #129. On le voit tenter de tuer Peter Parker, convaincu qu'il s'agit d'un meurtrier et d'un criminel. Peu à peu, le personnage se développe. On apprend qu'il se nomme Frank Castiglione (ou Frank Castle) et qu'il mène une guerre sans merci aux malfaiteurs depuis que des mafiosi ont tué sa famille. Très vite, il devient l'un des vilains les plus populaires de Marvel Comics. Confronté plusieurs fois à Spider-Man, il se retrouve également face à face avec Captain America et Daredevil. À chaque fois, les méthodes expéditives de l'anti-héros usant volontier d'armes à feu permettent de jeter une lumière positive sur les super-héros (qui eux, n'utilsent généralement que de leurs poings). C'est particulièrement flagrant dans Daredevil #183 (juin 1982) dessiné et scénarisé notamment par Frank Miller dans lequel l'usage par Frank Castle de pistolets ou de fusils est condamné au profit de la méthode du héros Matt Murdock qui veut lui amener les criminels devant la justice. McKenzie Roger (scénario) Miller Frank (scénario et dessins), Janson Klaus (dessins), Daredevil, #183, juin 1982. Cet épisode de Daredevil est aussi l'occasion de critiquer vivement l'usage des armes à feu.
    [Show full text]
  • The Travels of Marco Polo
    This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. http://books.google.com TheTravelsofMarcoPolo MarcoPolo,HughMurray HARVARD COLLEGE LIBRARY FROM THE BEQUEST OF GEORGE FRANCIS PARKMAN (Class of 1844) OF BOSTON " - TRAVELS MAECO POLO. OLIVER & BOYD, EDINBURGH. TDE TRAVELS MARCO POLO, GREATLY AMENDED AND ENLARGED FROM VALUABLE EARLY MANUSCRIPTS RECENTLY PUBLISHED BY THE FRENCH SOCIETY OP GEOGRAPHY AND IN ITALY BY COUNT BALDELLI BONI. WITH COPIOUS NOTES, ILLUSTRATING THE ROUTES AND OBSERVATIONS OF THE AUTHOR, AND COMPARING THEM WITH THOSE OF MORS RECENT TRAVELLERS. BY HUGH MURRAY, F.R.S.E. TWO MAPS AND A VIGNETTE. THIRD EDITION. EDINBURGH: OLIVER & BOYD, TWEEDDALE COURT; AND SIMPKIN, MARSHALL, & CO., LONDON. MDOCCXLV. A EKTERIR IN STATIONERS' BALL. Printed by Oliver & Boyd, / ^ Twseddale Court, High Street, Edinburgh. p PREFACE. Marco Polo has been long regarded as at once the earliest and most distinguished of European travellers. He sur passed every other in the extent of the unknown regions which he visited, as well as in the amount of new and important information collected ; having traversed Asia from one extremity to the other, including the elevated central regions, and those interior provinces of China from which foreigners have since been rigidly excluded. " He has," says Bitter, " been frequently called the Herodotus of the Middle Ages, and he has a just claim to that title. If the name of a discoverer of Asia were to be assigned to any person, nobody would better deserve it." The description of the Chinese court and empire, and of the adjacent countries, under the most powerful of the Asiatic dynasties, forms a grand historical picture not exhibited in any other record.
    [Show full text]
  • 2012 Program
    Sixteenth Century Society and Conference S Thursday, 25 October to Sunday, 28 October 2012 Sixteenth Century Society & Conference Cincinnati, Ohio 2012 2011-2012 OFFICERS President: Randall Zachman Vice-President: Sheila ffolliott Past-President: Cathy Yandell Executive Director: Donald J. Harreld Financial Officer: Eric Nelson ACLS Representative: Allyson M. Poska Endowment Chairso: Raymond Mentzer & Ronald Fritze COUNCIL Class of 2012: Kathryn A. Edwards, Emidio Campi, Sheila ffolliott, Alison P. Weber Class of 2013: Dora E. Polachek, Diane Wolfthal, Randolph C. Head, Heinz Schott Class of 2014: Bruce Janacek, Robertoo E. Campo, Thomas F. Mayer, Mihoko Suzuki PROGRAM COMMITTEE Chair: Sheila ffolliott History: Sigrun Haude English Literature: Scott C. Lucas German Studies: Bethany Wiggin Italian Literature: Meredith K. Ray Theology: R. Ward Holder French Literature: Robert J. Hudson Spanish and Latin American Studies: Elizabeth A. Lehfeldt Arto History: James Clifton NOMINATING COMMITTEE Anne Lake Prescott (Chair), Jean-Claude Carron, Rudolph Almasy, Craig oHarline, Katherine McIver 2012 SCSC PRIZE COMMITTEES Gerald Strauss Book Prize Timothy Fehler, Bruce Gordon, Helmut Puff Bainton Art History Book Prize Lynette M. F. Bosch, Diane Wolfthal, Larry Silver Bainton History/Theology Book Prize Andrew Spicer, Kathryn A. Edwards, Thomas Davis Bainton Literature Book Prize Julia Griffin, Christopher Baker, Cynthia Skenazi Bainton Reference Book Prize Magda Teter, Craig Farmer, Brad Gregory Grimm Prize Charles Parker, Peter G. Wallace, Amy
    [Show full text]
  • The Twelve Apostles: Design, Construction, and Function Of
    THE TWELVE APOSTLES: DESIGN, CONSTRUCTION, AND FUNCTION OF LATE 16TH-CENTURY SPANISH GALLEONS A Dissertation by JOSE LUIS CASABAN BANACLOCHA Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Chair of Committee, Cemal Pulak Committee Members, Kevin Crisman James Bradford Donny Hamilton Head of Department, Cynthia Werner December 2017 Major Subject: Anthropology Copyright 2017 José Luis Casabán Banaclocha ABSTRACT The development of the Spanish galleon as a specialized warship took place in Spain during the 16th century. A series of prototypes built in Spain in that century incorporated concepts and technological solutions from both the Mediterranean and the Atlantic maritime traditions, and became the basis for this new type of vessel. The Spanish galleon was designed in response to changes in Atlantic trade routes at the beginning of the 16th century when, as a result of Spanish transoceanic expansion, new and more specialized vessels were needed for both the coastal defense of Spain and its overseas territories, as well as to escort the oceanic fleets. In November 1588, King Philip II of Spain ordered the construction of 12 new galleons of 500, 600, and 800 toneladas, four ships of each tonnage, specifically designed as warships. These galleons were to replace the losses that occurred after the failure of the Spanish Armada against England, since the chronic Spanish shortage of warships was aggravated by the loss of some of the best naval units. This decision marked the beginning of the largest shipbuilding program attempted in Spain until that moment.
    [Show full text]
  • Gude and Godlie Ballatis
    scs S-nrsi, j>7 £be Scottish Geyt Society THE GUDE AND GODLIE BALLATIS A COMPENDIOUS BOOK OF GODLY AND SPIRITUAL SONGS COMMONLY KNOWN AS THE GUDE AND GODLIE BALLATIS ’ REPRINTED FROM THE EDITION OF 1567 EDITED, WITH INTRODUCTION AND NOTES BY A. F. MITCHELL, D.D., LL.D. EMERITUS PROFESSOR OF ECCLESIASTICAL HISTORY, ST ANDREWS Printet) far tfje iSomtg tig WILLIAM BLACKWOOD AND SONS EDINBURGH AND LONDON MDCCCXCVII All Rights reserved CONTENTS. INTRODUCTION, ........ vii I. VERNACULAR HYMNOLOGY, ..... viii [a) On Continent of Europe, .... viii [d) In England, . x (c) In Scotland, .... xi 1. Earliest efforts, . xii 2. Buchanan and Lyndsay’s services, . xiv 3. The Wedderhurns’ services, . xiv II. MORE DETAILED ACCOUNT— (a) James Wedderburn, . xix (b) Robert Wedderburn, ..... xxiv {c) John Wedderburn, ..... xxvi III. COMPENDIOUS BOOK OF PSALMS AND SPIRITUAL SONGS— (a) Its origin, ...... xxxii (b) Early editions of it, . xxxiii (c) Reprints of it, . xl 1. Sir J. G. Dalyell’s, of edition 1621, . xl 2. Mr David Laing’s, of edition 1578, . xl (d) Sources of the book, . xli (e) Its contents, ...... xlvi 1. Its Catechism in prose and metre, . xlvi 2. First part of Spiritual Songs proper, . xlviii 3. Its Second part, Psalms and Hymns, . 1 4. Its Third part, Ballads and Satirical Poems, . li (/) Doctrinal teaching of the book, . lv (g) Its merits, ...... Ivii (h) Objections taken to it, . , , Ixi (i) Its relation to Coverdale’s Psalms and Spiritual Songs,. Ixvi The Ballad, “ Say-well and do-well,” ..... Ix'xii The Ballad, “ Welcum, Fortoun,” ..... Ixxv Bibliography of the several editions of book, .... Ixxx iv CONTENTS.
    [Show full text]