DOCSLIB.ORG

Chapter 1: National Allegories As Narratives of National Domestication

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Chapter 1: National Allegories As Narratives of National Domestication THE RETURN OF THE VANISHING FORMOSAN: DISTURBING THE DISCOURSE OF NATIONAL DOMESTICATION AS THE LITERARY FATE OF THE ABORIGINAL MAIDEN IN POSTWAR TAIWANESE FILM AND FICTION by Darryl Cameron Sterk A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of East Asian Studies University of Toronto © Copyright by Darryl Cameron Sterk (2009) Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-61104-3 Our file Notre référence ISBN: 978-0-494-61104-3 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. without the author’s permission. In compliance with the Canadian Conformément à la loi canadienne sur la Privacy Act some supporting forms protection de la vie privée, quelques may have been removed from this formulaires secondaires ont été enlevés de thesis. cette thèse. While these forms may be included Bien que ces formulaires aient inclus dans in the document page count, their la pagination, il n’y aura aucun contenu removal does not represent any loss manquant. of content from the thesis. Abstract The Return of the Vanishing Formosan: Disturbing the Discourse of National Domestication as the Literary Fate of the Aboriginal Maiden in Postwar Taiwanese Film and Fiction Doctor of Philosophy, 2009 Darryl Cameron Sterk East Asian Studies University of Toronto Stories about aborigines in a settler society, especially stories about aboriginal maidens and settler men, tend to become national allegories. Initially, the aboriginal maiden is a figure for colonial landscapes and resources, while later, in her conversion in fact or fiction from aboriginal to settler, she helps build national identity. Yet after being romanced, the aboriginal maiden‘s fate is to disappear from settler consciousness, because she is displaced by the national settler mother or because the settler loses interest in her, only to return in abjection to haunt the settler conscience. In her return as a prostitute, a commodified bride or a ghost, she disturbs the discourse of ‗national domestication‘, the notion of nation as family. Though she returns in abjection, an Amazonian association tends to linger in the person of the aboriginal maiden, an association that suggests the kind of self-empowerment on which a healthy liberal society ii depends. In other words, the figure of the aboriginal maiden tends to be used in the construction, the contestation, and potentially the reconstruction of national identity in a settler society. While I discuss examples from settler societies around the world, particularly the story of Pocahontas, and try to contribute to ‗settler colonial discourse studies‘, I focus on postwar Taiwan. This dissertation proposes the notions of the ‗settler society‘ and the Habermasian public sphere as ‗frames‘ for the study of Taiwanese literature. I show how the Formosan aboriginal maiden has been appropriated for the construction and critique of both Chinese and Taiwanese nationalisms. I argue that while nationalism is partly about social control and the advancement of particular interests, writers who have romanced the Formosan aborigine have been implicitly participating in a debate about national domestication, the telos of which is the democratic imagination of a good society, one in which the Formosan aborigines will feel in some sense ‗at home‘, though perhaps not as members of the ‗national family‘. Finally, under the rubric of ‗alternative aboriginal modernities‘, I discuss stories that reread the romance of the Formosan aborigine by aboriginal writers who have entered the national debate. iii Acknowledgements As I finish a dissertation on allegory, I am particularly aware of my own interpersonal relationality; no man is a monad. I could not have done it in the first place had Prof. Johanna Liu not agreed to take me on and let me work on a topic in Taiwan literary studies of my choice under her mentorship. I am grateful to the other core members on my committee, Profs. Vincent Shen and Graham Sanders, and to Prof. Xie Ming, a model of sensitivity in his own research on poetry translation, for coming on near the end of the process. I am also indebted to my external appraiser, Prof. Christopher Lupke of the University of Washington State, for very encouraging yet critical comments, for advice on how to turn it into a book, and for his own inspirational ‗die hard‘ dedication to Taiwanese literature. I should also mention, among mentors, Profs. Daniel Bryant and Richard Lynn. Prof. Bryant got me going in Sinology, while Prof. Lynn helped me find a congenial topic for my MA, which he also supervised with unstinting assistance. At the University of Toronto, I also profited greatly from classes in Buddhism and Daoism taught by Prof. Leonard Priestley. Much appreciated help and encouragement also came from several scholars who responded to my e-mails. They might not remember me, but I wish to acknowledge in particular Profs. Emma Teng, Paul Barclay, David Der-Wei Wang, Carlos Rojas, Michael Berry and Terry Goldie, all of whose research has deepened my dissertation. Also by e-mail, Prof. Yvonne Chang gave me a much needed nudge towards ‗new frames‘ for the study of Taiwanese literature, and I was lucky enough to be able to take a class with her at Fujen University. iv In Taiwan, the friendship of Prof. A-chin Hsiau was invaluable, especially as he helped me give shape to the topic near the beginning of the project. I‘ve learned a great deal about scholarship by trying to follow Prof. Hsiau‘s example. A comment Prof. Sun Dachuan made at a conference provided one of the inspirations for the theoretical orientation, and I‘m grateful to him for sitting down with me to discuss his own aboriginal research. Prof. Huang Mei-e directed me to a fascinating early novel, and Profs. Hsu and Liao let me sit in on their classes at the Institute of Taiwanese Literature and Culture (NTNU). Prof. Hu Wanchuan graciously invited me to his home in Taizhong for an afternoon of good conversation about traditional Chinese fiction and Taiwanese folklore with his graduate student, now Prof. Cheng Mei-hui. The professors at the Graduate Institute of Translation and Interpretation at National Taiwan Normal University and the people at The Chinese PEN helped me hone my language and translation skills, rounding me out as a literary scholar. At conferences and talks at which I‘ve presented my work, I‘ve profited from the astute comments of such scholars as Terence Russell, Scott Simon, Frank Muyard, Tu Kuo-ching, Stuart Thompson, Paul-François Tremlett, Gregory Blue, Howard Goldblatt, Jeffrey Kinkley, and Liao Ping-hui. My research at the University of Toronto was funded by the UTF fellowship and, during the two years I spent in Taiwan studying translation, the Ministry of Education (ROC). In my final year, during which I wrote it all up, Profs. Shen and Liu made life-saving financial arrangements for me, without which I could never have finished. They have also given me my first substantial teaching experience, valuable more for what I am learning than for the remuneration. Without the support of a number of people, the whole process would have been intolerably solitary. I am forever grateful: To my fellow graduate students in the Department of v East Asian Studies – Ihor Pidhainy, Adam Bohnet, Desmond Cheung, Luo Hui, Steve Trott, Lidu Yi, Mingran Tan, David Chai, Derek Kramer, and Yonsue Kim – listed in the order I remember meeting them. In regard to my place of residence last spring and summer, to Conrad McCallum, Mayumi Kondo, and to Alan and Norma for dinner and company. To Kapur for the Aum shirt. To Celia and Norma. To my Buddhist friends Phillip Ernest, Jeff Lindstrom and Eisel Mazard. To Vincent Tovell, for taking me under his wing in my second year of residence in Toronto. To my oldest friends in Taiwan, Ivan Liu and Kevin Huang. To Lee Su-chuan. To Luo Yongqing. To Scott Sommers and Ann Heylen, for giving me my first big break. To my kickboxing instructors Bi Jinglong and Zhou Baiwan. To Tulip Lihou Chen, who had the nicest apartment in Taiwan and was so nice as to let me water her plants. To my oldest friend in the world, Alex Beecroft, who, farther along the academic road than I, is a beacon. To Alex Davies and Stuart Chambers. To Amir Husain, who was always there to read when things were going badly at the beginning. To Joyce Tse and Sharad Srivastava. To my parents John and Jane, who have always been supportive in every possible way.
Load more

Recommended publications
  • Researcher's Guide to Zane Grey Newsletters
    Researcher’s Guide to Zane Grey Zane Grey Newsletters A Bibliography of Selected Articles Compiled by Ed Meyer and Alan Pratt i Researcher’s Guide to Zane Grey Newsletters A Bibliography of Selected Articles ii Preface The Researcher’s Guide to Zane Grey Newsletters provides the serious researcher with access to more than 500 articles related to Western author Zane Grey. This publication is offered as a resource to assist scholars, historians, and Zany Grey enthusiasts in locating published material written about as well as by the Western author Zane Grey. The Guide spans more than 50 years of published newsletter articles exploring Grey’s legacy— his writing, travels, fishing adventures, and his remarkable life. In addition, the Guide lists entries of material written by Grey himself, such as letters, diary excerpts, autobiographical material, and original photographs taken by the author. Ed Meyer and Alan Pratt, PhD iii Table of Contents Preface iii Introduction 1 The Zane Grey Collector (1968-1978) 2 The New Zane Grey Collector (1984-1985) 8 Zane Grey’s West (1980-1991) 9 Zane Grey Reporter (1986-1990) 12 Zane Grey Quarterly (1991-1993) 15 Zane Grey Review (1986-2015) 16 Zane Grey Explorer (2016-2021) 28 iv Introduction The easiest way to describe the Guide is a selected bibliography of articles relating to Zane Grey that appeared in newsletters initially published by noted Grey researcher G.M. Farley and the Zane Grey’s West Society between 1968 and 2021. Pieces chosen for the Guide focus on Zane Grey’s history Zane Grey’s written works People & places that inspired Grey Zane Grey’s family Grey’s fishing & hunting Zane Grey and his literary peers Collecting Grey work Grey’s baseball career Movies based on Grey’s works Rare photographs Grey & social issues Rare & unpublished works by Grey Here’s what one will not find in the Guide.
    [Show full text]
  • Downloaded License
    international journal of taiwan studies 3 (2020) 343-361 brill.com/ijts Review Essay ∵ Review of the Exhibition Oppression and Overcoming: Social Movements in Post-War Taiwan, National Museum of Taiwan History, 28 May 2019–17 May 2020 Susan Shih Chang Department of Communications and New Media, National University of Singapore, Singapore [email protected] Jeremy Huai-Che Chiang Department of Politics and International Studies, University of Cambridge, Cambridge, United Kingdom [email protected] Abstract This review article looks at “Oppression and Overcoming: Social Movements in Post- War Taiwan” (2019.5.28–2020.5.17), an exhibition at the National Museum of Taiwan History (nthm) through approaches of museum studies and social movement studies, and aims to understand its implication for doing Taiwan Studies. This review con- cludes that “Oppression and Overcoming” is significant as a novel museological prac- tice by being part of a continuation of social movements, which transformed the mu- seum to a space for civil participation and dialogue. This allows the exhibition to become a window for both citizens and foreigners to understand and realize Taiwan’s vibrant democracy and civil society. In addition, this review suggests that future © SUSAN SHIH CHANG AND JEREMY HUAI-CHE CHIANG, 2020 | doi:10.1163/24688800-00302009 This is an open access article distributed under the terms of the CC-BY 4.0Downloaded license. from Brill.com09/24/2021 07:47:53AM via free access <UN> 344 Chang and Chiang exhibitions on social movements could demonstrate the possibility to position Taiwan in a global context to better connect with other countries in the Asian region.
    [Show full text]
  • Proquest Dissertations
    "The Cross-Heart People": Indigenous narratives,cinema, and the Western Item Type text; Dissertation-Reproduction (electronic) Authors Hearne, Joanna Megan Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 17:56:11 Link to Item http://hdl.handle.net/10150/290072 •THE CROSS-HEART PEOPLE": INDIGENOLJS NARRATIVES, CINEMA, AND THE WESTERN By Joanna Megan Heame Copyright © Joanna Megan Heame 2004 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2004 UMI Number: 3132226 Copyright 2004 by Hearne, Joanna Megan All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 3132226 Copyright 2004 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O.
    [Show full text]
  • Manifest Density: Decentering the Global Western Film
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Manifest Density: Decentering the Global Western Film Michael D. Phillips The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2932 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MANIFEST DENSITY: DECENTERING THE GLOBAL WESTERN FILM by MICHAEL D. PHILLIPS A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 © 2018 Michael D. Phillips All Rights Reserved ii Manifest Density: Decentering the Global Western Film by Michael D. Phillips This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. __________________ ________________________________________________ Date Jerry W. Carlson Chair of Examining Committee __________________ ________________________________________________ Date Giancarlo Lombardi Executive Officer Supervisory Committee: Paula J. Massood Marc Dolan THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Manifest Density: Decentering the Global Western Film by Michael D. Phillips Advisor: Jerry W. Carlson The Western is often seen as a uniquely American narrative form, one so deeply ingrained as to constitute a national myth. This perception persists despite its inherent shortcomings, among them its inapplicability to the many instances of filmmakers outside the United States appropriating the genre and thus undercutting this view of generic exceptionalism.
    [Show full text]
  • The American Indian in the American Film
    THE AMERICAN INDIAN IN THE AMERICAN FILM Thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in American Studies in the University of Canterbury by Michael J. Brathwaite 1981 ABSTRACT This thesis is a chronological examination of the ways in which American Indians have been portrayed in American 1 f.ilms and the factors influencing these portrayals. B eginning with the literary precedents, the effects of three wars and other social upheavals and changes are considered. In addition t-0 being the first objective detailed examination of the subj�ct in English, it is the first work to cover the last decade. It concludes that because of psychological factors it is unlikely that film-makers are - capable of advancing far beyond the basic stereotypes, and that the failure of Indians to appreciate this has repeatedly caused ill-feeling between themselves and the film-makers, making the latter abandon their attempts at a fair treatment of the Indians. ii TABLE OF CONTENTS Preface iii Chapter I: The Background of the Problem c.1630 to c.1900. 1 Chapter II: The Birth of the Cinema and Its Aftermath: 1889 to 1939. 21 Chapter III: World War II and Its Effects: 1940 to 1955. 42 Chapter IV: Assimilation of Separatism?: 1953 to 1965. 65 Chapter V: The Accuracy Question. 80 Chapter VI: Catch-22: 1965 to 1972. 105 Chapter VII: Back to the Beginning: 1973 to 1981. 136 Chapter VIII: Conclusion. 153 Bibliography 156 iii PREFACE The aim of this the.sis is to examine the ways in which the American Indians have been portrayed in American films, the influences on their portrayals, and whether or not they have changed.
    [Show full text]
  • National Identity
    Christopher R Hughes National identity Book section Original citation: Hughes, Christopher R. (2016) National identity. In: Schubert, Gunter, (ed.) Routledge Handbook of Contemporary Taiwan. Routledge, London, UK, pp. 153-168. ISBN 9781138781870 © 2016 Routledge This version available at: http://eprints.lse.ac.uk/68060/ Available in LSE Research Online: October 2016 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s submitted version of the book section. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. The Politics of National Identity Since 1945 Christopher Hughes Taiwan presents one of the most fascinating and challenging cases for the study of identity in the social sciences. Politically, this is because it has the qualities of a sovereign state but its government works within the framework of a constitution that is supposed to cover the whole of China (Hughes 2000: 63-5). Culturally it arises from a tenuous historical relationship not only with China but also with Japan that makes it, above all, a “frontier” society (Harrison 2006: 2).
    [Show full text]
  • Taiwán Se Reafirma
    __________ TAI__ WAN__ 2020 10 CLAVES y 10 PERSONAJES d e 2019 Taiwán se reafirma www.igadi.gal ________________ ________________TAIWAN 2020 10 CLAVES y 10 PERSONAJES de 2019 Taiwán se reafirma Marcadamente, el año político se ha distinguido en Taiwán del año cronológico. En efecto, en el primer caso se iniciaría el 24 de noviembre de 2018, cuan- do se celebraron unas decisivas elecciones locales conocidas como “nueve en uno”, y du- raría hasta el 11 de enero de 2020, cuando se celebraron los no menos decisivos comicios le- fénix para consumar una victo- en todos los órdenes ha eviden- gislativos y presidenciales. Fue, ria sin paliativos frente a su más ciado la existencia de firmes por tanto, un año largo, marca- directo rival, el nacionalista Han convicciones democráticas en do por un tenso pulso entre el Kuo-yu, remontando la difícil una sociedad ampliamente mo- PDP y el KMT y entre Taipéi y coyuntura que le había aboca- vilizada y cuyo protagonismo se Beijing. Y, en resumidas cuen- do a presentar la dimisión de la aquilata y afianza para decidir tas, un ejercicio en el que Tsai presidencia de su formación en autónomamente su futuro. Ing-wen resurgió como el ave 2018. El transcurso del ejercicio Taiwan 2020: 10 claves y 10 personajes de 2019 www.IGADI.gal 2 ________________ ________________TAIWAN 2020 1º 10 CLAVES y 10 PERSONAJES de 2019 Discurso y contra discurso a Taiwán se reafirma través del Estrecho En su mensaje de Año Nuevo, la presidenta Tsai Ing-wen enun- ció cuatro imperativos para si- tuar las relaciones a través del Estrecho sobre una buena vía: reconocer la existencia de la Re- pública de China (Taiwán); res- petar la preferencia de los 23 millones de taiwaneses por la libertad y la democracia; abor- dar las diferencias entre los dos lados de manera pacífica y bajo el principio de igualdad; nego- ciado a la revitalización de la complementar los ocho puntos ciar con el gobierno de Taiwán gran nación china.
    [Show full text]
  • Rehtinking Resistance: Race, Gender, and Place in the Fictive and Real Geographies of the American West
    REHTINKING RESISTANCE: RACE, GENDER, AND PLACE IN THE FICTIVE AND REAL GEOGRAPHIES OF THE AMERICAN WEST by TRACEY DANIELS LERBERG DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at The University of Texas at Arlington May 2016 Arlington, Texas Supervising Committee: Stacy Alaimo, Supervising Professor Neill Matheson Christopher Morris Kenneth Roemer Cedrick May, Texas Christian University Abstract Rethinking Resistance: Race, Gender, and Place in the Fictive and Real Geographies of the American West by Tracey Daniels Lerberg, Ph.D. The University of Texas at Arlington, 2016 Supervising Professor: Stacy Alaimo This project traces the history of the American West and its inhabitants through its literary, cinematic and cultural landscape, exploring the importance of public and private narratives of resistance, in their many iterations, to the perceived singular trajectory of white masculine progress in the American west. The project takes up the calls by feminist and minority scholars to broaden the literary history of the American West and to unsettle the narrative of conquest that has been taken up to enact a particular kind of imaginary perversely sustained across time and place. That the western heroic vision resonates today is perhaps no significant revelation; however, what is surprising is that their forward echoes pulsate in myriad directions, cascading over the stories of alternative voices, that seem always on the verge of slipping away from our collective memories, of ii being conquered again and again, of vanishing. But a considerable amount of recovery work in the past few decades has been aimed at revising the ritualized absences in the North American West to show that women, Native Americans, African Americans, Mexican Americans and other others were never absent from this particular (his)story.
    [Show full text]
  • Red and White on the Silver Screen: the Shifting Meaning and Use of American Indians in Hollywood Films from the 1930S to the 1970S
    RED AND WHITE ON THE SILVER SCREEN: THE SHIFTING MEANING AND USE OF AMERICAN INDIANS IN HOLLYWOOD FILMS FROM THE 1930s TO THE 1970s a dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Bryan W. Kvet May, 2016 (c) Copyright All rights reserved Except for previously published materials Dissertation Written by Bryan W. Kvet B.A., Grove City College, 1994 M.A., Kent State University, 1998 Ph.D., Kent State University, 2015 Approved by ___Kenneth Bindas_______________, Chair, Doctoral Dissertation Committee Dr. Kenneth Bindas ___Clarence Wunderlin ___________, Members, Doctoral Dissertation Committee Dr. Clarence Wunderlin ___James Seelye_________________, Dr. James Seelye ___Bob Batchelor________________, Dr. Bob Batchelor ___Paul Haridakis________________, Dr. Paul Haridakis Accepted by ___Kenneth Bindas_______________, Chair, Department of History Dr. Kenneth Bindas ___James L. Blank________________, Dean, College of Arts and Sciences Dr. James L. Blank TABLE OF CONTENTS…………………………………………………………………iv LIST OF FIGURES………………………………………………………………………v ACKNOWLEDGEMENTS……………………………………………………………...vii CHAPTERS Introduction………………………………………………………………………1 Part I: 1930 - 1945 1. "You Haven't Seen Any Indians Yet:" Hollywood's Bloodthirsty Savages……………………………………….26 2. "Don't You Realize this Is a New Empire?" Hollywood's Noble Savages……………………………………………...72 Epilogue for Part I………………………………………………………………..121 Part II: 1945 - 1960 3. "Small Warrior Should Have Father:" The Cold War Family in American Indian Films………………………...136 4. "In a Hundred Years it Might've Worked:" American Indian Films and Civil Rights………………………………....185 Epilogue for Part II……………………………………………………………….244 Part III, 1960 - 1970 5. "If Things Keep Trying to Live, the White Man Will Rub Them Out:" The American Indian Film and the Counterculture………………………260 6.
    [Show full text]
  • Romanization and Language Planning in Taiwan
    1 Romanization and Language Planning in Taiwan The University of Texas at Arlington P.O. Box 2485 Arlington, TX 76004, USA Email: [email protected] Abstract Chiung, Wi-vun Taiffalo. 2001. Romanization and Language Planning in Taiwan. The Linguistic Association of Korea Journal 9(1). Although Taiwan is currently a Hancha (Han characters)-dominated society, romanization was in fact the first writing system used in Taiwan. The first romanized orthography is the Sinkang manuscripts introduced by the Dutch missionaries in the first half of the seventeenth century. Thereafter, Han characters were imposed to Taiwan by the Sinitic Koxinga regime that followed in the second half of the seventeenth century. As the number of Han immigrants from China dramatically increased, Han characters gradually became the dominant writing system. At present, romanization for Mandarin Chinese is an auxiliary script simply used for transliteration purpose. As for Taiwanese romanization, it is mainly used by particular groups, such as church followers and the Taiwanese writing circle. This paper provides readers an overall introduction to the history and current development of romanization in Taiwan from the perspectives of literacy and sociolinguistics. The University of Texas at Arlington. Chiung, Wi-vun Taiffalo. 2001. Romanization and language planning in Taiwan. The Linguistic Association of Korea Journal 9(1), 15-43. 2 Romanization and Language Planning in Taiwan1 1. Introduction Although Taiwan is currently a Hancha (Han characters)-dominated society, romanization once was the unique and first writing system used in Taiwan. This system of romanization was introduced by the Dutch missionaries in the first half of the seventeenth century.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • Open Dissertation Etd Format.Pdf
    The Pennsylvania State University The Graduate School College of the Liberal Arts FROM MISREPRESENTATION TO MISAPPREHENSION: DISCURSIVE RESISTANCE AND THE POLITICS OF DISPLACEMENT IN NATIVE AMERICA A Thesis in Comparative Literature by Quentin E. Youngberg © 2006 Quentin E. Youngberg Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2006 The thesis of Quentin E. Youngberg was reviewed and approved* by the following: Djelal Kadir Edwin Erle Sparks Professor of Comparative Literature Thesis Advisor Chair of Committee Sophia A. McClennen Associate Professor of Comparative Literature, Spanish, and Women’s Studies Aldon L. Nielsen Kelly Professor of American Literature Matthew B. Restall Professor of Latin American History, Anthropology, and Women’s Studies, Director of Graduate Studies in History, and Director of Latin American Studies Caroline D. Eckhardt Professor of English and Comparative Literature Head of the Department of Comparative Literature * Signatures are on file in the Graduate School. iii ABSTRACT The very real social and political problems on reservations (like poverty, alcoholism, and suicide) will never be solved so long as these issues are elided by essentialist discussions of culture. Romanticized conceptions of Native cultures elide the facts of racism, bureaucratic inefficiency, and purposefully systematized erosions of Native sovereignty. In the process of these elisions, blame for social problems is laid on the culturally “atavistic” and “inept” (savage) victims for problems that stem, in reality, from an ongoing colonial relationship. By taking on various popular myths about Native cultures (the myth of the Vanishing Indian, the idea of the Nature-Indian, or the myth of the White-Indian), and by setting Native voices in opposition to those myths, this dissertation attempts to de- mystify the politics that lie behind public discourses on and by Native peoples.
    [Show full text]