DOCSLIB.ORG

Researcher's Guide to Zane Grey Newsletters

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Researcher’s Guide to Zane Grey Zane Grey Newsletters A Bibliography of Selected Articles Compiled by Ed Meyer and Alan Pratt i Researcher’s Guide to Zane Grey Newsletters A Bibliography of Selected Articles ii Preface The Researcher’s Guide to Zane Grey Newsletters provides the serious researcher with access to more than 500 articles related to Western author Zane Grey. This publication is offered as a resource to assist scholars, historians, and Zany Grey enthusiasts in locating published material written about as well as by the Western author Zane Grey. The Guide spans more than 50 years of published newsletter articles exploring Grey’s legacy— his writing, travels, fishing adventures, and his remarkable life. In addition, the Guide lists entries of material written by Grey himself, such as letters, diary excerpts, autobiographical material, and original photographs taken by the author. Ed Meyer and Alan Pratt, PhD iii Table of Contents Preface iii Introduction 1 The Zane Grey Collector (1968-1978) 2 The New Zane Grey Collector (1984-1985) 8 Zane Grey’s West (1980-1991) 9 Zane Grey Reporter (1986-1990) 12 Zane Grey Quarterly (1991-1993) 15 Zane Grey Review (1986-2015) 16 Zane Grey Explorer (2016-2021) 28 iv Introduction The easiest way to describe the Guide is a selected bibliography of articles relating to Zane Grey that appeared in newsletters initially published by noted Grey researcher G.M. Farley and the Zane Grey’s West Society between 1968 and 2021. Pieces chosen for the Guide focus on Zane Grey’s history Zane Grey’s written works People & places that inspired Grey Zane Grey’s family Grey’s fishing & hunting Zane Grey and his literary peers Collecting Grey work Grey’s baseball career Movies based on Grey’s works Rare photographs Grey & social issues Rare & unpublished works by Grey Here’s what one will not find in the Guide. Though the articles referenced appeared primarily in one of the newsletters of Zane Grey’s West Society, there are few articles about Society events and business. Similarly, articles relating to the passing of Society members, book reports, fiction, and other topics of little appeal to a researcher are limited. The following list outlines the newsletters reviewed for the Guide. This list is not the authoritative list of all Grey-related newsletters, however, only those published by G.M. Farley, Joseph Wheeler, and Zane Grey’s West Society: Zane Grey Collector New Zane Grey Collector Zane Grey Explorer Zane Grey Quarterly Zane Grey Reporter Zane Grey Review Zane Grey’s West An important feature of the Guide is a link provided for each of the above noted newsletters that connects to complete scans of that publication. The Guide is not cross-referenced, but the pdf of the document posted at zgws.org is searchable. To help the reader identify articles by Grey himself, his name is underlined. 1 The Zane Grey Collector Thirty Issues: 1968 to 1978 The Zane Grey Collector was a private newsletter published for many years by G.M. Farley who granted all rights to the publication after Zane Grey’s West Society was organized. Articles from the Zane Grey Collector can be read in their entirety at https://drive.google.com/drive/folders/1n8cUD9t-x2RPBb6T9T-HmTn3uEjEIOQt?usp=sharing. 1968 Blue, S.G. “The Zane Grey Image.” Zane Grey Collector 1, no. 3 (1968): 7. Blue, S.G. “Zah—nee Grey.” Zane Grey Collector 1, no. 4 (1968): 5. Clark, William J. “Zane Grey Chronical List” Zane Grey Collector 1, no. 2 (1968): 5. Farley, G.M. “A Visit to the Zane Grey Home.” Zane Grey Collector 1, no. 2 (1968): 1. Farley, G.M. “Zane Grey Museums.” Zane Grey Collector 1, no. 2 (1968): 7. Farley, G.M. “The Desecration of Nonnezoshe.” Zane Grey Collector 1, no. 3 (1968): 1. Farley, G.M. “Autographs.” Zane Grey Collector 1, no. 3 (1968): 8. Farley, G.M. “High Priest of the Outdoors.” Zane Grey Collector 1, no. 4 (1968): 2. Farley, G.M. “How to Collect Zane Grey- Part One.” Zane Grey Collector 2, no. 1 (1968): 2. Farley, G.M. “The Lost Zane Grey Novel.” Zane Grey Collector 2, no. 1 (1968): 4. Farley, G.M. and Whitmore, D.C. “How to Tell First Editions of Zane Grey Books.” Zane Grey Collector 1, no. 2 (1968): 4. [Harpers Brothers] Gruber, Frank. “Zane Grey.” Zane Grey Collector 1, no. 3 (1968): 9. Gruber, Frank. “Zane Grey vs. E.R. Burroughs.” Zane Grey Collector 2, no. 1 (1968): 5. Schneider, Norris F. “Old Muddy Miser: A Fisherman is Born.” Zane Grey Collector 1, no. 3 (1968) 4. Schneider, Norris F. “Zane Grey’s Burial Place.” Zane Grey Collector 2, no. 1 (1968) 1. Woolley, Ivy Houtz. Untitled Zane Grey Poem. Zane Grey Collector 1, no. 4 (1968): 1. 1969 Blue, S.G. “Zane Grey and ‘The Old Man.’” Zane Grey Collector 3, no. 1 (December 1969): 12. [Hemingway] Clark, Bill. “Faust and Zane Grey.” Zane Grey Collector 2, no. 4 (September 1969): 3. 2 Clark, William Jr. and Schneider, Norris F. “Zane Grey in Magazines.” Zane Grey Collector 2, no. 4 (November 1969): 1. [supplement] “Dear Editor: I Am Interested in the Story ‘Monty Price’s Nightingale.’” Zane Grey Collector 3, no. 1 (December 1969): 9. Easton, Robert. “Zane Grey and Buffalo Jones.” Zane Grey Collector 2, no. 3 (May 1969: 1 Farley, G.M. “How to Collect Zane Grey, Part Two.” Zane Grey Collector 2, no. 2 (1969): 2. Farley, G.M. “How to Collect Zane Grey, Part Three.” Zane Grey Collector 2, no. 3 (May 1969): 8. Farley, G.M. “A Visit to the Zane Grey Museum.” Zane Grey Collector 2, no. 2 (1969): 3. Farley, G.M. “E.R.B. & Zane Grey.” Zane Grey Collector 2, no. 3 (May 1969): 3. Farley, G.M. “An Editorial Look at the Zane Grey Western Magazine.” Zane Grey Collector 3, no. 1 (December 1969): 10. Grey, Zane. Untitled Poem written for Anna Oldham. Zane Grey Collector 3, no. 1 (December 1969): 6. “Inside Zane Grey’s Altadena Home.” Zane Grey Collector 2, no. 4 (September 1989): 4. Keane, Wetzel. “An Approach to Zane Grey.” Zane Grey Collector 2, no. 4 (September 1989): 10. Keane, Wetzel. “Zane Grey’s Influence on Fishing.” Zane Grey Collector 3, no. 1 (December 1969): 4. Margulies, Leo. “Facts About the New Zane Grey Western Magazine.” Zane Grey Collector 3, no. 1 (December 1969): 11. Zern, Ed. “Zane Grey—World Famous Fisherman.” Zane Grey Collector 3, no. 1 (December 1969): 3. 1970 Clark, Bill. “Zane Grey Chronological List.” Zane Grey Collector 3, no. 2 (1970): 9. Farley, G.M. “Zane Grey—Hunter.” Zane Grey Collector 3, no. 2 (1970): 3. Farley, G.M. “Zane Grey—Baseball Hero.” Zane Grey Collector 3, no. 4 (1970): 1. Farley, G.M. “A Study of Zane Grey Autographs.” Zane Grey Collector 3, no. 3 (1970): 5. Farley, G.M. “Leo Margulies—He Sold Zane Grey to England.” Zane Grey Collector 3, no. 4 (1970): 9. Graves, C. Edward. “Following the Trail of Zane Grey.” Zane Grey Collector 3, no. 4 (1970): 8. [Rogue River, Oregon] 3 Grey, Zane. “On the Trail of the Jaguar.” Zane Grey Collector 3, no. 4 (1979): 5. Hoffman, Fred R. “The Two Deaths of Wildfire.” Zane Grey Collector 3, no. 3 (1970): 11. Lacy, Jonathan Wade. “Betty Zane.” Zane Grey Collector 3, no. 4. (1970): 12. [first edition identification] Schneider, Norris F. “P.Z.G.” Zane Grey Collector 3, no. 4 (1970): 4. [baseball] “The Seventh Wave”. Zane Grey Collector 3, no. 4 (1970): 3. 1971 Blue, S.G. “If Lewis Wetzel Should Suddenly Come to Life.” Zane Grey Collector 4, no. 2 (1971): 9. Farley, G.M. “A Visit to Zane Grey’s Lackawaxen Home.” Zane Grey Collector 4, no. 1 (1971): 6. Farley, G.M. “Zane Grey’s Dental Offices.” Zane Grey Collector 4, no. 1 (1971): 11. Farley, G.M. “Zane Grey’s Fight with Arizona.” Zane Grey Collector 4, no. 3 (1971): 7. Goodrich, Helen. “Zane Grey’s Lost Middleton Years.” Zane Grey Collector 4, no. 3 (1971): 13. Grey, Zane. “A Trout Fisherman’s Inferno.” Zane Grey Collector 4, no. 1 (1971): 1. Grey, Zane. “A Hunter’s Change of Heart.” Zane Grey Collector 4, no. 2 (1971): 5. Grey, Zane. “A Night in the Jungle.” Zane Grey Collector 4, no. 3 (1971): 11. Hoffman, Fred. R. “Deathwind.” Zane Grey Collector 4, no. 2 (1971): 10. Hough, Donald. “The Great Kaibab Deer Drive.” Zane Grey Collector 4, no. 3 (1971): 6. Kalispel, Pogue B. “The Last of the Plainsmen.” Zane Grey Collector 4: no. 2 (1971): 13. [first edition identification] Kalispel, Pogue B. “Twin Sombreros.” Zane Grey Collector 4: no. 3 (1971): 4. [first edition identification] Lacy, Jonathan Wade. “The Heritage of the Desert.” Zane Grey Collector 4, no. 1. (1971): 12. [first edition identification] “Lewis Wetzel and the Wild Turkey”. Zane Grey Collector 4, no. 2 (1971): 8. Schneider, Norris F. “Lewis Wetzel, Indian Fighter, Was the Davy Crocket of Ohio.” Zane Grey Collector 4, no. 2 (1971): 3. Schneider, Norris F. “Mystery Still Surrounds Origin of Engraving on ‘Wetzel Rock’.” Zane Grey Collector 4, no. 2 (1971): 6. “The Zane Grey Lodge.” Zane Grey Collector 4, no. 3 (1971): 9. 4 “Zane Grey- Arizona Sportsman.” Zane Grey Collector 4, no. 3 (1971): 5. [first published in Arizona Wildlife Sportsman, 1966]. 1972 Curry, Tom. “Zane Grey.” Zane Grey Collector 5, no.1 (1972): 10. “Educated Bear.” Zane Grey Collector 4 & 5, no. 4 and no.1 (1972): 20. “Facts About King of the Royal Mounted.” Zane Grey Collector 4 & 5, no.
Recommended publications
  • Jrqueen=T0DAY=^|

    Jrqueen=T0DAY=^|

    Theaters! .— ■■ ..... TOP-RANKING STARS ADAGIO TRIO BROUGHT TO LIFE | "AS HUSBANDS GO”—TRIANGLE Four famous characters from Zane Orey'a colorful "The Thundering * Herd are brought to life In Paramount* picturtsation of that novel, and at the Theatre. The are ■_■■■■-1 showing Sunday Monday Queen players Here Is a triangle that should give a goo daccount of itself in As Harry Carey, Randolph Scott. Judith Allen and Raymond Hatton. Husbands Oo.” the Fox Film presentation of the Rachel Crother* play. The principals are the suave Warner Baxter, the beautiful Helen Vin- “WILD BOYS OF THE ROAD” son and the handsome O. P. Huntley. Jr., showing Tuesday and Wed- nesday at the Capitol Theatre. be necessary to put the to Be S highway, $20,000 Spent Which >a Rio Grande City's msta On Paving in Starr! street, in condition equal to other RIO GRANDE CITY. Jan. 20.— sections of the highway through Plans lor paving and improving the Valley. It is probable that the if 1 State 4 Rio Highway through work will be done with CWA labor. Grande City as a link In the high- of Rto Considerable street work has Gary Cooper, Miriam Hopkins. Director Erast Lubitslh and Fredric way system the Lower Grande Valiev have tentative- been done In other section* of the March, the four stars who joined to create Paramount1* presentation of been made the Starr Wel- seat of Starr the famous Noel Coward “Design for Living", and ly by County city, county county, play, showing Sunday the few weeks. Monday at the Capitol Theatre.
  • Proquest Dissertations

    Proquest Dissertations

    "The Cross-Heart People": Indigenous narratives,cinema, and the Western Item Type text; Dissertation-Reproduction (electronic) Authors Hearne, Joanna Megan Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 17:56:11 Link to Item http://hdl.handle.net/10150/290072 •THE CROSS-HEART PEOPLE": INDIGENOLJS NARRATIVES, CINEMA, AND THE WESTERN By Joanna Megan Heame Copyright © Joanna Megan Heame 2004 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2004 UMI Number: 3132226 Copyright 2004 by Hearne, Joanna Megan All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 3132226 Copyright 2004 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O.
  • Manifest Density: Decentering the Global Western Film

    Manifest Density: Decentering the Global Western Film

    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Manifest Density: Decentering the Global Western Film Michael D. Phillips The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2932 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MANIFEST DENSITY: DECENTERING THE GLOBAL WESTERN FILM by MICHAEL D. PHILLIPS A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 © 2018 Michael D. Phillips All Rights Reserved ii Manifest Density: Decentering the Global Western Film by Michael D. Phillips This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. __________________ ________________________________________________ Date Jerry W. Carlson Chair of Examining Committee __________________ ________________________________________________ Date Giancarlo Lombardi Executive Officer Supervisory Committee: Paula J. Massood Marc Dolan THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Manifest Density: Decentering the Global Western Film by Michael D. Phillips Advisor: Jerry W. Carlson The Western is often seen as a uniquely American narrative form, one so deeply ingrained as to constitute a national myth. This perception persists despite its inherent shortcomings, among them its inapplicability to the many instances of filmmakers outside the United States appropriating the genre and thus undercutting this view of generic exceptionalism.
  • The American Indian in the American Film

    The American Indian in the American Film

    THE AMERICAN INDIAN IN THE AMERICAN FILM Thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in American Studies in the University of Canterbury by Michael J. Brathwaite 1981 ABSTRACT This thesis is a chronological examination of the ways in which American Indians have been portrayed in American 1 f.ilms and the factors influencing these portrayals. B eginning with the literary precedents, the effects of three wars and other social upheavals and changes are considered. In addition t-0 being the first objective detailed examination of the subj�ct in English, it is the first work to cover the last decade. It concludes that because of psychological factors it is unlikely that film-makers are - capable of advancing far beyond the basic stereotypes, and that the failure of Indians to appreciate this has repeatedly caused ill-feeling between themselves and the film-makers, making the latter abandon their attempts at a fair treatment of the Indians. ii TABLE OF CONTENTS Preface iii Chapter I: The Background of the Problem c.1630 to c.1900. 1 Chapter II: The Birth of the Cinema and Its Aftermath: 1889 to 1939. 21 Chapter III: World War II and Its Effects: 1940 to 1955. 42 Chapter IV: Assimilation of Separatism?: 1953 to 1965. 65 Chapter V: The Accuracy Question. 80 Chapter VI: Catch-22: 1965 to 1972. 105 Chapter VII: Back to the Beginning: 1973 to 1981. 136 Chapter VIII: Conclusion. 153 Bibliography 156 iii PREFACE The aim of this the.sis is to examine the ways in which the American Indians have been portrayed in American films, the influences on their portrayals, and whether or not they have changed.
  • Zane Grey's Arizona Trips, January 1906 to April 1922

    Zane Grey's Arizona Trips, January 1906 to April 1922

    Page 26 ZANE GREY EXPLORER FEBRUARY 2021 Zane Grey’s Arizona Trips, January 1906 to April 1922 by Dr. Kevin Blake When the Zane Grey but recently returned to it when I began compiling outfit signed into the what I call a “Zane Grey Travelogue.” In my writings Wetherill Trading Post register in Kayenta, Arizona about the geography of Grey’s Westerns, I have al- on April 16, 1922, Zane Grey made an unusual nota- ways been curious if and / or when he completed tion at the top of the signatures, as seen below. In what I would call “fieldwork” for the book. When his distinctive handwriting, Grey wrote “2nd trip to did he go to the book’s setting, or on which trip did Nonnezoshe, 3rd trip to Kayenta, 18th trip to Arizo- he gain the inspiration for the story? The travelogue na.” covers all of Grey’s trips, from 1906 through 1939, The Zane Grey outfit was in Kayenta on their way to not only the ones that relate to his Westerns. Nonnezoshe, or Rainbow Bridge, again guided by This “Zane Grey Travelogue” is still a work-in- John Wetherill. Grey made this notation in the regis- progress, but I have compiled quite a few detailed ter based on his own travel experiences; others in his records, with references, of dozens of Grey’s trips. I party had been to Rainbow Bridge more times than have gleaned much of the information from biog- he had, and some were making their first journey. raphies, literary studies, and journal articles about Indeed, this was his 2nd trip to Rainbow Bridge (first Grey (scholarly and popular), letters between Zane in 1913), and 3rd trip to Kayenta (first in 1913, second and Dolly, journals kept by Grey, newspaper articles in 1914).
  • Rehtinking Resistance: Race, Gender, and Place in the Fictive and Real Geographies of the American West

    Rehtinking Resistance: Race, Gender, and Place in the Fictive and Real Geographies of the American West

    REHTINKING RESISTANCE: RACE, GENDER, AND PLACE IN THE FICTIVE AND REAL GEOGRAPHIES OF THE AMERICAN WEST by TRACEY DANIELS LERBERG DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at The University of Texas at Arlington May 2016 Arlington, Texas Supervising Committee: Stacy Alaimo, Supervising Professor Neill Matheson Christopher Morris Kenneth Roemer Cedrick May, Texas Christian University Abstract Rethinking Resistance: Race, Gender, and Place in the Fictive and Real Geographies of the American West by Tracey Daniels Lerberg, Ph.D. The University of Texas at Arlington, 2016 Supervising Professor: Stacy Alaimo This project traces the history of the American West and its inhabitants through its literary, cinematic and cultural landscape, exploring the importance of public and private narratives of resistance, in their many iterations, to the perceived singular trajectory of white masculine progress in the American west. The project takes up the calls by feminist and minority scholars to broaden the literary history of the American West and to unsettle the narrative of conquest that has been taken up to enact a particular kind of imaginary perversely sustained across time and place. That the western heroic vision resonates today is perhaps no significant revelation; however, what is surprising is that their forward echoes pulsate in myriad directions, cascading over the stories of alternative voices, that seem always on the verge of slipping away from our collective memories, of ii being conquered again and again, of vanishing. But a considerable amount of recovery work in the past few decades has been aimed at revising the ritualized absences in the North American West to show that women, Native Americans, African Americans, Mexican Americans and other others were never absent from this particular (his)story.
  • Red and White on the Silver Screen: the Shifting Meaning and Use of American Indians in Hollywood Films from the 1930S to the 1970S

    Red and White on the Silver Screen: the Shifting Meaning and Use of American Indians in Hollywood Films from the 1930S to the 1970S

    RED AND WHITE ON THE SILVER SCREEN: THE SHIFTING MEANING AND USE OF AMERICAN INDIANS IN HOLLYWOOD FILMS FROM THE 1930s TO THE 1970s a dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Bryan W. Kvet May, 2016 (c) Copyright All rights reserved Except for previously published materials Dissertation Written by Bryan W. Kvet B.A., Grove City College, 1994 M.A., Kent State University, 1998 Ph.D., Kent State University, 2015 Approved by ___Kenneth Bindas_______________, Chair, Doctoral Dissertation Committee Dr. Kenneth Bindas ___Clarence Wunderlin ___________, Members, Doctoral Dissertation Committee Dr. Clarence Wunderlin ___James Seelye_________________, Dr. James Seelye ___Bob Batchelor________________, Dr. Bob Batchelor ___Paul Haridakis________________, Dr. Paul Haridakis Accepted by ___Kenneth Bindas_______________, Chair, Department of History Dr. Kenneth Bindas ___James L. Blank________________, Dean, College of Arts and Sciences Dr. James L. Blank TABLE OF CONTENTS…………………………………………………………………iv LIST OF FIGURES………………………………………………………………………v ACKNOWLEDGEMENTS……………………………………………………………...vii CHAPTERS Introduction………………………………………………………………………1 Part I: 1930 - 1945 1. "You Haven't Seen Any Indians Yet:" Hollywood's Bloodthirsty Savages……………………………………….26 2. "Don't You Realize this Is a New Empire?" Hollywood's Noble Savages……………………………………………...72 Epilogue for Part I………………………………………………………………..121 Part II: 1945 - 1960 3. "Small Warrior Should Have Father:" The Cold War Family in American Indian Films………………………...136 4. "In a Hundred Years it Might've Worked:" American Indian Films and Civil Rights………………………………....185 Epilogue for Part II……………………………………………………………….244 Part III, 1960 - 1970 5. "If Things Keep Trying to Live, the White Man Will Rub Them Out:" The American Indian Film and the Counterculture………………………260 6.
  • The Geography of Zane Grey's Western Union Or

    The Geography of Zane Grey's Western Union Or

    PAGE 22 ZANE GREY REVIEW MAY, 2013 The Geography of Zane Grey's Western Union Or. Kevin Blake The geography of Zane Grey's Western Union is one of the more straightfor- ~,-.... , ward among his oeuvre, with great faithfulness to place names, di stances, di­ rections, and landmarks. That is not to say, however, that this geography is without compelling intrigue. Indeed, through thi s western romance set along the telegraph route in the summer and fall of 186 1, th e reader also learn s much about the Oregon Trail and the cultural and natural landscape of the Great Plains of western Nebraska and eastern Wyoming. Westbound travel­ ers today following Interstate 80 and U.S. 26 can savor many of the same sights that Grey describes with his characteristic verve and accuracy. Wayne Cameron of Boston is the protagonist of this tale, and, in an unusual narrative device for Grey, Cameron te ll s hi s story in the first person. Though Cameron is a western neophyte, he has the good for­ tune to fall in with two salt-of-the-earth cowboys, Jack Lowden and Vance Shaw. Late of Texas, Shaw proves to be the type of gun­ slinger that Grey made fa mous: honorable, quick as a snake on the draw, and with just enough of a mean streak to leave the bad guys shaking in their boots. Both Shaw and Cameron develop romantic interests: Shaw with Ruby, a teen prostitute with a heart of gold who had been wrongfully forced into the trade, and Cameron with Kit Sunderlund, the proud daughter of a Texas cattleman (Figure I).
  • Randolph Scott

    Randolph Scott

    NOVEMBER/DECEMBER 2013 VOLUME 3, ISSUE 8 CLICK HERE TO DOWNLOAD PDF VERSION Photo by Nadine Levin HIGH NOON Smoke Signals IN THIS ISSUE Page WesTern American AnTiques of the FuTure From a CulTure of Mass Manufacturing .....................................................4 Bits & Pieces: From Theresa.............................................................................................................................................5 Show Dealer Spotlight: Milo Marks..................................................................................................................................6 Linda’s Feedbag: Snickerdoodle Bread ............................................................................................................................8 Empty Saddle.....................................................................................................................................................................9 TCAA Tells Us “It Ain’t Dead Folks” ..............................................................................................................................10 From Our Readers ...........................................................................................................................................................11 The Curious Career of “MysTerious Dave” MaTher ........................................................................................................12 Reel Cowboys of Western Cinema: Randolph ScoTT ......................................................................................................14
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress

    Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress

    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
  • Open Dissertation Etd Format.Pdf

    Open Dissertation Etd Format.Pdf

    The Pennsylvania State University The Graduate School College of the Liberal Arts FROM MISREPRESENTATION TO MISAPPREHENSION: DISCURSIVE RESISTANCE AND THE POLITICS OF DISPLACEMENT IN NATIVE AMERICA A Thesis in Comparative Literature by Quentin E. Youngberg © 2006 Quentin E. Youngberg Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2006 The thesis of Quentin E. Youngberg was reviewed and approved* by the following: Djelal Kadir Edwin Erle Sparks Professor of Comparative Literature Thesis Advisor Chair of Committee Sophia A. McClennen Associate Professor of Comparative Literature, Spanish, and Women’s Studies Aldon L. Nielsen Kelly Professor of American Literature Matthew B. Restall Professor of Latin American History, Anthropology, and Women’s Studies, Director of Graduate Studies in History, and Director of Latin American Studies Caroline D. Eckhardt Professor of English and Comparative Literature Head of the Department of Comparative Literature * Signatures are on file in the Graduate School. iii ABSTRACT The very real social and political problems on reservations (like poverty, alcoholism, and suicide) will never be solved so long as these issues are elided by essentialist discussions of culture. Romanticized conceptions of Native cultures elide the facts of racism, bureaucratic inefficiency, and purposefully systematized erosions of Native sovereignty. In the process of these elisions, blame for social problems is laid on the culturally “atavistic” and “inept” (savage) victims for problems that stem, in reality, from an ongoing colonial relationship. By taking on various popular myths about Native cultures (the myth of the Vanishing Indian, the idea of the Nature-Indian, or the myth of the White-Indian), and by setting Native voices in opposition to those myths, this dissertation attempts to de- mystify the politics that lie behind public discourses on and by Native peoples.
  • Florida Keys Mile-Marker Guide

    Florida Keys Mile-Marker Guide

    Road Trip: Florida Keys Mile-Marker Guide Overseas Highway, mile by mile: Plan your Florida Keys itinerary The Overseas Highway through the Florida Keys is the ultimate road trip: Spectacular views and things to do, places to go and places to hide, hidden harbors and funky tiki bars. There are hundreds of places to pull over to fish or kayak or enjoy a cocktail at sunset. There are dozens of colorful coral reefs to snorkel or dive. Fresh seafood is a Florida Keys staple, offered at roadside fish shacks and upscale eateries. For many, the destination is Key West, at the end of the road, but you’ll find the true character of the Florida Keys before you get there. This mile-marker guide will help you discover new things to see and do in the Florida Keys. It’s a great tool for planning your Florida Keys driving itinerary. Card Sound Road 127.5 — Florida City – Junction with Fla. Turnpike and U.S. 1. 126.5 — Card Sound Road (CR-905) goes east to the Card Sound Bridge and northern Key Largo. If you’re not in a hurry, take the toll road ($1 toll). Card Sound Road traverses a wild area that once had a small community of Card Sound. All that’s left now is Alabama Jack’s, a funky outdoor restaurant and tiki bar known for its conch fritters and the line of motorcycles it attracts. (Don’t be afraid; it’s a family oriented place and great fun.) If you take Card Sound Road, you’ll pass a little-known park, Dagny Johnson Key Largo Hammock Botanical State Park, before coming to Key Largo itself.