History of Knitting: Hosiery
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Framework Knitting and the Hosiery Trade
BELPER TOWN CENTRE FRAMEWORK KNITTING AND THE HOSIERY TRADE DERWENT VALLEY VISITOR CENTRE The partnership between Brettle and Ward was dissolved and George Brettles built his own factory Framework Knitting in 1834. These two firms were of considerable size. They made silk stockings for George III, George IV and Queen Victoria. and the Ward’s ceased trading in the 1930’s and Brettles in 1987. Many smaller hosiery firms provided work for local people and these were scattered around the Hosiery trade town. All these factories have closed except for Aristoc which now operates across the road in the West Mill. Circular knitting slowly superseded flatbed knitting, as it was more efficient. Today all hosiery is made this way. For more information visit Strutt’s North Mill, The Derwent Valley Visitor Centre Bridgefoot, Belper, Derbyshire, DE56 1YD Tel: 01773 880474 / 0845 5214347 BELPER NORTH MILL Email: [email protected] www.belpernorthmill.org.uk Local Interest Leaflet The existing part of Brettles factory, now De Bradelei Stores Leaflet design by Mayers Design Ltd · www.mayers-design.co.uk Number 3 Framework knitters earned a poor living, usually their on by hand. After a brief partnership with two Derby frames were hired from the hosier who was supplying hosiers, Jedediah formed a successful partnership with the yarn and selling the stockings. The framework Samuel Need, an older, experienced hosier from knitter would have to pay the rent for the frame Nottingham who was able to finance the venture. This even when there was no work. The machines were made Jedediah Strutt’s first fortune. -
Cuticle and Cortical Cell Morphology of Alpaca and Other Rare Animal Fibres
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositorio Institucional Universidad Nacional Autónoma de Chota The Journal of The Textile Institute ISSN: 0040-5000 (Print) 1754-2340 (Online) Journal homepage: http://www.tandfonline.com/loi/tjti20 Cuticle and cortical cell morphology of alpaca and other rare animal fibres B. A. McGregor & E. C. Quispe Peña To cite this article: B. A. McGregor & E. C. Quispe Peña (2017): Cuticle and cortical cell morphology of alpaca and other rare animal fibres, The Journal of The Textile Institute, DOI: 10.1080/00405000.2017.1368112 To link to this article: http://dx.doi.org/10.1080/00405000.2017.1368112 Published online: 18 Sep 2017. Submit your article to this journal Article views: 7 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=tjti20 Download by: [181.64.24.124] Date: 25 September 2017, At: 13:39 THE JOURNAL OF THE TEXTILE INSTITUTE, 2017 https://doi.org/10.1080/00405000.2017.1368112 Cuticle and cortical cell morphology of alpaca and other rare animal fibres B. A. McGregora and E. C. Quispe Peñab aInstitute for Frontier Materials, Deakin University, Geelong, Australia; bNational University Autonoma de Chota, Chota, Peru ABSTRACT ARTICLE HISTORY The null hypothesis of the experiments reported is that the cuticle and cortical morphology of rare Received 6 March 2017 animal fibres are similar. The investigation also examined if the productivity and age of alpacas were Accepted 11 August 2017 associated with cuticle morphology and if seasonal nutritional conditions were related to cuticle scale KEYWORDS frequency. -
Connecting Alaska's Fiber Community
T HE A L A SK A N at UR A L F IBER B USI N ESS A SSOCI at IO N : Connecting Alaska’s Fiber Community Jan Rowell and Lee Coray-Ludden one-and-a-half day workshop in the fall of 2012 rekindled a passion for community AFES Miscellaneous Publication MP 2014-14 among Alaska’s fiber producers and artists. “Fiber Production in Alaska: From UAF School of Natural Resources & Extension Agriculture to Art” provided a rare venue for fiber producers and consumers A Agricultural & Forestry Experiment Station to get together and share a strong common interest in fiber production in Alaska. The workshop was sponsored by the Alaska State Division of Agriculture and organized by Lee Coray-Ludden, owner of Shepherd’s Moon Keep and a cashmere producer. There is nothing new about fiber production in Alaska. The early Russians capitalized on agricultural opportunities wherever they could and domestic sheep and goats were a mainstay in these early farming efforts. But even before the Russians, fiber was historically used for warmth by Alaska’s indigenous people. They gathered their fiber from wild sources, and some tribes handspun it and wove it into clothing, Angora rabbits produce a soft and silky creating beautiful works of art. fiber finer than cashmere. Pictured below is Some of the finest natural fibers in the world come from animals that evolved in Michael, a German angora, shortly before cold, dry climates, and many of these animals are grazers capable of thriving on Alaska’s shearing. Angora rabbits may be sheared, natural vegetation. -
This Is Why Iknit
INSIDE THIS ISSUE: THIS IS WHY I KNIT Meet Your Guild Members 2 2 Pattern Review of the cost. No mat- can sum up my On the Web 3 ter how much I ex- answer just with this plain that it isn’t photo. This is (was) a blan- History of Guilds 4 about the price, non- ket I knit four years ago for knitters just don’t a pregnant friend of my Our 30th Year 5 get it. daughter. The blanket is the most favorite item the Product Review 7 four year old boy has. He A lot of knitters have doesn’t go anywhere with- 7 an item that they Coming Attractions out his blanket. The always have on the mother just sent me the Improve your Knitting 8 needles. With many photo as a thank you for of my friends there is 9 making such a cherished Book Review always a pair of item. This is why I knit and socks or a preemie this is why I choose to Recipe 10 hat in a project bag keep knitting baby blan- ready to knit when 10 From the Editor there are a few min- kets. Retreats 11 utes of free time. Christine Hall With me, my item of choice I have often been told by 12 is a baby blanket. I hear DKG Retreat non-knitters that it makes Do you have a story about the argument that baby no sense to knit an item what motivates you to Guild Information 14 blankets are a lot of yarn because I can purchase it knit? Please share it with and take a lot of time. -
Mary Walker Phillips: “Creative Knitting” and the Cranbrook Experience
Mary Walker Phillips: “Creative Knitting” and the Cranbrook Experience Jennifer L. Lindsay Submitted in partial fulfillment of the requirements for the degree Master of Arts in the History of Decorative Arts Masters Program in the History of Decorative Arts The Smithsonian Associates and Corcoran College of Art + Design 2010 ©2010 Jennifer Laurel Lindsay All Rights Reserved TABLE OF CONTENTS LIST OF ILLUSTRATIONS.............................................................................................iii PREFACE........................................................................................................................... x ACKNOWLDGEMENTS ............................................................................................... xiv INTRODUCTION .............................................................................................................. 1 CHAPTER 1. CRANBROOK: “[A] RESEARCH INSTITUTION OF CREATIVE ART”............................................................................................................ 11 Part 1. Founding the Cranbrook Academy of Art............................................................. 11 Section 1. Origins of the Academy....................................................................... 11 Section 2. A Curriculum for Modern Artists in Modern Times ........................... 16 Section 3. Cranbrook’s Landscape and Architecture: “A Total Work of Art”.... 20 Part 2. History of Weaving and Textiles at Cranbrook..................................................... 23 -
Origins of Fair Isle Knitting
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America Spring 2004 Traveling Stitches: Origins of Fair Isle Knitting Deborah Pulliam [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Pulliam, Deborah, "Traveling Stitches: Origins of Fair Isle Knitting" (2004). Textile Society of America Symposium Proceedings. 467. https://digitalcommons.unl.edu/tsaconf/467 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Traveling Stitches: Origins of Fair Isle Knitting Deborah Pulliam Box 667, Castine ME 04421 207 326 9582 [email protected] The tradition of Fair Isle knitting seems to have been emerged too well developed to have actually started in the islands north of Scotland. This paper suggests a source in the Baltic region of Eastern Europe. Like much of the “history” of knitting, much published information on the history of Fair Isle-type knitting is folklore. The long-standing story is that a ship, El Gran Grifon, from the Spanish Armada, was wrecked on Fair Isle in 1588. The 17 households on the island took the sailors in. That much is true, and documented. The knitting story is that, in return, the Spaniards taught the islanders the brightly colored patterned knitting now known as Fair Isle. Not surprisingly, there appears to have been no multi-colored knitting tradition in Spain in the sixteenth century. -
Module 3 Rev.Indd
Module 3 • GoNorth! Flora and Fauna: Animal Population chuttui / tuttu caribou © Subhankar Banerjee Module 3 • Flora and Fauna: Animal Population Module Question What are the effects of oil exploration on Arctic wildlife populations? Alert! We have some breaking news from WPH. Team GoNorth! needs your help. When Senator Frank Murkowski of Alaska compared the Arctic National Wildlife Refuge (ANWR) to a blank sheet of white paper in his address to the Senate, he did not keep in mind the 150,000 members of the Porcupine caribou herd and the other 250 animal species that call ANWR home. While winter is a time when many of those animals are hibernating or have migrated south, many more remain year-round. “Sometimes it can seem like we’re traveling on an endless conveyor belt of white,” comments expedition leader Paul Pregont. “During blizzards and high winds, the Arctic can seem like a cold and lifeless place. In fact, I have traveled in conditions so hostile that I could barely see past my lead dog, Aksel. But those are also the times that help me realize how special the Arctic really is. During the expedition, however, Team GoNorth! will most likely encounter many different animals like wolves, wolverines, ravens, arctic hare, arctic fox, caribou, ptarmigan, mink, snowy owls and even…polar bears. And that’s just a start. Many smaller mammals and insects spend their winter nestled safely under the snow in the small air space above the ground. There isn’t a day that goes by that team members don’t see some sign that an animal has passed nearby. -