In 2019, Joshua Redman Quartet Reunited for a Lively Concert in the Falcon, Marlboro, NY
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In 2019, Joshua Redman Quartet reunited for a lively concert in the Falcon, Marlboro, NY. The stage was intimate with the performers seated close to each other. Joshua Redman, composer and saxophone player, started the concert with the song “Long Gone”. He initiated the concert with a strong sax intro that foreshadows the strong presence of the instrument for the rest of the concert. The rest of the instruments were played smoothly in the back, all led by the sax. Right away, it was obvious that the artists are enjoying themselves immensely, especially Brian Blade on drums. His lively and happy face expressions portrayed what I felt inside while listening to this piece. In the middle of the song, Redman steps aside and leaves the rest of the band to show off their marvelous talents. Then, Brad Mehldau led his piano solo, playing in such an easygoing manner that only an expert artist is able to achieve. Even with the sax gone, the song was still intact and didn’t feel lacking, which shows its great composition; every instrument complemented the other and had a major role in tying the harmonies together. Next, Christian McBride’s led his outstanding bass solo, which gave the song extra depth and intensity. Redman comes back at the perfect time to raise the tempo of the song again and re- excite the audience. The outro of the song was phenomenal, taking the tempo down gradually while maintaining the overall structure of the song. After a well-deserved, enthusiastic clapping and cheering from the audience, the next song started, “Father,” composed by Brad Mehldau. Unlike “Long Gone,” the song started off with the piano rather than sax. This was an amazing, piano-focused piece; the piano led the structure of the song while the rest of the instruments contributed to perfect the overall rhythm. I was very affected by this song, the piano washes all over you and captivates you until you feel like it’s all you can hear, and then the sax comes back and completely changes the vibe of the song. They complemented each other very well. Similar to “Long Gone,” “Father’s” outro continues to rise in tempo until it gradually slows down and fades away. The next song, "Undertow" also featured a piano intro. The solo made me imagine a calm, romantic night at the beach under the stars. Then, slowly, the sax added to the beat of the piano; the bass and drums joined gradually as well, with the piano remaining at the center of the composition. The song rose significantly in tempo in the middle, even the piano notes got higher. This attracts attention again and induces excitement. I felt like I wanted to get up and dance. Then another surprise! Sax moved aside; the song slows down again with the focus going back to the piano. This song was very interesting to experience, I didn’t know what to expect next. The next song, “Ship to Shore” felt different than the 3 prior to it, the intro was somehow calmer. It featured a phenomenal Bass solo, with McBride capturing every note perfectly and smoothly while keeping the audience’s attention sharp. The piano was also dominant in this piece, while the drums were the cherry on top, adding a certain flare to the song. The role of the sax is quite minimal. It only starts and ends the song, not much of a presence in the middle. But, its presence in the outro was very intense and brought much needed high tempo to the song. The final song “Right Back Round Again” was the perfect way to end the concert, because of its traditional jazz vibes, influenced by the bass intro. It’s a well-structured song, takes you to a world of fun and dance. It’s the happiest song I’ve heard in this concert. Finally, my only criticism would be that I wished for a drums solo from Brian Blade. Nonetheless, all the songs played in the concert were very well-structured, organized, and didn’t feel messy in any way. Each piece portrayed very strong composition and execution. I enjoyed the convert a lot! .