The Bad Plus Joshua Redman
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Ethereal Genius of Craig Taborn - the New York Times
12/20/2019 The Ethereal Genius of Craig Taborn - The New York Times FEATURE The Ethereal Genius of Craig Taborn He has become one of the best jazz pianists alive — by disappearing almost completely into his music. By Adam Shatz June 22, 2017 he jazz pianist Craig Taborn often goes to museums for inspiration, carrying a notebook to record ideas for compositions and song titles. He also sometimes T performs at museums, becoming a sort of art object himself. This is a complicated situation for Taborn, who is very private. His mother, Marjorie Taborn, remembers seeing him at the Rubin Museum of Art in New York, where he played a recital to a full house at the debut of his solo album “Avenging Angel.” After the show, she was chatting with his friend Tim Berne, a saxophonist, while her son signed copies of his album, smiling graciously and patiently fielding questions. She and Berne looked at each other, because they each knew how much effort this required from Taborn. “Look at Craig,” Taborn’s mother recalls telling Berne, “he’s getting everything he never wanted, all the attention he’d never seek.” Taborn, who is 47, is used to attracting attention he’d prefer to avoid, and not just because of his extraordinary musicianship. He is an African-American man from Minnesota with features that often draw curious looks: a very pale complexion, reddish-blond curls and hazel eyes. “I have never had a day when someone does not look at me with an openly questioning gaze, sometimes remote and furtive, sometimes polite, sometimes in admiration or awe and sometimes with disgust,” he told me. -
Jazz Festival Pr
! ! ! ! ! ! ! ! DC Jazz Festival Neighborhood Venues Host More Than 80 Performances Citywide Jazz in the ‘Hoods, a major feature of the DC Jazz Festival, annually attracts a vibrant audience of thousands of music enthusiasts and highlights the city as a vibrant cultural capital by bringing jazz to all four quadrants of the nation’s capital, with over 80 performances at more than !40 neighborhood venues. View full schedule. !RAMW Member Jazz Festival Venues & Specials: Carmine’s DC 425 7th Street NW Washington, DC 20004 (202) 737-7770 http://www.carminesnyc.com !Special: Groups of 6 or more, show your ticket stub to receive a free desert. Bistrot Lepic & Wine Bar 1736 Wisconsin Ave NW Washington, DC 20007 (202) 333-0111 !http://www.bistrotlepic.com !June 10th & 15th- Jazz in the ‘Hoods Presents: Jazz in the Wine Room (7:00 pm) Acadiana 901 New York Ave NW Washington, DC 20001 (202) 408-8848 !http://www.acadianarestaurant.com/acadiana.html !June 14th - Jazz in the ‘Hoods Presents: Live Jazz Brunch (11:00 am) ! ! The Hamilton Live 600 14th St NW Washington, DC 20005 (202) 787-1000 !http://www.thehamiltondc.com June 10th - John Scofield ÜberJam Band featuring Andy Hess, Avi Bortnick & Tony !Mason: 7:30 pm (Doors open at 6:30 pm) June 11th - Paquito D’Rivera with Special Guest Edmar Castañeda: 7:30 pm (Doors !open at 6:30 pm) June 12th - The Bad plus Joshua Redman with Opener Underwater Ghost featuring !Allison Miller: 8:30 pm (Doors open at 7 pm) June 13th - (Early and Late Shows) Jack DeJohnette Trio featuring Ravi Coltrane & Matthew Garrison: 7:30 pm (Doors open at 6:30 pm) & 10:30 pm (Doors open at 9:30 !pm) June 14th - Stanton Moore Trio & Charlie Hunter Trio featuring Bobby Previte & Curtis !Fowlkes: 7:30 pm (Doors open at 6:30 pm) !June 15th - An Evening with Snarky Puppy (First Night): 8 pm (Doors open at 6:30 pm) June 16th - An Evening with Snarky Puppy (Second Night): 8 pm (Doors open at 6:30 pm). -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
John Mcneil Bill Mchenry
John McNeil John McNeil is regarded as one of the most original and creative jazz artists in the world today. For nearly three decades John has toured with his own groups and has received widespread acclaim as both a player and composer. His highly personal trumpet style communicates across the full range of contemporary jazz, and his compositions combine harmonic freedom with melodic accessibility. John's restless experimentation has kept him on the cutting edge of new music. His background includes the Horace Silver Quintet, Gerry Mulligan, and the Thad Jones/Mel Lewis Orchestra. John is equally at home in free and structured settings, and this versatility has put him on stage with artists from Slide Hampton to John Abercrombie. John McNeil was born in 1948 in northern California. Due to a lack of available musical instruction in his home town of Yreka, John largely taught himself to play trumpet and read music. By the time he graduated from high school in 1966, John had already begun playing professionally in the northern California region. John moved to New York in the mid-1970's and began a freelance career. His reputation as an innovative trumpet voice began to grow as he played with the Thad Jones/Mel Lewis Orchestra, and led his own groups at clubs such as Boomer's, the legendary Village jazz room. In the late 70's, John joined the Horace Silver Quintet. Around the same time, he began recording for the SteepleChase label under his own name and toured internationally. Although he has worked as a sideman with such luminaries as Gerry Mulligan, John has consistently led his own groups from about 1980 to the present. -
June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
The Bad Ass Pulse by Martin Longley
December 2010 | No. 104 Your FREE Monthly Guide to the New York Jazz Scene aaj-ny.com The THE Bad Ass bad Pulse PLUS Mulgrew Miller • Microscopic Septet • Origin • Event Calendar Many people have spoken to us over the years about the methodology we use in putting someone on our cover. We at AllAboutJazz-New York consider that to be New York@Night prime real estate, if you excuse the expression, and use it for celebrating those 4 musicians who have that elusive combination of significance and longevity (our Interview: Mulgrew Miller Hall of Fame, if you will). We are proud of those who have graced our front page, lamented those legends who have since passed and occasionally even fêted 6 by Laurel Gross someone long deceased who deserved another moment in the spotlight. Artist Feature: Microscopic Septet But as our issue count grows and seminal players are fewer and fewer, we must expand our notion of significance. Part of that, not only in the jazz world, has by Ken Dryden 7 been controversy, those players or groups that make people question their strict On The Cover: The Bad Plus rules about what is or what is not whatever. Who better to foment that kind of 9 by Martin Longley discussion than this month’s On The Cover, The Bad Plus, only the third time in our history that we have featured a group. This tradition-upending trio is at Encore: Lest We Forget: Village Vanguard from the end of December into the first days of January. 10 Bill Smith Johnny Griffin Another band that has pushed the boundaries of jazz, first during the ‘80s but now with an acclaimed reunion, is the Microscopic Septet (Artist Feature). -
THE BAD PLUS BILL FRISELL ’85-‘95 Saturday, October 7, 2017, at 7:30Pm Tryon Festival Theatre PROGRAM NOTES PROGRAM the BAD PLUS BILL FRISELL ’85-‘95
PHOTO BY ELVIS SUAREZ PHOTO BY JOSH GOLEMAN THE BAD PLUS BILL FRISELL ’85-‘95 Saturday, October 7, 2017, at 7:30pm Tryon Festival Theatre PROGRAM NOTES PROGRAM THE BAD PLUS BILL FRISELL ’85-‘95 The Bad Plus Reid Anderson, bass Ethan Iverson, piano David King, drums With special guest Bill Frisell, guitar The program will be announced from the stage. This performance will be presented with no intermission. The Bad Plus appears by arrangement with: International Music Network 278 Main Street Gloucester, MA 01930 978.283.2883 Bill Frisell appears by arrangement with: Monterey International Talent Agency 200 W Superior, Suite 202 Chicago, IL 60654 312-640-7500 and Songline/Tone Field Productions 1649 Hopkins Street Berkeley, CA 94707 510 -528-1191 ELLNORA Reverb events bring great guitarists to Krannert Center stages throughout the season. Celebrate with this season’s ELLNORA Reverb events: The Bad Plus Bill Frisell ’85-’95 (October 7), Concert Artists Guild Winner: Jiji, guitar (January 28), and the Family Fun Free Concert: Sonia De Los Santos (February 17). 2 THE ACT OF GIVING OF ACT THE THANK YOU FOR SPONSORING THIS PERFORMANCE Krannert Center honors the spirited generosity of the philanthropic donors who make Krannert Center performances possible. This performance is supported by: * LINDA & BARRY WEINER ANONYMOUS Five Previous Sponsorships Ninety-Five Previous Sponsorships Two Current Sponsorships Ten Current Sponsorships The performance of The Bad Plus Bill Frisell ‘85-’95, presented in collaboration with Walker Art Center and Wexner Center for the Arts, is supported by Presenter Consortium for Jazz, a program of Chamber Music America funded through the generosity of the Doris Duke Charitable Foundation *PHOTO CREDIT: ILLINI STUDIO HELP SUPPORT THE FUTURE OF THE ARTS. -
Fall 2019 Year-Round Guide
FALL 2019 CONCERT SERIES FOR THE LOVE OF JAZZ COASTALJAZZ.CA SUPPORT US! Giving a gift of time, goods, or money can be, as one of Coastal’s loyal donors described, a selfish act. In addition to receiving great benefits, those who give know that giving connects them to their community in an authentic and powerful way. Our donors and sponsors already know the joy they receive from sharing unique and moving moments with others—and they “selfishly” want it to continue. Coastal’s philanthropists receive more than just fuzzy feelings, because we have made a job out of giving back! Coastal is thrilled to provide a variety of benefits. For example, this Festival, our top-tier donors enjoyed a brief history about the career of the legendary Herbie Hancock by Media Director Emeritus and Co-Founder John Orysik over cocktails pre-show, plus an opportunity to meet and greet with Herbie post-show. It was an “event of a lifetime” for many and the Coastal staff felt honoured to provide this experience for our VIPs. We are dedicated to making more of these unique and meaningful opportunities happen in 2020! If you’d like to discuss the opportunities and benefits of your donation, don’t hesitate to get in touch. If you’re already a part of our family, never think twice about letting us know what excites you—we’ll do our best to make it happen! Photo credit: Rebecca Blissett 2 / FALL 2019 CONCERT SERIES BROKEN SHADOWS SATURDAY, SEPTEMBER 21 | 7PM WESTERN FRONT TICKETS: $27 Named for one of Ornette Coleman’s most evocative compositions, this all-star project honours the Coleman legacy along with the music of Coleman’s fellow Fort Worth native reed players Dewey Redman and Julius Hemphill. -
Reach Jazz Radio Advertise In
JazzWeek with airplay data powered by jazzweek.com • Oct. 5, 2005 Volume 1, Number 45 • $7.95 In This Issue: Grammy Signature Schools Near THE BAD PLUS: Deadline . 4 Q&A with Reid Anderson ... page 10 NOLA’s House of Seafood and Jazz Reopens . 5 Martha Does Jazz . 6 Passings: Steve Marcus and LaRue Brown Watson . 7 Reviews and Picks . 14 Jazz Radio . 17 Smooth Jazz Radio. 22 Radio Panels. 27 News. 4 Charts: #1 Jazz Album – Monk Quartet w/ Coltrane #1 Smooth Album – Paul Hardcastle #1 Smooth Single – Paul Hardcastle JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger MUSIC EDITOR t’s Fall pledge drive time again for many stations around Tad Hendrickson the country. The aftermath of 9/11 meant that some CONTRIBUTING EDITORS I stations had a tough time fundraising that autumn, Keith Zimmerman and the recent Katrina and Rita disasters may have some Kent Zimmerman CONTRIBUTING WRITER/ impact this year. I’d be interested in hearing how things PHOTOGRAPHER go for your station and how you might be adapting to the Tom Mallison events of this year in your fundraising approach. PHOTOGRAPHY Barry Solof There probably isn’t a more polarizing group today in jazz Founding Publisher: Tony Gasparre than The Bad Plus. We’ve all heard the arguments from de- ADVERTISING: Call (585) 328-3104 or tractors about why they “aren’t jazz” or that they “don’t swing.” email: [email protected] Everybody’s entitled to their opinion, but I’m really tired of SUBSCRIPTIONS: Prices in US Dollars: jazz being defined by narrow boundaries. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Barbican Announces Rescheduled Concerts for 2021
For immediate release: Wednesday 27 May 2020 Barbican announces rescheduled concerts for 2021 The Barbican today announced that a selection of concerts that were due to take place at the Centre between March and July have now been rescheduled for 2021, subject to Government guidance. Huw Humphreys, Barbican’s Head of Music says: “This is an extraordinarily challenging time for the arts and artists. At the Barbican, we exist to bring artists together, to create together and to connect people across the world, and so this current situation goes against everything we’re here to do. By putting these rescheduled concerts on sale, we want to support artists and our partners in the music industry, and make sure we’re able to get up and running as soon as the guidance allows us to. Until then we are looking how we can stay connected to artists and audiences in different ways.” The rescheduled concerts and artists include: • Shabaka & the Ancestors, featuring Shabaka Hutchings, one of the foremost proponents of the current British jazz scene (now on 24 January 2021) • Irish-American vocalist and songwriter Aoife O’Donovan (now on 28 January 2021) • Celebrated violinist Anne-Sophie Mutter in recital performing Beethoven sonatas (now on 23 February 2021) • Singer, songwriter and composer Damon Albarn’s new project The Nearer the Fountain, More Pure the Stream Flows (now on 30 March 2021) • A MoodSwing Reunion, featuring generation-defining jazz musicians and long-time collaborators Joshua Redman, Brad Mehldau, Christian McBride and Brian Blade (now -
International Jazz News Festival Reviews Concert
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC INTERNATIONAL JAZZ NEWS TOP 10 ALBUMS - CADENCE CRITIC'S PICKS, 2019 TOP 10 CONCERTS - PHILADEPLHIA, 2019 FESTIVAL REVIEWS CONCERT REVIEWS CHARLIE BALLANTINE JAZZ STORIES ED SCHULLER INTERVIEWS FRED FRITH TED VINING PAUL JACKSON COLUMNS BOOK LOOK NEW ISSUES - REISSUES PAPATAMUS - CD Reviews OBITURARIES Volume 46 Number 1 Jan Feb Mar Edition 2020 CADENCE Mainstream Extensions; Music from a Passionate Time; How’s the Horn Treating You?; Untying the Standard. Cadence CD’s are available through Cadence. JOEL PRESS His robust and burnished tone is as warm as the man....simply, one of the meanest tickets in town. “ — Katie Bull, The New York City Jazz Record, December 10, 2013 PREZERVATION Clockwise from left: Live at Small’s; JP Soprano Sax/Michael Kanan Piano; JP Quartet; Return to the Apple; First Set at Small‘s. Prezervation CD’s: Contact [email protected] WWW.JOELPRESS.COM Harbinger Records scores THREE OF THE TEN BEST in the Cadence Top Ten Critics’ Poll Albums of 2019! Let’s Go In Sissle and Blake Sing Shuffl e Along of 1950 to a Picture Show Shuffl e Along “This material that is nearly “A 32-page liner booklet GRAMMY AWARD WINNER 100 years old is excellent. If you with printed lyrics and have any interest in American wonderful photos are included. musical theater, get these discs Wonderfully done.” and settle down for an afternoon —Cadence of good listening and reading.”—Cadence More great jazz and vocal artists on Harbinger Records... Barbara Carroll, Eric Comstock, Spiros Exaras,