Friday Saturday Sunday 20 November 21 November 22 November 106 Mins 10:00Am 10:00Am 10:15Am

Total Page：16

File Type：pdf, Size：1020Kb

Friday Saturday Sunday 20 November 21 November 22 November 106 mins 10:00am 10:00am 10:15am 12:45pm 2:30pm 3:15pm 8:15pm 8:15pm 115 mins 12:30pm 12:30pm 10:00am 2:45pm 2:45pm 6:00pm 8:00pm 8:00pm 140 mins ALL 10:00am 10:00am 10:15am TICKETS $12.50 5:15pm 5:15pm 5:30pm 119 mins 3:15pm 12:00pm 3:45pm 5:30pm 5:30pm 6:00pm 152 mins ALL TICKETS 7:15pm 7:15pm $10 117 mins 2:30pm 12:45pm 1:15pm 4:45pm 4:45pm 5:45pm 7:45pm 7:45pm 113 mins ALL TICKETS 12:00pm 3:15pm 12:45pm $12.50 125 mins 10:00am 10:00am 3:30pm 5:45pm 5:45pm 134 mins 10:30am 10:30am 1:30pm 1:30pm 1:30pm 4:30pm 4:30pm 4:30pm 7:30pm 7:30pm 132 mins 12:30pm 96 mins ALL TICKETS 1:00pm 1:00pm $10 106 mins ALL 10:30am TICKETS $10 3:00pm 3:00pm ALL MY LIFE (M) ~ NO FREE TICKETS ~ A romantic drama based on the true story of a couple whose wedding plans are thrown off course when the groom is diagnosed with liver cancer. Jessica Rothe, Harry Shum Jr. FATMAN (MA15+) ~ NO FREE TICKETS ~ Two A rowdy, unorthodox Santa Claus is fighting to save his declining business. Meanwhile, Billy, a neglected and precocious 12 year old, hires a hit man to kill Santa after receiving a lump of coal in his stocking. Mel Gibson, Walton Goggins PINOCCHIO (M) ~ NO FREE TICKETS ~ An Italian live-action adaptation of the classic story of a wooden puppet named Pinocchio who comes to life. (English dubbed). Federico Ielapi, Roberto Benigni, Rocco Papaleo ALL TICKETS $12.50 THE COMEBACK TRAIL (M) ~ Two movie producers who owe money to the mob set up their aging movie star for an insurance scam to try and save themselves. But they wind up getting more than they ever imagined. Robert De Niro, Morgan Freeman, Tommy Lee Jones THE EMPTY MAN (MA15+) ~ On the trail of a missing girl, an ex-cop comes across a secretive group attempting to summon a terrifying supernatural entity. James Badge Dale, Stephen Root, Joel Courtney FREAKY (MA15+) ~ After swapping bodies with a deranged serial killer, a young girl in high school discovers she has less than 24 hours before the change becomes permanent. Vince Vaughn, Kathryn Newton, Alan Ruck NEVER TOO LATE (M) ~ A group of seniors plan to break out of their retirement home, in this Aussie comedy-drama. James Cromwell, Jacki Weaver, Dennis Waterman, Jack Thompson, Shane Jacobson RADIOACTIVE (M) ~ The story of Nobel Prize winner Marie Curie and her extraordinary scientific discoveries — through the prism of her marriage to husband Pierre — and the seismic and transformative effects their discovery of radium had on the 20th century. Rosamund Pike, Sam Riley, Aneurin Barnard RAMS (PG) ~ A decades-long feud between two sheep farming brothers comes to a head when disaster strikes their flocks. Sam Neill, Miranda Richardson, Asher Keddie | WIN AN AUSSIE HOLIDAY FOR TWO! SLIM & I (PG) ~ Australia’s Queen of country music, Joy McKean takes us on the road of her life, and career, including her marriage of more than 50 years to Slim Dusty. TROLLS WORLD TOUR (G) ~ When the Queen of the Hard Rock Trolls tries to take over all the Troll kingdoms, Queen Poppy and her friends try different ways to save all the Trolls. Anna Kendrick, Justin Timberlake, James Corden .

Copy Link

Recommended publications

David Gulpilil, AM
David Gulpilil, AM Born 1953, Gulparil, near Ramingining, Northern Territory. Lives Darwin, N.T. David Gulpilil’s full name is David Gulpilil Ridjimiraril Dalaithngu. Gulpilil is also spelt Gulparil, which is the name of his Country near Ramingining, central Arnhem Land, N.T. When, as a seventeen year-old, David Gulpilil lit up the cinema screen in the film, Walkabout, he did more than play a role. The performance was so strong, so imbued with a new type of graceful naturalism, that it re-defined perceptions of Aboriginality, especially in the field of screen acting. Over the next decade, David became the iconic Aboriginal actor of his generation, paving the way in the resurgence of the Australian film industry for more parts to be written for Aboriginal people, for more Aboriginal stories to be told. His charismatic, engaging and unforgettable performances in films like Storm Boy (1976, dir. Henri Safran), The Last Wave (1977, dir. Peter Weir) and Crocodile Dundee (1986, dir. Peter Faiman) helped bring Aboriginality into the mainstream of the screen arts. In his later work, including Rabbit-Proof Fence (2002, dir. Philip Noyce), The Tracker (2002, dir. Rolf de Heer), Australia (2008, dir. Baz Luhrmann) and the soon to be released Charlie's Country (2013, dir. Rolf de Heer), Gulpilil has brought tremendous dignity to the depiction of what it is to be Aboriginal. Through his art he has brought an incalculable amount of self-esteem to his community. Since the early 1970s, Gulpilil has earned more than 30 film credits, and performed alongside Dennis Hopper, Jack Thompson, Miles Davis, Nicole Kidman, Hugh Jackman, Kenneth Branagh, William Hurt, Richard Chamberlain, Guy Pearce, Paul Hogan, and Ernie Dingo, under acclaimed directors such as Peter Weir, Baz Lurhman, Philip Noyce, Wim Wenders and Rolf de Heer.
[Show full text]
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor
[Show full text]
TRINITY COLLEGE Cambridge Trinity College Cambridge College Trinity Annual Record Annual
2016 TRINITY COLLEGE cambridge trinity college cambridge annual record annual record 2016 Trinity College Cambridge Annual Record 2015–2016 Trinity College Cambridge CB2 1TQ Telephone: 01223 338400 e-mail: [email protected] website: www.trin.cam.ac.uk Contents 5 Editorial 11 Commemoration 12 Chapel Address 15 The Health of the College 18 The Master’s Response on Behalf of the College 25 Alumni Relations & Development 26 Alumni Relations and Associations 37 Dining Privileges 38 Annual Gatherings 39 Alumni Achievements CONTENTS 44 Donations to the College Library 47 College Activities 48 First & Third Trinity Boat Club 53 Field Clubs 71 Students’ Union and Societies 80 College Choir 83 Features 84 Hermes 86 Inside a Pirate’s Cookbook 93 “… Through a Glass Darkly…” 102 Robert Smith, John Harrison, and a College Clock 109 ‘We need to talk about Erskine’ 117 My time as advisor to the BBC’s War and Peace TRINITY ANNUAL RECORD 2016 | 3 123 Fellows, Staff, and Students 124 The Master and Fellows 139 Appointments and Distinctions 141 In Memoriam 155 A Ninetieth Birthday Speech 158 An Eightieth Birthday Speech 167 College Notes 181 The Register 182 In Memoriam 186 Addresses wanted CONTENTS TRINITY ANNUAL RECORD 2016 | 4 Editorial It is with some trepidation that I step into Boyd Hilton’s shoes and take on the editorship of this journal. He managed the transition to ‘glossy’ with flair and panache. As historian of the College and sometime holder of many of its working offices, he also brought a knowledge of its past and an understanding of its mysteries that I am unable to match.
[Show full text]
Pull-Over Rouge
Fictions Documentaires Le thème de la condamnation à mort est largement traité dans le cinéma. C'est le dernier plan image pour bien des malfrats et assassins, personnages principaux des films policiers et thrillers : une forme de « happy end » pour la société, puisque justice est faite. A l'issue d'une longue enquête ou d'une traque, l'assassin est enfin trouvé et sanctionné. (Ascenseur pour l'échafaud, Deux hommes dans la ville, Nous sommes tous des assassins) C'est l'intrigue pour un grand nombre de films de suspense, dans laquelle l'enquête est portée par un personnage principal « justicier ». Le plus souvent avocat ou journaliste, il se démène pour rétablir la justice, et en conséquence sauver la vie d'une personne injustement condamnée. (Juste cause, Je veux vivre, l'invraisemblable vérité, Meurtre à Alcatraz, Made in the USA) C'est un trouble que diffusent les films aux ressorts psychologiques complexes, où domine le sentiment d'incompréhension face à des actes qu'aucune logique ne vient expliquer. Des personnages à la frontière de la désociabilisation, de la folie. (The barber l'homme qui n'était pas là, Tu ne tueras point, De sang-froid) Militant de son époque, et surtout aux Etats-unis, le cinéma dénonce la discrimination dans l'énoncé de la justice, qu'elle soit raciale (Un coupable idéal, Amistad) ou sociale (le couloir de la mort, Dancer in the dark), ainsi que les affaires politiques (Sacco & Vanzetti, toute ma vie en prison). Il avertit également les Occidentaux du danger d'être impliqué dans une affaire de drogue (Bangkok aller simple, Force majeure, Trop jeune pour mourir).
[Show full text]
Vince Valitutti
VINCE VALITUTTI IMDB https://www.imdb.com/name/nm1599631/ Po Box 7140 GCMC Gold Coast~Qld 4217~ Australia Australian phone: +61-414069917 www.vincevalitutti.com [email protected] [email protected] FILM STILLS PHOTOGRAPHY 2020 : Godzilla vs Kong: Client: Legendary Ent, Warner Bros. Director: Adam Wingard Cast: Alexander Skarsgard, Millie Bobby Brown, Eiza Gonzalez, Rebecca Hall, 2019 : Dora and the lost City of Gold: Client: Paramount Players, Walden Media Director: James Bobin Cast: Isabela Moner, Benicio Del Toro, Eva Longoria, Michael Pena, Eugenio Derbez 2018 : Swinging Safari: Client: Piccadilly Pictures, Wildheart Films Director: Stephan Elliot Cast: Kylie Minogue, Guy Pierce, Julian Mc Mahon, Radha Mitchell, Asher Keddie 2017 Kong Skull Island: Client: Warner Bros, Legendary Director: Jordan Vogt-Rodgers Cast: Samuel L. Jackson, Brie Larson, Tom Hiddleston, John Goodman, John C Riley 2017 Australia Day: Client: Hoodlum Entertainment Director: Kriv Stenders Cast: Bryan Brown, Matthew Le Nevez, Elias Anton, Sean Keenan, Daniel Weber 2016 The Shallows: Client: Sony Pictures Director: Jaume Collet Serra Cast: Blake Lively, Oscar Jaenada, Sedona Legge, 2014 The Inbetweeners 2: Client: Bwark productions Directors: Damon Beesley, Iain Morris Cast: James Buckley, Simon Bird, Joe Thomas, Blake Harrison, Freddie Stroma 2014 Unbroken (Additional stills): Client: Universal Pictures Directors: Angelina Jolie Cast: Jack O'Connell, Domhnall Gleeson, Jai Courtney, Finn Wittrock 2013 Nim’s Island 2: Client: Fox-Walden Director:
[Show full text]
Geopolitical Genesis
Strategic Geopolitical Monitor Genesis 2020-2021 Dutch Foreign and Security Policy in a Post-COVID World Jack Thompson Danny Pronk Hugo van Manen March 2021 II Strategic Monitor 2020-2021 | Geopolitical Genesis | Dutch Foreign and Security Policy in a Post-COVID World Strategic Geopolitical Monitor Genesis 2020-2021 Dutch Foreign and Security Policy in a Post-COVID World Jack Thompson Danny Pronk Hugo van Manen March 2021 2 Strategic Monitor 2020-2021 | Geopolitical Genesis | Dutch Foreign and Security Policy in a Post-COVID World March 2021 The Strategic Monitor 2020-2021 was commissioned by the Netherlands’ ministries of © The Hague Centre for Strategic Studies Foreign Affairs and Defence within the PROGRESS © Netherlands Institute of International framework agreement, Lot 5 (Strategic Monitoring Relations ‘Clingendael’ & Foresight). Responsibility for the contents and for the opinions expressed rests solely with the Design & lay-out: Studio Piraat - The Hague authors. Publication does not constitute an Images: Getty Images endorsement by the Netherlands’ ministries of Foreign Affairs and Defence. Contributors: Tim Sweijs, Giorgio Berti, Jens Emmers, Saskia Heyster, Hugo Klijn, Adája Stoetman, HCSS Anna Zeverijn, Paul van Hooft Lange Voorhout 1 2514 EA The Hague Reviewers: The Netherlands Frank Bekkers, Rob de Wijk, Dick Zandee, Frans Osinga, Peter Haasbroek Follow us on social media: @hcssnl Unauthorised use of any materials violates copyright, The Hague Centre for Strategic Studies trademark and / or other laws. Should a user download material from the website or any other source related to Email: [email protected] the The Hague Centre for Strategic Studies and/or the Website: www.hcss.nl Netherlands Institute of International Relations ‘Clingendael’ for personal or non-commercial use, the user must retain all copyright, trademark or other similar The Clingendael Institute notices contained in the original material or on any P.O.
[Show full text]
Media-Kit-High-Ground.Pdf
HIGH GROUND DIRECTED BY STEPHEN JOHNSON RELEASE DATE TBC RUNNING TIME 1 HOUR 45 MINS RATED TBC MADMAN ENTERTAINMENT PUBLICITY CONTACT: Harriet Dixon-Smith - [email protected] Lydia Debus - [email protected] https://www.madmanfilms.com.au TAGLINE In a bid to save the last of his family, Gutjuk, a young Aboriginal man teams up with ex-soldier Travis to track down Baywara, the most dangerous warrior in the Territory, his Uncle. SYNOPSIS Northern Territory, Australia 1919. The Great War is over, the men have returned home. Many return to their normal lives in the cities in the south, others are drawn to the vast open spaces of the North. A sparsely populated wild frontier. They hunt buffalo, they hunt crocodile, and those that can join the overstretched Police service. Travis and Ambrose are two such men. A former sniper, Travis has seen the very worst of humanity and the only thing that keeps him on track is his code of honour, tested to its limit when a botched police operation results in the massacre of an Indigenous tribe. Travis saves a terrified young boy named Gutjuk from the massacre. He takes him to the safety of a Christian mission but unable to deal with the ensuing cover up, Travis leaves his police outpost and disappears into the bush. Twelve years later, 18-year-old Gutjuk hears news of the ‘wild mob’ – a renegade group of Indigenous warriors causing havoc along the frontier attacking and burning cattle stations, killing settlers. It’s said their leader is Gutjuk’s uncle, Baywara thought to be a survivor of the massacre.
[Show full text]
NIKKI GOOLEY Make-Up and Hair Designer/Supervisor
NIKKI GOOLEY Make-Up and Hair Designer/Supervisor FILM I AM WOMAN Make-Up and Hair Designer IAW Movie Pty Limited Director: Unjoo Moon THE GARDEN OF EVENING MISTS Make-Up and Hair Designer Biscuit Films Director: Tom Lin THE NIGHTINGALE Hair and Make-Up Designer Causeway Films Director: Jennifer Kent TRUTH Department Head and Personal Hair Make-Up Artist to Sony Pictures Classics Cate Blanchet Director: James Vanderbilt Producers: Mikkel Bondesen, Brad Fischer, William Sherak, James Vanderbilt FELONY Make-Up and Hair Designer Benaroya Pictures Director: Matthew Saville Producers: Rosemary Blight, Craig Chapman, Joel Edgerton, Ben Grant Myles Nestel, Lisa Wilson THE SAPPHIRES Make-Up and Hair Designer/Supervisor Goalpost Pictures Director: Wayne Blair Cast: Chris O’Dowd, Jessica Mauboy, Deborah Mailman, Tory Kittles X-MEN ORIGINS: WOLVERINE Make-Up and Hair Designer/Supervisor 20th Century Fox, Marvel Director: Gavin Hood Producers: Richard Donner, Louis G. Friedman, Hugh Jackman, Stan Lee, Peter MacDonald, John Palermo, Lauren Shuler Donner, Ralph Winter Cast: Live Schreiber, Danny Huston, Lynne Collins NIM’S ISLAND Make-Up and Hair Designer 20th Century Fox, Walden Media, Personal Make-Up and Hair to Jodie Foster Summit Entertainment Directors: Jennifer Flackett and Mark Levin Producers: Alan Bell, Stephen Jones, Paula Mazur, Murray Pope Cast: Jodie Foster, Gerard Butler FOOL’S GOLD Make-Up and Hair Designer Warner Bros. Personal Hair Stylist to Matthew McConaughey Director: Andy Tennant Producers: Donald De Line, Jim Dyer, Bernie Goldmann, Stephen Jones, Jon Klane, Wink Mordaunt Cast: Matthew McConaughey, Ray Winston, Donald Sutherland THE MILTON AGENCY 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Telephone: 323.466.4441 Facsimile: 323.460.4442 Nikki Gooley [email protected] www.miltonagency.com Page 1 of 4 THE WATER HORSE Make-Up and Hair Designer/Supervisor Columbia Pictures, Director: Jay Russell Revolution Studios, Producers: Robert Bernstein, Charlie Lyons, Charles Newirth, Walden Media Barrie M.
[Show full text]
':, Bruce Beresford's ~Breaker Morant'
Kunapipi Volume 3 Issue 1 Article 6 1981 Can you imagine anything more Australian?':, Bruce Beresford's ~Breaker Morant' Susan Gardner Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Gardner, Susan, Can you imagine anything more Australian?':, Bruce Beresford's ~Breaker Morant', Kunapipi, 3(1), 1981. Available at:https://ro.uow.edu.au/kunapipi/vol3/iss1/6 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Can you imagine anything more Australian?':, Bruce Beresford's ~Breaker Morant' Abstract The guerrilla war was fast brutalizing both adversaries. The worst scandals on the British side concerned colonial irregulars - Australians, Canadians and South Africans - whose official contingents, onicallyir , had won a reputation for gallantry in so many set-piece battles. The most notorious case involved a special anti-commando unit, raised by Australians to fight in the wild northern Transvaal, and called the Bush Veldt Carbineers. Six of its officers (five Australians, one Englishman) were court-martialled for multiple murder. The facts were admitted: in August 1901, 12 Boers, earlier taken prisoner, had been shot by the Carbineers on the orders of their officers. Theustr A alians' defence: as a reprisal, shooting prisoners was now accepted practice. Two of the Australian officers, Lieutenants 'Breaker' Morant and Handcock, were executed in February 1902, on the orders of Kitchener. The affair caused an outcry in Australia. There arose a misconception (still current) that foreign political pressures had induced Kitchener to make scapegoats of Morant and Handcock.
[Show full text]
RECONCILIATION: a PERSONAL JOURNEY Jack Thompson AM
THE NATIONAL CENTRE FOR INDIGENOUS STUDIES, NATIONAL INSTITUTE OF SOCIAL SCIENCES & LAW & RECONCILIATION AUSTRALIA PRESENT NATIONAL INSTITUTES PUBLIC LECTURE SERIES 2005 The Annual ANU Reconciliation Lecture RECONCILIATION: A PERSONAL JOURNEY Jack Thompson AM Thursday 2 June 2005, 6-7pm The Great Hall at Parliament House, Canberra RSVP: [email protected] Enquiries: [email protected] or T: 02 6125 2906 THE LECTURE This is the second ANU Reconciliation Lecture. The inaugural lecture in 2004, Beyond the Bridges and Sorry, was given by Patrick Dodson. Jack Thompson writes of this year’s lecture: Reconciliation: A Personal Journey will follow my involvement with Indigenous Australians from my first meeting with ‘Neza’ at the age of seven, through to my time with the Alyawarre People on Elkedra cattle station as a fifteen-year-old station hand, and my subsequent association late in life with the Aboriginal land rights movement. I will speak of my time on the Council of the National Museum and the establishment of the Gallery of First Australians, my involvement with the Yolngu People and Garma in East Arnhem Land and the role that film and television play in the education of both Indigenous and non-Indigenous Australians in relation to reconciliation. THE PRESENTER Jack Thompson is one of Australia’s most loved and respected actors. He has appeared in numerous Australian and American films, including: Wake In Fright (1969); the classic Sunday Too Far Away (1975); Breaker Morant (1980) for which he won an AFI award for best actor as well as an award at the Cannes International Film Festival; The Sum of Us (1993); Star Wars Ep.
[Show full text]
David Stratton's STORIES of AUSTRALIAN CINEMA
David Stratton’s STORIES OF AUSTRALIAN CINEMA **David Stratton: A Cinematic Life (a feature version of this series) has been selected to screen at the 70th Cannes Film Festival which opens May 17. “When I started championing Australian cinema at the Sydney Film Festival I couldn’t have imagined the richness of movies that would follow,” says David. “These are the stories of the films that changed the way the world saw us and how we saw ourselves … a story of how the films and those who made them broke through the status quo.” Revered critic David Stratton tells the glorious story of Australian cinema, focusing in on the films that capture the nation’s true nature with candour, emotion and humour. David is superbly qualified for this task. While he adapted to a new country and turned his passion for cinema into a profession as a film festival director and film critic, a growing band of courageous Australians turned their enthusiasm for storytelling into an extraordinary body of work. “A nation found its identity through cinema and so did I; this is my journey through the movies that made our nation,” he says. Those movies are wildly diverse but strong themes echo throughout the body of work. Screen Australia, The Australian Broadcasting Corporation and Screen NSW in association with the Adelaide Film Festival present A Stranger Than Fiction Production Episode one: Game Changers (June 6) Filmmakers gained confidence with: the boldness of Picnic at Hanging Rock and Mad Max; the global success of Crocodile Dundee and Shine; the flamboyance of Strictly Ballroom; the substance and style of Samson & Delilah.
[Show full text]
August Movies at 6 Pm
AUGUST MOVIES AT 6 PM Sat Aug 1 – Jerry Maguire When a sports agent has a moral epiphany and is fired for expressing it, he decides to put his new philosophy to the test as an independent agent with the only athlete who stays with him and his former colleague. Tom Cruise, Cuba Gooding Jr., Renée Zellweger, 139min, 1996, R Sun Aug 2 – As Good As It Gets A single mother and waitress, a misanthropic author, and a gay artist form an unlikely friendship after the artist is assaulted in a robbery. Jack Nicholson, Helen Hunt, Greg Kinnear, 139min, 1997, PG13 Thurs Aug 6 – The Ballad Of Cable Hogue A hobo accidentally stumbles onto a water spring, and creates a profitable way station in the middle of the desert. Jason Robards, Stella Stevens, David Warner, 121min, 1970, R Fri Aug 7 – I Dream Of Jeanie The life and career of famed American composer Stephen Foster. Ray Middleton, Bill Shirley, Muriel Lawrence, 90min, 1952, NR Sat Aug 8 – Slow Burn A distinguished explorer finds herself stranded in the Mexican desert with two escaped convicts and a stash of diamonds. Minnie Driver, Stuart Wilson, James Spader, 97min, 2000, R Sun Aug 9 – Jesse Stone : No Remorse This movie finds Stone struggling with suspension from the force and his alcohol issues; intervention from old friend Commander Healy gets him back on his feet and on the trail of a serial killer preying on young men. Tom Selleck, Kathy Baker, 87min, 2010, NR, TV movie Thurs Aug 13 – Buried Alive A husband finds out that his wife and her lover are trying to kill him.
[Show full text]