March 6, 2020

Total Page:16

File Type:pdf, Size:1020Kb

March 6, 2020 Distributed Free On Fridays For 10 Years! March 6, 2020 www.pcpatriot.com Locally Owned And Operated Council, mayoral races set in Pulaski, Dublin Patriot Staff Report Greg East. Pulaski attorney Michael Reis is the lone challenger for council. May’s municipal elections should be interesting The top three vote getters are elected and terms this year with competition for every seat in both Pu- are for four years. laski and Dublin. Dublin Tuesday at 7 p.m. was the deadline for citizens Benny Skeens is seeking re-election to a sixth to sign up to be candidates for council and mayor term as mayor and is being challenged by council- in the towns of Pulaski and Dublin in this May’s man Norman “Buck” Dowdy II. municipal elections. Mayor terms in Dublin are for four years. Four candidates are seeking three seats on coun- Pulaski cil. They are incumbent Edith Hampton and chal- David Clark is seeking re-election to a second lengers Wayne Seagle, Dallas Cox and Peggy Hem- term as mayor. He will be challenged by Shannon mings. Collins. Vice Mayor Doug Irvin Sr. chose not to seek The mayor’s term is for two years. re-election. Three incumbents are seeking re-election on Council terms in Dublin are for four years. council – Jamie Radcliffe, Joseph Goodman andElection day is May 5. CHASINGCHASING THETHE SSQUIRRELQUIRREL Ron Peterson's next book, WEEKEND WEATHER due out in April, explores Saturday Sunday the life of local legend Sunny, with a high near 45. Sunny, with a high near 61. Northwest wind 6 to 10 mph. Wally Thrasher Sunday Night - Mostly clear, By DANIELLE REID Saturday Night - Clear, with with a low around 34. The Patriot a low around 25. While the state of Alabama may lay claim to the fictional folk hero “The Bandit,” from the 1970’s movie “Smokie and the Bandit,” Pulaski County has its own historic folk legend, Wallace Samuel Thrasher, aka “The Squirrel.” In the movie, the truck-driving Bandit, played by Hollywood’s epitome of suave and handsome Burt Reynolds, accepts a dare to transport a truckload of beer across state lines; all the while being pursued by a pesky sheriff, Buford T. Justice, determined to catch him in the act. Although the Bandit movie is based on fiction, Peterson Thrasher is an actual folk on Amazon, and the top selling book in the NRV legend, expertly researched because of the local story and local appeal. and brought to life by author Ron Peterson, Jr. in Peterson’s description of Thrasher reflects that of his newest historic mystery novel, “Chasing the Bandit Burt Reynolds. “Thrasher had a bold spir- Squirrel: The Pursuit of Notorious Drug Smuggler, it and the dashing good looks to go with it,” said Wally Thrasher,” which is scheduled to be released Peterson. “He was criminally handsome, blessed by iUniverse in early April 2020. Shortly after the with the prettiest blue eyes most women had ever book’s release, Peterson will be scheduling book seen. A charismatic southern gentleman raised in tours and lectures in the New River Valley. the hills of Pulaski County, in Southwest Virginia’s Peterson’s previous book, “Under the Trestle,” New River Valley. Wally had a Hollywood smile, a published by iUniverse, was the publishing compa- ny’s number one seller in 2019, a national best seller See PETERSON, page A2 INSIDE February Land Transfers Page A3 Classifieds Pages B4-5 Comics Pages B8-9 Religion Pages A8-9 Editorial Page A6 Pulse Page B7 Page A2 - The Patriot - March 6, 2020 bad actors from Cuba, Panama, Peterson Colombia and Bolivia – a total of 12 conspirators who were eventu- Continued from Page A1 ally arrested. The sting operation Wally stylish mane of prematurely grey seized over 700 pounds of pure Thrasher hair, and an aura of confidence cocaine that these guys flew into and wife, that turned heads everywhere he the Roanoke airport, along with Olga. went. When he traveled through over a million in cash. To this day, commercial airports, he was rou- it is the largest drug bust in the tinely mistaken for a celebrity.” history of the Mid-Atlantic United Photos According to Peterson, “Chas- States. The Federal trial in Roa- used by permission ing the Squirrel is really two noke that ensued in 1986 was one from books in one. The first halfof isthe biggest trials the state has Chasing about the life and times of Wal- ever seen, ending with the convic- TheSquirrel- ly Thrasher as a drug smuggler. tion of all twelve conspirators; and book.com The second half of the book takes eventually the King of Cocaine, Wally Thrasher a deep dive into "The Big Bust of Roberto Suarez Gomez. And all 1986" – which happened when those dominos fell as a result of is now a police officer in Georgia. Wally disappeared, and his wife the original investigation of Wally Thrasher attended Pulaski Olga became a federal witness.” Thrasher.” High School in the late 1950’s and According to Peterson, “Olga “My research for this true story, earned the nickname Squirrel by helped the Feds set up and bust ‘Chasing the Squirrel,’ included his football teammates because of his twin-engine Beach 18, which dollars in 1984 currency. Another he later used to smuggle drugs story purposes that Thrasher died another Virginia smuggler named over 100 inerviews with Wally’s his scampering running style and from South America and Florida. in a plane crash in Belize. Per- former friends, family and asso- elusiveness on the gridiron. Doug Griffin who flew tons of Aviation pilots with the skills of haps he faked his death because weed and coke into an airport ciates, as well as state and fed- “At five foot eleven and 175 he owed some dangerous people near The Homestead resort in eral law enforcement authorities pounds, Thrasher was an out- the Squirrel were offered lots of money for their “air smuggling” money and couldn’t cover his Bath County. Then, Griffinwho pursued him. This in-depth standing lineman, playing both research extended for over seven abilities, but Peterson believes debt. It was suggested that var- flipped – ‘did the Lord's work’ as a hard-hitting guard on offenseThrasher was attracted by more months,” commented Peterson. and a ball-hawking end on de- ious influential people in South as DEA agents like to say – and than the money. America, most likely connected He also interviewed Olga, fense. His speed and his elusive- helped DEA agent Don Lincoln “Thrasher was an adrenaline to drug smuggling, wanted him Thrasher’s beautiful wife and ness earned him the nickname infiltrate the organization of junkie; the thrill kept him in the dead. Carl Warmack, a big-time Flori- their son, Montana. Both were in- ‘Squirrel,’” explained author Pe- smuggling game,” reasons Pe- Thrasher’s son, Montana, be- da smuggler. Warmack then led terviewed extensively and provid- terson. terson. “Much like The Bandit, lieves his father is dead. the Feds to the major interna- ed new information not previously “Wally just had this aura about Thrasher seemed to thrive on the "Montana and I ordered a Vet- disclosed. Interestingly, Montana him,” an old friend of Thrasher’s tional traffickers – some really cat-and-mouse game.” erans upright marble stone, and told Peterson. “Not only was he Montana and I placed it in a do- this great-looking guy, but he was From 1982 to 1984, the NRV Airport was a distribution hub for nated space on our family lot," very charismatic, with a magnet- Peterson’s drug air-smuggling es- said Todd Bruce of Seagle Funer- PPETET OOFF TTHEHE WWEEKEEK ic sort of personality. He could capades. He would arrive under al Home in Pulaski. "It was a big meet someone for the first timecloak of darkness using his skills step for Montana, when the Vet- and have them leave the conver- erans Administration agreed that sation feeling like he was their of flying by instrument panel. His local contacts would meet him best friend. He was extremely his father was finally declared with a van, and they would unload deceased." confident, but somehow it wasthe up to 500 pounds of marijuana Some law enforcement agents short of being cocky and arrogant. and cocaine into the van. Thrash- believe the mystery of the Squir- Anyone that met Wally fell in love er would make himself scarce af- rel remains unsolved, as there with the guy.” ter landing, knowing that most of have been alleged sightings of Another high school classmate the drug arrests were made while Thrasher all over the globe. Ap- Peterson interviewed perhaps put on the ground. Then his co-horts parently, others question this too, it best: “All the guys wanted to be would drive the van to a self-stor- like him, and all the girls wanted because Thrasher was profiled on TV’s “America’s Most Wanted” to be with him.” age unit located off I-81 by Claytor Lake. The unit was large enough and “Unsolved Mysteries” pro- Wally graduated from high to drive into and store the whole grams in the past. school on June 14, 1958 -and en tered the U.S. Navy ten days lat- van with its contents; then off-load the drugs into another van for dis- Peterson suggests that “When er. He was said to be a hot shot tribution. It was a clever although you read the book and get to know pilot while serving in Vietnam; - Thrasher, it’s not hard to imagine then over the next few years as a risky scheme, but one that profit ably served the drug smugglers the Squirrel living on a tropical is- civilian he earned both his FAA for several years.
Recommended publications
  • Are We a Bunch of Robin Hoods?” Filesharing As a Folk Tradition of Resistance Benjamin Staple
    Document generated on 09/27/2021 8:47 a.m. Ethnologies “Are We a Bunch of Robin Hoods?” Filesharing as a Folk Tradition of Resistance Benjamin Staple Crime and Folklore Article abstract Crime et folklore On the edge of the digital frontier, far from the oceans of their maritime Volume 41, Number 1, 2019 namesakes, pirate communities flourish. Called outlaws and thieves, these file-sharers practice a vernacular tradition of digital piracy in the face of URI: https://id.erudit.org/iderudit/1069852ar overwhelming state power. Based on ethnographic fieldwork conducted with DOI: https://doi.org/10.7202/1069852ar Warez Scene cracking groups and the Kickass Torrents community, this article locates piracy discourse as a site of contested identity. For file-sharers who embrace it, the pirate identity is a discursively-constructed composite that See table of contents enables users to draw upon (and create) outlaw folk hero traditions to express themselves and affect small-scale change in the world around them. This article argues that pirate culture is more nuanced than popularly depicted and Publisher(s) that, through traditional practice, piracy is a vernacular performance of resistance. Association Canadienne d’Ethnologie et de Folklore ISSN 1481-5974 (print) 1708-0401 (digital) Explore this journal Cite this article Staple, B. (2019). “Are We a Bunch of Robin Hoods?”: Filesharing as a Folk Tradition of Resistance. Ethnologies, 41(1), 197–224. https://doi.org/10.7202/1069852ar Tous droits réservés © Ethnologies, Université Laval, 2020 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online.
    [Show full text]
  • The Genesis of Toby: a Folk Hero of the American Theater Author(S): Jere C
    The Genesis of Toby: A Folk Hero of the American Theater Author(s): Jere C. Mickel Source: The Journal of American Folklore, Vol. 80, No. 318 (Oct. - Dec., 1967), pp. 334-340 Published by: American Folklore Society Stable URL: http://www.jstor.org/stable/537410 Accessed: 22/04/2010 21:29 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=illinois and http://www.jstor.org/action/showPublisher?publisherCode=folk. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Illinois Press and American Folklore Society are collaborating with JSTOR to digitize, preserve and extend access to The Journal of American Folklore.
    [Show full text]
  • The Subversive Anti-Hero Trend in Postmodern Television: How Subversive Are They, Really?
    THE REPUBLIC OF TURKEY BAHCESEHIR UNIVERSITY THE SUBVERSIVE ANTI-HERO TREND IN POSTMODERN TELEVISION: HOW SUBVERSIVE ARE THEY, REALLY? M.S. Thesis ELİF İNCE İSTANBUL, 2013 THE REPUBLIC OF TURKEY BAHCESEHIR UNIVERSITY GRADUATE SCHOOL OF SOCIAL SCIENCES FILM AND TELEVISION THE SUBVERSIVE ANTI-HERO TREND IN POST- MODERN TV: HOW SUBVERSIVE ARE THEY, REALLY? M.S. Thesis ELİF İNCE Thesis Supervisor: PROF. SELİM EYÜBOĞLU İSTANBUL, 2013 ACKNOWLEDGEMENTS The writing process of this thesis has provided me with the long-forgotten joy of concentrating, brewing and producing. It has also provided me with an excuse for what already is a shameless guilty pleasure: spending countless hours in front of the television. I would like to thank my advisor Prof. Dr. Selim Eyüboğlu for steering me in the right direction and encouraging me to keep it simple while also looking at multiple TV series- it certainly made the process much more fun and satisfying; my mother Birsen İnce for talking me into getting a master’s degree (although she definitely would not like any of the characters I wrote about if she had to chance to meet them); my father Ümit İnce, for somehow having an idea about each and every show I discussed and talking to me about them (although it remains a mystery when he finds the time to watch them); and my fiancé Çağıl Yetkin for bearing with me without once growing jealous of Tony Soprano, Dexter Morgan or Walter White, and above all for sharing and enjoying the Buffysphere with me. İstanbul, 2013 Elif İnce iii ABSTRACT THE SUBVERSIVE ANTI-HERO TREND IN POST-MODERN TV: HOW SUBVERSIVE ARE THEY, REALLY? Elif İnce Film and Television Thesis Supervisor: Prof.
    [Show full text]
  • The Outlaw and the Popular /Folk Hero: a Review Article
    Australian Folklore 26, 2011 59 The Outlaw and The Popular /Folk Hero: A Review Article J.S. Ryan ABSTRACT: This is a generous and powerful treatment of the authority- defiant figure across many cultures and centuries. While Graham Seal’s major work to date has been largely concerned with medieval England and colonial Australia, this is a fine and world-ranging survey, and a study presented with a compassionate identification and with a pleasing wit. It is, quite simply, Australia’s finest national and comparative volume in the global scholarship of the folkloric discipline. What more is there to say about outlaw heroes? A great deal, it turns out. While many might have considered the tradition of the outlawed hero to have died out, it has not only endured, but has evolved into viable new forms; the cultural processes that produce and contain the outlaw hero as a viable model of resistance are not only ancient, extensive and deep, but are also socially perilous. I hope this book will make a small contribution towards a better understanding of this ongoing imperative of history and mythology. Graham Seal, ‘Preface’, pp. vii-viii, in his Outlaw Heroes in Myth and History (2011).1 The Author—First as Australia-focussed Folklorist Graham Seal (b. 1950), originally trained as an historian, and now a professor of both our folklore and cultural studies and of the Asian and of the Pacific region at Curtin University in Western Australia, has long been a national and international figure in the world sphere of the scholarship of largely contemporary folklore.
    [Show full text]
  • The Trickster's Transformation – from Africa to America
    ISSN 2411-9563 (Print) European Journal of Social Sciences May-August 2017 ISSN 2312-8429 (Online) Education and Research Volume 4, Issue 3 The Trickster’s Transformation – from Africa to America Nataša Vajić Assist. Prof. Dr. at Faculty of Philology, Slobomir P University, Slobomir, Bosnia and Herzegovina Abstract One of the most favorite characters in many African myths and folk tales is definitely a trickster. As a part of the African cultural heritage, the trickster has an important place in the cultures of many African nations. He is an entertainer, teacher, judge and a sage. Many comic aspects of life are brought together through the trickster, as well as serious social processes. He rewards and punishes. He is a deity and an ordinary man, if not an animal. During the Middle Passage Era he goes along with his suffering people to the New World. New circumstances require him to change and assume new forms. He has to be a rebel and a protector of his people due to slavery and violation of human rights. So, from comical spider and monkey back in Africa, we now have new characters such as Railroad Bill, Brother John, Br’er Rabbit and many hoodoo doctors. African oral tradition is transformed and becomes the basis for African-American literature. Keywords: African-American literature, African myths, the trickster Introduction African trickster is an important figure in the myths of the African oral tradition. Among the Akan, the trickster god Anansi is so popular that there is even a special genre of stories - anansesem (spider stories). Although his habits and desires are those of men, the trickster is usually in animal form.
    [Show full text]
  • Folklore/Cinema: Popular Film As Vernacular Culture
    Utah State University DigitalCommons@USU All USU Press Publications USU Press 2007 Folklore/Cinema: Popular Film as Vernacular Culture Sharon R. Sherman Mikel J. Koven Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the American Film Studies Commons, and the Folklore Commons Recommended Citation Sherman, S. R., & Koven, M. J. (2007). Folklore / cinema: Popular film as vernacular culture. Logan: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. FOLKLORE / CINEMA Popular Film as Vernacular Culture FOLKLORE / CINEMA Popular Film as Vernacular Culture Edited by Sharon R. Sherman and Mikel J.Koven Utah State University Press Logan, Utah Copyright ©2007 Utah State University Press All rights reserved Utah State University Press Logan, Utah 84322–7200 Manufactured in the United States of America Printed on recycled, acid-free paper ISBN: 978–0–87421–673-8 (hardback) ISBN: 978–0–87421–675-2 (e-book) Library of Congress Cataloging-in-Publication Data Folklore/cinema : popular film as vernacular culture / edited by Sharon R. Sherman and Mikel J. Koven. p. cm. ISBN 978-0-87421-673-8 (hardback : alk. paper) -- ISBN 978-0-87421-675-2 (e-book) 1. Motion pictures. 2. Folklore in motion pictures. 3. Culture in motion pictures. I. Sherman, Sharon R., 1943- II. Koven, Mikel J. PN1994.F545 2007 791.43--dc22 2007029969 Contents Introduction: Popular Film as Vernacular Culture 1 I.
    [Show full text]
  • Tricksters, Comedians, Fools, Tricksters Rogues, and Picaros
    TRICKSTERS, COMEDIANS, FOOLS, TRICKSTERS ROGUES, AND PICAROS: by Don L. F. Nilsen English Department Arizona State University Tempe, AZ 85287-0302 ( [email protected] ) Abrams, David M., and Brian Sutton-Smith. "The Development of the Trickster in Children's Narrative." Journal of American Folklore 90 (1977): 29-47. Ajayi, 'Bade. "Asa: The Court Jester in Yoruba Oral Tradition." Jolan: Journal of the Linguistic Association of Nigeria. 3 (1985): 113-121. Allen, Paula Gunn. Off the Reservation: Reflections on Boundary-Busting, Border-Crossing Loose Canons. Boston, MA: Beacon, 1998. Alter, Robert. Rogue's Progress: Studies in the Picaresque Novel. Harvard Studies in Comparative Literature 26 Cambridge, MA: Harvard University Press, 1964. Ammons, Elizabeth, and Annette White-Pak, eds. Tricksterism in Turn-of-the-Century American Literature: A Multicultural Perspective. Hanover, NH: Tufts University Press of New England, 1994. Amory, Frederic. The Entry of the Trickster to the High Cultures of the West. Folklore Prepint Series 5.2. Bloomington, IN: Folklore Publications Group, Folklore Studies Association, Indiana University, 1977. Amory, Frederic. "Three Profiles of the Trickster." Arv: Scandinavian Yearbook of Folklore [Finland] 44 (1988): 7-25. Arnold, A. James, ed. Monsters, Tricksters, and Sacred Cows: Animal lTales and American Identities. New World Studies. Charlottesville, VA: University Press of Virginia, 1996. Ashley Kathleen M. "The Guiler Beguiled: Christ and Satan as Theological Tricksters in Medieval Religious Literature." Criticism 24.2 (Spring, 1982): 126-1337. Auda, Valerie. "The Court Fool or Jester: A Historic Background." Cycnos [France] 5 (1989): 23-26. Babcock, Barbara Abrahams, ed. The Reversible World: Symbolic Inversion in Art and Society.
    [Show full text]
  • Red Hot Chili Peppers to the World Stage
    The Californication album signalled the welcome return of the Red Hot Chili Peppers to the world stage. Paul Tingen discusses the recording with the album’s engineer, Jim Scott. he ‘Californication’ of the world is in full swing. Of course, it’s been going on for decades, mainly via The trouble began when their guitarist John Frusciante Tthe influence of the likes of Hollywood and Disney- descended into a journey of drug-induced self-destruc- land. But recently there’s been a major accessory to the tion. Four years later several near miracles have global takeover, in the form of the latest album from the happened. Frusciante is off drugs, has a new set of rejuvenated Red Hot Chili Peppers. It’s their most suc- teeth, some skin grafts on his arms and clearly still cessful album yet, topping the hit parades all over the knows how to play the guitar. He has also joined singer world and turning platinum in Australia, New Zealand, Anthony Kiedis, bassist Flea and drummer Chad Smith Canada, Japan and the USA, and gold in almost all to resurrect the Chili Peppers, and together they have European countries. created an engaging album. Most of the tracks have a Apparently the title came out of a visit by singer high-energy rock vibe, but they’re interspersed with Anthony Kiedis to Borneo. He was surprised to see the many touching ballads, of which Scar Tissue became a local culture saturated with images from the US, and Cal- monster hit. ifornia in particular, whether it was Coca-Cola, Marlboro, Californication’s engineer Jim Scott has an impressive- and Hollywood movies, or T-shirts, posters, CDs and ly long list of credits to his name, including Natalie cassettes from Californian bands (including the Red Hot Merchant, Lucinda Williams, Counting Crows, Tom Petty, Chili Peppers themselves).
    [Show full text]
  • Songwriters-In-The-Round: Vicki Peterson, Shelly Peiken, Bleu, Roy
    Cal Poly Pomona Music Department 3801 W. Temple Avenue, Pomona, CA 91768 Phone: 909-869-3554 Fax: 909-869-4145 Website: http://www.cpp.edu/~class/music/ For Details, Contact: Teresa Kelly, Music Department Publicist Email: [email protected] For Release: January 25, 2016 Phone: 909-869-3554 Songwriters-in-the-Round: Vicki Peterson, Shelly Peiken, Bleu, Roy Zimmerman, Eleni Mandell, Kelly Jones, Tim Cohan, Linus of Hollywood, Arthur Winer, MC Prototype & Jess Furman in concert Wednesday, February 24th, 8:00 PM in the Cal Poly Pomona Music Recital Hall. Tickets are $15 general/$10 student, available at http://csupomona.tix.com/Event.aspx?EventCode=840454 or through the Publicity Office, 24-188, (909) 869-3554. The Songwriters-in-the-Round concert will be preceded by: 3rd Songwriting Summit • Wednesday, February 24th, 2:00-5:00 PM in the Cal Poly Pomona Music Recital Hall, 24-191. Master classes are FREE and open to the public. For more information, please contact Prof. Arthur Winer at [email protected]. -------------------------------------------------------------------------------------------------------- SPECIAL EVENT: Songwriters-in-the-Round: Vicki Peterson, Shelly Peiken, Bleu, Roy Zimmerman, Eleni Mandell, Kelly Jones, Tim Cohan, Linus of Hollywood, Arthur Winer, MC Prototype & Jess Furman in concert The Cal Poly Pomona Music Department and the Songwriter Showcase ensemble are pleased to announce an unusual and diverse group of acclaimed songwriters together in concert for an evening of Songwriters-in-the-Round Wednesday, February 24th, 8:00 PM. Featuring songwriters Vicki Peterson (The Bangles), Shelly Peiken ("What a Girl Wants"), Bleu, Roy Zimmerman, Eleni Mandell (The Living Sisters), Kelly Jones, Tim Cohan (Tryst, MacArthur), Linus of Hollywood, Arthur Winer (MacArthur), MC Prototype & Jess Furman sharing the stage for a night of original music.
    [Show full text]
  • Heroic/Anti-Heroic Narratives: the Quests of Sherron Watkins by Mark E
    Journal of Critical Postmodern Organization Science Vol 3 (2) 2005 Heroic/Anti-Heroic Narratives: The Quests of Sherron Watkins by Mark E. Hillon, William L. Smith & Gabriel D. Isaacs New Mexico State University, USA ABSTRACT With the recent collapse of Enron and the need for sense-making, opinions of Sherron Watkins'status in the Enron spectacle abound. Competing narratives portray her as both heroic whistleblower and anti-hero of corporate greed. Was she a hero or not? Rather than add to this dialectic controversy, we first define the classical typology of a hero as originally set forth by Homer and later detailed by Joseph Campbell. We next analyze the texts of Watkins' quest chronology in order to elucidate the complex circumstances surrounding the creation of both narratives. The textual analysis then leads to a clarification of the anti-hero typology, followed by a new prototype, the quasi-hero, which possesses some classical hero attributes, yet is devoid of other essential qualities. Our contribu- tion extends the current hero typology, thereby providing a necessary expanse of classification for understanding today's corporate spectacles. I. INTRODUCTION ing stories vary in effectiveness, with some achieving the appearance and near popular The social notion and academic typology of a satisfaction of a heroic narrative, while others "hero" can be traced to the prototype hero's are downright implausible. Sherron Watkins is quest presented in Homer's Iliad and Odys- an intriguing figure in the Enron texts because sey. In the search for a hero of the Enron she emerges in the lead role of two distinct, spectacle, some have wholeheartedly ascribed yet highly divergent heroic quest narratives: heroic attributes to Sherron Watkins (McNulty as hero and anti-hero.
    [Show full text]
  • Peppers Are a Motley Crew "Houston Chronicle" (13 Décembre 1985) - Marty Racine
    Red Hot Chili Peppers - Peppers Are A Motley Crew "Houston Chronicle" (13 Décembre 1985) - Marty Racine Yes, we live in strange times. Imagine 400 otherwise normal people going crazy over an Australian-American-Israeli white funk band doing the ``African Ghost Dance'' and calling themselves the Red Hot Chili Peppers. Oh Dem Freaky Styley boys, dese white boys on funk and currently out of Hollywood, are just about the silliest bunch of rascals this side of Pluto, but they cemented their strong Houston following Wednesday night at Rockefeller's with enough flash and trash to send a standing-room crowd home into the cold drizzle happy as loons. This was their third-to-last show on a two-month tour, so the Peppers were perhaps more wrinkled than usual. Nevertheless, as bassist ``Flea'' told me in a recent phone conversation, we are to take their music, if not their antics, ``seriously.'' A drum roll please, for background: Flea, of aboriginal descent, was born in Australia and moved to Southern California at the proverbial young age. ``Long Daddy Slow'' Slovak, the guitarist, was born in Israel. Drummer Cliff ``Sloeman Dog Style'' Martinez and lead vocalist Anthony Kiedis, who looked like some mad surf warrior Wednesday night, are of the American Midwest. A couple of years ago the boys, all in other Southern California bands, took up a friend's offer to do a 15-minute outrageous shtick at the friend's Los Angeles nightclub. Whadaya know, the shtick stuck. People started talking, the boys dumped their other projects, and a band was born.
    [Show full text]
  • The Myth of Russian Stupidity in Rfl Lessons
    International Scientific-Pedagogical Organization of Philologists (ISPOP) DOI: THE MYTH OF RUSSIAN STUPIDITY IN RFL LESSONS Natalia V. Roitberg PhD in Philology, lecturer University of Haifa (Haifa, Israel) e-mail: [email protected] Abstract. This study addresses the use of folklore materials among advanced and intermediate-level students of Russian. Special attention is devoted to the Russian folk character Ivan the Fool, the myth of Russian stupidity, and mechanisms by which the theme of foolishness presented in Russian folklore and literature. The paper focuses on the reading Russian fairy folk tales of Ivan the Fool (Leo Tolstoy’s “The Tale of Ivan the Fool and his two brothers” and the tale “Before the Cock Crows Thrice” by Vasily Shukshin) and the interpreting Russian proverbs and sayings about fools which are shown as conceptions of the myth of Russian stupidity. It was determined that the use of Russian folktales and proverbs as curriculum materials have a great educational significance, linguistic importance on Russian language teaching, as well as on the Russian language acquisition. Furthermore, folklore materials are considered efficient tools for foreign students’ deeper insight into Russian mentality and folk lore. Keywords: Russian as a foreign language lesson (RFL lesson), folklore materials, fairy tales, Ivan the Fool, the myth of Russian stupidity МИФ О РУССКОЙ ГЛУПОСТИ НА УРОКАХ РКИ Наталья Владимировна Ройтберг Кандидат филологических наук, лектор Хайфский Университет (Хайфа, Израиль) e-mail: [email protected] Аннотация. В статье рассматривается использование материалов устного народного творчества на уроках русского языка как иностранного студентам среднего и продвинутого уровней. Отдельное внимание уделено образу Ивана-дурака, мифу о русской глупости и способам репрезентации темы «простофильства» в русском фольклоре и литературе.
    [Show full text]