Board of Trustees of the City University of New York

Total Page:16

File Type:pdf, Size:1020Kb

Board of Trustees of the City University of New York Board of Trustees of The City University of New York RESOLUTION TO Award Maaza Mengiste with Early Tenure at Queens College with an Application of Bylaw 6.2.c(2) June 7, 2021 WHEREAS, Maaza Mengiste, MFA, is a published novelist who joined Queens College as a tenure track assistant professor of creative writing in 2015, following three years as a visiting assistant professor in our MFA program, as well as visiting positions at NYU, Princeton and Northwestern; and WHEREAS, When Professor Mengiste joined the Queens College faculty, she had already published a well-regarded first novel, Beneath the Lion’s Gaze, published by WW Norton, in 2010, and her second novel has won wide acclaim, including short listing for the Booker Prize; and WHEREAS, Based on her previous experience and her record of publications, Professor Mengiste was offered the possibility of early tenure consideration at the time of her tenure track hire, and her record since then has more than fulfilled that promise; and WHEREAS, Professor Mengiste teaches a wide range of literature and creative writing courses, from the introductory creative writing workshop to the MFA fiction workshop and while she was hired primarily to teach creative writing at the undergraduate and graduate levels in the department, her knowledge of African literature and history, partly stemming from the extensive research that she has done to support her fiction writing, also allowed Queens College to once again teach African literature on a regular basis; and WHEREAS, Since her hire at Queens College, Professor. Mengiste has published ten essays in journals and magazines, five essays in anthologies, and edited an anthology of fiction, Addis Ababa Noir. Her second novel, The Shadow King, published by WW Norton, was short-listed for the Booker Prize, an exceptional honor for any writer, but particularly notable for an untenured assistant professor; and WHEREAS, the American Academy of Arts & Letters awarded Professor Mengiste its literature prize, which honors exceptional accomplishment in any genre; and WHEREAS, Professor Mengiste enthusiastically participates in the life of the department and the MFA program, serving for several years as the Assistant Director of the MFA program, supervising numerous student theses, and has serving as a member of the ad hoc committee to develop a Writing Minor for the department as well as serving on the Strategic Plan Implementation Committee and working on the department’s long-running Evening Reading series; and WHEREAS, Professor. Mengiste also has a distinguished record of public service outside Queens College, serving on the board of Words Without Borders, an online international journal that publishes translated literature, the board of another online journal, Warscapes, which publishes literature written by residents of war-torn countries, and she also works closely with the Young Center for Immigrant Children’s Rights, an organization that advocates for the legal rights of unaccompanied minor immigrant children and their wellbeing. NOW, THEREFORE, BE IT RESOLVED, That Prof. Maaza Mengiste be awarded early tenure in the Department of English at Queens College, effective September 1, 2021 with an application of Bylaw 6.2.c(2), subject to financial ability. EXPLANATION: In her time at the Queens College, Professor. Mengiste has exceeded expectations in scholarship, teaching, and service while contributing to the development of new approaches to the study of her discipline, while garnering a national and international reputation for her work and publications. Therefore, Queens College should make every effort to retain her before she is lost to a competing institution. Queens College Curriculum Vitae: Professorial Titles Revised 9/16/2020 1. Please make sure you are using the correct CV form. This form is for faculty in professorial titles only. (There are separate forms for Lecturers and College Laboratory Technicians.) 2. Please read all instructions carefully. 3. Throughout this document, headings are in Bold. Enter information in normal font. 4. In all categories, list items in reverse chronological order (so, most recent first). 5. Do not delete any categories. (Insert N/A if you have nothing to list in a given category.) 6. All boxes and cells will expand as you add information. The instructions within each box or cell may be deleted. BIOGRAPHICAL INFORMATION NAME: Maaza Mengiste COLLEGE: Queens College HIGHER EDUCATION A. Degrees (most recent first) Institution Dates Attended Degree/Major Date Conferred NYU 2004-07 MFA Creative May 2007 Writing/Fiction University of 1989-1993 B.A., English May 1993 Michigan – Ann Arbor B. Additional Higher Education and/or Education in Progress Institution Dates Attended Courses, etc. Candidate’s Name Sep-2020; Page 2 EXPERIENCE A. Teaching (include part- and full-time experience at Queens College, most recent first) Institution Dates Rank Department Queens College 2015-Present Assistant Professor, English Creative Writing Queens College 2012-2015 Visiting Assistant English Professor Northwestern UniversitySpring 2015 Visiting Writer Center for Writing Arts Princeton University 2013-2014 Lecturer Creative Writing New York University 2005-2011 Language Lecturer Expository Writing B. OtHer THan TeacHing (include experience at Queens College, most recent first) Institution Dates Rank/Title RECORD OF APPOINTMENT IN EACH TITLE AT QUEENS COLLEGE (most recent first; include date of tenure, if awarded) Dates Rank September 2015 Assistant Professor September 2012 Visiting Assistant Professor ACADEMIC AND PROFESSIONAL HONORS Date Honor 2020 Booker Prize Shortlist 2020 Civitella Ranieri Fellowship 2020 American Academy of Arts & Letters Award - Literature 2020 LA Times Book Prize Finalist – Fiction 2020 LiteraturHaus Zurich Fellowship 2019 The Bridge Award/Premio il ponte 2019 New York Times 100 Notable Books of the Year 2019 NPR Favorite Books of 2019 Candidate’s Name Sep-2020; Page 3 2019 TIME Magazine 100 Must-Read Books of 2019 2019 Creative Capital Award 2018 National Endowment for the Arts Fellowship 2018 Waterlines Project Fellowship 2017 Santa Maddalena Foundation Fellowship 2013 Puterbaugh Fellowship 2011 Dayton Literary Peace Prize, Runner-Up 2010 Fulbright Fellowship 2010 Flaherty-Dunnan First Novel Prize, Finalist 2010 NAACP Image Award Finalist, Literary Debut MEMBERSHIP IN PROFESSIONAL SOCIETIES (last five years only) (2) TEACHING 1. List all courses that you have taught in the previous four semesters (whether at Queens College or at the Graduate Center). For each course listed here, upload your syllabus and at least one example of student work. (Student work should be anonymous but the grade given should be noted.) Feel free to upload anything else you feel is relevant. 2. In addition, list all student mentoring—whether it be undergraduate independent studies or graduate thesis/dissertation supervision, at Queens or at the Graduate Center. (Note that the College will provide official information on your complete workload as well as the content of your student evaluations; you do not have to do this.) Semester Description 1. Give course numbers and titles. As instructed above, upload syllabi and at least one example of student work for each course listed here. 2. List most recent courses first. (NOTE: I was on a Scholar Incentive Fellowship for Fall 2019-Spring 2020; I was on Reassigned Time for Fall 2017) Spr 2019 ENGL 355 African American Literature II ENGL 751 Workshop in Fiction Fall 2018 ENGL 364 African Literature & Culture ENGL 681 Special Studies (MA/MFA Seminar) Spr 2018 ENGL 751 Workshop in Fiction Reassigned Time Fall 2017 Reassigned Time Spr 2017 ENGL 781 Special Seminars (MA/MFA Seminar) Candidate’s Name Sep-2020; Page 4 ENGL 301W Fiction Workshop ENGL 210W Intro Creative Writing (3) SCHOLARSHIP AND CREATIVE WORK 1. For all published work, give complete bibliographic entries including total page numbers. Except for works listed in section (K), all works listed should be in their final form, published or in final proofs. Everything else should be listed in section (K) Submitted Works and Works in Progress, annotated with a description of the specific stage of the work. 2. For any work published on-line, give active links as well as word counts. 3. All exhibitions or performances that have occurred or are occurring right now should be listed in section (E). Include as much detail as you can, e.g. title, nature of work, venue, group or solo work, dates, attendance, etc. Works that are planned should be listed in section (K). 4. For collaborative work (written or performance-based), indicate the percentage of work and the nature of that work done by the candidate, e.g. conceptual, editing, the actual writing, the actual performance, etc. In addition, for collaborative work, indicate the role of each contributor using the following superscripts: H=high school student; U=undergraduate student; M=master’s student; D=doctoral student; PD=post- doctoral research fellow; CQ= Queens College faculty collaborator and staff; C=col- laborator (student or faculty, work conducted at another institution). 5. In all cases, list most recent works first (the boxes will expand as you add information). 6. Note additional instructions on how to notate work that is refereed, invited, etc. (A) BOOKS and other MONOGRAPHS 1. Published since most recent of: initial appointment or last promotion -Addis Ababa Noir, Akashic Books, August 2020. -The Shadow King, W.W. Norton, September 2019. 2. Published prior to most recent of: initial appointment or last promotion -Beneath the Lion’s Gaze, W.W. Norton, January 2010. (B) JOURNAL ARTICLES 1. Published since most recent of: initial appointment or last promotion Candidate’s Name Sep-2020; Page 5 Indicate refereed articles with an asterisk (*). “Books that Made Me,” Guardian, August 21, 2020, 250 words. “Il compleanno (The Birthday),” Vogue Italia, July/August 2020. 200 words. “Four Cities: Addis Ababa,” Vanity Fair UK, February 2020. 800 words. “From Homer to Alexievich: Top 10 Books About the Human Cost of War,” Guardian, January 29, 2020. 800 words. “Writing About the Forgotten Black Women of the Italo-Ethiopian War,” LitHub, September 24, 2019.
Recommended publications
  • English Language and Literature (ENGL) 1 English Language and Literature (ENGL)
    English Language and Literature (ENGL) 1 English Language and Literature (ENGL) * ENGL 005b / AFAM 013b, Counterarchives: Black Historical Fictions Elleza Kelley While historical records have long been the source from which we draw our picture of the past, it is with literature and art that we attempt to speculatively work out that which falls between the cracks of conventional archival documentation, that which cannot be contained by historical record—emotion, gesture, the sensory, the sonic, the inner life, the aerlife, the neglected and erased. This course examines how contemporary black writers have imagined and attempted to represent black life from the late 17th to the early 20th centuries, asking what fiction can tell us about history. Reading these works as alternative archives, or “counterarchives,” which index the excess and fugitive material of black histories in the Americas, we probe the uses, limits, and revelations of historical fictions, from the experimental and realist novel, to works of poetry and drama. Drawing on the work of various interdisciplinary scholars, we use these historical fictions to explore and enter into urgent and ongoing conversations around black life & death, African-American history & memory, black aesthetics, and the problem of “The Archive.” Enrollment limited to first-year students. Preregistration required; see under First-Year Seminar Program. HU * ENGL 006a / AFAM 017a, Black Nature: African American Nature Writing Jonathan Howard What stories do we tell about nature? How are the stories we are able to tell about nature informed by race? And how do these stories shape our understanding of what it means to be human? In contrast to a largely white tradition of nature writing that assumes a superior position outside of Nature, this course undertakes a broad survey of African American nature writing.
    [Show full text]
  • Prizing African Literature: Awards and Cultural Value
    Prizing African Literature: Awards and Cultural Value Doseline Wanjiru Kiguru Dissertation presented for the degree of Doctor of Philosophy in the Faculty of Arts and Social Sciences, Stellenbosch University Supervisors: Dr. Daniel Roux and Dr. Mathilda Slabbert Department of English Studies Stellenbosch University March 2016 i Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained herein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2016 Signature…………….………….. Copyright © 2016 Stellenbosch University All rights reserved ii Stellenbosch University https://scholar.sun.ac.za Dedication To Dr. Mutuma Ruteere iii Stellenbosch University https://scholar.sun.ac.za Abstract This study investigates the centrality of international literary awards in African literary production with an emphasis on the Caine Prize for African Writing (CP) and the Commonwealth Short Story Prize (CWSSP). It acknowledges that the production of cultural value in any kind of setting is not always just a social process, but it is also always politicised and leaning towards the prevailing social power. The prize-winning short stories are highly influenced or dependent on the material conditions of the stories’ production and consumption. The content is shaped by the prize, its requirements, rules, and regulations as well as the politics associated with the specific prize. As James English (2005) asserts, “[t]here is no evading the social and political freight of a global award at a time when global markets determine more and more the fate of local symbolic economies” (298).
    [Show full text]
  • Girl Rising Teacher’S Guide
    GIRL RISING TEACHER’S GUIDE GIRLRISING.COM | 1 INTRODUCTION 01 DISCUSSION GUIDES 04 Build a lesson plan around the full film, any combination of chapters or the issues that a!ect girls getting an education. Find pre- and post- screening questions and additional resources. 01 Full film 02 Chapters 03 Issues CALL TO ACTION 42 Transforming the future starts with small TABLE OF acts today. Find inspiration and information about how students can help change the world. CONTENTS COUNTRY GUIDES 47 Statistics and background information for each of the Girl Rising countries. VIDEO ASSETS 75 Index of supplementary videos found on the DVD, including behind-the-scenes extras. ADDITIONAL RESOURCES 76 ENDNOTES 82 GIRLRISING.COM | 2 Educating girls can break cycles of poverty in just one generation. That’s the fact that inspired us to make this film. That’s the message we want to spread through the stories we tell. And that’s the change we hope to e!ect with a grassroots movement that promotes that message. We believe that students, coming INTRODUCTION: of age in an increasingly interdependent world, will be at the vanguard. W H A T I S Around the world, millions of girls face barriers to education that boys do not. GIRL RISING? Removing barriers, such as early and forced marriage, gender-based violence and discrimination, domestic slavery and sex tra"cking means not only a better life for girls, but a safer, healthier, and more prosperous world for all. Girl Rising is a film. Girl Rising is a movement. THE FILM Girl Rising journeys around the globe to witness the strength of the human spirit and Girl Rising is the future.
    [Show full text]
  • Eastern African Women Writers' 'National Epics': a New Force In
    Eastern African women writers’ ‘national epics’: A new force in creative fiction? Annie Gagiano Eastern African women writers’ ‘national epics’: A new force in creative fiction? In this article, I bring five recent, substantial novels by Eastern African women writers together for the first time in a study regarding the texts as modern ‘national epics’, analysing some of their shared characteristics in foregrounding local participation in the making of East African ethno- national histories. I trace the novelists’ implicit, open-eyed moral evaluation of their leaders and peoples, neither sentimentalising nor deriding the often terrible struggles of their peoples against both inside and outside powers that seek to keep them in subjugation. The texts eschew traditional heroic portrayal of single, male leaders in national epics and allow us to grasp diverse, communal contributions to the growth of nationhood, while giving larger, often central roles to women. The texts earn the epithet ‘epic’ by authoritatively demonstrating that their embodied, localised histories matter, testifying to the wide human spectrum of the peoples they portray; as novelistic acts they are impressive and moving bids for recognition. As post-colonial endeavours, the texts effectively decentre colonial interventions. While the chosen novels are shown to be relatable, their individual power of portrayal and aesthetic achievements are scrupulously differentiated.Keywords: ‘national epics’, Eastern African women writers, localised histories, authority. In considering noteworthy developments in East African creative writing, one particularly striking phenomenon is the recent publication of novels by women authors depicting these writers’ societies and cultures of origin on a broad spectrum that might be termed ethno-national in scope, with a focus on key moments and periods in the history of these peoples.
    [Show full text]
  • Download the Granta Book of the African Short Story Free Ebook
    THE GRANTA BOOK OF THE AFRICAN SHORT STORY DOWNLOAD FREE BOOK Helon Habila | 400 pages | 19 Aug 2015 | GRANTA BOOKS | 9781847083333 | English | London, United Kingdom The Granta Book of the African Short Story edited by Helon Habila – review This collection really wowed me. Some really amazing stories, some that felt a bit like exercises from a writing class, but all in all a good read and very The Granta Book of the African Short Story worth the time. She is planning to leave home and this turns the whole family dynamic upside down. The story takes place in the slums of Nairobi where a family tries to survive by living off the proceeds of the oldest daughter, Maisha, a prostitute. And I applied for May graduation today. This is true captivity. They are liberated, global and expansive. Rating details. Apr 07, Rosanne rated it really liked it. Afrocentrics and Africanstons of Africans. In his insightful introduction, editor and acclaimed novelist Helon Habila rightfully bemoans the way commentators talk about African literature as if it began and ended with Chinua Achebe 's Things Fall Apartpublished in The themes in some of the stories are heavy with patrioticism and nationalism especially those during the revolutions The Granta Book of the African Short Story while the newer stories mostly revolve about family and moral values. Some are really well written, others less so, but they all deal The content of Africa has inspired so many The Granta Book of the African Short Story novels and travel books that the short story genre has often been overlooked.
    [Show full text]
  • Ugandan Literature: the Questions of Identity, Voice and Context Christine Evain, Hilda Twongyeirwe, Mercy Mirembe Ntangaare, Spencer Hawkridge
    Ugandan Literature: the Questions of Identity, Voice and Context Christine Evain, Hilda Twongyeirwe, Mercy Mirembe Ntangaare, Spencer Hawkridge To cite this version: Christine Evain, Hilda Twongyeirwe, Mercy Mirembe Ntangaare, Spencer Hawkridge. Ugandan Lit- erature: the Questions of Identity, Voice and Context. International Journal of English and Cultural Studies, 2018, 1 (1), pp.46. 10.11114/ijecs.v1i1.3226. hal-01972425 HAL Id: hal-01972425 https://hal.univ-rennes2.fr/hal-01972425 Submitted on 15 Jan 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. International Journal of English and Cultural Studies Vol. 1, No. 1; May 2018 ISSN 2575-811X E-ISSN 2575-8101 Published by Redfame Publishing URL: http://ijecs.redfame.com Ugandan Literature: the Questions of Identity, Voice and Context Christine Evain1, Hilda Twongyeirwe2, Mercy Mirembe Ntangaare3, Spencer Hawkridge1 1 Dpt. of Communication, Foreign Languages & Corporate Cultures, Centrale Nantes, France 2 Executive Director, Uganda Women Writers Association-FEMRITE. 3 Associate Professor of Drama,
    [Show full text]
  • Interview with Maaza Mengiste
    Interview with Maaza Mengiste [00:00:09] Kendra Hello, I'm Kendra Winchester, here with Autumn Privett. And this is Reading Women, a podcast inviting you to reclaim half the bookshelf by discussing books written by or about women. And today we're talking to Maaza Mengiste about her book THE SHADOW KING, which is out now from W.W. Norton. [00:00:25] Autumn So we first saw this week at Book Expo way back earlier this year. And the cover, since we're suckers for beautiful covers, the cover is what drew us in. But oh, man, this book is big and beautiful. And it just covers so many things I never even thought about before. [00:00:47] Kendra I never heard of, let alone read, a novel about the Ethiopian-Italian conflict during World War II until this book. And I mean, it's a really fabulous way to enter the topic. [00:01:00] Autumn Like you just said, this is a part of World War II history that I think was literally glossed over in my history books. And so it's. Like, a novel is such a great way to learn about areas of history like this that you might not have known about previously. And this one is a beautiful, sweeping, mesmerizing story that I just couldn't put down, which is always a bonus. [00:01:23] Kendra It's definitely a type of novel where you read it and then you want to go read all of the nonfiction things about it, for sure.
    [Show full text]
  • Chinua Achebe and Ruy Duarte De Carvalho: a Comparative Study of Things Fall Apart and Vou Lá Visitar Pastores
    CHINUA ACHEBE AND RUY DUARTE DE CARVALHO: A COMPARATIVE STUDY OF THINGS FALL APART AND VOU LÁ VISITAR PASTORES GREGÓRIO DE JESUS TCHIKOLA DOCTORATE THESIS IN LANGUAGES, LITERATURES AND CULTURES, SPECIALIZATION IN LITERARY STUDIES NOVEMBER 2016 1 CHINUA ACHEBE AND RUY DUARTE DE CARVALHO: A COMPARATIVE STUDY OF THINGS FALL APART AND VOU LÁ VISITAR PASTORES GREGÓRIO DE JESUS TCHIKOLA DOCTORATE THESIS IN LANGUAGES, LITERATURES AND CULTURES, SPECIALIZATION IN LITERARY STUDIES NOVEMBER 2016 2 This Thesis is presented for the fulfilment of the necessary requirements to obtain the Doctorate Degree in Languages, Literatures and Cultures, Specialization in Literary Studies under the Academic Supervision of Professor Ana Maria Mão de Ferro Martinho Carver Gale. 3 DECLARAÇÕES Declaro que esta tese é o resultado da minha investigação pessoal e independente. O seu conteúdo é original e todas as fontes consultadas estão devidamente mencionadas no texto, nas notas e na bibliografia. O candidato, ____________________ Lisboa, .... de ............... de ............... Declaro que esta tese se encontra em condições de ser apreciada pelo júri a designar. O(A) orientador(a), ____________________ Lisboa, .... de ............... de .............. 4 Do not ignore the talk of the wise…, From them you will learn how to think, And the art of the timely answer (Ecclesiasticus 8, 8-12) 5 Abstract CHINUA ACHEBE AND RUY DUARTE DE CARVALHO: A COMPARATIVE STUDY OF THINGS FALL APART AND VOU LÁ VISITAR PASTORES The comparative study of African literatures in Portuguese and in English languages has not been the object of many research projects in Africa. My work is centred in this field of study and it aims at conducting a comparative analysis of the narratives produced by Nigerian author Chinua Achebe and Angolan author Ruy Duarte de Carvalho, observing the convergent and divergent aspects in aesthetics and ideology present in their works.
    [Show full text]
  • IAAA Directors
    Institute of African American Affairs & Center for Black Visual Culture 50th Anniversary Celebration October 17, 2019 IAAA Directors In 1969, ROSCOE C. In 1946, Dr. Brown was employed as a social investigator BROWN JR. (1922–2016) with the NYC Department of Welfare and as a physical was named founding director education instructor at West Virginia State College until of the Institute of African 1948. Brown attended New York University, where he American Affairs (IAAA) and earned his master’s degree in 1949 and his PhD in served in that position for education in 1951, and became a professor at New York eight years before leaving to University for twenty-seven years. become the president of Bronx Community College in EARL S. DAVIS had a fifty- 1977. During his time at the year career, which began and IAAA, Dr. Brown hosted Soul ended with New York of Reason (SOR), a popular University. He received an radio series produced by MSW in 1957 from the WNYU and WNYC from Graduate School of Public 1971 to 1986. SOR aired on Administration and Social commercial radio station Service, and practiced social Roscoe Brown, Founding Director, WNBC and later on NYU's work in the field until 1972, 1969 – 1977 station WNYU and featured when he joined the Silver interviewees ranging from politicians to professional School of Social Work athletes to medical professionals to contemporary artists. (SSSW) staff as the assistant Dr. Brown focused on building a platform for dean for admissions, financial contemporary academics, thinkers, authors, and aid and student affairs. Davis community leaders who spoke directly to students, faculty, directed NYU’s IAAA from staff, and community members about issues impacting 1979 until 1994, and returned Earl S.
    [Show full text]
  • Portfolio Editor
    Portfolio Editor Editorships including co-editing NW15 (Granta/British Council) and Ten: New Poets (Bloodaxe). Guest-edited the Winter 2012 issue of Poetry Review, Britain’s leading poetry journal. Her issue, Offending Frequencies, featured more poets of colour than had ever previously been published in a single issue of the journal, as well as many female, radical, experimental and outspoken voices. Bernardine also co-edited a special issue of Wasafiri magazine in 2009: Black Britain: Beyond Definition, which celebrated and reevaluated the black writing scene in Britain; and she guest-edited the Autumn 2014 issue of Mslexia, Britain’s best-selling writing magazine. Supervising Editor of The Imagination Project, Brunel University London’s third student short story anthology, with student editors, March 2016. Supervising editor of The Psyche Supermarket, Brunel University London’s second student short story anthology, with student editors, March 2015. Guest Editor of Mslexia writing magazine, September 2014. Supervising editor of The Voices Inside Our Heads, Brunel University London’s first student short story anthology, with student editors, March 2014. Guest editor of Wasafiri: Issue 64, 2010, with Karen McCarthy Woolf. Guest Editor of Britain’s leading poetry magazine in its centenary year, Poetry Review: 101:4. Offending Frequencies. Winter 2012. Editor with Daljit Nagra of Ten poetry anthology, featuring ten new poets of colour. Bloodaxe Books, 2010. Co-editor with Maggie Gee of NW15: New Writing Vol 15, the annual British Council literature anthology. Granta, 2006. In the late 1990s I was editor of FrontSeat intercultural performance magazine published by the Black Theatre Forum, in the late 1980s I was a co-editor of Black Women Talk Poetry anthology.
    [Show full text]
  • Thursday, October 29Th, 2020 Visiting Writers Series Presents Maaza
    Thursday, October 29th, 2020 Visiting Writers Series Presents Maaza Mengiste for Virtual Reading AMHERST, Mass. — The University of Massachusetts Amherst's MFA for Poets and Writers presents a ​ ​ ​ reading by Maaza Mengiste on Thursday, October 29th at 6:00 p.m. EDT on Zoom. The reading will be followed by a conversation and Q&A with MFA prose faculty member, Sabina Murray. All Fall 2020 readings are virtual, free, and open to the public. To register for this reading visit the UMass ​ Amherst MFA's Visiting Writers Series page. You can RSVP on Facebook here. ​ ​ ​ Maaza Mengiste is the author of the novels, The Shadow King and Beneath the Lion's Gaze. ​ ​ ​ ​ ​ The Shadow King was a New York Times' Notable Book, one of TIME's 100 Must-Read Books, and a ​ ​ ​ ​ ​ finalist for the LA Times Book Prize in Fiction in 2019. It is currently shortlisted for The Booker Prize. Beneath the Lion's Gaze was selected by The Guardian as one of the 10 best contemporary African ​ ​ ​ books. Writing for the Los Angeles Review of Books, Francesca Capossela described Mengiste's The Shadow ​ ​ ​ King as "A beautiful and thoughtful epic, the book celebrates the role of women in the Ethiopian ​ ​ ​ resistance, illuminating how (as Mengiste writes in her author’s note) “[t]he story of war has always been a masculine story, but this was not true for Ethiopia and it has never been that way in any form of struggle.” According to BookPage, "[when] asked what she is most proud of in The Shadow King, Mengiste points ​ ​ ​ ​ to 'the freedom I gave myself.
    [Show full text]
  • Narrating the Diaspora Dissertation
    Narrating the Diaspora Transmigration and Socio-Cultural Imaginaries in 21st Century Nigerian Literature Dissertation zur Erlangung des Doktorgrades der Philosophie an der Karl-Franzens-Universität Graz eingereicht von Maximilian FELDNER, MA am Institut für Anglistik Erstbegutachter: Ao. Univ.-Prof. Mag. Dr.phil. Martin Löschnigg Zweitbegutachterin: Ao. Univ.-Prof. Mag. Dr.phil. Maria Löschnigg 2017 Table of Contents Introduction 1 1. Contexts: The Nigerian Diaspora and its Literature 1.1. The New African Diaspora and the Novelists of the Nigerian Diaspora 13 1.2. Nigerian Diaspora Literature in the Context of African Literature and Cultural Nation Building 31 1.3. Nigerian Diaspora Literature and Postcolonialism 53 1.4. The Nigerian Diaspora on the Global Literary Marketplace 75 2. A Life Elsewhere: Stories of Migration and Rooted Hybridity 2.1. Leaving Nigeria: Stories of Migration and Transmigration 97 2.2. Exploring the Limitations of Afropolitanism in Taiye Selasi’s Ghana Must Go 115 2.3. Second Generation Nigerians in England: Helen Oyeyemi’s The Icarus Girl and the Negative Experience of Hybridity 131 2.4. The Concept of Transmigration in Chimamanda Ngozi Adichie’s Americanah 147 3. News from Home: Literary Nation Building and Dystopian Representations of Nigeria 3.1. Returning to Nigeria: Teju Cole’s Every Day is for the Thief and Sefi Atta’s Everything Good Will Come 165 3.2. Biafra and Nigerian Identity Formation in Chimamanda Ngozi Adichie’s Half of a Yellow Sun 183 3.3. City of Stories: The Lagos Imaginary in Chris Abani’s GraceLand and Sefi Atta’s Swallow 205 3.4. The Prison of 1990s Nigeria: Helon Habila’s Waiting for an Angel 225 Conclusion 245 Bibliography 251 Introduction Over the first two decades of the twenty-first century an impressive body of work by Nigerian novelists has emerged.
    [Show full text]