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Press Release – 30 November 2020
PRESS RELEASE – 30 NOVEMBER 2020 IMAGES CAN BE DOWNLOADED HERE BIOGRAPHIES CAN BE DOWNLOADED HERE Twitter / Facebook / Instagram / Website UNDER EMBARGO UNTIL 00.01 ON MONDAY 30 NOVEMBER ROYAL SOCIETY OF LITERATURE CELEBRATES 200TH BIRTHDAY WITH 60 APPOINTMENTS AND FIVE-YEAR FESTIVAL ● NEW INITIATIVES CHAIRED BY BERNARDINE EVARISTO AND DANIEL HAHN TO CHAMPION UNDER-REPRESENTED VOICES AND CELEBRATE THE POWER OF LITERATURE TO TRANSCEND BORDERS ● ANITA DESAI; KAZUO ISHIGURO; HILARY MANTEL; EDNA O’BRIEN; PHILIP PULLMAN AND COLIN THUBRON ARE FIRST COMPANIONS OF LITERATURE TO BE ANNOUNCED SINCE 2012 ● ANDREA LEVY AND JEAN RHYS HONOURED AS THEIR PENS JOIN THE RSL’S PERMANENT COLLECTION ● 5 NEW CELEBRATORY VIDEOS RELEASED TODAY WITH ADJOA ANDOH, NATALIE SIMPSON, SIMON CALLOW, JULIET STEVENSON, RICHARD ARMITAGE AND SULE RIMI READING FROM THE PEN COLLECTION ● DALJIT NAGRA APPOINTED NEW CHAIR ● 9 NEW VICE-PRESIDENTS INCLUDING SIMON ARMITAGE, MARY BEARD, BERNARDINE EVARISTO, JACKIE KAY, BLAKE MORRISON, GRACE NICHOLS, ELIF SHAFAK, KAMILA SHAMSIE AND COLM TÓIBÍN ● 29 NEW FELLOWS INCLUDING RAYMOND ANTROBUS, DAMIAN BARR, MICHAEL PALIN, KATE MOSSE, JACK THORNE, KERRY HUDSON, ROGER ROBINSON, PETER FRANKOPAN, MAX PORTER, DIANA EVANS AND WINSOME PINNOCK ● 15 HONORARY FELLOWS INCLUDING URSULA OWEN, MELANIE ABRAHAMS, BARONESS LOLA YOUNG AND TOM SUTCLIFFE ● BOYD TONKIN AWARDED NEWLY DESIGNED BENSON MEDAL The Royal Society of Literature (RSL), the charity that represents the voice of literature in the UK, has today in celebration of its 200th birthday announced RSL 200, a five-year festival launched with a series of major new initiatives and 60 new appointments championing the great diversity of writing and writers in the UK. -
Jewish Quarterly
Wordslinger: Clive Sinclair burst onto the literary CLIVE scene like Wyatt Earp--and then he disappeared. live Sinclair spent most of his life in search ment of Custer’s Last Stand in Montana. (1948-2018) of his “inner cowboy”. He grew up in It was Smolinsky-like detective work that precipitated North London, in the 1950s as a self-styled this pilgrimage. On one of his many trips to local auc- SINCLAIR “Hendonite”. The dullness of suburban life tion-houses to obtain nineteenth-century Americana, was relieved by classical Westerns which Sinclair bought a photograph of a nude woman covered Cshaped his imagination. In the Sinclair household it was only in a thin black veil. He eventually discovered that the universally acknowledged that John Ford’s The Search- photograph was of Josephine Marcus, Wyatt Earp’s Jewish ers (1956), starring John Wayne, was the greatest movie wife for half a century, whose family came from Prussia. ever made. A visit to the Hendon Odeon to see a Hol- His two imagined homelands (Wild West America and lywood Western (after donning a cowboy outfit with Jewish Europe) had collided. The mysterious photograph The Forgotten his younger brother Stewart) was the highlight of the led to the two novellas in Meet the Wife (2002) and to his week. Centre-stage in their home was a photograph of travel bool True Tales of the Wild West (2008). the brothers Sinclair dressed as cowboys aged 8 and 4 (the year when The Searchers first appeared). In most first met Clive Sinclair as a twenty-something Revolutionary school photographs before the age of 11, Sinclair wore graduate student in the early 1980s. -
Still Not a British Subject: Race and UK Poetry
Editorial How to Cite: Parmar, S. 2020. Still Not a British Subject: Race and UK Poetry. Journal of British and Irish Innovative Poetry, 12(1): 33, pp. 1–44. DOI: https:// doi.org/10.16995/bip.3384 Published: 09 October 2020 Copyright: © 2020 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and repro- duction in any medium, provided the original author and source are credited. See http://creativecommons. org/licenses/by/4.0/. Open Access: Journal of British and Irish Innovative Poetry is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. The Open Library of Humanities is an open access non-profit publisher of scholarly articles and monographs. Sandeep Parmar, ‘Still Not a British Subject: Race and UK Poetry.’ (2020) 12(1): 33 Journal of British and Irish Innovative Poetry. DOI: https://doi. org/10.16995/bip.3384 EDITORIAL Still Not a British Subject: Race and UK Poetry Sandeep Parmar University of Liverpool, UK [email protected] This article aims to create a set of critical and theoretical frameworks for reading race and contemporary UK poetry. By mapping histories of ‘innova- tive’ poetry from the twentieth century onwards against aesthetic and political questions of form, content and subjectivity, I argue that race and the racialised subject in poetry are informed by market forces as well as longstanding assumptions about authenticity and otherness. -
Academic & Professional Publishing
Fall 2017 Academic & Professional Publishing Academic & Professional Publishing Fall 2017 IPG Academic and Professional Publishing is delighted to present our Fall 2017 catalog which includes hundreds of new titles for your examination� In this edition we will also be introducing a new publisher to our readership� We are pleased to present titles from Southeast Missouri State University Press� Founded in 2001, Southeast Missouri State University Press serves both as a first-rate publisher and as a working laboratory for students interested in learning the art and skills of literary publishing. The Press supports a Minor degree program in Small-press Publishing for undergraduate students in any major who wish to acquire the basic skills for independent-press publishing and editing. Recognition won by their books include the John H� Reid Short Fiction Award, the Creative Spirits Platinum Award for General Fiction, the James Jones First Novel Award, the Langum Award for Historical Fiction, the Missouri Governor’s Book Award, the United We Read selection, and the Kniffen Book Award for best U�S�/Canada cultural geography� Table of Contents New Trade Titles ���������������������������������������������������������������������������������1–85 Business & Economics ������������������������������������������������������������86–96 Science................................................................................. 97–105 Philosophy........................................................................106 & 107 Religion............................................................................. -
Fall2011.Pdf
Grove Press Atlantic Monthly Press Black Cat The Mysterious Press Granta Fall 201 1 NOW AVAILABLE Complete and updated coverage by The New York Times about WikiLeaks and their controversial release of diplomatic cables and war logs OPEN SECRETS WikiLeaks, War, and American Diplomacy The New York Times Introduction by Bill Keller • Essential, unparalleled coverage A New York Times Best Seller from the expert writers at The New York Times on the hundreds he controversial antisecrecy organization WikiLeaks, led by Julian of thousands of confidential Assange, made headlines around the world when it released hundreds of documents revealed by WikiLeaks thousands of classified U.S. government documents in 2010. Allowed • Open Secrets also contains a T fascinating selection of original advance access, The New York Times sorted, searched, and analyzed these secret cables and war logs archives, placed them in context, and played a crucial role in breaking the WikiLeaks story. • online promotion at Open Secrets, originally published as an e-book, is the essential collection www.nytimes.com/opensecrets of the Times’s expert reporting and analysis, as well as the definitive chronicle of the documents’ release and the controversy that ensued. An introduction by Times executive editor, Bill Keller, details the paper’s cloak-and-dagger “We may look back at the war logs as relationship with a difficult source. Extended profiles of Assange and Bradley a herald of the end of America’s Manning, the Army private suspected of being his source, offer keen insight engagement in Afghanistan, just as into the main players. Collected news stories offer a broad and deep view into the Pentagon Papers are now a Iraq, Afghanistan, Pakistan, and the messy challenges facing American power milestone in our slo-mo exit from in Europe, Russia, Asia, the Middle East, and Africa. -
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University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/49169 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. The Rise of the ‘Liminal Briton’: Literary and Artistic Productions of black and Asian Women in the Midlands by Sumana Ray A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English and Comparative Literary Studies University of Warwick, Department of English and Comparative Literary Studies, April 2011 Table of Contents Illustrations 3 Acknowledgements 4 Declaration 5 Abstract 6 Abbreviations 8 Introduction: Locating the Midlands 9 Chapter One: Fictionalising the Midlands 63 Chapter Two: Anthologising the Midlands 157 Chapter Three: The Other Arts of the Midlands 230 Conclusion 315 Bibliography 323 2 Illustrations Image: Jayaben Desai proclaiming defiance during the strike at the Grunwick film processing plant in Willesden, north-west London in 1977. Photograph: Graham Wood/Getty Images Source: http://www.guardian.co.uk/world/2010/jan/20/asian-women-trade- union-grunwick?INTCMP=SRCH Illustration: Chapter I: Fictionalising the Midlands, p63 3 Acknowledgements I would like to express my most sincere thanks to my supervisor Dr. Rashmi Varma for her invaluable guidance, thought-provoking advice and continual support. I am also deeply indebted to Dr. -
Advance Program Notes an Onstage Conversation with Zadie Smith, Author Tuesday, March 19, 2019, 7:30 PM
Advance Program Notes An Onstage Conversation with Zadie Smith, author Tuesday, March 19, 2019, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. An Onstage Conversation with Zadie Smith, author Moderated by Lucinda Roy, Alumni Distinguished Professor, Department of English at Virginia Tech Presented in partnership with the Department of English Visiting Writers Series and the Women’s Center at Virginia Tech in celebration of its 25th anniversary Biography ZADIE SMITH Novelist Zadie Smith was born in North London in 1975 to an English father and a Jamaican mother. She read English at Cambridge before graduating in 1997. Her acclaimed first novel,White Teeth (2000), is a vibrant portrait of contemporary multicultural London, told through the stories of three ethnically diverse families. The book won a number of awards and prizes, including the Guardian First Book Award, the Whitbread First Novel Award, the Commonwealth Writers Prize (Overall Winner, Best First Book), and two BT Ethnic and Multicultural Media Awards (Best Book/Novel and Best Female Media Newcomer). It was also shortlisted for the Mail on Sunday/John Llewellyn Rhys Prize, the Orange Prize for Fiction and the Author’s Club First Novel Award. White Teeth has been translated into over 20 languages and was adapted for Channel 4 television for broadcast in autumn 2002 and for the stage in November 2018. Smith’s The Autograph Man (2002), a story of loss, obsession, and the nature of celebrity, won the 2003 Jewish Quarterly Wingate Literary Prize for Fiction. -
2021 PDF Catalogue
Spring & Summer CATALOGUE2021 Contents 3 Spring & Summer Selection 4 Featured Title When I Think of My Body as a Horse by Wendy Pratt 6 Featured Title Talking to Stanley on the Telephone by Michael Schmidt 9 The PB Bookshelf The AQI by David Tait 10 The North 11 New Poets List Ugly Bird by Lauren Hollingsworth-Smith Have a nice weekend I think you’re interesting by Lucy Holt Aunty Uncle Poems by Gboyega Odubanjo Takeaway by Georgie Woodhead 14 Forthcoming Titles 15 Subject Codes Pamphlet | 9781912196418 | £6 Black Mascara (Waterproof) eBook | 9781912196517 | £4.50 Published 1st Feb 2021 Rosalind Easton 34pp Black Mascara (Waterproof) is a glamorous and lively debut exploring Rosalind Easton grew up in Salisbury and relationships, popular culture, and the enduring power of teenage memories. now lives in South East London, where she works as an English teacher. After a first degree at Exeter University, she trained as Full of wicked invention. – Imtiaz Dharker a dance teacher and spent several years Love and the possibilities of love and intimacy are examined and celebrated teaching tap, modern and ballet before completing her PGCE at Bristol and MA at and quotidian adventures like bra fittings and running mascara are given the Goldsmiths. She has recently completed her power of myth. – Ian McMillan PhD thesis on Sarah Waters. Black Mascara (Waterproof) is her first collection. Witty, sexy poems that strut across the page – Natalie Whittaker Pamphlet | 9781912196425 | £6 In Your Absence eBook | 9781912196524 | £4.50 Published 1st Feb 2021 Jill Penny 36pp In Your Absence is a response to a year of bereavement, a murder and a trial, Jill Penny is from a touring theatre and estrangements, departures and insights. -
English Language and Literature (ENGL) 1 English Language and Literature (ENGL)
English Language and Literature (ENGL) 1 English Language and Literature (ENGL) * ENGL 005b / AFAM 013b, Counterarchives: Black Historical Fictions Elleza Kelley While historical records have long been the source from which we draw our picture of the past, it is with literature and art that we attempt to speculatively work out that which falls between the cracks of conventional archival documentation, that which cannot be contained by historical record—emotion, gesture, the sensory, the sonic, the inner life, the aerlife, the neglected and erased. This course examines how contemporary black writers have imagined and attempted to represent black life from the late 17th to the early 20th centuries, asking what fiction can tell us about history. Reading these works as alternative archives, or “counterarchives,” which index the excess and fugitive material of black histories in the Americas, we probe the uses, limits, and revelations of historical fictions, from the experimental and realist novel, to works of poetry and drama. Drawing on the work of various interdisciplinary scholars, we use these historical fictions to explore and enter into urgent and ongoing conversations around black life & death, African-American history & memory, black aesthetics, and the problem of “The Archive.” Enrollment limited to first-year students. Preregistration required; see under First-Year Seminar Program. HU * ENGL 006a / AFAM 017a, Black Nature: African American Nature Writing Jonathan Howard What stories do we tell about nature? How are the stories we are able to tell about nature informed by race? And how do these stories shape our understanding of what it means to be human? In contrast to a largely white tradition of nature writing that assumes a superior position outside of Nature, this course undertakes a broad survey of African American nature writing. -
Prizing African Literature: Awards and Cultural Value
Prizing African Literature: Awards and Cultural Value Doseline Wanjiru Kiguru Dissertation presented for the degree of Doctor of Philosophy in the Faculty of Arts and Social Sciences, Stellenbosch University Supervisors: Dr. Daniel Roux and Dr. Mathilda Slabbert Department of English Studies Stellenbosch University March 2016 i Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained herein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2016 Signature…………….………….. Copyright © 2016 Stellenbosch University All rights reserved ii Stellenbosch University https://scholar.sun.ac.za Dedication To Dr. Mutuma Ruteere iii Stellenbosch University https://scholar.sun.ac.za Abstract This study investigates the centrality of international literary awards in African literary production with an emphasis on the Caine Prize for African Writing (CP) and the Commonwealth Short Story Prize (CWSSP). It acknowledges that the production of cultural value in any kind of setting is not always just a social process, but it is also always politicised and leaning towards the prevailing social power. The prize-winning short stories are highly influenced or dependent on the material conditions of the stories’ production and consumption. The content is shaped by the prize, its requirements, rules, and regulations as well as the politics associated with the specific prize. As James English (2005) asserts, “[t]here is no evading the social and political freight of a global award at a time when global markets determine more and more the fate of local symbolic economies” (298). -
A Literary Revolutionary 50 for 50 Man Or Machine?
Our Fragile Waters Twenty MSc students in coastal engineering recently went to Grenada on a field trip that yielded much in terms of work, study and relaxation. At the end of the week, there was a visit to the Underwater Sculpture Park, Grenada, and one of the students, Christopher Clarke, found himself in bubbles of euphoria. (See story on Page 8) PHOTO: JENNALEE RAMNARINE CAMPUS – 4 HEALTH – 11 AGRICULTURE – 14 LITERATURE – 15 50 for 50 Man or Machine? The Book of the Earth A Literary Revolutionary Alumni Awards New Teaching Tool for Nurses Soils of the Caribbean Professor Chaman Lal SUNDAY 24TH APRIL, 2011 – UWI TODAY 3 CAMPUS NEWS FROM THE PRINcipal We Found 50 Ways Celebrating Our Distinguished Alumni It has always been a source of personal pride to reflect on the range and caliber of the graduates of the St. Augustine Campus of The UWI. Where ever I venture, whether it be into the various communities and establishments locally, regionally or internationally, I am impressed by the many accomplishments of our graduates and what good work they are doing. I have often publicly said that this region is really in the hands of UWI graduates, because in significant numbers, they are the ones charting its course, whether it is as prime ministers, politicians, first-rate professionals in so many fields, academics, entrepreneurs or artistes.I recently saw some of our accomplished graduates in Toronto as well, where many were celebrated at our fund-raising Gala. Naturally, I was in full support of the initiative taken by the St. -
Calypso Overseas and the Sound of Belonging in Selected Narratives of Migration Jennifer Rahim [email protected]
Anthurium: A Caribbean Studies Journal Volume 3 Issue 2 Calypso and the Caribbean Literary Article 12 Imagination: A Special Issue December 2005 (Not) Knowing the Difference: Calypso Overseas and the Sound of Belonging in Selected Narratives of Migration Jennifer Rahim [email protected] Follow this and additional works at: http://scholarlyrepository.miami.edu/anthurium Recommended Citation Rahim, Jennifer (2005) "(Not) Knowing the Difference: Calypso Overseas and the Sound of Belonging in Selected Narratives of Migration," Anthurium: A Caribbean Studies Journal: Vol. 3 : Iss. 2 , Article 12. Available at: http://scholarlyrepository.miami.edu/anthurium/vol3/iss2/12 This Essay is brought to you for free and open access by Scholarly Repository. It has been accepted for inclusion in Anthurium: A Caribbean Studies Journal by an authorized editor of Scholarly Repository. For more information, please contact [email protected]. Rahim: (Not) Knowing the Difference: Calypso Overseas and the Sound... Culture is an embodied phenomenon. This implies that one’s cultural location is not fixed to any one geographical space. Cultures, in other words, are not inherently provincial by nature. They move and evolve with the bodies that create and live them. The Caribbean civilization understands the logic of traveling cultures given that the dual forces of rooted-ness and itinerancy shape its diasporic ethos. Travel is how we “do” culture. Indeed, the Caribbean’s literary tradition is marked by a preoccupation with identity constructs that display allegiances to particular island locations and nationalisms, on the one hand, and transnational sensibilities that are regional and metropolitan on the other. This paper is interested in the function of the calypso as a sign of cultural identity and belonging in selected narratives that focus on the experiences of West Indian immigrants to the metropolitan centers of England and the United States.