The Postmodern Ideology and Maggie Gee's Fiction 26-68 II.1

Total Page:16

File Type:pdf, Size:1020Kb

The Postmodern Ideology and Maggie Gee's Fiction 26-68 II.1 POSTMODERNIST INTERPRETATIONS OF THE NOVELS OF MAGGIE GEE A THESIS SUBMITTED TO BHARATI VIDYAPEETH DEEMED UNIVERSITY, PUNE (UNDER: THE FACULTY OF ARTS, SOCIAL SCIENCES AND COMMERCE) FOR THE AWARD OF DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH BY MR. VAIBHAV A. DHAMAL M.A. UNDER THE GUIDANCE OF DR. RAJARAM S. ZIRANGE M.A., M.Phil., Ph.D. RESEARCH CENTRE: DEPARTMENT OF ENGLISH BHARATI VIDYAPEETH DEEMED UNIVERSITY YASHWANTRAO MOHITE COLLEGE OF ARTS, SCIENCE & COMMERCE, PUNE SEPTEMBER 2016 CERTIFICATE This is to certify that the work incorporated in the thesis entitled ‘Postmodernist Interpretations of the Novels of Maggie Gee’ submitted by Mr. Vaibhav A. Dhamal for the award of the Degree of Doctor of Philosophy in English under the Faculty of Arts, Social Sciences and Commerce of Bharati Vidyapeeth Deemed University, Pune, was carried out in the Department of English, Yashwantrao Mohite College of Arts, Science and Commerce, Bharati Vidyapeeth Deemed University, Pune, during the period from 2011 to 2016 under the guidance of Dr. R. S. Zirange. Date: /09/2016 ( Dr. K. D. Jadhav ) DECLARATION BY THE CANDIDATE I hereby declare that the thesis entitled ‘Postmodernist Interpretations of the Novels of Maggie Gee’ submitted by me to the Bharati Vidyapeeth Deemed University, Pune for the award of the Degree of Doctor of Philosophy (Ph.D.) in English under the Faculty of Arts, Social Sciences and Commerce is an original piece of work carried out by me under the supervision of Dr. Rajaram S. Zirange. I further declare that it has not been submitted to this or any other university or institution for the award of any Degree or Diploma. I confirm that all the material, which I have borrowed from other sources and incorporated in this thesis, is duly acknowledged. If any material is not duly acknowledged and found incorporated in this thesis, it is entirely my responsibility. I am fully aware of the implications of any such act which might have been committed by me advertently or inadvertently. Place: Pune ( Mr. Vaibhav A. Dhamal ) Research Scholar Date: /09/2016 CERTIFICATE OF GUIDE This is to certify that the work incorporated in the thesis entitled ‘Postmodernist Interpretations of the Novels of Maggie Gee’ submitted by Mr. Vaibhav A. Dhamal for the award of the Degree of Doctor of Philosophy in English under the Faculty of Arts, Social Sciences and Commerce has been carried out in the Department of English, Yashwantrao Mohite College of Arts, Science and Commerce of Bharati Vidyapeeth Deemed University, Pune during the period from 2011 to 2016 under my direct supervision/ guidance. Date: /09/2016 ( Dr. Rajaram S. Zirange ) Head, Dept. of English Bharati Vidyapeeth Deemed University Yashwantrao Mohite College, Pune ACKNOWLEDGEMENT ‘Every act of a human being is under the adjudication of the most exalted, omnipotent and omnipresent Almighty God’. I am grateful to Hon’ble Dr. Patangrao Kadam, Founder and Chancellor, Bharati Vidyapeeth Deemed University Pune, who was the main source of inspiration for undertaking this research work. I am indebted to a visionary academic leader and distinguished researcher Hon’ble Prof. Dr. Shivajirao Kadam, Vice Chancellor, Bharati Vidyapeeth Deemed University, Pune for permitting me to go ahead with this difficult task as well as his constant motivation and appreciation to complete the work in right direction. I am thankful to Hon’ble Dr. Vishwajeet Kadam, Secretary, Bharati Vidyapeeth, Pune for his continuous encouragement in this research work. I am also indebted to Principal Dr. K. D. Jadhav, Joint Secretary, Bharati Vidyapeeth, Pune for allowing me to use the resources and necessary infrastructure of the college to accomplish my research work. It gives me immense pleasure and pride to express my deep sense of gratitude and respect for my guide Dr. Rajaram S. Zirange, Head, Dept. of English, BVDU Yahwantrao Mohite College, Pune. I consider myself fortunate to be associated with him who gave a decisive turn and significant boost to my career. I would also like to express my gratitude to Dr. P. M. Bulakh, Director, BCUD and Dr. S. I. Kumbhar, Dean, Faculty of Arts, Social Science and Commerce, Bharati Vidyapeeth Deemed University, Pune who always helped me with their valuable suggestion throughout my research work. I will always be grateful to Dr. Mrs. Muktaja V. Mathkari, Principal, Abasaheb Garware College, Pune and Adv. Madhav Khanwelkar, Former Deputy Registrar, SPPU, Pune for their wholehearted moral support. I also like to thank for the encouragement and the support by Mr.Pralhad Patil, Dr. Vijay Koli, Dr. Vaibhav Jadhav, Mr. Ganesh Wagh, Dr. Vivek Rankhambe, Mr. Sambhaji Pisal and the other staff of Yashwatrao Mohite College, Pune. I would also like to thank my co-researchers Mr. Sayantan Mondal and Mr. Meharaj Shaikh for their every possible help. My special mention is due to Mr. Sambhaji Jadhav for timely completion of the typing work. The words are an inadequate means to express my heartfelt gratitude to my father and my mother for everything they have provided to me. I will fail in my duties, if I miss the name of my wife Dr. Sonali and my daughters, Anushka and Arpeeta for taking their time and utilizing the same for this work. I am indebted to them forever. While preparing this thesis, many known & unknown well-wishers, relatives and friends have directly or indirectly contributed their share in this work. I am aware that it is an extremely difficult task to express my sincere thanks and gratitude to all of them. However, I shall be failing in my duties if I do not put on record my gratitude towards them. Place : Pune Date : / / 2016 ( Mr. Vaibhav A. Dhamal ) Research Scholar 'I write for the joy of the language and the form, and to pay the mortgage. I also write because life is fascinating, beautiful, and short. I want to record my experience, and my brief attempts at understanding it, for others, while I can.' - Maggie Gee (Born on 2nd November, 1948) C O N T E N T S Chapter Name Page I Introduction 1-25 I.1 Postmodernism and its Implications I.2 Life and Works of Maggie Gee I.3 A Comparative Analysis of the Two Groups of Novels I.4 The Proposed Plan of the Research II The Postmodern Ideology and Maggie Gee's Fiction 26-68 II.1. Modernism II.2. Postmodernism and its Legacy II.3. The Architects of Postmodernism II.4. Postmodernist Fiction and its Contribution III Condition-of-England Novels: A Self-Reflective 69-130 Mood III.1 Disintegration of Social Institutions: Family and Marriage III.2 Materialism: Lack of Spirituality, Morality, Religion and Faith III.3 Visual Representation: Cinematic Techniques and Visual Impression of Objects, Places and Persons III.4 Pastiche and Photographic Presentation: Music, Painting, Sculpture and Other III.5 Postmodern Narrative Technique: Plot Structure, Setting, Characterization, Point of View and Structural Design III.6 Class Conflict, Inequalities, Violence and Social Mobility III.7 Marginalization and Search for Self-Identity III.8 Cultural Studies: Multiculturalism as a Multidisciplinary Approaches III.9 Global and Domestic Concerns between Wealth and Poverty III.10 Thematic Complexities and Stylistic Devices III.11 Digitalized World: Techno Culture, Pop- culture, Media Culture and Supersonic Speed III.12 Sociological, Psychological, Political and Economic Aspects in Postmodern Age III.13 Humans, Non-humans and Nature: Interrelationship III.14 Black Comedy and Hyper Reality III.15 Maggie Gee’s Philosophy of Life and her Interest in Evolutionary Biology III.16 Loss of Ecological Equilibrium and Impact of Postmodernism on Human Psyche Chapter Name Page IV Ugandan Novels: Home Coming, Cultural Conflicts 131-192 & Social Critique IV.1 Disintegration of Social Institutions: Family and Marriage IV.2 Materialism: Lack of Spirituality, Morality, Religion and Faith IV.3 Visual Representation: Cinematic Techniques and Visual Impression of Objects, Places and Persons IV.4 Pastiche and Photographic Presentation: Music, Painting, Sculpture and Other IV.5 Postmodern Narrative Technique: Plot Structure, Setting, Characterization, Point of View and Structural Design IV.6 Class Conflict, Inequalities, Violence and Social Mobility IV.7 Marginalization and Search for Self-Identity IV.8 Cultural Studies: Multiculturalism and Multidisciplinary Approaches IV.9 Global and Domestic Concerns between Wealth and Poverty IV.10 Thematic Complexities and Stylistic Devices IV.11 Digitalized World: Techno Culture, Pop- culture, Media Culture and Supersonic Speed IV.12 Sociological, Psychological, Political and Economic Aspects in Postmodern Age IV.13 Humans, Non-humans and Nature: Interrelationship IV.14 Black Comedy and Hyper Reality IV.15 Maggie Gee’s Philosophy of Life and her Interest in Evolutionary Biology IV.16 Loss of Ecological Equilibrium and Impact of Postmodernism on Human Psyche V Conclusion 193-210 V.1 Major Findings of the Present Study V.2 Practical Implications of the Study V.3 Academic Implications of the Study V.4 Pedagogical Implications of the Study V.5 Scope for Further Research Bibliography 211-222 CHAPTER-I: INTRODUCTION I.1 Postmodernism and its Implications I.2 Life and Works of Maggie Gee I.3 A Comparative Analysis of the Two Groups of Novels I.4 The Proposed Plan of the Research I.4.1 Aim of the Present Study 1.4.2 Objectives of the Study 1.4.3 Methodology of the Research 1.4.4 The Scope and Limitations 1.4.5 Significance of the Study 1.4.6 Proposed Chapter-scheme Chapter-I: Introduction 1 CHAPTER–I INTRODUCTION The first chapter attempts to give the reader an introduction to the present research that is, a close knit study of postmodernism and its connection to the author, Maggie Gee, whose novels are selected for the analysis. Further, the chapter gives a biographical sketch of Maggie Gee highlighting the elements that have contributed to her making as an author of postmodern literature.
Recommended publications
  • The History of British Women's Writing General Editors: Jennie Batchelor
    The History of British Women’s Writing General Editors: Jennie Batchelor and Cora Kaplan Advisory Board: Isobel Armstrong, Rachel Bowlby, Helen Carr, Carolyn Dinshaw, Margaret Ezell, Margaret Ferguson, Isobel Grundy, and Felicity Nussbaum The History of British Women’s Writing is an innovative and ambitious monograph series that seeks both to synthesise the work of several generations of feminist schol- ars, and to advance new directions for the study of women’s writing. Volume editors and contributors are leading scholars whose work collectively refl ects the global excellence in this expanding fi eld of study. It is envisaged that this series will be a key resource for specialist and non- specialist scholars and students alike. Titles include: Liz Herbert McAvoy and Diane Watt (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 700– 1500 Volume One Caroline Bicks and Jennifer Summit (editors) THE HISTORY OF BRITISH WOMEN’S WRITING, 1500– 1610 Volume Two Mihoko Suzuki (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1610– 1690 Volume Three Ros Ballaster (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1690– 1750 Volume Four Jacqueline M. Labbe (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1750– 1830 Volume Five Mary Joannou (editor) THE HISTORY OF BRITISH WOMEN’S WRITING, 1920– 1945 Volume Eight The History of British Women’s Writing Series Standing Order ISBN 978– 0– 230– 20079– 1 hardback (outside North America only) You can receive future titles in this series as they are published by placing a standing order. Please contact your bookseller or, in case of diffi culty, write to us at the address below with your name and address, the title of the series and the ISBN quoted above.
    [Show full text]
  • As Byatt's Possession, David Lodge's Author
    THE RECONSTRUCTION OF AUTHORIAL IDENTITY IN CONTEMPORARY AUTHOR FICTIONS: A.S BYATT’S POSSESSION, DAVID LODGE’S AUTHOR, AUTHOR AND MAGGIE GEE’S VIRGINIA WOOLF IN MANHATTAN A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY NESRİN KOÇ IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE DEPARTMENT OF ENGLISH LITERATURE AUGUST 2021 Approval of the thesis: THE RECONSTRUCTION OF AUTHORIAL IDENTITY IN CONTEMPORARY AUTHOR FICTIONS: A.S BYATT’S POSSESSION, DAVID LODGE’S AUTHOR, AUTHOR AND MAGGIE GEE’S VIRGINIA WOOLF IN MANHATTAN submitted by NESRİN KOÇ in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Literature, the Graduate School of Social Sciences of Middle East Technical University by, Prof. Dr. Yaşar KONDAKÇI Dean Graduate School of Social Sciences Prof. Dr. Çiğdem SAĞIN ŞİMŞEK Head of Department Department of Foreign Language Education Assoc. Prof. Dr. Elif ÖZTABAK AVCI Supervisor Department of Foreign Language Education Examining Committee Members: Assoc. Prof. Dr. Hülya YILDIZ BAĞÇE (Head of the Examining Committee) Middle East Technical University Department of Foreign Language Education Assoc. Prof. Dr. Elif ÖZTABAK AVCI (Supervisor) Middle East Technical University Department of Foreign Language Education Assoc. Prof. Dr. Nil KORKUT NAYKI Middle East Technical University Department of Foreign Language Education Assist. Prof. Dr. Mustafa KIRCA Çankaya University Department of Translation and Interpreting Studies Assist. Prof. Dr. Selen AKTARİ SEVGİ Başkent University Department of American Culture and Literature I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct.
    [Show full text]
  • Portfolio Editor
    Portfolio Editor Editorships including co-editing NW15 (Granta/British Council) and Ten: New Poets (Bloodaxe). Guest-edited the Winter 2012 issue of Poetry Review, Britain’s leading poetry journal. Her issue, Offending Frequencies, featured more poets of colour than had ever previously been published in a single issue of the journal, as well as many female, radical, experimental and outspoken voices. Bernardine also co-edited a special issue of Wasafiri magazine in 2009: Black Britain: Beyond Definition, which celebrated and reevaluated the black writing scene in Britain; and she guest-edited the Autumn 2014 issue of Mslexia, Britain’s best-selling writing magazine. Supervising Editor of The Imagination Project, Brunel University London’s third student short story anthology, with student editors, March 2016. Supervising editor of The Psyche Supermarket, Brunel University London’s second student short story anthology, with student editors, March 2015. Guest Editor of Mslexia writing magazine, September 2014. Supervising editor of The Voices Inside Our Heads, Brunel University London’s first student short story anthology, with student editors, March 2014. Guest editor of Wasafiri: Issue 64, 2010, with Karen McCarthy Woolf. Guest Editor of Britain’s leading poetry magazine in its centenary year, Poetry Review: 101:4. Offending Frequencies. Winter 2012. Editor with Daljit Nagra of Ten poetry anthology, featuring ten new poets of colour. Bloodaxe Books, 2010. Co-editor with Maggie Gee of NW15: New Writing Vol 15, the annual British Council literature anthology. Granta, 2006. In the late 1990s I was editor of FrontSeat intercultural performance magazine published by the Black Theatre Forum, in the late 1980s I was a co-editor of Black Women Talk Poetry anthology.
    [Show full text]
  • A Sense of Completeness, of Understanding, Enfolding All Difference”: 1 1 the Author Would Like to an Interview with Maggie Gee Thank the European Society
    “A Sense of Completeness, of Understanding, Enfolding All Difference”: 1 1 The author would like to An Interview with Maggie Gee thank the European Society for the Study of English, Downloaded from ESSE, for the research grant that enabled her to conduct this interview in London. MINE ÖZYURT KILIÇ http://cww.oxfordjournals.org/ by guest on April 11, 2016 July Maggie Gee (OBE) is an innovative and unusual contemporary novelist whose work has been translated into thirteen languages and short-listed for two prestigious global literary prizes, the Orange Prize and the International Impact Contemporary Women’s Writing 9:2 July 2015. doi:10.1093/cwwrit/vpu030 167 © The Author 2014. Published by Oxford University Press; all rights reserved. For permissions, please e-mail: [email protected] Award. In 1982 Maggie Gee was selected as one of the original twenty “Best of Young British Novelists” and became a Writing Fellow at the University of East Anglia; from 2004–2008, she was the first female Chair of Council of the Royal Society of Literature, and in 2006 she and Hilary Mantel were appointed as the two Visiting Professors of Creative Writing at Sheffield Hallam University. In 2012 there was an international conference about her work at St. Andrews University, and in the same year she was given an OBE for services to literature. She is now a professor of creative writing at Bath Spa University. As she says while explaining her frequent use of big public scenes in her novels, Maggie Gee longs for a sense of completeness, of understanding, enfolding all difference in her work.
    [Show full text]