“A Sense of Completeness, of Understanding, Enfolding All Difference”: 1 1 The author would like to An Interview with Maggie Gee thank the European Society for the Study of English, Downloaded from ESSE, for the research grant that enabled her to conduct this interview in London. MINE ÖZYURT KILIÇ http://cww.oxfordjournals.org/ by guest on April 11, 2016 July Maggie Gee (OBE) is an innovative and unusual contemporary novelist whose work has been translated into thirteen languages and short-listed for two prestigious global literary prizes, the Orange Prize and the International Impact Contemporary Women’s Writing 9:2 July 2015. doi:10.1093/cwwrit/vpu030 167 © The Author 2014. Published by Oxford University Press; all rights reserved. For permissions, please e-mail:
[email protected] Award. In 1982 Maggie Gee was selected as one of the original twenty “Best of Young British Novelists” and became a Writing Fellow at the University of East Anglia; from 2004–2008, she was the first female Chair of Council of the Royal Society of Literature, and in 2006 she and Hilary Mantel were appointed as the two Visiting Professors of Creative Writing at Sheffield Hallam University. In 2012 there was an international conference about her work at St. Andrews University, and in the same year she was given an OBE for services to literature. She is now a professor of creative writing at Bath Spa University. As she says while explaining her frequent use of big public scenes in her novels, Maggie Gee longs for a sense of completeness, of understanding, enfolding all difference in her work.