Laird Promises New Speedup in GI Withdrawal from Vietnam
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Crochet All You Need to Know - the History of Crochet, Basic Techniques, Required Tools, Tips and Much More! TABLE of CONTENTS
Discover the World of Crochet All you need to know - the history of crochet, basic techniques, required tools, tips and much more! TABLE OF CONTENTS Introduction......................................................................................1 Chapter 1: About Crochet..................................................................2 History of Crochet............................................................................... 3 Language of Crochet...........................................................................4 . Basic Stitches......................................................................................4 Crochet Hooks.....................................................................................5 Crochet Yarns......................................................................................5 Chapter 2: Tools and Materials............................................................7 Hooks................................................................................................7 Afghan Hook.......................................................................................8 More About Yarns!..............................................................................8 Markers.............................................................................................9 Tapestry Needles..............................................................................10 Pins...................................................................................................10 Tape Measure...................................................................................10 -
Sashiko Tote
Sashiko Tote You can never have too many bags! Create unique tote featuring Sashiko quilting and accent stitching. This project is quick and easy to make using the Baby Lock Sashiko machine. Skill Level: Beginner Created by: Kelly Laws, Marketing Project Manager Supplies: Baby Lock Sewing Machine Baby Lock Sashiko Twenty 4” cotton print squares in different colors 1 yard fusible fleece 1 1/4 yard coordinating cotton fabric 2 ½ yards ¾” wide gross grain ribbon All-purpose thread to match fabrics 30-Weight thread in white and black Fusible Web (optional) Iron and Ironing board Scissors Pins Ruler Chalk Baby Lock Sewing Project: Sashiko Tote Page 1 of 3 Instructions: 1. Thread the machine with all-purpose thread to match your fabrics. Using a ¼” seam sew five blocks together to form a row. 2. Create 3 more rows of 5 blocks alternating the block colors. 3. Sew two rows together to create the pieced band for the bag front. 4. Repeat to make a pieced band for the other side of the bag. 5. Cut four pieces 18” x 15” from the cotton fabric. 6. Cut two pieces of fusible fleece 18” x 15”. 7. Following the manufactures directions, fuse the fleece to the wrong side of two of the 18” x 15” pieces. 8. Sew the two fleece pieces together along one of the 15” sides. 9. Sew the other two 18” x 15” pieces together along one of the 15” sides. This is the tote lining, set this piece aside for later. 10. Open the piece out into one long strip. -
Chastity in a West Papuan City: Durkheim's 'Ideal' and Sexual Virtue
Pre-marital chastity in a West Papuan city: Durkheim’s ‘ideal’ and sexual virtue. Sarah Louise Richards Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy March 2016 School of Social and Political Sciences The University of Melbourne Produced on archival quality paper This thesis is dedicated to Darius, Benson and Paskalina b Abstract This thesis engages critically with Durkheim¹s ideas of morality in an ethnographic exploration of the reasons young women in Manokwari (West Papua, Indonesia) choose to maintain chastity prior to marriage. Based on 27 months of fieldwork with an urban, Christian, coastal community, I examine their sexual conformity through the motivating force of three emotions – love, fear and hope. Young women wanted to delay their sexual debut so as to not hurt or disappoint their beloved mothers and because they feared being beaten by kin and suffering other forms of violence that sanctioned sexual transgressions. Since pregnancy is understood to lead to school drop-out and forced marriage, hope for a future characterised by secure employment and a harmonious marriage is also a rationale for chastity. These affective logics are explored in the context of cultural constructions of sexual morality at a time of rapid socio-economic change, immoral threats and revitalised enthusiasms for being Christian, and being Papuan. My finding that sentiment structures processes of young women’s moral reasoning and chaste practice supports Durkheim’s contention that ideals – moral standards that are above and beyond individuals – are emotionally based constructs of sacred power. This ethnography thus contributes to recent anthropological discussions that conceptualise morality and ethics as a realm where actors evaluate, select and enact a range of moral options in order to fashion themselves as ethical subjects. -
1 MULTIUSE, EMBROIDERY and SEWING SCISSORS Stainless Steel
WWW.RAMUNDI.IT GIMAP s.r.l. 23834 PREMANA (LC) ITALY Zona Ind. Giabbio Tel. +39 0341 818 000 The line is composed by extremely high performance items, result of over 70 years of research of perfect cutting performances. Every single item is produced with the best materials and is carefully controlled by the expert hands of our artisans, from the raw material to the last control phase. The Extra line quality will satisfy all your needs. MULTIUSE, EMBROIDERY AND SEWING SCISSORS Stainless steel and handles in nylon 6 Series of professional scissors for textile, embroidery and multipurpose use. Made in AISI 420 steel, these scissors will allow you to made every kind of job with an extreme confort and precision. The scissors are made with special machines that make a perfect finish and operation that lasts over time. Nylon 6 handle are made with fiberglass with an innovative design and it can be use in contact with food. multiuse scissors in stainless steel and handles 553/5 in nylon 6 13 cm 553/6 15 cm 553 552/7,5 19 cm 552/8,5 21 cm 552/9,5 24 cm 552/10,5 26 cm 552/11 28 cm 552M Left- hand 22 cm 552 240/1/3,5 Embroidery scissors 9 cm 241/1/4 Embroidery scissors bent 10 cm 241/1/4 240/1/3,5 351/4 Sewing scissors 10,5 cm 351/5 12,5 cm 351/6 15 cm 351 485/7 Multiuse scissors 19 cm 360MN/4,5 Thread clipper 485/7 360MN/4,5 1 WWW.RAMUNDI.IT GIMAP s.r.l. -
Yarn Selection Is a Skill That Should Be Demonstrated in All Three Levels. It Is
Yarn selection is a skill that should be demonstrated in all three levels. It is upon the participant to correctly choose project and swatch yarns to meet the requirements of the program. CAREFULLY READ THE DIRECTIONS PACKET as to descriptions of the yarns acceptable for the swatch or project you are working on. Here is a link to an On Your Way to the Master’s Article(Arenda Holladay) with advice for choosing yarn for the Masters. You will need to be logged in to see the article. Keep in mind this article was written in 2005, so some of the requirements may be different for the 2016 directions — again refer to your directions. The program requires currently produced, commercial yarns. This means avoid discontinued yarns and any home-spun and hand-dyed yarns. Single color swatches should be in white, off-white, or pastels. Contrast colors should be light or bright. When choosing colors for projects, keep in mind that the reviewers must be able to see every stitch. If that is not possible due to your yarn choice, you will be asked to resubmit that item. This article from Knitty Fall, 2005 discusses how ply affects the finished fabric and more importantly stitch definition. We recommend using yarns that are conventionally plied as shown in the first example. Using other types of yarns often has a negative effect on cable, yarn over, and special stitch patterns and can (and has) led to some of these swatches requiring resubmission. We also recommend 100% wool (not superwash) as this yarn blocks well and will show off your work the best. -
Astronauts in Lunar Orbit After Blastoff from Moon
ri . v f- ■ ,, Average Dally Net Press Ron 'I’hfe-Weather For The Week Ended Mostly cloudy, warm, humid through Wednesday with chance July 81, m i of ahowers/thunderstorms; low tonight near. 70 with consider 14,890 able night rain. Manchester— A City of Village Charm (Classified Advertising on Page 17) PRICE FIFTEEN CENTS VOL. LXXXX, NO. 257 (TWENTY PAGES) man(:hester, conn., Monday, august 2,1971 Steel Strike Averted But Pact Settles Astronauts in Lunar Orbit Prices Hiked PITTSBURGH (AP)— Rail Strike U.S. Steel Corp., the in After Blastoff from Moon dustry pacesetter, hiked WASHINGTON (A P)— Negotiators announced to prices on virtually all prod day a contract settlement providing 42 per cent wage ucts today, a little more hikes over 42 months for about 200,000 trainmen, and SPACE CENTER, Hous than 12 hours after the said pickets would be removed froih 10-strike-bound ton (A P)—Apollo 15 as steel industry and the railroads, -------------------- : tronauts David R. Scott and James B. Irwin blast United Steelworkers Settlement of the 18-day old President Charles Luna of the ' strikes in the dispute involving striking-AFO-CTO United Trans- ed off safely from the agreed on a strike-avert all of the nation’s major rail- portatlon Union, ing contract. moon today after three roads came after a 17-hour <‘nve arp very happy that this days of historic lunar ex The m oveby U.S. Steel came marathon bargaining session at long dispute has ended and that as most of the nation’s steel ploration. A television the Labor Department. -
}-Tourgt).\SS O 4 at 0047 5.5 at 1858 0.7 at 1239
HIGH TIDE LOW TIDE 1-20-65 1-20-65 4.6 AT 0645 }-tOURGt).\SS o 4 AT 0047 5.5 AT 1858 0.7 AT 1239 VOL 6 NO 1905 KWAJALEiN, MARSHALL ISLANDS TUESDAY 19 JANUARY 1965 CHURCH~LL HANGS ON TITAN-2 PUSHES GEMINI CAPSULE LONDON, JAN. 19 (UPi)--THE DYING SIR WINSTON CHURCHILL SLEPT PEACE HALFWAY ACROSS ATLANTIC OCEAN FULLY THROUGHOUT THE DAY. THE NA TO REVIVE $1~3 BILLION PROGRAM TION WHICH HAS ACCEPTED THE INEVI CAPE KENNEDY, JAN. 19 (UP1) --A U.S. GEMINI CAPSULE CA~RYING TWO "ASTRO TABLE PRAYED AS IT BEGAN PREPARA ROBOTS II SUCCESSFULLY LEAPED HALFWAY ACROSS THE ATLANTIC OCEAN TODAY AND SIG TIONS TO GIVE HIM A FAREWELL WORTHY NALED A GO-AHEAD FOR AN ATTEMPT TO HURL TWO ASTRONAUTS INTO ORBIT AROUND APRIL OF HIS PLACE IN HISTORY. OR MAY. LORD MORAN, HIS 82-YEAR-OLD PER A POWERFUL TITAN-2 ROCKET BLASTED OFF AT 9~03 AM AND HURLED THE BELL-SHAPED SONAL PHYSICIAN, CALLED AT THE PAYLOAD MORE THAN 100 MILES INTO SPACE. CHURCHILL'S RESIDENCE TONIGHT AND ABOUT 20 MINUTES LATER, THE CAPSULE BLAZED BACK THROUGH THE ATMOSPHERr AND ISSUED THIS MrDICAL BULLETIN, THE RODE A GIANT RED AND WHITE PARACHUTE TO A LANDING IN THE ATLANTIC OCEAN ADOUT 11TH SINCE THE 90-YEAR-OLD SIR WIN 2,150 MILES EAST-SOUTHEAST OF CAPE KENNEDY, STON SUFFERED A STROKE ON FRIDAY: RECOVERY FORCES RUSHED TO RETRIEVE THE SPACE CAPSULE. IIS IR WINSTON liAS SLEPT THROUGH THE APPARENTLY FLAWLESS FLIGHT OPENED THE DOOR AT LAST TO LONG-DELAYED PLANS OUT THE DAY AND THERE IS NO APPRE TO LAUNCH ASTRONAUTS VIRGIL I. -
A Pair of Scissors Wool a Sewing Needle Small Knitting
Easy peasy (well, it is if you take a look at the champion ‘how to knit’ guide at www.learn2knit.co.uk which will give you everything you need.) But if you’ve 1. Pop your feet up with a cup of tea. done a bit in the past, here’s a reminder of the main stitch. 2. Using double knitting yarn and some small needles, cast on 28 stitches. You’ll need this stuff: 3. Knit 2 rows. Then, starting with a knit row, work in stocking stitch (knit 1 row, purl 1 row, knit 1 row etc) for 12 more rows. small knitting 4. For the next row, knit 2 together to the end (14 a sewing a pair perhaps wool needles stitches). And for the row after that, purl 2 together needle of scissors some bobbles (31/4 mm - 4mm) to the end (7 stitches). 5. When you’ve finished, cut the yarn leaving about 25 cm. Thread the cut end of the yarn through a sewing needle, then run it through the loops and 1. Insert the tip of the right needle through the first loop remove the knitting needle (fig. A). on the left needle, from front to back. Then wrap the working yarn around the tip of the right needle. 6. Tighten the yarn (fig. B) and sew the little hat together at the side (fig. C). Once finished, turn it right-side out so that the seam you've just sewn runs up the inside. 7. Just to check you’re on the right track we reckon 2. -
Ipswich Lace Workshop Materials Information
Ipswich Lace Workshop Materials Information Patterns, etc. provided to the students from the instructor: 1. Two Ipswich pattern packs of your choice. Please choose from the attached list. The samples are listed in approximate level of difficulty, with #2 being the easiest. 2. Prickings are printed on light grey cardstock and mailed to your snail mail address. 3. Color-coded working diagram 4. Corresponding pictures of the reconstructed lace and the original 1790 sample. Supply list: 1. Lace pillow, your preferred style for continuous lace, large enough to accommodate up to 50 pairs of bobbins 2. Bobbins (your preferred style) up to 50 pairs, depending on pattern choice 3. Pins – all the same size. The Ipswich lacemakers used handmade pins, which were approximately .60 to .65 mm in diameter. 4. Black silk thread, such as YLI 50, Clover 50, or Tiger (approximately 35-36 wraps/cm), or Piper spun silk 140/2 or Kreinik Au Ver a Soie 130/2 (42 wraps/cm) 5. Gimp thread: Gütermann 30/3 (S1003, 3-ply, approx. 16 wraps/cm) or Soie Perlee for a slightly thinner gimp. Or use 4-6 strands of your lace thread. 6. Two cover cloths. The one on the pillow, under the bobbins should be light color to contrast with the black threads. 7. Several short bobbin holders 8. Scissors, other regular bobbin lace supplies for continuous lace technique. 9. Wind on each bobbin about 4 times the length of lace you plan to make. Wind the number of bobbins indicated on your chosen pattern, singly or in pairs, depending on your preference. -
Theories and Methods in Japanese Studies: Current State and Future Developments
Hans Dieter Ölschleger (ed.) Theories and Methods in Japanese Studies: Current State and Future Developments Papers in Honor of Josef Kreiner V&R unipress Bonn University Press Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.des abrufbar. ISBN 978-3-89971-355-8 Veröffentlichungen der Bonn University Press erscheinen im Verlag V&R unipress GmbH. © 2008, V&R unipress in Göttingen / www.vr-unipress.de Alle Rechte vorbehalten. Das Werk und seine Teile sind urheberrechtlich geschützt. Jede Verwertung in anderen als den gesetzlich zugelassenen Fällen bedarf der vorherigen schriftlichen Einwilligung des Verlages. Hinweis zu § 52a UrhG: Weder das Werk noch seine Teile dürfen ohne vorherige schriftliche Einwilligung des Verlages öffentlich zugänglich gemacht werden. Dies gilt auch bei einer entsprechenden Nutzung für Lehr- und Unterrichtszwecke. Printed in Germany. Gedruckt auf alterungsbeständigem Papier. Table of Contents PREFACE...........................................................................................................7 Ronald DORE Japan – Sixty Years of Modernization? .........................................................11 KUWAYAMA Takami Japanese Anthropology and Folklore Studies................................................25 ITŌ Abito The Distinctiveness and Marginality of Japanese Culture.............................43 FUKUTA AJIO -
LION BRAND® WOOL-EASE® and MICROSPUN Doily Shawl
® ® LION BRAND WOOL-EASE AND MICROSPUN Doily Shawl Page 1 Pattern from Lion Brand Yarn Page 2 Skill Level: Intermediate SIZE One size fits most Blocked measurements 62" wide at top edge, 30" length (see "Tips" at end) MATERIALS • LION BRAND Wool-Ease 3 balls #102 Ranch Red • LION BRAND Microspun 3 balls #113 Cherry Red or yarns and colors of your choice (see "Tips") • Size N-13 (9 mm) crochet hook OR SIZE TO OBTAIN GAUGE • Large-eyed, blunt needle GAUGE Not critical. Crochet loosely but evenly. STITCH EXPLANATIONS Dc2tog (Yo, insert hook in next st, yo and pull loop through, yo and pull through 2 loops on hook) 2 times – 3 loops left on hook. Yo and pull through all 3 loops. Dc3tog Same as dc2tog, only work 3 times– 4 loops left on hook. Yo and pull through all 4 loops on hook. Trcl (Triple-crochet Cluster) Ch 4. Yo twice, insert hook in 4th ch from hook, yo and pull loop through, (yo and pull through two loops on hook) 2 times – 2 loops left on hook. Yo twice, insert hook in same ch as before, yo and pull loop through, (yarn over and pull through 2 loops on hook) 2 times – 3 loops left on hook, Yo and pull through all 3 loops on hook. SHAWL With one strand of each yarn held together, ch 14 for base chain. Row 1 2 dc in 4th ch from hook, (ch 2, skip 1 ch of base chain, 3 dc in next ch) 5 times. Ch 3, turn – 6 "star points" groups of 3 dc. -
How It Was Made
To put what text you want here just click HOWand type, to add anIT image WAS click insert > image then drag it here/resize it and delete MADEthis text Scissors Scissors have two arms each with blades at one end and a round hole for the fingers at the other. These arms are pinned together with a screw or rivet which allows them to move and be opened and closed, sliding the blades against each other to cut. They are different from shears or spring scissors which are made from one piece of metal bent in half to make two arms, each with a blade at the end. Diagram of scissor parts The blades and bows of scissors vary enormously depending on their intended use and user. Blades can have one or both points which are: round, square, curved or pointed. Bows can be equal/unequal in size, straight or offset to one side (sidebent), higher than the blades (i.e. have a bent shank) and can be shaped and highly decorated. ‘Scissorsmyths’ or ‘Scissar makers’ and ‘shearsmiths’ were active in Sheffield from the early 1600s (see ‘Tweedale’s Directory of Sheffield Cutlery Manufacturers 1740-2010’ by G. Tweedale, 2010) and by the mid-1600s Sheffield was well known for its manufacture of steel and cutlery – table knives, trade knives, razors and scissors - taking advantage of the availability of water power, skilled labour, and the raw materials needed (see ‘A History of Sheffield’ by David Hey, 2005). In the 1700s and 1800s the cutlery industry grew, particularly after the invention of crucible steel by Benjamin Huntsman in the 1740s with an increase in both domestic and export trade.