Revista De Filología Alemana

Total Page：16

File Type：pdf, Size：1020Kb

View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Portal de Revistas Científicas Complutenses Revista de Filología Alemana ISBN: 978-84-669-3074-1 Anejo I 2009 Contents Páginas About Jaime Cerrolaza 9 Prologue 11 Fronteras 15 Amin Maalouf, a writer on the border Montserrat ABUMALHAM 17 Franz Grillparzer: the Calderon of Austrian Literature? Martin ADEL 25 From The Conquest of the World to The Heirs of Downfall: Oskar Maria Graf's Revision of the Title of his Novel Berit BALZER 35 Three keys to reading the work of Peter Handke: image, narration, journey Eustaquio BARJAU 47 Explicit comparisons with wie in Robert Musil's Der Mann ohne Eigenschaften. A cognitive approach Enrique BERNÁRDEZ 57 Franz Kafka/Alfred Kubin: A Country Doctor. A Parable without a Key Sela BOZAL 73 From the luminous gulf to the mountain (U. Saba) Aurora CONDE MUÑOZ 89 East of Eden: Literature from the "other" Germany Marta FERNÁNDEZ BUENO 107 Muster Revisited. A Dialogue with Jaime Cerrolaza Carlos FORTEA 123 At the Margins of the Canon and at the Edge of Nonsense. Georg Büchner and the Fool's World in Leonce und Lena Isabel GARCÍA ADÁNEZ 131 The stateless Hans Natonek and the (re)construction of literary identity in In Search of Myself Ana Fe GIL SERRA 151 The Valladolid Controversy as Portrayed in Two Historical Narratives of the Twentieth Century Arno GIMBER 165 Revista de Filología Alemena 7 2009, anejo I, 7-8 Contents Páginas Erich Mühsam or the Engagement of the Intellectual Carmen GÓMEZ GARCÍA 175 "wiewohl von allen Mitteln der Aufklärung abgeschnitten...": Ulrich Bräker's Autobiography as a Forerunner of the Genre of the Bildungsroman Isabel HERNÁNDEZ 187 Ayala's Berlin Dieter INGENSCHAY 203 Juan Andrés: an Enlightened View of Greco-Latin Theatre Antonio LÓPEZ FONSECA 217 Philip Larkin's Imagery Dámaso LÓPEZ GARCÍA 231 Christian Wagner and Robert Walser: Resemblances between the Poet and the Narrator Fernando MAGALLANES 247 "In una giornata di vento": Reflecting upon "il vento che tira" in the Work of Alessandro Baricco Mirella MAROTTA PERAMÓS 257 From Cervantes to Fassbinder's Händler der vier Jahreszeiten: notes from a sociological perspective Arturo PARADA DIÉGUEZ 269 Ernst Toller and Spain Ana PÉREZ 277 Urban Serial Models: Muñoz Molina's Los misterios de Madrid Eugenia POPEANGA 287 Impenetrable borders, porous borders: from triangolo and striscia in Buzzati to misty shores and foliage in Gracq Javier DEL PRADO BIEZMA 299 The Grass Will Never Stop Growing: Gerhard Gundermann, an Eastern German Voice for Rock Jos SAGÜÉS German Painters, Authors, Critics and Scholars in Spain: Facts and Considerations about the Cultural Fertility of the "Spanish Journey" Miguel Ángel VEGA CERNUDA 323 Napoleon's Battle at Jena and Auerstedt (14 Oct. 1806). Casualties among combatants and its effects on the civilian population Harald WENTZLAFF-EGGEBERT 372 8 Revista de Filología Alemana 2009, anejo I, 7-8.

Copy Link

Recommended publications

Crowds and Democracy
Crowds and Democracy THE IDEA AND IMAGE OF THE MASSES FROM REVOLUTION TO FASCISM Stefan Jonsson Columbia University Press yf New York CONTENTS List of Illustrations xi Preface xv 1. Introducing the Masses: Vienna, 15 July 1927 1 (ELIAS CANETTI—ALFRED VIERKANDT— HANMAH ARENDT — KARL KRAUS—HEIMITO VON DODERER) 1. Shooting Psychosis 1 2. Not a Word About the Bastille 6 3. Explaining the Crowd 16 4. Representing Social Passions 23 5. A Work of Madness 28 6. Invincibles 33 7. Mirror for Princes 37 8. Workers on the Run 41 9. Lashing 47 Vlll LVJINlLiNIO 2. Authority Versus Anarchy: Allegories of the Mass in Sociology and Literature 51 (GEORG SIMMEL— WERNER SOMBART— FRITZ LANG — LEOPOLD VON WIESE— WILHELM VLEUGELS— GERHARD COLM— MAX WEBER—THEODOR GEIGER—AUGUST SAWDER- HERMANN BROCH —ERNST TOLLER— RAINER MARIA RILKE) 10. The Missing Chapter 51 11. Georg Simmel's Masses 54 12. In Metropolis 61 13. The Architecture of Society 67 14. Steak Tartare 73 15. Delta Formations 80 16. Alarm Bells of History 84 17. Sleepwalkers 92 18.1 Am Mass 105 19. Rilke in the Revolution 115 3. The Revolving Nature of the Social: Primal Hordes and Crowds Without Qualities 119 (SIGMUND FREUD —HANS KELSEN—THEODOR ADORNO — WILHELM REICH —SIEGFRIED KRACAUER —BE11TOLT HRECHT — ALFRED DOBLIN —GEORG GROSZ—ROBERT Ml SIL) 20. Sigmund Freud Between Individual and Society 119 21. Masses Inside 122 22. In Love with Many 126 23. Primal Hordes 131 24. Masses and Myths 139 25. The Destruction of the Person 142 26. The Flaneur—Medium of Modernity 146 27. Ornaments of the People 152 28.
[Show full text]
Xerox University Microfilms 300 North Zaab Road Ann Arbor, Michigan 46106 I I
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. Thefollowing explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page ($)''. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. Whan an image on the film is obliterated with a large round black mark, it is an indication that die photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You w ill find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections w ith a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.
[Show full text]
Ernst Toller - Poems
Classic Poetry Series Ernst Toller - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Ernst Toller(1 December 1893 – 22 May 1939) Ernst Toller was a left-wing German playwright, best known for his Expressionist plays and serving as President of the short-lived Bavarian Soviet Republic, for six days. <b>Biography</b> Ernst Toller was born in Samotschin, Poland, on 1st December 1893. His father was a successful Jewish wholesale merchant. He was schooled in Bromberg where depsite describing it as a "school of miseducation and militarization", he was able to begin his literary career with the publication of a number of articles in the local newspaper and then poetry. In 1914 Toller moved to France in order to study law at the University of Grenoble. However, within six months the onset of the First World War meant he had returned home and signed up for the German army. Within a year he was fighting on the front lines, but by 1916 he was taken ill, suffering from "physical exhaustion and a complete nervous breakdown". In January 1917, now lacking his initial enthusiasm for the war and instead shocked by the high level of carnage, he was discharged from the army. Following this, Toller moved to Munich to return to his studies at Heidelberg University. Here he became friends with sociologist Max Weber. In May 1917 the pair took part in the first "Lauensteiner conference", where they cordially disagreed about the course of the war. Whilst Weber argued for the continuation of the war, Toller favoured a negotiated peace.
[Show full text]
Modernism Enlightenment Modernism
Modernism Enlightenment Modernism • There is a singular, • Humans can accomplish universal truth anything using science • You can reach the truth through art • Even meaninglessness • Originality is possible has meaning (ar<s<c genius) • There is a difference between culture that elevates versus culture for the masses The Modernist Avant-garde • Symbolists • People need to be shocked out of their • Futurists apathy • Dadaists • Expressionists • Surrealists Symbolists • (first of the non-realis<c movements) • 1893 Théâtre de l'Oeuvre • founded by Aurélien-Marie Lugné Poë (1869-1904) Inspired by: • Edgar Allan Poe • Henrik Ibsen • Roman<c poets • The Iliad • The Bible • Believed in geng to deeper meaning under the words through mythology and spirituality Alfred Jarry (1873-1907) • Ubu Roi - staged in 1896 by Lugné-Poë • A vulgar and disgus<ng parody of classical tragedy (mostly Macbeth) • A man kills the king and his family so that he can become king • First word causes a riot Jarry's woodcut of Ubu Futurists - 1910s, Italy • Filippo Marine (1876-1944) • Belief in technology, speed, and machinery • Associated with Italian fascist ideology • Incited rio<ng in Trieste by burning Austrian flag (pro-war) • Art of Noise - use words and noises that sound like machinery and ar<llery • Movement - ges<culate geometrically Art of Noise Dada - 1916-1920, Zurich • Cabaret Voltaire , Tristan Tzara (1896-1963), Hugo Ball (1886-1927), • and Emmy Hennings (1885-1948) • Sound poems • Trying to convey the nonsense of current events • simultaneity and indeterminacy
[Show full text]
Literary Clusters in Germany from Mid-18Th to Early-20Th Century
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Kuld, Lukas; O'Hagan, John Working Paper Location, migration and age: Literary clusters in Germany from mid-18th to early-20th Century TRiSS Working Paper Series, No. TRiSS-WPS-03-2019 Provided in Cooperation with: Trinity Research in Social Sciences (TRiSS), Trinity College Dublin, The University of Dublin Suggested Citation: Kuld, Lukas; O'Hagan, John (2019) : Location, migration and age: Literary clusters in Germany from mid-18th to early-20th Century, TRiSS Working Paper Series, No. TRiSS-WPS-03-2019, Trinity College Dublin, The University of Dublin, Trinity Research in Social Sciences (TRiSS), Dublin This Version is available at: http://hdl.handle.net/10419/226788 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence.
[Show full text]
WRAP Theses Jordan 1994.Pdf
A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/81099 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications EXPERIENCE AND ITS ARTICULATION: mE QUESTION OF FORM IN mE POETRY OF ERNST TOUER submitted by James Anthony Jordan B.A. P. G. C.E. for the Degree of Doctor of Philosophy University of Warwick Department of German Studies August 1994 Table of contents Page Acknowledgements 4 Summary 5 Abbreviations 6 Introduction 7 Chapter 1: From love to war: the early unpublished poeUy (1908-1915) 12 1.1 Early love poems from Marbach 1.2 Early love poems from Koblenz 1.3 'Zum Siegen oder Sterben': three poems by the war enthusiast Chapter 2: The early Expressionist (1915-1919) 38 2.1 Doubt and disillusionment with the war 2.2 Opposition to the war 2.2.1 Unpublished poetry 2.2.2 Published poems 2.3 Early poems related to Die Wandluna: 2.3.1 'Aufriittelung', 'Der Ringende' and 'Der Entwurze1te' 2.3.2 Poems from Koblenz related to Die Wandluna: 2.3.3 'An die Sprache' and 'Anklag ich Euch' 2.4 ToUer's development from the early poetry to Die Wandluna: Chapter 3: The sonnets: a return to form (1919-1921) 82 3.1 The 'lakeside' sonnets
[Show full text]
DRAMATIC READING HINKEMANN Press Release 1 21 20
FOR IMMEDIATE RELEASE: DRAMATIC READING- HINKEMANN by ERNST TOLLER Translated from German by PETER WORTSMAN. With Lauren Gregory, Matthew Ward & Ric Area Royer From HINKEMANN — a Tragedy by German Expressionist Playwright ERNST TOLLER WITH Q&A, BOOK SIGNING & RECEPTION: SATURDAY, JANUARY 25 from 6:30—8:30 PM Press Release: Join Lichtundfire, Peter Wortsman and the actors/readers Lauren Gregory, Matthew Ward & Ric Area Royer for a Dramatic Reading of Selections from HINKEMANN, a tragedy, by German Expressionist playwright Ernst Toller, translated from the German by Peter Wortsman with Q&A, Book Signing and Reception. Peter Wortsman's has previously read from his Award Winning Novel GHOST DANCE IN BERLIN (2013) at Lichtundfire. HINKEMANN recounts the unthinkable, the fate of a man returned home from World War I with life altering injuries. As a love offering to his wife Grete and means of support, the desperate unemployed protagonist, Eugene Hinkemann, accepts a job as a carnival strongman, biting off the heads of live mice and rats. The play was first performed on September 19, 1923 at the Altes Theater, in Leipzig. Subsequent performances in Berlin and Vienna the following year demanded police protection, after a production in Dresden was disrupted by Nazi agitators incensed at the affront to German national honor. Ernst Toller (1893-1939), as an enlisted soldier in the Kaiser’s army in World War I, witnessed the horrors of the trenches first-hand and was seriously wounded. In 1919, Toller embraced revolutionary change and joined the leadership of the short-lived Bavarian Soviet Republic, serving for six days as president.
[Show full text]
Curriculum Vitae
Curriculum Vitae Helen L. Cafferty William R. Kenan, Jr. Professor of German and the Humanities Emerita Bowdoin College Brunswick, ME 0401 Tel:207 725-3343, FAX: 207-725-3348, E-Mail: [email protected] Education: B.A.Bowling Green State University, 1964 M.A.Syracuse University, 1966 Ph.D.The University of Michigan, 1976 Employment: Bowdoin College Instructor 1972-76 Assistant Professor 1976-83 Associate Professor 1983-89 Professor 1989- Assistant Dean of Faculty 1987-90 Chair, German Department 1996-1999, 2003,2006, 2008 2009 Selected Publications: “Pessimism, Perspectivism, and Tragedy: Hinkemann Reconsidered," in German Quarterly, 1981. Review: Ernst Toller. Gesammelte Werke, ed. John M. Spalek and Wolfgang Frühwald, in The German Quarterly, 1981. "German-Language Play Production as Cultural Mediation," in Die Unterrichtspraxis.1982. "History of German Literature: Focus on Women," in German and Women's Studies: New Directions in Literary and Interdisciplinary Course Approaches. Eds. S. Cassierer and S. Weiss. South Hadley, MA: Mount Holyoke College, 1983. Women Writers in Translation: An Annotated Bibliography from 1945-1982. Eds. I Courtivron and M. Resnick. New York: Garland, 1984. Editor and Co-annotator for German-speaking women writers. "Survival Under Fascism: Deception in Apitz's Nackt unter Wölfen, Becker's Jakob der Lügner, and Kohlhaase's Erfindung einer Sprache," in West Virginia Philological 2 Papers, Special Issue devoted to Deceit and Deception in Modern Literature, Vol. 30, 1984. “Tropes and Oral Formulae: The Metaphorical Multiplexity of hant in the Nibelungenlied," in Germanic Dialects: Linguistic and Philological Investigations. Eds. B. Brogyanyi and T. Krümmelbein. Amsterdam: John Benjamin B .B.,1986. Translation.
[Show full text]
The Political Reception of Erich Maria Remarque's Im Westen Nichts Neues in the Late Weimar Republic
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 5-7-1993 The Political Reception of Erich Maria Remarque's Im Westen Nichts Neues in the Late Weimar Republic Richard Jay Cogburn Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the German Literature Commons Let us know how access to this document benefits ou.y Recommended Citation Cogburn, Richard Jay, "The Political Reception of Erich Maria Remarque's Im Westen Nichts Neues in the Late Weimar Republic" (1993). Dissertations and Theses. Paper 4563. https://doi.org/10.15760/etd.6447 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. AN ABSTRACT OF THE THESIS OF Richard Jay Cogbum for the Master of Arts in German presented May 7, 1993. Title: The Political Reception of Erich Maria Remarque's Im Westen Nichts Neues in the Late Weimar Republic APPROVED BY THE MEMBERS OF THE THESIS COMMITIEE: Timm Menke, Chair Louis Elteto Steven Fuller Franklin C. West The novel Im Westen Nichts Neues first appeared in Germany in January 1929 and became an ovemight success. Its author, Erich Maria Remarque, was a shy, quiet man who had not anticipated such 2 success. His novel was written to be a fictitious account of the lives of a few students-tumed-soldier and their comrades in the front -line trenches of World War I.
[Show full text]
Wenn Der Wald Im Winde Rauscht«
»Wenn der Wald im Winde rauscht« »Wenn der Wald im Winde rauscht« Bäume in Bild und Gedicht Ausgewählt von von Luise Marohn RECLAM Inhalt JOHANN WOLFGANG GOETHE Gingo biloba 11 HILDE DOMIN Buchen im Frühling 13 WILHELM MÜLLER Der Lindenbaum 15 HERMANN HESSE Die Birke 19 NICOLAS BORN Frühlingsgedicht 21 EMILY DICKINSON Ein Tropfen auf dem Apfelbaum 23 RAFAEL ALBERTI Im Erlenschatten, Liebste 25 JOSEPH VON EICHENDORFF O Täler weit, o Höhen 27 RAINER MARIA RILKE Durch den sich Vögel werfen 31 NOVALIS Die Erlen 33 HERMANN VON LINGG Sommermorgen im Gebirg 37 MAX DAUTHENDEY Waldbäume 39 HEINZ ERHARDT Bäume im Wald 41 RICARDA HUCH An die Bäume 43 ERNST TOLLER Wälder 45 FRIEDRICH HEBBEL Der letzte Baum 47 GEORG HEYM Der Baum 49 FRED ENDRIKAT An meinen Apfelbaum 53 FERDINAND VON SAAR Die Pappeln 57 JOHANN WOLFGANG GOETHE Gefunden 59 HERMANN HESSE Voll Blüten 61 BARTHOLD HINRICH BROCKES Kirschblüte bei der Nacht 63 CHRISTIAN MORGENSTERN Nachts im Wald 67 CHRISTIAN MORGENSTERN Die zwei Wurzeln 69 BETTY PAOLI Täglicher Tod 71 MAX DAUTHENDEY Ein großer Nussbaum 73 ARNO HOLZ In meinem glühendsten Tulpenbaum 75 STEFAN GEORGE Komm in den totgesagten park und schau 77 EMMY HENNINGS Klage im Wald 79 BERTOLT BRECHT Die schwarzen Wälder 81 PAUL CELAN Waldig 85 ELSE LASKER-SCHÜLER Mein Lied 87 ERICH KÄSTNER Die Wälder schweigen 89 HANS-ULRICH TREICHEL Blätter 91 NIKOLAUS LENAU Herbstklage 93 JAN WAGNER Herbstvillanelle 95 SELMA MEERBAUM-EISINGER Kastanien 97 HEINRICH HEINE Das gelbe Laub erzittert 99 RICHARDA HUCH Wie schaurig rauscht das Schicksal durch
[Show full text]
Anti-Nazi Exiles German Socialists in Britain and Their Shifting Alliances 1933-1945
Anti-Nazi Exiles German Socialists in Britain and their Shifting Alliances 1933-1945 by Merilyn Moos Anti-Nazi Exiles German Socialists in Britain and their Shifting Alliances 1933-1945 by Merilyn Moos Community Languages Published by Community Languages, 2021 Anti-Nazi Exiles, by Merilyn Moos, published by the Community Languages is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Front and rear cover images copyright HA Rothholz Archive, University of Brighton Design Archives All other images are in the public domain Front and rear cover illustrations: Details from "Allies inside Germany" by H A Rothholz Born in Dresden, Germany, Rothholz emigrated to London with his family in 1933, to escape the Nazi regime. He retained a connection with his country of birth through his involvement with émigré organisations such as the Free German League of Culture (FGLC) in London, for whom he designed a series of fundraising stamps for their exhibition "Allies Inside Germany" in 1942. Community Languages 53 Fladgate Road London E11 1LX Acknowledgements We would like to thank Ian Birchall, Charmian Brinson, Dieter Nelles, Graeme Atkinson, Irena Fick, Leonie Jordan, Mike Jones, University of Brighton Design Archives. This work would not have been publicly available if it had not been for the hard work and friendship of Steve Cushion to whom I shall be forever grateful. To those of us who came after and carry on the struggle Table of Contents Left-wing German refugees who came to the UK before and during the Second
[Show full text]
The Apocalypse in Germany
The Apocalypse in Germany Klaus Vondung University of Missouri Press The Apocalypse in Germany The Apocalypse in Germany Klaus Vondung Translated from the German by Stephen D. Ricks University of Missouri Press Columbia and London © 1988 Deutscher Taschenbuch Verlag, Munich/Germany © 2000 for the English language translation: Stephen D. Ricks © 2000 for the English language edition by The Curators of the University of Missouri University of Missouri Press, Columbia, Missouri 65201 Printed and bound in the United States of America All rights reserved 54321 0403020100 Library of Congress Cataloging-in-Publication Data Vondung, Klaus. [Apokalypse in Deutschland, English] The apocalypse in Germany / Klaus Vondung; translated from the German by Stephen D. Ricks. p. cm. Includes bibliographical references and index. ISBN 0-8262-1292-1 (alk. paper) 1. Germany—History—Philosophy. 2. History (Theology) 3. Nationalism—Germany—History. 4. German literature—History and criticism. 5. Apocalyptic art—Germany. I. Title. DD97.V6613 2000 943'.001—dc21 00-032558 ⅜ϱ ™This paper meets the requirements of the American National Standard for Permanence of Paper for Printed Library Materials, Z39.48, 1984. Text design: Elizabeth K. Young Jacket design: Susan Ferber Typesetter: BOOKCOMP, Inc. Printer and binder: Thomson-Shore, Inc. Typefaces: Helvetica, Goudy Old Style Frontispiece: Ludwig Meidner, Apocalyptic Landscape I (1912), © Ludwig Meidner-Archiv, Judisches¨ Museum der Stadt, Frankfurt am Main, 2000. This book is published with the generous assistance of the Eric Voegelin Institute in Baton Rouge, Louisiana. Contents List of Illustrations vii Introduction 1 Part One: Approaches 1. How Exciting the Vision of the New World Is! Or, What Ernst Toller Connects with John of Patmos 11 2.
[Show full text]