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Clavecin En Concert Dont Il Est Le Directeur L’Une Des Musiciennes Les Plus En Demande

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Clavecin En Concert Dont Il Est Le Directeur L’Une Des Musiciennes Les Plus En Demande Luc Beauséjour, clavecin Grâce à la virtuosité, à l’élégance et à l’expres - Schola Cantorum de Bâle avec Paolo Pandolfo sivité de son jeu, le claveciniste et organiste et, finalement, avec Christophe Coin au Luc Beauséjour a suscité tant l’enthousiasme du Conservatoire National Supérieur de Musique de public que les éloges des critiques et des spécia - Paris. Il s’est produit en Europe, aux États-Unis, listes. «La respiration naturelle de son clavecin, en Amérique latine ainsi qu’au Japon autant l'attention remarquable aux proportions et au comme soliste qu’avec des ensembles réputés chant en font un artiste rare.» Luc Beauséjour tels que Les Musiciens du Louvre, Concerto mène une carrière très active au Canada et à Vocale, Hespèrion XXI et l’Ensemble Vocal l’étranger. Il a également joué en Europe et en de Lausanne. Les enregistrements qu’il a dédiés Amérique. Il s’est produit dans le cadre de à Bach, Buxtehude et Marais ont été salués par la plusieurs festivals canadiens et européens impor- presse spécialisée. De 1995 à 2005, il a assisté tants. Il a également été invité à jouer les Marc Minkowski dans la production d’opéras. Variations Goldberg au Studio Glenn Gould, Depuis, M. Quintana a été appelé à diriger des à Toronto, pour commémorer la naissance du concerts en Europe, dans le Sud-Est asiatique grand pianiste canadien. Il a été consacré ainsi qu’en Amérique du Sud. Il a dirigé les trois «Interprète de l’année 2003» par le Conseil opéras de Monteverdi ainsi que Rodelinda québécois de la musique et a remporté deux de Handel en Argentine et au Chili. trophées Félix au Gala de l’ADISQ au Québec (2002 et 2006). Luc Beauséjour a enregistré Hélène Plouffe, violon 25 disques dont plusieurs ont reçu des récom- penses et distinctions dans les revues musicales. Hélène Plouffe est l’une des violonistes baroques Reconnu comme l’un des meilleurs clavecinistes les plus actives au Canada. Sa musicalité et ses au Canada, Luc Beauséjour a fondé en 1994 qualités exceptionnelles de chambriste en font Clavecin en concert dont il est le directeur l’une des musiciennes les plus en demande. artistique. Elle est membre fondateur des Boréades de Montréal et du Quatuor Franz Joseph. Elle se Juan Manuel Quintana, produit régulièrement avec Les Idées Heureuses, l’Orchestre baroque Arion et Clavecin en concert. viole de gambe Elle a joué avec Le Concert des Nations, Natif de Buenos Aires, Juan Manuel Quintana y Stradivaria et Le Concert Spirituel. Un grand nom- a commencé l’étude de la viole de gambe avec bre de tournées l’ont conduite autour du monde: Ricardo Massun. Il poursuivra ensuite sa forma- États-Unis, Mexique, Brésil, Belgique, Allemagne, tion à Genève avec Ariane Maurette, puis à la Suède, France, Angleterre, Japon et Turquie. Elle a 2 Luc Beauséjour, harpsichord travaillé en collaboration avec Emma Kirkby, Harpsichordist and organist Luc Beauséjour Monica Huggett et Manfredo Kraemer. Régulière - is renowned for the elegance, virtuosity, and ment entendue sur les ondes radiophoniques, expressiveness of his playing, which has won him Hélène Plouffe a participé à l’enregistrement an enthusiastic audience and the continuing de plus d’une centaine de disques pour diverses praise of critics and music specialists. “He plays étiquettes. Surtout reconnue comme violoniste with impeccable technique, tasteful embellish- baroque, Hélène Plouffe joue tout aussi aisément ments, a wide range of emotion and a deep de l’alto et de la viole d’amour. Elle enseigne le sensitivity.” Mr. Beauséjour leads a very active violon et l’alto ainsi que la musique de chambre performing schedule in Canada and abroad that baroque à l’université McGill. has taken him to Europe and North America. He was invited to perform the Goldberg Grégoire Jeay, flûte Variations at the Glenn Gould Studio in Toronto for a CBC commemoration of the great pianist's Grégoire Jeay est un flûtiste spécialisé en birthday—testimony to the recognition he has musique baroque. Musicien actif sur les scènes earned as one of Canada’s finest musicians. québécoise et canadienne, il a joué en France, In the last few years, he has won numerous en Belgique, en Turquie, au Mexique, ainsi qu’aux awards, including “2003 Performer of the Year” États-Unis. Il est membre de plusieurs ensembles from the Conseil québécois de la musique and dont Tafelmusik Baroque Orchestra, Les Idées two Félix at the Gala de l’ADISQ (2002 and 2006). Heureuses, Theatre of Early Music, le Studio Luc Beauséjour has recorded 25 CDs, many of de Musique ancienne de Montréal, l’Orchestre which have won awards and praise from music baroque de Montréal ainsi que le Trinity Consort magazines. Mr. Beauséjour has been the Artistic à Portland en Oregon. Il a collaboré avec les Director of “Clavecin en concert” since 1994. chanteurs Suzie Leblanc, Emma Kirkby, Shannon Mercer, Nancy Argenta, Karina Gauvin, Matthew White et Daniel Taylor. Fréquemment entendu sur Juan Manuel Quintana, les ondes radiophoniques, il a également viole de gambe participé à des enregistrements avec la Bande Buenos Aires-born Juan Manuel Quintana started Montréal Baroque, Les Boréades, La Mandragore, studying viola da gamba in his hometown with Skye Consort, le claveciniste Luc Beauséjour Ricardo Massun. He pursued further studies et le violoniste Olivier Brault. Parallèlement in Geneva with Arianne Maurette, in Basel (Schola à ses activités de flûtiste, Grégoire Jeay compose Cantorum) with Paolo Pandolfo and, finally, at the et arrange des bandes sonores ainsi que des Paris Conservatoire with Christophe Coin. He has pièces pour flûte. appeared in Europe, the United States, Latin 3 Grégoire Jeay, flute America and Japan as a soloist and with such cele- Grégoire Jeay is a flutist specializing in baroque brated ensembles as Les Musiciens du Louvre, performance. An active performer in Quebec and Concerto Vocale, Hespèrion XXI and the Ensemble Canada, he has played in France, Belgium, Turkey, Vocal de Lausanne. An active recording artist, Mexico and in the United States. He is a member Quintana’s Bach, Buxtehude and Marais albums of Tafelmusik Baroque Orchestra, Les Idées have been hailed by the specialized press. Heureuses, Theatre of Early Music, the Studio He gained experience in opera productions de Musique ancienne de Montréal, the Orchestre assisting Marc Minkowski from 1995 to 2005. baroque de Montréal and Trinity Consort Since then, he has been invited to conduct concerts in Portland, Oregon. He has recently shared in Europe, South East Asia and in South America. the stage with singers Suzie Leblanc, Emma He led performances of Monteverdi’s three operas Kirkby, Shannon Mercer, Nancy Argenta, Karina and Handel’s Rodelinda in Argentina and Chile. Gauvin, Matthew White and Daniel Taylor , as well as with harpsichordists Luc Beauséjour, Joël Hélène Plouffe, violin Thiffault and Hendrik Bouman. He can be heard on several recordings with ensembles such as the Hélène Plouffe is one of the busiest baroque Bande Montréal Baroque, Les Boréades, La violinists in Canada. Her musicality and exceptional Mandragore, Skye Consort, and violinist Olivier chamber music abilities are making her a very Brault. A multi-faceted musician, Jeay also com- sought-after musician. She is a founding member poses and arranges soundtracks and pieces for of Les Boréades de Montréal and Quatuor the flute. Franz Joseph. She plays regularly with Les Idées Heureuses, Arion Baroque Orchestra and Clavecin en concert. She has performed with Le Concert des Nations, Stradivaria and Le Concert Spirituel. Numerous tours have bought her around the world: United States, Mexico, Brazil, Belgium, Germany, Sweden, France, England, Japan and Turkey. She collaborated with Emma Kirkby, Monica Huggett and Manfredo Kraemer. Frequently heard on the radio, she has recorded more than a hundred albums for various labels. Violinist Plouffe is equally fluent on the baroque viola and viola d’amore. She teaches baroque vio- lin, viola and chamber music at McGill University. 4 Un concert parisien Paris, vers 1745 temples du bel esprit, emboîtent le pas et s’ouvrent de plus en plus aux nouveautés Pour Voltaire, 1715, année de la mort de Louis musicales. XIV, «devait marquer le terme d’une grande époque, après laquelle tout allait paraître Bien sûr, les hauts lieux de la musique restent terne et mesquin». Jusqu’au milieu du siècle, toujours l’Académie Royale (avec la survivance en effet, l’histoire française et internationale des privilèges exorbitants instaurés par Lully) reste pauvre en grands événements. En réali- et l’Opéra. Depuis 1725, le Concert Spirituel té, après la stabilité des structures sociales, propose à un public payant une program - économiques ou intellectuelles du XVIIe siècle, mation de 20 à 25 manifestations par an. ce sont les bases les plus profondes de la Au même moment se créent d’autres sociétés société qui commencent à se transformer. de concerts, où l’on peut découvrir des Ces bouleversements, souterrains, qui, aux compositeurs étrangers, les Italiens d’abord, yeux des contemporains, transparaissent peu puis peu à peu des Allemands. Chez le financier en surface, préparent pourtant les Crozat, les concerts ont lieu deux fois par «Lumières» et la chute du régime. semaine. Le «Concert Italien» de Madame de Prie, programmé lui aussi deux fois par Alors que, de l’Espagne à la Russie, de semaine dans un salon des Tuileries, tout Stockholm à Naples, les grandes et les petites à côté du Concert Spirituel, reposait sur les cours bâtissent partout des imitations de libéralités de 60 souscripteurs, grâce à quoi Versailles et adoptent la langue et le style du les meilleurs artistes étaient engagés. Roi Soleil, la vie intellectuelle et l’avant-garde On donne aussi de la musique chez le prince artistique refluent vers Paris, qui devient le de Conti, chez le duc d’Aumont, plus tard chez modèle du bon goût en Europe et plus que le baron de Bagge, pour ne citer que ces jamais le creuset de la culture.
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