Chapter 3 - Classical and Hellenistic Greece
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A Geometric Cemetery on the Areopagus: 1897, 1932, 1947*
A GEOMETRIC CEMETERY ON THE AREOPAGUS: 1897, 1932, 1947* with Appendices on the Geometric Graves found in the Dorpfeld Excavations on the Acropolis West Slope in 1895 and on Hadrian Street ("Phinopoulos' Lot") in 1898 (PLATES 65-80) I. Introduction and the Problem a. The D6rpfeld Excavations p. 325 b. The Agora Excavations and the Search p. 327 c. Disiecta Membra p. 328 II. The Areopagus Cemetery a. General Remarks and Conclusions p. 329 b. Catalogue of Graves and Finds p. 334 Appendix A: Sources for the D6rpfeld Geometric Graves p. 365 Appendix B: The Two Geometric Graves on the Acropolis West Slope: 1895 p. 372 Appendix C: Two Geometric Graves in Phinopoulos' Lot at No. 3, Hadrian Street: 1898 p. 374 Appendix D: A Note on Poulsen's "Akropolisvasen" p. 385 Appendix E: List of Known Finds from the D6rpfeld Geometric Graves p. 387 Appendix F: The Submycenaean Child's Grave South of the Amyneion: 1892 p. 389 I. INTRODUCTION AND THE PROBLEM' A. THE DORPFELD EXCAVATIONS For seven seasons between 1892 and 1899 the German Archaeological Institute, under the general supervision of Wilhelm Dorpfeld, carried out regular excavations in * Professor Penuel P. Kahane died suddenly on February 13, 1974 in Basel. This paper is dedicated to his memory. 1 I am deeply grateful to Professor Homer A. Thompson and to the American School of Classical Studies for the opportunity to study the Agora material; to the German Archaeological Institute in Athens and to Professor Emil Kunze for permission to use the Daybook material; to Dr. Ulf Jantzen for permission to publish the vases in the Institute, and to reproduce the photographs from the Photoabteilung; and to Dr. -
Who Freed Athens? J
Ancient Greek Democracy: Readings and Sources Edited by Eric W. Robinson Copyright © 2004 by Blackwell Publishing Ltd The Beginnings of the Athenian Democracv: Who Freed Athens? J Introduction Though the very earliest democracies lildy took shape elsewhere in Greece, Athens embraced it relatively early and would ultimately become the most famous and powerful democracy the ancient world ever hew. Democracy is usually thought to have taken hold among the Athenians with the constitutional reforms of Cleisthenes, ca. 508/7 BC. The tyrant Peisistratus and later his sons had ruled Athens for decades before they were overthrown; Cleisthenes, rallying the people to his cause, made sweeping changes. These included the creation of a representative council (bode)chosen from among the citizens, new public organizations that more closely tied citizens throughout Attica to the Athenian state, and the populist ostracism law that enabled citizens to exile danger- ous or undesirable politicians by vote. Beginning with these measures, and for the next two centuries or so with only the briefest of interruptions, democracy held sway at Athens. Such is the most common interpretation. But there is, in fact, much room for disagree- ment about when and how democracy came to Athens. Ancient authors sometimes refer to Solon, a lawgiver and mediator of the early sixth century, as the founder of the Athenian constitution. It was also a popular belief among the Athenians that two famous “tyrant-slayers,” Harmodius and Aristogeiton, inaugurated Athenian freedom by assas- sinating one of the sons of Peisistratus a few years before Cleisthenes’ reforms - though ancient writers take pains to point out that only the military intervention of Sparta truly ended the tyranny. -
The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts
THE NATURE OF HELLENISTIC DOMESTIC SCULPTURE IN ITS CULTURAL AND SPATIAL CONTEXTS DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Craig I. Hardiman, B.Comm., B.A., M.A. ***** The Ohio State University 2005 Dissertation Committee: Approved by Dr. Mark D. Fullerton, Advisor Dr. Timothy J. McNiven _______________________________ Advisor Dr. Stephen V. Tracy Graduate Program in the History of Art Copyright by Craig I. Hardiman 2005 ABSTRACT This dissertation marks the first synthetic and contextual analysis of domestic sculpture for the whole of the Hellenistic period (323 BCE – 31 BCE). Prior to this study, Hellenistic domestic sculpture had been examined from a broadly literary perspective or had been the focus of smaller regional or site-specific studies. Rather than taking any one approach, this dissertation examines both the literary testimonia and the material record in order to develop as full a picture as possible for the location, function and meaning(s) of these pieces. The study begins with a reconsideration of the literary evidence. The testimonia deal chiefly with the residences of the Hellenistic kings and their conspicuous displays of wealth in the most public rooms in the home, namely courtyards and dining rooms. Following this, the material evidence from the Greek mainland and Asia Minor is considered. The general evidence supports the literary testimonia’s location for these sculptures. In addition, several individual examples offer insights into the sophistication of domestic decorative programs among the Greeks, something usually associated with the Romans. -
The Athenian Agora
Excavations of the Athenian Agora Picture Book No. 12 Prepared by Dorothy Burr Thompson Produced by The Stinehour Press, Lunenburg, Vermont American School of Classical Studies at Athens, 1993 ISBN 87661-635-x EXCAVATIONS OF THE ATHENIAN AGORA PICTURE BOOKS I. Pots and Pans of Classical Athens (1959) 2. The Stoa ofAttalos II in Athens (revised 1992) 3. Miniature Sculpturefrom the Athenian Agora (1959) 4. The Athenian Citizen (revised 1987) 5. Ancient Portraitsfrom the Athenian Agora (1963) 6. Amphoras and the Ancient Wine Trade (revised 1979) 7. The Middle Ages in the Athenian Agora (1961) 8. Garden Lore of Ancient Athens (1963) 9. Lampsfrom the Athenian Agora (1964) 10. Inscriptionsfrom the Athenian Agora (1966) I I. Waterworks in the Athenian Agora (1968) 12. An Ancient Shopping Center: The Athenian Agora (revised 1993) I 3. Early Burialsfrom the Agora Cemeteries (I 973) 14. Graffiti in the Athenian Agora (revised 1988) I 5. Greek and Roman Coins in the Athenian Agora (1975) 16. The Athenian Agora: A Short Guide (revised 1986) French, German, and Greek editions 17. Socrates in the Agora (1978) 18. Mediaeval and Modern Coins in the Athenian Agora (1978) 19. Gods and Heroes in the Athenian Agora (1980) 20. Bronzeworkers in the Athenian Agora (1982) 21. Ancient Athenian Building Methods (1984) 22. Birds ofthe Athenian Agora (1985) These booklets are obtainable from the American School of Classical Studies at Athens c/o Institute for Advanced Study, Princeton, N.J. 08540, U.S.A They are also available in the Agora Museum, Stoa of Attalos, Athens Cover: Slaves carrying a Spitted Cake from Market. -
Athena from a House on the Areopagus
ATHENA FROM A HOUSE ON THE AREOPAGUS (PLATES 107-112) E XCAVATIONS in 1970 and 1971 in the Athenian Agora revealed a remarkablecol- lection of sculpture from one of the largest of the late Roman houses on the slopes of the Areopagus.1This house, now called House C, was built in the 4th century after Christ with a spaciousplan includingtwo peristylecourts, and it was filled with Greek and Roman marble sculpturesof exceptional quality.2Two significantworks from the house have been I It is a pleasure to acknowledgethe cooperationof H. A. Thompson, T. L. Shear,Jr., and J. McK. Camp II of the Agora Excavationsand Museum, M. Brouskariof the AkropolisMuseum, N. Peppa-Delmouzouof the Epigraphical Museum, and K. Krystalli-Votsi of the National ArchaeologicalMuseum in Athens for allowing me to study and photograph the sculptures included here. I am especially grateful to Evelyn B. Harrison for her continuing encouragementand for permission to publish the Agora material, and to the AmericanSchool of Classical Studies at Athens for its friendly assistance. Works frequentlycited are abbreviatedas follows: Bieber, Copies = M. Bieber, Ancient Copies: Contributionsto the History of Greek and Roman Art, New York 1977 Boardman,GSCP = J. Boardman,Greek Sculpture: The ClassicalPeriod, New York 1985 Karouzou = S. Karouzou, National ArchaeologicalMuseum: Collection of Sculpture. A Cata- logue, Athens 1968 Lawton = C. L. Lawton, Attic Document Reliefs of the Classicaland Hellenistic Periods, diss. PrincetonUniversity, 1984 Leipen = N. Leipen, Athena Parthenos:A Reconstruction,Toronto 1971 Meyer = M. Meyer, Die griechischen Urkundenreliefs,AM Beiheft 13, Berlin 1989 Richter, SSG4 = G. M. A. Richter, The Sculptureand Sculptorsof the Greeks,4th ed., New Haven 1970 Ridgway, FCS = B. -
Paul's Speech Before the Areopagus and the Evangel for Today
MINISTRY EVANGEL Autumn 1992 69 THE GOSPEL FROM ATHENS: PAUL'S SPEECH BEFORE THE AREOPAGUS AND THE EVANGEL FOR TODAY John Proctor This article illustrates the way the apostles contextualised their messages. Paul's address to the Areopagus court in Athens the perceptions and preconceptions of contemporary (Acts 17:22-34) represents a carefully targetted and Britain. thoughtful presentation of the Christian message to a particular audience in a unique setting. In a centre 1. Religion of the Greek Gods outstanding for the visible expression-in art and architecture--of Greek religion, Paul engages with 'The city was full of idols' (16). 'Men of Athens. the folk-belief, the popular religious perceptions, of you are very religious. For as I passed along, and the day and the place. Among an audience versed in observed the objects of your worship, I found also an philosophical thought and learning, he interacts with altar with this inscription, "To an unknown god." , their intellectual perspectives and their outlook on (22f) Athens was splendidly endowed with buildings the ultimate issues of life. He takes on their world and statues to the pagan deities of Greece, which view, and meets it with the Christian proclamation from an aesthetic perspective were (and are) rated as or, more particularly, with selected elements of the objects of merit and magnificence, 'among the artistic Christian message, chosen because they address the masterpieces of the world'. 2 Although the religion of need of the situation. He speaks in a way that both the ancient deities had declined somewhat under the latches onto and challenges the way his hearers have influence of philosophy, and had been replaced by been accustomed to look at life. -
The Funeral Oration of Pericles
Big Takeaway: Pericles Greatly expanded Athenian Democracy by allowing more men to vote!!! The Funeral Oration of Pericles The excerpt below is taken from Thucydides’ History of the Peloponnesian War. The Ancient Greek historian Thucydides recorded a speech made by the Athenian leader Pericles in honor of those who died fighting Sparta in the first year of The Peloponnesian war (431 B.C). In the speech, Pericles describes the superior qualities of Athenian democracy as compared with life in Sparta. This speech is one of the most famous defenses of democracy of all time! “For our government (Athens’) is not copied from those of our neighbors; we are an example to them rather than they to us. Our constitution is called a democracy because it is in the hands not of the few but of the many! But our laws secure equal justice for all in their private disputes, and our public opinion welcomes and honors talent in every branch of achievement, not for any sectional reason but on grounds of excellence alone. And as we give free play to all in our public life, so we carry the same spirit into our daily relations with one another We are lovers of beauty without extravagance, and lovers of wisdom without unmanliness. Wealth to us is not mere material for vainglory but an opportunity for achievement; and poverty we think it no disgrace to acknowledge but a real degradation to make no effort to overcome. Our citizens attend both to public and private duties, and do not allow absorption in their own various affairs to interfere with their knowledge of the city’s. -
The Pedimental Sculpture of the Hephaisteion
THE PEDIMENTALSCULPTURE OF THE HEPHAISTEION (PLATES 48-64) INTRODUCTION T HE TEMPLE of Hephaistos, although the best-preserved ancient building in Athens and the one most accessible to scholars, has kept its secrets longer than any other. It is barely ten years since general agreement was reached on the name of the presiding deity. Only in 1939 was the evidence discovered for the restora- tion of an interior colonnade whicli at once tremendously enriched our conception of the temple. Not until the appearance of Dinsmoor's study in 1941 did we have a firm basis for assessing either its relative or absolute chronology.' The most persistent major uncertainty about the temple has concerned its pedi- mental sculpture. Almost two centuries ago (1751-55), James Stuart had inferred 1 The general bibliography on the Hephaisteion was conveniently assembled by Dinsmoor in Hesperia, Supplement V, Observations on the Hephaisteion, pp. 1 f., and the references to the sculpture loc. cit., pp. 150 f. On the sculpture add Olsen, A.J.A., XLII, 1938, pp. 276-287 and Picard, Mamtel d'Archeologie grecque, La Sculpture, II, 1939, pp. 714-732. The article by Giorgio Gullini, " L'Hephaisteion di Atene" (Archeologia Classica, Rivista dell'Istituto di Archeologia della Universita di Roma, I, 1949, pp. 11-38), came into my hands after my MS had gone to press. I note many points of difference in our interpretation of the sculptural history of the temple, but I find no reason to alter the views recorded below. Two points of fact in Gullini's article do, however, call for comment. -
Alexander and Hellenistic Greece
AlexanderAlexander andand HellenisticHellenistic GreeceGreece KeyKey TermsTerms toto RememberRemember •• CynicsCynics •• EpicureansEpicureans •• GordianGordian KnotKnot •• HellenisticHellenistic •• ImperiumImperium •• SkepticsSkeptics •• StoicsStoics HellenisticHellenistic Greece:Greece: OverviewOverview • The Rise of Macedonia – Macedonia: Not a Greek polis, but King Philip greatly admires Greek culture – Philip steps into chaotic situation to conquer Greece – Plans to launch an invasion of Persia • Alexander Conquers the World – Alexander seeks to spread Greek culture, imperium throughout Persian Empire – Greeks sweep through Persia and Egypt, invade India before turning back around • The Hellenistic Empire – Mixture of Greek and Middle Eastern cultures – Assimilation of non-Greeks into Greek Empire • The End of the Adventure – Death of Alexander – Inheritances; division of Empire; legacies TheThe GreekGreek Situation,Situation, ca.ca. 340340 BCEBCE AlexanderAlexander ofof MacedonMacedon •• StudiedStudied withwith AristotleAristotle •• GreatlyGreatly admiredadmired GreekGreek cultureculture •• AscendedAscended thronethrone ofof Macedon/GreeceMacedon/Greece afterafter fatherfather’’ss assassinationassassination •• LikeLike father:father: wantswants toto conquerconquer PersiaPersia •• UnlikeUnlike father:father: wantswants moremore Greek coin with likeness of Alexander I; the odd horns would later cause him to be called a demon in the Qu’ran AA GoodGood StartStart…… Pella: Macedonian Greek capital city The Battle of the Granicus, 334 BCE -
Hellenistic Philosophies and the Preaching of the Resurrection (Acts 17:18, 32)
HELLENISTIC PHILOSOPHIES AND THE PREACHING OF THE RESURRECTION (ACTS 17:18, 32) by N. CLAYTON CROY Decatur, GA The Acts of the Apostles traces, somewhat sporadically, the advance of Christian missions from Jerusalem through Judea and Samaria, to Syria, Asia Minor, Greece, and ultimately to Rome, the political cen ter of the Mediterranean world. But long before the narrator reaches the great capital city, he describes the Gospel's encounter with certain pagan schools of thought in a Greek polis which in some respects could claim to be the cultural center of the Mediterranean world, Athens. This city's fame as the showpiece of Greek democracy had dimmed by the NT era, but Athens could still claim to be an important center of archi tecture, art, and philosophy. The dimension of philosophy is the chief concern of this paper. In Acts 17:16-34 Luke offers his account of Paul's brief missionary experience in Athens. The centerpiece of this passage is Paul's sermon before the Areopagus (vss. 22-31). This sermon's skilful composition starts with an acknowledgement of pagan piety, moves deftly through natural revelation, faint allusions to Jewish ideas and a quotation of Hellenistic poetry, and culminates with a message of eschatological judg ment highlighting the role of Christ and the significance of his resur rection.1 Such a combination of topoi and technique, along with the perception that Luke is here presenting a paradigm of Paul's mission ary preaching to Gentiles, has rightfully elevated this passage to one of celebrated status. With fame comes the attention of many expositors. -
Jennifer Finn
Finn CV September 28th, 2020 Jenn Finn [email protected] Employment: Associate Professor of Ancient History, Marquette University (Milwaukee, WI), from August 24th, 2020 Assistant Professor of Ancient History, Marquette University (Milwaukee, WI) from August 24th, 2015 Education: Ludwig-Maximilians Universität: Ph.D., Assyriology (Hauptfach) and Ancient History (Nebenfach) (04/13-7/15) University of Michigan: Ph.D., Greek and Roman History (09/06-03/12) University of Michigan: M.A. in Ancient Greek (9/06-04/10) Columbia University: M.A. in Classics with an emphasis in Latin (09/05-06/06) University of Michigan: B.A. with distinction in Classical Civilizations and Latin (09/01-08/05) Dissertation (defended March 2012): Alexander the Great: Forming Political Identity in a Multicultural Empire Advisors: David Potter (Classics); Margaret Root (History of Art) Dissertation (defended July 2015): Criticizing the King: The Development of an Akkadian Literary Topos Advisors: Piotr Michalowski (Near Eastern Studies); Walther Sallaberger (Assyriology) Particular Interests: Contacts between Greece and the Near East; Ancient Warfare; Revisionist Histories; Reception of Classical/Hellenistic Greece in the Early Roman Empire Publications: Monographs: Much Ado about Marduk: Questioning Discourses of Royalty in First Millennium Mesopotamian Literature May 2017, Berlin: de Gruyter. Alexander the Great: Contested Pasts. Under provisional contract; submitted for peer review the University of Michigan Press (as of January 20th, 2020). Journal Articles/Articles in Edited Volumes: “Gods, Kings, Men: Trilingual Inscriptions and Tripartite Visualizations in the Achaemenid Empire.” Ars Orientalis 41, 2012 (219-275). “Alexander’s Return of the Tyrannicide Statues to Athens.” Historia 63 no. 4, 2014 (385-403). -
Synoikism, Urbanization, and Empire in the Early Hellenistic Period Ryan
Synoikism, Urbanization, and Empire in the Early Hellenistic Period by Ryan Anthony Boehm A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Ancient History and Mediterranean Archaeology in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Emily Mackil, Chair Professor Erich Gruen Professor Mark Griffith Spring 2011 Copyright © Ryan Anthony Boehm, 2011 ABSTRACT SYNOIKISM, URBANIZATION, AND EMPIRE IN THE EARLY HELLENISTIC PERIOD by Ryan Anthony Boehm Doctor of Philosophy in Ancient History and Mediterranean Archaeology University of California, Berkeley Professor Emily Mackil, Chair This dissertation, entitled “Synoikism, Urbanization, and Empire in the Early Hellenistic Period,” seeks to present a new approach to understanding the dynamic interaction between imperial powers and cities following the Macedonian conquest of Greece and Asia Minor. Rather than constructing a political narrative of the period, I focus on the role of reshaping urban centers and regional landscapes in the creation of empire in Greece and western Asia Minor. This period was marked by the rapid creation of new cities, major settlement and demographic shifts, and the reorganization, consolidation, or destruction of existing settlements and the urbanization of previously under- exploited regions. I analyze the complexities of this phenomenon across four frameworks: shifting settlement patterns, the regional and royal economy, civic religion, and the articulation of a new order in architectural and urban space. The introduction poses the central problem of the interrelationship between urbanization and imperial control and sets out the methodology of my dissertation. After briefly reviewing and critiquing previous approaches to this topic, which have focused mainly on creating catalogues, I point to the gains that can be made by shifting the focus to social and economic structures and asking more specific interpretive questions.