Western Kentucky University TopSCHOLAR® History Faculty Publications History Fall 2001 The iH llbilly in the Living Room: Television Representations of Southern Mountaineers in Situation Comedies, 1952-1971 Anthony Harkins Western Kentucky University,
[email protected] Follow this and additional works at: http://digitalcommons.wku.edu/history_fac_pubs Part of the American Popular Culture Commons, Appalachian Studies Commons, and the Cultural History Commons Recommended Citation “The Hillbilly in the Living Room: Television Representations of Southern Mountaineers in Situation Comedies, 1952-1971,” Appalachian Journal 29.1-2 (Fall 2001-Winter 2002): 98-126. This Article is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in History Faculty Publications by an authorized administrator of TopSCHOLAR®. For more information, please contact
[email protected]. TV Images ANTHONY A. HARKINS The Hillbilly in the Living Room: Television Representations of Southern Mountaineers in Situation Comedies, 1952-1971 Tony Harkins completed his Ph.D. in American history at the University of Wisconsin-Madison. His dissertation, "The Significance of the Hillbilly in American Culture, 1900 to the Present," focuses on mass media portrayals of Southern mountain culture throughout the 20th century. He is currently revising his manuscript for publication as Hillbilly: A Cultural History of an American Icon by Oxford University Press in 2002. He is a Lecturer in the Writing Program at Princeton University. In the mid-postwar years of the late 1950s and early 1960s, imagery and press accounts associated with the Southern mountains and their people appeared to a degree unequaled since the 1930s. These images were most prominently featured on television-the dominant medium of its age-in news reports, documentaries, and most commonly, in a steady stream of highly successful and influential situation comedies-TAe Real McCoys, The Andy Griffith Show, and The Beverly Hillbillies.