They Also Served: Actors with WWII Military Records
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31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Chapters 1-10 Notes
Notes and Sources Chapter 1 1. Carol Steinbeck - see Dramatis Personae. 2. Little Bit of Sweden on Sunset Boulevard - the restaurant where Gwyn and John went on their first date. 3. Black Marigolds - a thousand year’s old love poem (in translation) written by Kasmiri poet Bilhana Kavi. 4. Robert Louis Stevenson - Scottish novelist, most famous for Treasure Island, Kidnapped and The Strange Case of Dr Jekyll and Mr Hyde. Stevenson met with one of the Wagner family on his travels. He died aged 44 in Samoa. 5. Synge – probably the Irish poet and playwright. 6. Matt Dennis - band leader, pianist and musical arranger, who wrote the music for Let’s Get Away From It All, recorded by Frank Sinatra, and others. 7. Dr Paul de Kruif - an American micro-biologist and author who helped American writer Sinclair Lewis with the novel Arrowsmith, which won a Pulitzer Prize. 8. Ed Ricketts - see Dramatis Personae. 9. The San Francisco State Fair - this was the Golden Gate International Exposition of 1939 and 1940, held to celebrate the city’s two newly built bridges – The San Francisco-Oakland Bay Bridge and The Golden Gate Bridge. It ran from February to October 1939, and part of 1940. At the State Fair, early experiments were being made with television and radio; Steinbeck heard Gwyn singing on the radio and called her, some months after their initial meeting. Chapter 2 1. Forgotten Village - a screenplay written by John Steinbeck and released in 1941. Narrated by Burgess Meredith - see Dramatis Personae. The New York authorities banned it, due to the portrayal of childbirth and breast feeding. -
Flower Drum Song Little Theatre on the Square
Eastern Illinois University The Keep 1961 Shows Programs 1961 Summer 8-22-1961 Flower Drum Song Little Theatre on the Square Follow this and additional works at: http://thekeep.eiu.edu/little_theatre_1961_programs Part of the Theatre History Commons Recommended Citation Little Theatre on the Square, "Flower Drum Song" (1961). 1961 Shows Programs. 1. http://thekeep.eiu.edu/little_theatre_1961_programs/1 This Book is brought to you for free and open access by the 1961 at The Keep. It has been accepted for inclusion in 1961 Shows Programs by an authorized administrator of The Keep. For more information, please contact [email protected]. "Central Illinois' Only Professional Equity Music Theatre" Fifth Season .h July 7th Through August 27th, 1961 Air-conditioned Grand Theatre * On the Square * Sullivan ? Guy S. Llttle, Jt. Ptassnts ! '4 RODGERS & HAMMERSTEIN'S 1 "FLOWER DRUM SONG' I August 22nd through August 27th, 1961 Who's Who in the Cast . SYLVIA COPELAND (Linda Low) re- RUSTY DORE (Sammy Fong) has been a creates the vital fun-loving Linda for the third popular performer on Broadway, TV, records, time, havinf peiformed this role previous1 at sup er clobs and summer stock. Rusty appeared the South hore Music Theatre and the dan- on sroadway with Mae West in her production nis Melody Tent in Massachusetts. Miss Cope- of DIAMOND LIL and toured the country aa land is. a versatile performer displaying talent the bookie in BELLS ARE RINGING.. We was . as a slnger. actress and pianist. Her many recently seen off-Broadway as Jake in THE cabaret and hotel singing- en agements have THREEPENNY OPERA at the Theatre DeLys taken her from Boston to ~razi?,with stops at and as the student in the Yiddish Art Theatre's Miami Beach. -
Frank Grace – Interview Transcript
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Frank Grace – interview transcript Interviewer: Clare Brewer 8 December 2008 Theatre goer. Anna Lucasta; Windsor Rep; The Gioconda Smile; September Tide; The Second Mrs Tanqueray; Oklahoma; Annie Get your Gun; Shakespeare; The Old Vic; Peter Brook; Olivier; Amateur Theatre; Woolford; Look back In Anger; Encore; Theatre Cruelty; Roots; Tis Pity She’s a Whore; A View From the Bridge; Censorship; Theatre Clubs; The Bald Prima Donna; Oh What a Lovely War; Arthur Miller. This transcript has been edited by the interviewee and thus differs in places from the recording. CB: How did you first become interested in theatre? FG: I suppose through [act]ing at school, but in terms of any serious theatre going I suppose it goes back to the late 1940’s... interestingly enough, when I re-looked at the [programmes] that I have got, the first play that I saw [in] the West End was most unusual for the late 1940’s, it was a play called Anna Lucasta,an American play; what was unusual for the 1940s was that it was an all black cast. CB: Really… FG: And it was about a prostitute and my parents took me [laughs] and I think they must have been slightly worried because I was fourteen at the time and it was one of my first experiences. But that was not typical of the first sort of phase of my theatre-going between that moment in 1949 and about 1951 I suppose and [after where] something dramatic begins to happen, I think. -
Shakespeare, William Shakespeare
Shakespeare, William Shakespeare. Julius Caesar The Shakespeare Ralph Richardson, Anthony SRS Caedmon 3 VG/ Text Recording Society; Quayle, John Mills, Alan Bates, 230 Discs VG+ Howard Sackler, dir. Michael Gwynn Anthony And The Shakespeare Anthony Quayle, Pamela Brown, SRS Caedmon 3 VG+ Text Cleopatra Recording Society; Paul Daneman, Jack Gwillim 235 Discs Howard Sackler, dir. Great Scenes The Shakespeare Anthony Quayle, Pamela Brown, TC- Caedmon 1 VG/ Text from Recording Society; Paul Daneman, Jack Gwillim 1183 Disc VG+ Anthony And Howard Sackler, dir. Cleopatra Titus The Shakespeare Anthony Quayle, Maxine SRS Caedmon 3 VG+ Text Andronicus Recording Society; Audley, Michael Horden, Colin 227 Discs Howard Sackler, dir. Blakely, Charles Gray Pericles The Shakespeare Paul Scofield, Felix Aylmer, Judi SRS Caedmon 3 VG+ Text Recording Society; Dench, Miriam Karlin, Charles 237 Discs Howard Sackler, dir. Gray Cymbeline The Shakespeare Claire Bloom, Boris Karloff, SRS- Caedmon 3 VG+ Text Recording Society; Pamela Brown, John Fraser, M- Discs Howard Sackler, dir. Alan Dobie 236 The Comedy The Shakespeare Alec McCowen, Anna Massey, SRS Caedmon 2 VG+ Text Of Errors Recording Society; Harry H. Corbett, Finlay Currie 205- Discs Howard Sackler, dir. S Venus And The Shakespeare Claire Bloom, Max Adrian SRS Caedmon 2 VG+ Text Adonis and A Recording Society; 240 Discs Lover's Howard Sackler, dir. Complaint Troylus And The Shakespeare Diane Cilento, Jeremy Brett, SRS Caedmon 3 VG+ Text Cressida Recording Society; Cyril Cusack, Max Adrian 234 Discs Howard Sackler, dir. King Richard The Shakespeare John Gielgud, Keith Michell and SRS Caedmon 3 VG+ Text II Recording Society; Leo McKern 216 Discs Peter Wood, dir. -
Torrance Herald
PAGE 7-A 1ORRANCE HERALD. Torranc.. Califo THURSDAY. SEPTEMBER 13. 1945 Conditions In Victory Fireworks at Pearl Harbor Lewellyn, Enrollments Airport for Bay Meadows Veterans Drive Bus Department Founder of Increase in Progresses Draw New Fire ills, Dies City Schools 9n Torra&ce (Continued from Page 1-A) William Llewellyn, 78, retl B. J. Strand, principal of I lie (Continued from Pago 1-A) council acquired the lines and steel executive and pioneer In Torrance elementary school an munity veterans program. The therefore a vote of the council dustrialist in the Los Angeles nounced yesterday, that 23 of Torrance Center, to be estab can sell the lines. He indicated area and one of five brothers the 55 kindergarten pupils en lished in the Veterans Memorial who In 1887 founded the Llew rolled there would advance to building, that he cither will answer or ellyn Iron Works, died Tuesday the first grade on Sept. 17. will provide a single the writ or file a demurrer. The at Good Samaritan Hosplta This would allow the present place where a veteran may go fact that the council did nothing after a six-month Illness. He ha< waiting list of 30, eligible on to learn his rights and privi to change the status of the sale been a patient at the hospita that date, to enter the kinder leges and to find out who in the Tuesday night leaves only the since March.3. garten class, he said. community can best help him one course open, It was pointed He was one of the builders It was also reported that a with his problems. -
The World According to Samuel Beckett
...The World According to Samuel Beckett ... Samuel Beckett was a poet, critic, novelist, short fction writer, critic, translator, and dramatist who wrote both in French and English. Classes will focus on his dramatic work via three full length and four short plays. Plays will be considered in reverse chronological order. Beckett’s short plays (Catastrophe, Not I, Footfalls, Play) will be shown in their entirety during classes 1, 2, and 3. Since only excerpts from Happy Days, Endgame, and Waiting for Godot, can be shown (in classes 4, 5, and 6) students are encouraged to read those plays beforehand. The Complete Dramatic Works of Samuel Beckett is available both in paperback and on Kindle and full performances of his long plays are available on YouTube. Also recommended: James Knowlson’s biography of Samuel Beckett, Samuel Beckett: 1906 -1989 Damned to Fame, Bloomsbury, 2014 (available in paperback and on Kindle). Class 1: Introduction to Beckett’s life, works, aesthetics and the nature of his revolutionary drama. Since all of the plays viewed in class were converted from stage to flm the differences between the two genres will be noted and opposing views by flm director Anthony Minghella and reviewer Tom McGurk considered. Class will view Catastrophe, a six minute flm version of Beckett’s play. Directed by David Mamet with Harold Pinter and John Gielgud in leading roles, this brief but complex work is perfect for introducing Beckett’s stage, characters, and dramatic strategy. Catastrophe was written in 1982 in support of Czech dissident Vaclav Havel and political versus universal applications will be considered. -
Before-The-Act-Programme.Pdf
Dea F ·e s. Than o · g here tonight and for your Since Clause 14 (later 27, 28 and 29) was an contribution o e Organisation for Lesbian and Gay nounced, OLGA members throughout the country Action (OLGA) in our fight against Section 28 of the have worked non-stop on action against it. We raised Local Govern en Ac . its public profile by organising the first national Stop OLGA is a a · ~ rganisa ·o ic campaigns The Clause Rally in January and by organising and on iss es~ · g lesbians and gay e . e ber- speaking at meetings all over Britain. We have s ;>e o anyone who shares o r cancer , lobbied Lords and MPs repeatedly and prepared a e e eir sexuality, and our cons i u ion en- briefings for them , for councils, for trade unions, for s es a no one political group can take power. journalists and for the general public. Our tiny make C rre ly. apart from our direct work on Section 28, shift office, staffed entirely by volunteers, has been e ave th ree campaigns - on education , on lesbian inundated with calls and letters requ esting informa cus ody and on violence against lesbians and gay ion and help. More recently, we have also begun to men. offer support to groups prematurely penalised by We are a new organisation, formed in 1987 only local authorities only too anxious to implement the days before backbench MPs proposed what was new law. then Clause 14, outlawing 'promotion' of homosexu The money raised by Before The Act will go into ality by local authorities. -
CV George Every 1St AD
GEORGE EVERY, 1ST A.D. Full Member of the British AD Guild for Films & Commercials CURRICULUM VITAE Diary Service : EXEC Management Mob : +44 (0)7515 385 491 Tel 01753 646 677 [email protected] [email protected] RESUME I have been a 1st AD for 22 years. I have wide experience in features, tv drama and commercials. My credits as a key 1st include features for Oscar winners James Ivory, Norman Jewison, Kevin Macdonald, Régis Wargnier, Florian Zeller and Graham Moore as well as Oscar nominated Tran Anh Hung. I have worked with a large number of A-list talent and have extensive experience of working abroad, including the Far East, South America, Africa, and all over Europe. I was based in Paris for 15 years and speak bilingual French. I returned to London in 2007. FILM & TV DRAMA CREDITS as 1st AD Year Film Format Director 2021 The Son (See Saw Films) Feature Florian Zeller Cast : Hugh Jackman, Laura Dern, Vanessa Kirby, Zen Macgrath Wraps 1st October 2021 Living (Number 9 Films) Feature Oliver Hermanus Cast : Bill Nighy, Aimee Lou Wood, Alex Sharp Period : 1950s. Location : London 2021 The Outfit (FilmNation) Feature Graham Moore Cast : Sir Mark Rylance, Sir Simon Russell Beale, Johnny Flynn, Dylan O’Brien Period : 1950s. Location : Studio,London 2020 My Name is Lizzie (Story Films) TV Drama Niall MacCormick 4-part mini series for Channel 4 Cast : Niamh Algar, Harry Treadaway, Sion Daniel Young Period : 1990s. Location : London 2019 The Father (Trademark Films) Feature Florian Zeller Cast : Sir Anthony Hopkins, Olivia Colman, Rufus Sewell, Olivia Williams, Mark Gatiss. -
Rodgers and Hammerstein╎s Affect on Post
Dees 1 Alison Dees Professor McDouglad English 1102 F13 8 December 2013 From Pants to Pearls: Rodger’s and Hammerstein’s Affect on Post WWII Women During the 1940s, musicals like This is the Army and Strike up the Band dominated the theatre world. These musicals contained plots that focused on patriotism and primarily featured leads held by men. In Strike up the Band, the two male mangers of a cheese factory wage war against Switzerland (“Strike up the band”, 2013). In This is the Army , a cast filled with men sings about the trials that come with being in the Armed Forces (Kenrick). Theatre producers’ primary focus seemed to be on the war raging in Europe and Japan. While actors were singing about the harsh reality of war, men were actually living it. Many men left home to fight for our freedoms overseas during World War II while women became the power that fueled the American home front. From Rosie the Riveter to articles that talked about different ways to wear your hair at work, the nation was trying to bring glamour to the women who traded their home life for a job in a factory. The Sperry Company even created a Miss Victory pageant where “women were encouraged to wear slacks and keep their hair hidden for safety.” These pageants gave working class women a chance to model their work clothes all in hopes to support the company’s campaign that “focused on safety practices that eliminated traditional markers of femininity such as long hair and skirts” (Pantnode 231-2450). -
Gosford Park R
(/) GOSFORD PARK R By Erica Abeel (Http://Www.Filmjournal.Com/Taxonomy/Term/93) Nov 1, 2004 Like Share Tweet Reviews (//www.pinterest.com/pin/create/button What could be more intriguing than a whodunit by Robert Altman with an all-star cast set on an English estate? The opening moments of Gosford Park augur well: black screen and the rustle of steady rain. Then the Countess of Trentham (the incomparable Maggie Smith) and her awkward new maid (Kelly Macdonald) leave in a vintage buggy through a twilight mist, promising mystery and mannered mayhem. But that's as atmospheric as it gets. This latest by the Big Daddy of American Cinema soon veers off into a showcase for the Altman stock-in-trade of episodic stories, ensemble acting and overlapping dialogue (liberally laced with free-floating misogyny)--all of it oddly out of place in this Agatha Christie territory. It's 1932 and a covey of upper-class Brits converge on Gosford Park, the digs of Sir William McCordle (Michael Gambon) and his wife, Lady Sylvia (Kristin Scott Thomas), for a shooting party. Also on hand are Ivor Novello (Jeremy Northam), the '30s matinee idol and singer, along with Morris Weissman (Bob Balaban), a Hollywood vulgarian and producer of Charlie Chan movies, who's planning a new whodunit that mirrors the one we're watching. Recycling the upstairs/downstairs format, Altman cuts back and forth between the mostly despicable aristos at play in drawing room and field, and the subterranean crew of servants beavering away in the shadowy warrens below. Before the actual murder occurs, there's funny business galore, especially below stairs. -
Original Writer Title Genre Running Time Year Director/Writer Actor
Original Running Title Genre Year Director/Writer Actor/Actress Keywords Writer Time Katharine Hepburn, Alcoholism, Drama, Tony Richardson; Edward Albee A Delicate Balance 133 min 1973 Paul Scofield, Loss, Play Edward Albee Lee Remick Family Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. I Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 54 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. II Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. III Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. IV Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 50 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. V Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 52 min 1995 Austen,