DOCSLIB.ORG

Company Profile

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Company Profile Company Profile: PT. Monalisa Tunggal Jaya Website http://www.ptmtj.com Office Jl. Gajah Mada 156 S Address (Keagungan) Post Code: 11130 Jakarta Barat – Indonesia Showroom 1. Lindeteves Trade Centre Lt.2 Blok C. No. 37 2. Harco Glodok Lt.3 Blok C III/15 Phone +62-(21) 600 7069 +62-(21) 600 8136 +62-(21) 629 0170 Fax +62-(21) 659 4379 +62-(21) 629 7825 Email [email protected] Overview PT. Monalisa Tunggal Jaya was established on 1980 operating in the business area of Professional Lighting and Sound System. PT. MTJ is a major player in the industry distributing high end of products and customer satisfaction has been our key advantage by providing good on site service and full warranty support. The company employs only the best selection of technically competent professionals in the industry. Our company committed to provide full service to its customer from: 1. Initial planning & designing specification 2. Project quotation 3. Site drawing with on site discussion 4. Product deliveries and on site installation 5. Wiring, cabling, DMX Settings and controller programming 6. On site / Off site full warranty support Our company promises to give full satisfaction using the most advance, most practical and most economical means possible in the market without leaving the quality of service and product itself. Its serving industry application needs of “We do not just sell products; but we deliver design solutions”. - 1 - © Copyright 2008 PT. MTJ. Distributors and Area of Products PT. MTJ is the authorized, sole distributors and also service centre of: Lighting Products and Distributors Martin Professional Famous professional Lights lighting brand from Denmark specializing in: Moving Head, Strobe and others stage / clubs products. Martin Focusing in Architectural architectural providing good quality lighting effects from Denmark specializing in: architectural. JEM Smoke and Focusing in Hazer Hazer and Smoke machine from Denmark with a very good quality control. Griven Lighting products from Italy well known for their theater lights. Aztec-Electronics Professional lighting products well known for price for Mid- range use. - 2 - © Copyright 2008 PT. MTJ. Sound System Products and Distributors MACH Professional Sound Reinforcement Systems and development Bet Acoustics Professional and Expert on Line Array Systems for all multi-purpose functions Ecler Manufacturers of Professional Audio Mixers, amplifiers, loudspeakers cabinets from Espanyol Rigging and Stage Weifa Aluminum truss system Eurotruss Good truss system for Lighting and Sound Bulbs and Accessories GE – Theater and Sole distributors for Lights Bulbs GE bulbs for theater lights in area of Indonesia OSRAM Distributors of OSRAM, Indonesia Philips Agent of Philips Resellers - 3 - © Copyright 2008 PT. MTJ. Area of Products offered: LIGHTING SYSTEM PRODUCT TYPE IMAGE DESCRIPTION Lights with a fast pan and tilt MOVING HEADS movement that can either - INTERIOR illuminate with color or project - EXTERIOR patterns and images. SCANNERS Scanners create an abundance of images and color and reflect them off a moving mirror. STROBES Strobes are pulse of every dance floor. Ultra bright, they punch home the beat and keep the crowd screaming for more. EFFECT LIGHTS Fantastic for atmosphere W/ COLOR CHANGING generators. They can project soft, organic patterns such as fire and water effects to create a special mood. LASER SYSTEM Projected in deep saturated colors or true white, the midair effect inspires awe on the dance floor. Input any image via a sample and software packages. LED STAGE LIGHTS LED Stage lights with small intensity and watt power, ideal for a small business, decorations or small club that requires a little light effects. CONTROLLERS Great lights are nothing without someone at the wheel and the wheel is the lighting controller. It comes with a range to suit the needs. - 4 - © Copyright 2008 PT. MTJ. ARCHITECTURAL LIGHTS PRODUCT TYPE IMAGE DESCRIPTION LED LED Lighting (Light Emitting ARCHITECTURAL Diode) has become increasingly over the last few years as the lights becoming brighter and more reliable. LED BOARD LED Board has become INDOOR / OUTDOOR increasingly popular for visualization of video images, broadcast and concerts. LED LED MOVING SIGN LED Moving Sign is very effective way to show a flexible information to the viewer LED QUEUE SYSTEM Queue system can be use in many ways including clock / timer / counter / countdown and also can be made for exchange rate system LED GRAPHIC SIGN Enhanced system from moving sign that can produce graphic over the sign board. RIGGING & STAGE ALUMUNIUM RIGGING Light weight Alumunium is best used for rigging construction and easy to dispatch and install ALUMUNIUM STAGE Light Weight Rigging from Alumunium is easy to install. STEEL RIGGING Strong and solid steel is good for permanent rigging and good construction STEEL STAGE Strong and solid steel for stage good for places that requires solid stage - 5 - © Copyright 2008 PT. MTJ. Satisfied Customer & Projects Hereby attached are lists of satisfied customer and projects done by PT. MTJ: 2008 Projects Area of Project Name Location Classification Products FX Lifestyle Center LIGHTING Jakarta Mall LED VIDEO WALL Shopping Center Lifestyle Center - 6 - © Copyright 2008 PT. MTJ. 3 Degree Club LIGHTING Jakarta Club Multi-function Area Restaurant & Lounge - 7 - © Copyright 2008 PT. MTJ. Triple 9 LIGHTING Jakarta Club & Lounge SOUND SYSTEM Bar ARCHITECTURAL - 8 - © Copyright 2008 PT. MTJ. The Butterfly Club SOUND SYSTEM Bandung Club & Lounge Discotheque Bar - 9 - © Copyright 2008 PT. MTJ. TRIO LIGHTING Jakarta Retail Store Shopping Store RS. Husada Interactive Floor Jakarta Hospital Medical Places - 10 - © Copyright 2008 PT. MTJ. GBI City Tower Lighting Jakarta Church Multi-function Area Theater Area Gereja Reformed Jakarta Lighting Jakarta Church Multi-function Area Theater Area - 11 - © Copyright 2008 PT. MTJ. Other Projects Area of Project Name Location Classification Products GBI – MGK LIGHTING Jakarta Multi-function Area SOUND SYSTEM Theater Hall Church Ibadah Raya GBI Asian Idol Concert - 12 - © Copyright 2008 PT. MTJ. Area of Project Name Location Classification Products GBI – INTERCON LIGHTING Jakarta Theater Hall SOUND SYSTEM Church X LOUNGE – VERTIGO LIGHTING Jakarta Discotheque Clubs - 13 - © Copyright 2008 PT. MTJ. Area of Project Name Location Classification Products X 2 LIGHTING Jakarta Discotheque Club X2 Main Hall - 14 - © Copyright 2008 PT. MTJ. Area of Project Name Location Classification Products BLOWFISH LIGHTING Jakarta Club / Discothèque Bar / Pub, Restaurant PURE LIGHTING Jakarta Restaurant Club / Bar KIDZANIA LIGHTING Jakarta Theater Theme Park BLITZ MEGAPLEX LIGHTING Jakarta SOUND SYSTEM - 15 - © Copyright 2008 PT. MTJ. Area of Project Name Location Classification Products ROLLINGSTONE STAGE, TRUSS Jakarta Concert RIGGING Outdoor Stage SYSTEM Stage & Truss System KYOOKI LIGHTING Bandung SOUND SYSTEM THE BRAINS LIGHTING Jakarta LED SYSTEM DELTA SPA KTV AND LIGHTING Jakarta KLUB SOUND SYSTEM CHANEL SOUND SYSTEM Jakarta – Grand Retail Shop Indonesia - 16 - © Copyright 2008 PT. MTJ. Project Name Area of Location Classification Products AMNESIA LIGHTING Bandung Lounge SOUND SYSTEM Bar & Club Amnesia Club & Bar TRIPANCA LIGHTING Lampung Lounge MOVING SIGN Bar & Club Tripanca Lounge, Lampung - 17 - © Copyright 2008 PT. MTJ. Project Name Area of Location Classification Products OLYMPIC HOTEL OUTDOOR Jakarta Architectural LIGHTING Lighting ARCHITECTURAL Hotel LIGHTING Olympic Hotel – Architectural Olympic Hotel – Architectural - 18 - © Copyright 2008 PT. MTJ. Project Name Area of Location Classification Products DIZZY LOUNGE LIGHTING Jakarta Lounge SOUND SYSTEM Bar & Club Dizzy Lounge ARJUNA LIGHTING Bandung Pub & Lounge SOUND SYSTEM Arjuna Lounge - 19 - © Copyright 2008 PT. MTJ. Project Name Area of Location Classification Products LE’ARIS HOTEL LIGHTING Bandung Hotel MOVING SIGN Architectural OUTDOOR Outdoor Le’Aris Hotel NOVOTEL HOTEL LIGHTING PALEMBANG SOUND SYSTEM KARAOKE Novotel Hotel - Palembang - 20 - © Copyright 2008 PT. MTJ. Area of Location Classification Project Name Products COLORBAR LIGHTING Balikpapan Pub & Lounge SOUND SYSTEM Club & Bar Colorbar ROYAL BAR SOUND SYSTEM Jakarta ATMAJAYA LIGHTING Jakarta SOUND SYSTEM THE FIRST LIGHTING Jakarta SAUDI ARABIA QUEUE SYSTEM Arab Export MAHAKAM BRIDGE OUTDOOR Tenggarong Architectural LIGHTING Lighting DPRD OFFICE ARCHITECTURAL Decorations LIGHTING Mahakam Bridge at Night DPRD Office - Tenggarong BANK MANDIRI LIGHTING Jakarta SOUND SYSTEM RIGGING STAGE - 21 - © Copyright 2008 PT. MTJ. Project Name Area of Location Classification Products STARQUEEN LIGHTING Semarang Discotheque SOUND SYSTEM Clubs Starqueen Opening Show - 22 - © Copyright 2008 PT. MTJ. Project Name Area of Location Classification Products SPONSOR LIGHTING Jakarta Exhibition EXHIBITION KRISTA SOUND SYSTEM Stadiun Makasar Scoring Board Makasar Outdoor Score (Makasar Dome) Board Scoring Board LED Digital Score Local Scoring Board – Makasar Stadiun and many more…. - 23 - © Copyright 2008 PT. MTJ. Appendix A (available only on request) Archived Projects Lists - 24 - © Copyright 2008 PT. MTJ. .
Load more

Recommended publications
  • Zhang, Qian and Negus, Keith. 2020. East Asian Pop Music Idol Production and the Emergence of Data Fandom in China
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Goldsmiths Research Online Zhang, Qian and Negus, Keith. 2020. East Asian pop music idol production and the emergence of data fandom in China. International Journal of Cultural Studies, ISSN 1367-8779 [Article] (In Press) http://research.gold.ac.uk/28064/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] East Asian pop music idol production and the emergence of data fandom in China International Journal of Cultural Studies Accepted for publication 12 January 2020. FINAL VERSION January 2020 Qian Zhang School of Music and Recording Arts Communication University of China Beijing, PR China [email protected] Keith Negus Music Department Goldsmiths, University of London London,UK [email protected] Abstract This article traces the formation of popular music idol industries in China and the emergence of data fandom. It charts the growth of digital platforms and historicizes the commercial and geopolitical itinerations linking cultural production in Japan, South Korea, and China. It locates data fandom as an integral part of the popular music industries reconfigured by digital social media platforms; a structural change from the production-to-consumption ‘supply chain’ model of the recording era towards emergent circuits of content that integrate industries and audiences.
    [Show full text]
  • FACULTY SCHOLARSHIP 2008 Kasper, Hirschel Kasper, Hirschel and Frank A
    OBERLIN COLLEGE OF ARTS & SCIENCES FACULTY SCHOLARSHIP 2008 Prepared by the Office of the Dean of Arts and Sciences Books Brooks, Pamela Brooks, Pamela E. 2008. Boycotts, Buses, and Passes: Black Women’s Resistance in the U. S. South and South Africa. University of Massachusetts Press. Bryan, Jennifer Bryan, Jennifer. 2008. Devotional Reading And the Private Self in Late Medieval England. University of Pennsylvania Press. Christensen, Julia Christensen, Julia. 2008. Big Box Reuse. MIT Press. Cooper, Jan Cooper, Jan and Mary C. Garvin, eds. 2008. “Living in the Vermilion River Watershed.” Oberlin, Ohio : Western Reserve Land Conservancy, Firelands Chapter: Oberlin College. Deppman, Jed Deppman, Jed and Joy Ladin, eds. 2008. Emily Dickinson and Contemporary Poetics. Special issue of The Emily Dickinson Journal. Deppman, Jed. 2008. Trying to Think with Emily Dickinson. University of Massachusetts Press. 278 p. [ Reprinted in 2010 in paperback] Faber, Sebastiaan Faber, Sebastiaan. 2008. Anglo-American Hispanists and the Spanish Civil War: Hispanophilia, Commitment, and Discipline. New York: Palgrave Macmillan. Hamilton, Elizabeth Hamilton, Elizabeth C. 2008. Worlds Apart? Disability and Foreign Language Learning, edited by Tammy Berberi, Elizabeth Hamilton, and Ian Sutherland. New Haven: Yale University Press. Inglis, Erik Inglis, Erik. 2008. Faces of Power and Piety. J. Paul Getty Museum, Los Angeles, CA. Kamitsuka, David Kamitsuka, David G. 2008. Theology and Contemporary Culture: Liberation, Postliberal and Revisionary Perspectives. Reprint paperback edition. Cambridge: Cambridge University Press. 2 OBERLIN COLLEGE A&S FACULTY SCHOLARSHIP 2008 Kasper, Hirschel Kasper, Hirschel and Frank A. Sloan, eds. 2008. Incentives and Choice in Health Care. Cambridge, MA: MIT Press. Garvin, Mary Cooper, Jan and Mary C.
    [Show full text]
  • Sprungbrett Oder Krise? Das Erlebnis Castingshow-Teilnahme
    Sprungbrett oder Krise? 48 Maya Götz, Christine Bulla, Caroline Mendel Sprungbrett oder Krise? Das Erlebnis Castingshow-Teilnahme Landesanstalt für Medien Nordrhein-Westfalen (LfM) Zollhof 2 40221 Düsseldorf Postfach 103443 40025 Düsseldorf Telefon V 021 1/77007-0 Telefax V 021 1/72 71 70 E-Mail V [email protected] LfM-Dokumentation Internet V http://www.lfm-nrw.de ISBN 978-3-940929-28-0 Band 48 Sprungbrett oder Krise? Das Erlebnis Castingshow-Teilnahme Sprungbrett oder Krise? Das Erlebnis Castingshow-Teilnahme Eine Befragung von ehemaligen TeilnehmerInnen an Musik-Castingshows Maya Götz, Christine Bulla, Caroline Mendel Ein Kooperationsprojekt des Internationalen Zentralinstituts für das Jugend- und Bildungsfernsehen (IZI) und der Landesanstalt für Medien Nordrhein-Westfalen (LfM) Impressum Herausgeber: Landesanstalt für Medien Nordrhein-Westfalen (LfM) Zollhof 2, 40221 Düsseldorf www.lfm-nrw.de ISBN 978-3-940929-28-0 Bereich Kommunikation Verantwortlich: Dr. Peter Widlok Redaktion: Regina Großefeste Bereich Medienkompetenz und Bürgermedien Verantwortlich: Mechthild Appelhoff Redaktion: Dr. Meike Isenberg Titelbild: Collage © Wild GbR Lektorat: Viola Rohmann M. A. Gestaltung: disegno visuelle kommunikation, Wuppertal Druck: Börje Halm, Wuppertal April 2013, Auflage: 1.000 Exemplare Nichtkommerzielle Vervielfältigung und Verbreitung ist ausdrücklich erlaubt unter Angabe der Quelle Landesanstalt für Medien Nordrhein-Westfalen (LfM) und der Webseite www.lfm-nrw.de Inhaltsverzeichnis Vorwort 8 Zusammenfassung 9 Einleitung 11 1 Das System Castingshow
    [Show full text]
  • Domestic Hallyu: K-Pop Metatexts and the Media's Self-Reflexive Gesture
    International Journal of Communication 11(2017), 2308–2331 1932–8036/20170005 Domestic Hallyu: K-Pop Metatexts and the Media’s Self-Reflexive Gesture MICHELLE CHO1 McGill University, Canada Television serves as a crucial medium for shaping the South Korean public’s response to the success of hallyu, or the Korean Wave, in news reports, variety shows, and celebrity interview programs. Further, in the last decade, several K-pop idols have been cast in serial narrative television shows that fictionalize hallyu creative industries. These metatextual shows domesticate transnational idol pop celebrities by contributing layers of televisual intimacy to their star personae and by seeming to expose the inner workings of the entertainment industries. This essay focuses on two notable examples, Dream High (2011, KBS2) and Answer Me 1997 (2012, tvN), to consider what this proliferation of popular narratives about media production and reception on South Korean television signifies. I argue that the intertextual presentation of K-pop on Korean television negotiates a complex relationship between popular culture and public culture in South Korea. The metatextual relay revealed in these shows—what I characterize as the media’s self-reflexive critical gesture—provides access to the ideological impasses of the attempt to produce intimate national publics through globalized contents. Keywords: metatextuality, television, K-drama, K-pop, hallyu, Korean Wave If the ideological function of mass culture is understood as a process whereby otherwise dangerous and protopolitical impulses are “managed” and defused, rechanneled and offered spurious objects, then some preliminary step must also be theorized in which these same impulses—the raw material upon which the process works—are initially awakened within the very text that seeks to still them.
    [Show full text]
  • Global Audience Participation in the Production and Consumption of Gangnam Style
    Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication 5-10-2014 Global Audience Participation in the Production and Consumption of Gangnam Style Soo keung Jung Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Recommended Citation Jung, Soo keung, "Global Audience Participation in the Production and Consumption of Gangnam Style." Thesis, Georgia State University, 2014. https://scholarworks.gsu.edu/communication_theses/106 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. GLOBAL AUDIENCE PARTICIPATION IN THE PRUDUCTION AND CONSUMPTION OF GANGNAM STYLE by SOOKEUNG JUNG Under the Direction of Professor Hongmei Li ABSTRACT This thesis examines the cultural consumption of the Korean music video Gangnam Style in the broader context of the increasing popularity of Korean popular content, often called the Korean Wave, and of complex conditions of transnational consumption. Specifically, it in- vestigates why the music video Gangnam Style gained popularity not only in East Asia but also over the world, how it is circulated, and what conditions contribute to its success. It focuses on the role of the networked audiences and the interactions between the networked audiences and mainstream media through a chronological analysis on the distribution and reproduction process of Gangnam Style on YouTube. Through the case study of Gangman Style, this thesis attempts to rethink the established globalization theories and to suggest new perspective of cultural circula- tion in the globalized and digitalized media environment.
    [Show full text]
  • CIBN Hibo Join Hands with Singapore FENIX to Welcome New Opportunities and the Future!
    26/12/19, 229 pm Page 1 of 1 CIBN Hibo join hands with Singapore FENIX to welcome new opportunities and the future! CIBN Hi Broadcast CIBN Hi Broadcast Today On December 24, 2019, Beijing time, CIBN Hibo and Singapore FENIX company jointly held a signing ceremony, officially signed a cooperation agreement, and jointly committed to the creation of blockchain as a community product. Facing the future, the two sides will also launch a series of exciting cooperation in the aspects of blockchain content products, series of activities, and international music and cultural exchanges. Mr. Xu Hao, general manager and senior blockchain project investor of Beijing Chainsci Technology Co., Ltd. The cooperation between CIBN Hi-Tech and FENIX is based on blockchain technology and features music as a carrier with technological breakthrough characteristics. This cooperation It is a great forward-looking attempt. In terms of international music and cultural exchange, how to promote the internationalization of classic music with national characteristics in the direction of the Belt and Road is a very exciting thing. We must achieve overtaking in curves. Hope that in 2020, we can use this cooperation as a demonstration project to shine on the international stage! Allan Klepfisz, founder of FENIX As the person in charge of the partner, Mr. Allan klepfisz, the founder of FENIX from Singapore, expressed his eager expectation for future cooperation and trust in CIBN. He said: CIBN ’s enthusiasm for innovation in the music industry and its presence in the Chinese market Fenix is deeply attracted by its rich experience and powerful music distribution platform.
    [Show full text]
  • Interlanguage: Interlanguage: English for Senior High School Students X English for Senior High School Students X Arnys Rahayu Irjayanti Virga Renitasari
    Interlanguage: Interlanguage: English for Senior High School Students X English for Senior High School Students X Arnys Rahayu Irjayanti Virga Renitasari Joko Priyana Joko Priyana Joko Priyana Virga Renitasari PUSAT PERBUKUAN Departemen Pendidikan Nasional Arnys Rahayu Irjayanti Interlanguage: English for Senior High School Students X Joko Priyana, Ph.D Arnys Rahayu Irjayanti Virga Renitasari Pusat Perbukuan Departemen Pendidikan Nasional i Hak Cipta pada Departemen Pendidikan Nasional Dilindungi Undang-undang Interlanguage: English for Senior High School Students X Penulis : Joko Priyana, Ph.D Arnys Rahayu Irjayanti Virga Renitasari Editor Ahli : Suharso, M.Pd Editor : Ika Mayliana Perancang Kulit : Bene Layouter : Rita E Ilustrator : Ipunk Kristianto Ukuran Buku : 17,6 x 25 cm 420.07 PRI PRIYANA, Joko i INTERLANGUAGE: English for Senior High School Students X: SMA/MA Kelas XI/oleh Joko Priyana, Riandi, Anita Prasetyo Mumpuni. — Jakarta: Pusat Perbukuan, Departemen Pendidikan Nasional, 2008. vi, 207 hlm.; ilus. ; 25 cm Daftar Pustaka : hlm. 184-186 Indeks ISBN 979-462-895-6 1. INTERLANGUAGE: English for Senior High School-Studi dan Pengajaran I. Judul II. Riandi III. Mumpuni, Anita Prasetyo Hak Cipta buku ini dibeli oleh Departemen Pendidikan Nasional dari Penerbit Gramedia Widiasarana Indonesia (Grasindo) Diterbitkan oleh Pusat Perbukuan Departemen Pendidikan Nasional Tahun 2008 Diperbanyak oleh.... ii Interlanguage: English for Senior High School Students X Kata Sambutan Puji syukur kami panjatkan ke hadirat Allah SWT, berkat rahmat dan karunia-Nya, Pemerintah, dalam hal ini, Departemen Pendidikan Nasional, pada tahun 2008, telah membeli hak cipta buku teks pelajaran ini dari penulis/penerbit untuk disebarluaskan kepada masyarakat melalui situs internet (website) Jaringan Pendidikan Nasional.
    [Show full text]
  • Global Cities, Local Knowledge
    Formatting and Change in East Asian Television Industries: Media Globalization and Regional Dynamics Lim, Wei Ling Tania Patricia BSocSc (Hons), MSc (Media & Comms) Creative Industries Research and Applications Centre Queensland University of Technology Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy 2005 Keywords Circuit of cultural production, East Asian popular culture, Television industries, Field of broadcasting, Formatting, Local knowledge, Media capitals, Neo-networks, Regional dynamics, TV Formats, martial arts dramas, teenage idol soap operas, game-shows. ii Abstract Television is increasingly both global and local. Those television industries discussed in this thesis transact in an extensive neo-network of flows in talents, financing, and the latest forms of popular culture. These cities attempt to become media capitals but their status waxes and wanes, depending on their success in exporting their Asian media productions. What do marital arts dramas, interactive game-shows, children’s animation and teenage idol soap operas from East Asian television industries have in common? Through the systematic use of TV formatting strategies, these television genres have become the focus for indigenous cultural entrepreneurs located in the East Asian cities of Hong Kong, Singapore and Taipei to turn their local TV programmes into tradable culture. This thesis is a re-consideration of the impact of media globalisation on Asian television that re-imagines a new global media order. It suggests that there is a growing shift in perception and trade among once-peripheral television industries that they may be slowly de-centring Hollywood’s dominance by inserting East Asian popular entertainment into familiar formats or cultural spaces through embracing global yet local cultures of production.
    [Show full text]
  • Complex Education Reform to Be Launched in Georgia
    Issue no: 1123 • FEBRUARY 8 - 11, 2019 • PUBLISHED TWICE WEEKLY PRICE: GEL 2.50 In this week’s issue... Kaladze’s Weekly Priorities: Public Transport, Support for Children with Autism NEWS PAGE 3 Georgian FM Holds High-Rank Meetings in Washington POLITICS PAGE 4 Freedom House 2019: Georgia is “Partly Free” FOCUS ON THE OPERA Don Carlo returns to Georgia with a star cast PAGE 11 POLITICS PAGE 5 Expansion of Georgia’s Complex Education Reform Black Sea Ports: Modus Vivendi for Georgia BUSINESS PAGE 7 to Be Launched in Georgia Anastasia Pirveli: Georgia’s BY THEA MORRISON Transgender Star ikheil Batiashvili, Minister of Edu- cation, Science, Culture and Sport of Georgia, held a summarizing presentation of the Education System Complex Reform. MThe reform implies a number of changes to the education system and includes changes in the pre- school, secondary, vocational, higher education and science areas, with Georgian experts and edu- cation subject-matter specialists actively engaged in the reform design and development process. SOCIETY PAGE 9 International organizations the United States Agency for International Development (USAID), World Bank, International Monetary Fund (IMF), “Matters of the Dark & Asian Development Bank (ADB) and almost all donor agencies and international partners of Geor- Irresistible,” a Disturbing gia also participated in forming the upcoming strategy. Exhibition at the MOMA Continued on page 2 Image source: mes.gov.ge CULTURE PAGE 11 GEORGIA TODAY 2 NEWS FEBRUARY 8 - 11, 2019 PM Bakhtadze Meets with EBRD Managing Director nomic growth. BY KETEVAN KVARATSKHELIYA The conversation also touched upon upcoming projects targeted by the EBRD for investment and the interest of the he Prime Minister of Geor- Bank in implementing a number of ini- gia Mamuka Bakhtadze held tiatives in the public sector.
    [Show full text]
  • ASEAN Economic Integration – Equitable Development and Governance 25
    ASEAN-CANADA FORUM AND PUBLIC SYMPOSIUM 2013: REFLECTIONS ON AN INCLUSIVE AND EQUITABLE ASEAN COMMUNITY IN 2015 20–21 AUGUST 2013 HO CHI MINH CITY VIETNAM REPORT THIS WORK WAS CARRIED OUT WITH THE AID OF A GRANT FROM THE INTERNATIONAL DEVELOPMENT RESEARCH CENTRE (IDRC), OTTAWA, CANADA. ORGANISED BY: Centre for Non-Traditional Security (NTS) Studies S. Rajaratnam School of International Studies (RSIS) Nanyang Technological University Singapore Institute of Asian Research University of British Columbia (UBC) Canada HOSTED BY: Ho Chi Minh City University of Social Sciences and Humanities Vietnam S. RAJARATNAM SCHOOL OF INTERNATIONAL STUDIES (RSIS) NANYANG TECHNOLOGICAL UNIVERSITY 2014 Recommended citation Centre for Non-Traditional Security (NTS) Studies, ASEAN-Canada Forum and Public Symposium 2013: Reections on an inclusive and equitable ASEAN Community 2015 (Report, Singapore: Centre for NTS Studies, S. Rajaratnam School of International Studies (RSIS), 2014). Photo credits Cover (clockwise from left): Ivar Abramsen / ickr, Remko Tanis / ickr, bosse76 / ickr. Terms of use This work is used with the permission of the S. Rajaratnam School of International Studies. You are free to publish this material in its entirety or only in part in your newspapers, wire services, internet-based information networks and newsletters and you may use the information in your radio-TV discussions or as a basis for discussion in different fora, provided full credit is given to the author(s) and the Centre for Non-Traditional Security (NTS) Studies, S. Rajaratnam School of International Studies (RSIS). Kindly inform the publisher ([email protected]) and provide details of when and where the publication was used.
    [Show full text]
  • East Asian Pop Music Idol Production and the Emergence of Data Fandom in China
    ICS0010.1177/1367877920904064International Journal of Cultural StudiesZhang and Negus 904064research-article2020 International Journal of Cultural Studies 2020, Vol. 23(4) 493 –511 © The Author(s) 2020 Article reuse guidelines: sagepub.com/journals-permissions DOI:https://doi.org/10.1177/1367877920904064 10.1177/1367877920904064 journals.sagepub.com/home/ics Article East Asian pop music idol production and the emergence of data fandom in China Qian Zhang Communication University of China, PR China Keith Negus Goldsmiths, University of London, UK Abstract This article traces the formation of popular music idol industries in China and the emergence of data fandom. It charts the growth of digital platforms and historicizes the commercial and geopolitical itinerations linking cultural production in Japan, South Korea, and China. It locates data fandom as an integral part of the popular music industries reconfigured by digital social media platforms; a structural change from the production-to-consumption ‘supply chain’ model of the recording era towards emergent circuits of content that integrate industries and audiences. Data fans understand how their online activities are tracked, and adopt individual and collective strategies to influence metric and semantic information reported on digital platforms and social media. This article analyses how the practices of data fans impact upon charts, media and content traffic, illustrating how this activity benefits the idols they are following, and enhances a fan’s sense of achievement and agency. Keywords Chinese idol production, Chinese music industry, data, digital platforms, fandom, K-pop, recording industry, social media Corresponding author: Qian Zhang, School of Music and Recording Arts, Communication University of China, No.
    [Show full text]
  • Adapting Idols Joost De Bruin and Koos Zwaan
    Introduction: Adapting Idols Joost de Bruin and Koos Zwaan Idols is one of the most popular and successful global television formats produced in the last decade. The format has been adapted in over 40 territories all over the world, as the appendix – compiled by Sukhpreet Singh and Martin Kretschmer for this book – shows. The original show, Pop Idol, went to air in the UK in 2001. The next year, local versions of the show were broadcast in Poland, South Africa, the USA, Germany and the Netherlands. By the end of 2004 – exactly three years after the introduction of Pop Idol – 30 territories were screening their own Idols shows, illustrating the rapid global spread of the format. In some cases Idols was produced for transnational geographic regions, such as Asian Idol – with auditions in India, Indonesia, Malaysia, the Philippines, Singapore and Vietnam – and the Pan-Arab Superstar, which featured contestants from Lebanon, Syria, Iraq, Jordan, Libya, Morocco and Algeria. The most recent branch on the global Idols tree at the time of writing is Idol Puerto Rico. The owners of the Idols format, FremantleMedia and 19 Entertainment, have thus managed to capitalize on the work put into the design of the original UK show by turning it into a format and selling it to a range of territories. The goal of Idols shows is to involve a nation (or a region consisting of several different nations) in a quest for a popular music idol who can be admired by all. Idols shows are commonly divided into four distinct phases (Holmes 2004).
    [Show full text]