The Quint : an Interdisciplinary Quarterly from the North 1 the Quint Volume Eleven Issue Three
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Human-Nature Relationships in the Tungus Societies of Siberia and Northeast China Alexandra Lavrillier, Aurore Dumont, Donatas Brandišauskas
Human-nature relationships in the Tungus societies of Siberia and Northeast China Alexandra Lavrillier, Aurore Dumont, Donatas Brandišauskas To cite this version: Alexandra Lavrillier, Aurore Dumont, Donatas Brandišauskas. Human-nature relationships in the Tungus societies of Siberia and Northeast China. Études mongoles et sibériennes, centrasiatiques et tibétaines, Centre d’Etudes Mongoles & Sibériennes / École Pratique des Hautes Études, 2018, Human-environment relationships in Siberia and Northeast China. Knowledge, rituals, mobility and politics among the Tungus peoples, 49, pp.1-26. 10.4000/emscat.3088. halshs-02520251 HAL Id: halshs-02520251 https://halshs.archives-ouvertes.fr/halshs-02520251 Submitted on 26 Mar 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Études mongoles et sibériennes, centrasiatiques et tibétaines 49 | 2018 Human-environment relationships in Siberia and Northeast China. Knowledge, rituals, mobility and politics among the Tungus peoples, followed by Varia Human-nature relationships in the Tungus societies of Siberia -
Annual Report 2002-2003 (Incorporated in the Cayman Islands with Limited Liability)
2002-2003 Annual Report (Incorporated in the Cayman Islands with limited liability) 年報 2002-2003 年報 Annual Report 2002-2003 Panorama International Holdings Limited PanoramaAnnual Report 2002-2003 CHARACTERISTICS OF THE GROWTH ENTERPRISE MARKET (“GEM”) OF THE STOCK EXCHANGE OF HONG KONG LIMITED (THE “STOCK EXCHANGE”). GEM has been established as a market designed to accommodate companies to which a high investment risk may be attached. In particular, companies may list on GEM with neither a track record of profitability nor any obligation to forecast future profitability. Furthermore, there may be risks arising out of the emerging nature of companies listed on GEM and the business sectors or countries in which the companies operate. Prospective investors should be aware of the potential risks of investing in such companies and should make the decision to invest only after due and careful consideration. The greater risk profile and other characteristics of GEM mean that it is a market more suited to professional and other sophisticated investors. Given the emerging nature of companies listed on GEM, there is a risk that securities traded on GEM may be more susceptible to high market volatility than securities traded on the Main Board of the Stock Exchange and no assurance is given that there will be a liquid market in the securities traded on GEM. The principal means of information dissemination on GEM is publication on the Internet website operated by the Stock Exchange. Listed companies are not generally required to issue paid announcements in gazetted newspapers. Accordingly, prospective investors should note that they need to have access to the GEM website in order to obtain up-to-date information on GEM- listed issuers. -
Manchu Grammar (Gorelova).Pdf
HdO.Gorelova.7.vw.L 25-04-2002 15:50 Pagina 1 MANCHU GRAMMAR HdO.Gorelova.7.vw.L 25-04-2002 15:50 Pagina 2 HANDBOOK OF ORIENTAL STUDIES HANDBUCH DER ORIENTALISTIK SECTION EIGHT CENTRAL ASIA edited by LILIYA M. GORELOVA VOLUME SEVEN MANCHU GRAMMAR HdO.Gorelova.7.vw.L 25-04-2002 15:50 Pagina 3 MANCHU GRAMMAR EDITED BY LILIYA M. GORELOVA BRILL LEIDEN • BOSTON • KÖLN 2002 HdO.Gorelova.7.vw.L 25-04-2002 15:50 Pagina 4 This book is printed on acid-free paper Die Deutsche Bibliothek – CIP-Einheitsaufnahme Gorelova, Liliya M.: Manchu Grammar / ed. by Liliya M. Gorelova. – Leiden ; Boston ; Köln : Brill, 2002 (Handbook of oriental studies : Sect.. 8, Central Asia ; 7) ISBN 90–04–12307–5 Library of Congress Cataloging-in-Publication Data Gorelova, Liliya M. Manchu grammar / Liliya M. Gorelova p. cm. — (Handbook of Oriental Studies. Section eight. Central Asia ; vol.7) Includes bibliographical references and index. ISBN 9004123075 (alk. paper) 1. Manchu language—Grammar. I. Gorelova, Liliya M. II. Handbuch der Orientalis tik. Achte Abteilung, Handbook of Uralic studies ; vol.7 PL473 .M36 2002 494’.1—dc21 2001022205 ISSN 0169-8524 ISBN 90 04 12307 5 © Copyright 2002 by Koninklijke Brill NV, Leiden, The Netherlands All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by E.J. Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910 Danvers MA 01923, USA. -
Award-Winning Hong Kong Film Gallants to Premiere at Hong Kong
FOR IMMEDIATE RELEASE Award-winning Hong Kong film Gallants to premiere at Hong Kong Film Festival 2011 in Singapore One-week festival to feature a total of 10 titles including four new and four iconic 1990s Hong Kong films of action and romance comedy genres Singapore, 30 June 2011 – Movie-goers can look forward to a retro spin at the upcoming Hong Kong Film Festival 2011 (HKFF 2011) to be held from 14 to 20 July 2011 at Cathay Cineleisure Orchard. A winner of multiple awards at the Hong Kong Film Awards 2011, Gallants, will premiere at HKFF 2011. The action comedy film will take the audience down the memory lane of classic kung fu movies. Other new Hong Kong films to premiere at the festival include action drama Rebellion, youthful romance Breakup Club and Give Love. They are joined by retrospective titles - Swordsman II, Once Upon A Time in China II, A Chinese Odyssey: Pandora’s Box and All’s Well, Ends Well. Adding variety to the lineup is Quattro Hong Kong I and II, comprising a total of eight short films by renowned Hong Kong and Asian filmmakers commissioned by Brand Hong Kong and produced by the Hong Kong International Film Festival Society. The retrospective titles were selected in a voting exercise that took place via Facebook and SMS in May. Public were asked to select from a list of iconic 1990s Hong Kong films that they would like to catch on the big screen again. The list was nominated by three invited panelists, namely Randy Ang, local filmmaker; Wayne Lim, film reviewer for UW magazine; and Kenneth Kong, film reviewer for Radio 100.3. -
Lady General Hua Mulan (1964)
Open Journal of Social Sciences, 2016, 4, 55-61 Published Online April 2016 in SciRes. http://www.scirp.org/journal/jss http://dx.doi.org/10.4236/jss.2016.44008 Praises of Household Happiness in Social Turmoil: Lady General Hua Mulan (1964) Yuan Tian Department of General Education, Macau University of Science and Technology, Macau, China Received 17 March 2016; accepted 16 April 2016; published 19 April 2016 Copyright © 2016 by author and Scientific Research Publishing Inc. This work is licensed under the Creative Commons Attribution International License (CC BY). http://creativecommons.org/licenses/by/4.0/ Abstract The relationship between film and culture can be seen from the adaptations that historical fiction films make on these original ancient stories or literary works under the influence of concurrent cultural contexts. In other words, these films are always used to reflect and react on the times in which they are made, instead of the past in which they are set. Therefore film makers add abun- dant up-to-date elements into traditional stories and constantly explore new ways of narration, an effort that turns their productions into live records of certain social and historical periods, com- bining macro and micro approaches to cultural backgrounds, both audible and visual. Pinning on this new angle of reviewing the old days, this paper aims to uncover the identity crisis of Hong Kong residents under the mutual influence of nostalgia and rebellious ideas in the 1960s recon- structed in the Huangmei Opera film Lady General Hua Mulan (1964) together with the analysis of the social historical reasons hidden behind. -
The Impacts of Modernity on Family Structure and Function : a Study Among Beijing, Hong Kong and Yunnan Families
Lingnan University Digital Commons @ Lingnan University Theses & Dissertations Department of Sociology and Social Policy 1-1-2012 The impacts of modernity on family structure and function : a study among Beijing, Hong Kong and Yunnan families Ting CAO Follow this and additional works at: https://commons.ln.edu.hk/soc_etd Part of the Family, Life Course, and Society Commons Recommended Citation Cao, T. (2012). The impacts of modernity on family structure and function: A study among Beijing, Hong Kong and Yunnan families (Doctoral dissertation, Lingnan University, Hong Kong). Retrieved from http://dx.doi.org/10.14793/soc_etd.29 This Thesis is brought to you for free and open access by the Department of Sociology and Social Policy at Digital Commons @ Lingnan University. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of Digital Commons @ Lingnan University. Terms of Use The copyright of this thesis is owned by its author. Any reproduction, adaptation, distribution or dissemination of this thesis without express authorization is strictly prohibited. All rights reserved. THE IMPACTS OF MODERNITY ON FAMILY STRUCTURE AND FUNCTION: A STUDY AMONG BEIJING, HONG KONG AND YUNNAN FAMILIES CAO TING PHD LINGNAN UNIVERSITY 2012 THE IMPACTS OF MODERNITY ON FAMILY STRUCTURE AND FUNCTION: A STUDY AMONG BEIJING, HONG KONG AND YUNNAN FAMILIES by CAO Ting A thesis submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in Social Sciences (Sociology) LINGNAN UNIVERSITY 2012 ABSTRACT The Impacts of Modernity on Family Structure and Function: a Study among Beijing, Hong Kong, and Yunnan Families by CAO Ting Doctor of Philosophy For a generation in many sociological literatures, China has provided the example of traditional family with good intra-familial relationship, filial piety and extended family support which is unusually stable and substantially unchanged. -
Loanwords in Sakha (Yakut), a Turkic Language of Siberia Brigitte Pakendorf, Innokentij Novgorodov
Loanwords in Sakha (Yakut), a Turkic language of Siberia Brigitte Pakendorf, Innokentij Novgorodov To cite this version: Brigitte Pakendorf, Innokentij Novgorodov. Loanwords in Sakha (Yakut), a Turkic language of Siberia. In Martin Haspelmath, Uri Tadmor. Loanwords in the World’s Languages: a Comparative Handbook, de Gruyter Mouton, pp.496-524, 2009. hal-02012602 HAL Id: hal-02012602 https://hal.univ-lyon2.fr/hal-02012602 Submitted on 23 Jul 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Chapter 19 Loanwords in Sakha (Yakut), a Turkic language of Siberia* Brigitte Pakendorf and Innokentij N. Novgorodov 1. The language and its speakers Sakha (often referred to as Yakut) is a Turkic language spoken in northeastern Siberia. It is classified as a Northeastern Turkic language together with South Sibe- rian Turkic languages such as Tuvan, Altay, and Khakas. This classification, however, is based primarily on geography, rather than shared linguistic innovations (Schönig 1997: 123; Johanson 1998: 82f); thus, !"erbak (1994: 37–42) does not include Sakha amongst the South Siberian Turkic languages, but considers it a separate branch of Turkic. The closest relative of Sakha is Dolgan, spoken to the northwest of the Republic of Sakha (Yakutia). -
Introduction
introduction The disembodied voices of bygone songstresses course through the soundscapes of many recent Chinese films that evoke the cultural past. In a mode of retro- spection, these films pay tribute to a figure who, although rarely encountered today, once loomed large in the visual and acoustic spaces of popu lar music and cinema. The audience is invited to remember the familiar voices and tunes that circulated in these erstwhile spaces. For instance, in a film by the Hong Kong director Wong Kar- wai set in the 1960s, In the Mood for Love, a traveling businessman dedicates a song on the radio to his wife on her birthday.1 Along with the wife we listen to “Hua yang de nianhua” (“The Blooming Years”), crooned by Zhou Xuan, one of China’s most beloved singers of pop music. The song was originally featured in a Hong Kong production of 1947, All- Consuming Love, which cast Zhou in the role of a self- sacrificing songstress.2 Set in Shang- hai during the years of the Japa nese occupation, the story of All- Consuming Love centers on the plight of Zhou’s character, who is forced to obtain a job as a nightclub singer to support herself and her enfeebled mother-in- law after her husband leaves home to join the resis tance. “The Blooming Years” refers to these recent politi cal events in a tone of wistful regret, expressing the home- sickness of the exile who yearns for the best years of her life: “Suddenly this orphan island is overshadowed by miseries and sorrows, miseries and sorrows; ah, my lovely country, when can I run into your arms again?”3 -
Music from the 1990S to the Present
j:,/ � • .. ….......:._. ‘. • '1- ;V . jn/w Tnn • ft ¾( ! \ ..' � •'. I . I .广, I n . .....Vv'Z …'.J I O > 3 . • • I •• . ^ • jr ,' ‘:'. ; , ''Jr ... Hong Kong Film Music from the 1990s to the Present CHENG LingYan A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Philosophy in Ethnomusicology © The Chinese University of Hong Kong June 2004 The Chinese University of Hong Kong holds the copyright of this thesis. Any person(s) intending to use a part or whole of the materials in the thesis in a proposed publication must seek copyright release from the Dean of the Graduate School. ^ST university~7^// ^XLIBRARy SYSTEM^W Abstract i Hong Kong Film Music from the 1990s to the Present Submitted by LingYan CHENG for the degree of Master of Philosophy in Ethnomusicology at The Chinese University of Hong Kong in June 2004 Abstract This thesis focuses on Hong Kong film music from the 1990s to the 2000s. In recent years, there has been much research and theory on western film music, especially the Hollywood film industry, by musicologists and scholars in film studies, popular music studies, and other fields. However, there has been little research on Hong Kong Film music, the system of which is different from that of western film music, and therefore I will apply basic film music concepts, but using the real situation of Hong Kong film music to formulate my own argument. The methodology used in this thesis will include the application of basic concepts used by scholars of film music, such as the functions of music in film, combined with fieldwork and analysis of films. -
Coversheet for Thesis in Sussex Research Online
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details In the Mood for Travel: Mobility, Gender and Nostalgia in Wong Kar-wai’s Cinematic Hong Kong Lei, Chin Pang Doctor of Philosophy University of Sussex August 2012 I hereby declare that this thesis has not been and will not be, submitted in whole or in part to another University for the award of any other degree. Signature___________________________ Acknowledgement “Making films is just like holding water with your hands. No matter how hard you try, you will still lose much of it.” Chinese director Zhang Yimou expresses the difficulty of film making this way. For him, a perfect film is non-existent. At the end of my doctoral study, Zhang’s words ran through my mind. In the past several years, I worked hard to hold the water in my hands – to make this thesis as good as possible. No matter how much water I have finally managed to hold, this difficult task, however, cannot be carried out without the support given by the following people. -
Killing Time: the Handover and Its Afterlives
Hong Kong Studies, Vol. 1, No. 1 (Spring 2018), 100–115 Killing Time: The Handover and ,ts Afterlives Copyrighted Material of The Chinese University Press | AllCarlos Rights ReservedRojas Abstract This essay uses an analysis of Fruit Chan’s 2016 film Kill Time to reflect on the legacy of the Handover, and on the significance of its upcoming twentieth—and, later, fiftieth—anniversaries. Although Chan’s film is set in contemporary Beijing, is based on a novel by a Painland Chinese author, and at first glance appears to have little to do with Hong Kong, this essay argues that if we look beyond the film’s surface narrative, we find that the work explores a set of concerns relevant to the Handover and its legacies. Of particular interest is the sense of anticipation and anxiety that the Handover has generated, as well as the sense of potentiality and foreboding contained in the 1984 Sino-British Joint Declaration’s guarantee that Hong Kong would enjoy a post-Handover moratorium of “fifty years without change.” At the same time, [the Handover] also should not become a black hole that we pretend doesn’t exist so that we don’t need to approach it or touch it. Therefore, in 1997 I resolved to write not about its present, but rather about its past while at the same time writing about its future. From a future vantage point I sought to reconstruct the past; and from a past vantage point I sought to project the future. From this deliberate interweaving of past and future, I hope that a present that is more full of possibility might gradually emerge. -
Tiff Bell Lightbox Celebrates a Century of Chinese Cinema with Unprecedented Film Series, Exhibitions and Special Guests
May 6, 2013 .NEWS RELEASE. TIFF BELL LIGHTBOX CELEBRATES A CENTURY OF CHINESE CINEMA WITH UNPRECEDENTED FILM SERIES, EXHIBITIONS AND SPECIAL GUESTS - Programme features 80 films, free exhibitions and guests including Chen Kaige, Johnnie To and Jackie Chan - -Tickets on sale May 21 at 10 a.m. for TIFF Members, May 27 at 10 a.m. for non-members - Toronto – Noah Cowan, Artistic Director, TIFF Bell Lightbox, announced today details for a comprehensive exploration of Chinese film, art and culture. A Century of Chinese Cinema features a major film retrospective of over 80 titles, sessions with some of the biggest names in Chinese cinema, and a free exhibition featuring two internationally acclaimed visual artists. The flagship programme of the summer season, A Century of Chinese Cinema runs from June 5 to August 11, 2013. “A Century of Chinese Cinema exemplifies TIFF’s vision to foster new relationships and build bridges of cultural exchange,” said Piers Handling, Director and CEO of TIFF. “If we are, indeed, living in the Chinese Century, it is essential that we attempt to understand what that entails. There is no better way to do so than through film, which encourages cross-cultural understanding in our city and beyond.” “The history, legacy and trajectory of Chinese film has been underrepresented in the global cinematic story, and as a leader in creative and cultural discovery through film, TIFF Bell Lightbox is the perfect setting for A Century of Chinese Cinema,” said Noah Cowan, Artistic Director, TIFF Bell Lightbox. “With Chinese cinema in the international spotlight, an examination of the history and development of the region’s amazing artistic output is long overdue.