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Training Course
KA1 – MOBILITY OF YOUTH WORKERS 2019-2-EL02-KA105-005118 TRAINING COURSE “European Values Equalizers” Trikala, Greece 25 Aug – 3 Sep 2021 ABOUT THE PROJECT The project "European Values Equalizers" is a residential Training Course that will take place in the city of Trikala, Greece, between 25 August to 3 September 2021, with the participation of 10 partner organizations from Greece, Croatia, Italy, North Macedonia, Serbia, Bosnia & Herzegovina, Belarus, Armenia, Georgia and Ukraine. The project will include 30 youth workers and youth leaders (3 participants per country), 2 trainers and 2 support staff. SUMMARY In today’s society very often we are dealing with the discussions about what are European values, what defines us as Europeans, do we talk about values which are practiced and respected only in European Union or in Europe in general? As this is the topic which is very often and which very often confuse young people but also about which we don’t care enough, especially today in time of globalization. If we take a look in knowledge which young people are gaining through the formal education in their schools and universities, mostly they don’t even mention European values as something on what we should pay attention and something what we should promote and use in our everyday life. On the other side, if we open media articles today, we will find a lot of significant titles related with discrimination, radicalization and violence of human rights all around the world. If we start to work with young people on education about European values and promotion of European values such as tolerance, respect of human rights, antidiscrimination, equality, democracy and rule of law, we are sure that we can prevent youth radicalization, discrimination and violence of human rights but also we can take part in creation of better future of our common European society. -
“Fighting Youth Unemployment Through Social Entrepreneurship During & After COVID-19”
INFO PACK “Fighting Youth Unemployment through Social Entrepreneurship during & after COVID-19” Erasmus+ KA 1 Training Course 10-17 September Megara, Greece THE TRAINING COURSE Dear Partners, We are excited to invite you to participate in the multinational training course “Fighting Youth Unemployment through Social Entrepreneurship during & after COVID-19” that will take part in Megara, Greece. For 6 training days (+2 travel days), 28 youth workers from 8 countries (Poland, Romania, Lithuania, Croatia, Spain, Italy, Greece and Malta) will come together to discover social entrepreneurship opportunities, to explore what it takes to be an entrepreneur, to get familiar with the ‘Dеsign Thinking’ process, by creating business ideas inspired from prе- dеfinеd challenges in their local communities, and learn how to foster the employability and sense of initiative with the young people that they work with. Warm regards, The Youth Horizons Team THE TRAINING COURSE The participants will: •Get hands on thе ‘Dеsign Thinking’ process, and learn how to create business ideas inspired from prе-dеfinеd challenges in thеir local communities. •Learn what it takes to be an entrepreneur and how to manage risk taking. •Learn on the topics of leadership, Self-empowerment, time management, risk assessment and team work which are all essential in the area of entrepreneurship. •Get more experience on the Canva business model and how to adapt the Canva business model for the planning of a social enterprise. •Up-skill their skills and ability to foster the employability and sense of initiative with the young people that they work with. Methodology: All the planned activities will be using non-formal methods of education to implement the sessions. -
Markos Vamvakaris : the Man and the Bouzouki
Markos Vamvakaris : The Man and the Bouzouki. Autobiography PDF Author: Noonie Minogue Pages: 320 pages ISBN: 9780993263309 Markos Vamvakaris, born in 1905 in Syros was a pioneer of rebetiko, the urban folk music of Greece. The bouzouki was a disreputable instrument but he paved its path to glory. He spent many years, first as a stevedore in the port of Piraeus and then as a butcher in the slaughterhouse. During this time he fell in love with a tigress, his first wife, he learnt to smoke hashish and to play the 'sacred' instrument: 'I had a great passion. My life was all bouzouki. It took me over - but it also took me up in the world, way up ...' This is the first ever translation into English of the autobiography compiled by Angeliki Vellou Keil in 1972. It opens a window onto a time of extraordinary creativity in the history of Greek music, an explosion of songwriting in the interwar period. Its composers wrote about themselves and each other, the rituals of hashish smoking and the landmarks of a now vanished city. Markos the repentant sinner and living legend, looks back at childhood idylls in Syros, the arrival of the Asia Minor refugees, the terrible years of the Nazi Occupation, the ceaseless love affairs and disappointments, and the triumphs of the bouzouki. He offers a rare insight into the lives of toiling workers and the lowlife of one of the world's most ancient ports, where East meets West. Out of this melting pot he produced the classic songs that Greeks of all ages still love and know by heart. -
Education • Ph.D. Candidate in History of Art, University of Crete Supervisor
Afroditi Kouki Research Team Member CV Date of birth: 29 August 1981 Telephone number:+30-6972398607 E-mail: [email protected] Education • Ph.D. Candidate in History of Art, University of Crete Supervisor: Professor Evgenios Matthiopoulos Ph.D. Dissertation (in progress): “The Creation and Organisation of the Production of Folk Art Works: From ‘The Feast in the Zappeion Exhibition Hall’ by the Lyceum Club of Greek Women (1911) to the Professional School of Housekeeping and Handicraft ‘The Greek House’ (1938)” • M.A. in History of Art, University of Crete, 2003-2008 Supervisor: Professor Evgenios Matthiopoulos Grade: “Excellent” (9/10) M.A. Thesis: “The Organisation of the Production of Folk Art Works during the Interwar Period: from the ‘Lyceum Club of Greek Women’ to the ‘Association of Arts and Crafts Workshops’” • B.A. in Archaeology and Art History, University of Crete, 1999-2003 Grade: “Very Good” (Lian Kalos, 7.79/10) Grant • Foundation for Research and Technology-Hellas (FORTH) – Institute for Mediterranean Studies: Participation in the research project “Art criticism in interwar Greece”, 2007-2009 (principal researcher: Professor Evgenios Matthiopoulos) Publication • ‘Folk’ art in the ‘service’ of bourgeois modernization: the proposals of the German architect Hugo Eberhardt for the development of Greek craft industry (1914)”, in Research questions in art history, from the late Middle Ages to the present day, Aris Sarafianos & Panagiotis Ioannou (eds), Athens: Asini Publishing, 2016, p. 329-342 Conference papers • “Proposals -
The Rembetiko Music
The Rembetiko Music Rembetiko music is a very popular genre of Greek Folk music. It is often called the Greek form of blues music, because it was merely formed in the same social background. Although it is not played that much anymore, its melodies, harmonies and scales have been a big influence for Greek music since. That is why I chose to do a popular, not only in Greece, but around the world too. research on its history and on its particular musical characteristics, that made it so Definition of Rembetiko Rembetiko is the music played by the mbe Although musicologists are not logy, they describe there so-tes. as vagrant, tainted, marginalsure about thepeople, terms oretymo people from the underworld.called Theyrembetes were mostly people who gathered in small cafes and tekes to smoke hashish, drink alcohol and play songs, in order to ex The ensembles occurring from those cafes would look somethingpress theirlike the lifes picture suffering. on the right (Photo ). The most significant rempetologist was Elias Petropoulos. of the Rembetes of Karaiskaki taken in Peiraious 19 History and evolution of Rembetiko Rembetiko started in the so-called aman-cafis and the tekedes (places where people gathered to smoke hashish) in Greece but mainly in Asia Minor. Those were cafes, that started appearing in 1873 and in which there was live music. The main form amanedes , which were turkish, often improvised and highly melismatic songs, in which or something (usually about hashish, narghiles andof music love-stories) were is expressed. Ensembles, consisting of a combination of the folowing instruments : santouris,the singers ouds, suffering laouds, flutesf or violins, were accompanying the singers. -
More Than an Island 2 MORE THAN an ISLAND
SYROS more than an island 2 MORE THAN AN ISLAND... ΧΧΧ TABLE OF CONTENTS Discovering Syros .................................... 4 Introduction From myth to history ............................. 6 History The two Doctrines .................................. 8 Religion will never forget the dreamy snowy white color, which got in my eyes when I landed in Syros at Two equal tribes this fertile land I dawn. Steamers always arrive at dawn, at this divide, where two fair cities rise all-white swan of the Aegean Sea that is as if it is with equal pride ...................................... 10 sleeping on the foams, with which the rainmaker is sprinkling. Kaikias, the northeast wind; on her Cities and countryside eastern bare side, the renowned Vaporia, which is Economy of Syros .................................... 14 always anchored beyond St. Nicholas, a fine piece of a crossway, and immortal Nisaki downtown, the Tourism, agricultural production, swan’s proud neck, with Vafiadakis’s buildings, and crafts and traditional shipbuilding the solid towers of the Customs Office, where the waves alive, as if they are hopping, laughing, run- Authentic beauty ..................................... 16 ning, chuckling, hunting, fighting, kissing, being Beaches, flora and fauna, habitats, baptized, swimming, brides white like foam. climate and geotourism At such time and in this weather, I landed on my dream island. I don’t know why some mysteries lie Culture, twelve months a year .......... 18 in man’s heart, always remaining dark and unex- Architecture, tradition, theatre, literature, plained. I loved Syra, ever since I first saw it. I loved music, visual arts and gastronomy her and wanted to see her again. I wanted to gaze at her once more. -
Dissertation / Doctoral Thesis
DISSERTATION / DOCTORAL THESIS Titel der Dissertation /Title of the Doctoral Thesis „Karagiozis – Schattenspiel und Politik: Der griechische Karagiozisspieler Sotiris Spatharis“ verfasst von / submitted by Mag. Fatma Peri Efe angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Doktorin der Philosophie (Dr. Phil.) Wien, 2017 / Vienna 2017 Studienkennzahl lt. Studienblatt / A 092 383 degree programme code as it appears on the student record sheet: Dissertationsgebiet lt. Studienblatt / Byzantinistik und Neogräzistik field of study as it appears on the student record sheet: Betreut von / Supervisor: Univ. Prof. Dr. Maria A. Stassinopoulou DANKSAGUNG Die Vorbereitungen für diese Arbeit, zu denen auch einige Publikationen zum Thema gehörten, erstreckten sich über eine lange Periode, die Niederschrift meiner Dissertation hingegen erfolgte binnen eines Jahres und fiel, wie ich leider sagen muss, in eine schwere Zeit. Die Probleme in meinem Land machten es mir mitunter schwer, mich auf meine Arbeit zu konzentrieren und ließen des Öfteren Zweifel an der Sinnhaftigkeit dieses Unterfangens aufkommen. Dass ich die Arbeit schließlich doch zu Ende führen konnte, liegt daran, dass es Menschen gab, die mir außerordentlich viel Unterstützung, Hilfe und Zuspruch zuteil werden ließen. Ihnen möchte ich an dieser Stelle meinen herzlichen Dank aussprechen. An erster Stelle seien meine Betreuerin Univ. Prof. Dr. Maria A. Stassinopoulou und meine Begutachterin Ao. Prof. Dr. Claudia Römer genannt. Prof. Stassinopoulou, die mir mit viel Geduld und Verständnis zur Seite stand, danke ich für ihre wertvollen Kommentare und Gedanken und ihr Interesse an dem Thema meiner Arbeit. Bei Prof. Römer bedanke ich mich dafür, dass sie mich den gesamten Entstehungsprozess hindurch sowohl persönlich als auch wissenschaftlich, durch ihre Ermutigung und ihre Hilfsbereitschaft, immer unterstützt hat. -
Music, Image, and Identity: Rebetiko and Greek National Identity
Universiteit van Amsterdam Graduate School for Humanities Music, Image, and Identity: Rebetiko and Greek National Identity Alexia Kallergi Panopoulou Student number: 11655631 MA Thesis in European Studies, Identity and Integration track Name of supervisor: Dr. Krisztina Lajosi-Moore Name of second reader: Prof. dr. Joep Leerssen September 2018 2 Table of Contents Introduction ......................................................................................................................... 4 Chapter 1 .............................................................................................................................. 6 1.1 Theory and Methodology ........................................................................................................ 6 Chapter 2. ........................................................................................................................... 11 2.1 The history of Rebetiko ......................................................................................................... 11 2.1.1 Kleftiko songs: Klephts and Armatoloi ............................................................................... 11 2.1.2 The Period of the Klephts Song .......................................................................................... 15 2.2 Rebetiko Songs...................................................................................................................... 18 2.3 Rebetiko periods .................................................................................................................. -
Syra of Markos Vamvakaris He Municipality of Syros - Er- Moupolis and the Cyclades Tchamber, Proudly Present the 3Rd Rembetiko Festival «Syra of Markos Vamvakaris»
Syros - Culture 2018 3rd Rembetiko Festival Syra of Markos Vamvakaris he Municipality of Syros - Er- moupolis and the Cyclades TChamber, proudly present the 3rd Rembetiko Festival «Syra of Markos Vamvakaris». As in previous years, the 3rd Rebetiko his year’s event is taking place folk character, its direct connection to Festival of 2018 includes a full program under the support and aegis of both local language and dance, the of events on popular urban music («rebe- T the Greek Culture and Sports development evolution and eventually tiko»), highlighting the relation between Ministry, in recognition of its organiza- its establishment as a cultural expres- Markos Vamvakaris and Syros. tional competence and its contribution sion. It is a kind of music with broad to the preservation and promotion of public appeal and a strong symbol of “Markos Syrianos” is a distinctive figure. the intangible cultural heritage of the identity and ideology for the Greek His songs and his “taximia - makams”, region. folk music tradition. are distilled from his insubordination, Something that Markos knows and It is noteworthy that “rebetiko” song In the file submitted to UNESCO, his full of passion life and Syra the we do not. was registered in the National Index of Syros is referred to as one of the cities «rock» where he was born,. Intangible Cultural Heritage in 2015 closely connected to rebetiko, our folk But what is this that makes every- This year, for first time, the festival and in the UNESCO List of Intangible music that we treat as something that one from every corner of this world is reaching abroad, with the participa- Cultural Heritage of Humankind in is still active and up to date and not “enchanted” when listening to Marko tion of artists from Italy and Cyprus, 2017 on the basis of its urban and as a museum exhibit. -
Athens Metro Athens Metro
ATHENSATHENS METROMETRO Past,Past, PresentPresent && FutureFuture Dr. G. Leoutsakos ATTIKO METRO S.A. 46th ECCE Meeting Athens, 19 October 2007 ATHENS METRO LINES HELLENIC MINISTRY FORFOR THETHE ENVIRONMENT,ENVIRONMENT, PHYSICALPHYSICAL PLANNINGPLANNING ANDAND PUBLICPUBLIC WORKSWORKS METRO NETWORK PHASES Line 1 (26 km, 23 stations, 1 depot, 220 train cars) Base Project (17.5 km, 20 stations, 1 depot, 168 train cars) [2000] First phase extensions (8.7 km, 4 stations, 1 depot, 126 train cars) [2004] + airport link 20.9 km, 4 stations (shared with Suburban Rail) [2004] + 4.3 km, 3 stations [2007] Extensions under construction (8.5 km, 10 stations, 2 depots, 102 train cars) [2008-2010] Extensions under tender (8.2 km, 7 stations) [2013] New line 4 (21 km, 20 stations, 1 depot, 180 train cars) [2020] LINE 1 – ISAP 9 26 km long 9 24 stations 9 3.1 km of underground line 9 In operation since 1869 9 450,000 passengers/day LENGTH BASE PROJECT STATIONS (km) Line 2 Sepolia – Dafni 9.2 12 BASE PROJECT Monastirakiι – Ethniki Line 3 8.4 8 Amyna TOTAL 17.6 20 HELLENIC MINISTRY FORFOR THETHE ENVIRONMENT,ENVIRONMENT, PHYSICALPHYSICAL PLANNINGPLANNING ANDAND PUBLICPUBLIC WORKSWORKS LENGTH PROJECTS IN OPERATION STATIONS (km.) PROJECTS IN Line 2 Ag. Antonios – Ag. Dimitrios 30.4 27 Line 3 Egaleo – Doukissis Plakentias OPERATION Doukissis Plakentias – Αirport Line 3 (Suburban Line in common 20.7 4 use with the Metro) TOTAL 51.1 31 HELLENIC MINISTRY FORFOR THETHE ENVIRONMENT,ENVIRONMENT, PHYSICALPHYSICAL PLANNINGPLANNING ANDAND PUBLICPUBLIC WORKSWORKS -
CHANGING CITIES III Spatial, Design, Landscape & Socio-Economic Dimensions
Table of Contents PROCEEDINGS of the INTERNATIONAL CONFERENCE on CHANGING CITIES III Spatial, Design, Landscape & Socio-economic Dimensions Under the aegis of The Department of Planning and Regional Development, University of Thessaly The Greek Ministry of Tourism Editor: Professor Aspa Gospodini University of Thessaly Syros-Delos-Mykonos Islands, Greece ● June 26-30, 2017 P r o c e e d i n g s i of the International Conference on Changing Cities III: Spatial, Design, Landscape & Socio-economic Dimensions Syros, Delos, Mykonos Islands, Greece ● June 26-30, 2017 ISBN: 978-618-5271-12-1 Table of Contents Title: Proceedings of the International Conference on Changing Cities III: Spatial, Design, Landscape & Socio-Economic dimensions ISBN: 978-618-5271-12-1 Copyright 2017: Grafima Publications GRAFIMA PUBLICATIONS Str. Eksadaktylou 5, 546 35 Thessaloniki, Greece Tel./Fax: +30,2310.248272 ● e-mail: [email protected] www.grafima.com.gr ii P r o c e e d i n g s of the International Conference on Changing Cities III: Spatial, Design, Landscape & Socio-economic Dimensions Syros, Delos, Mykonos Islands, Greece ● June 26-30, 2017 ISBN: 978-618-5271-12-1 Table of Contents A. THE ORGANISING INSTITUTIONS The conference is organised by the Lab of Urban Morphology and Design, Directed by Dr. Aspa Gospodini, Professor of Urban Planning & Design, Department of Planning & Regional Development, University of Thessaly, Volos, Greece. In collaboration with: The Department of Product & System Design Engineering, University of the Aegean, Syros Island, Greece; Syros Institute- Research Institute for sustainable development, cultures and traditions, Syros Island, Greece; The Association of Greek Planners (SEMPXPA); The Association of Greek Planners (SEMPXPA) - Branch of Northern Greece. -
Athens Metro Lines Development Plan and the European Union Transport and Networks
Kifissia M t . P e Zefyrion Lykovrysi KIFISSIA n t LEGEND e l i Metamorfosi KAT METRO LINES NETWORK Operating Lines Pefki Nea Penteli LINE 1 Melissia PEFKI LINE 2 Kamatero MAROUSSI LINE 3 Iraklio Extensions IRAKLIO Penteli LINE 3, UNDER CONSTRUCTION NERANTZIOTISSA OTE AG.NIKOLAOS Nea LINE 2, UNDER DESIGN Filadelfia NEA LINE 4, UNDER DESIGN IONIA Maroussi IRINI PARADISSOS Petroupoli Parking Facility - Attiko Metro Ilion PEFKAKIA Nea Vrilissia Ionia ILION Aghioi OLYMPIAKO "®P Operating Parking Facility STADIO Anargyri "®P Scheduled Parking Facility PERISSOS Nea PALATIANI Halkidona SUBURBAN RAILWAY NETWORK SIDERA Suburban Railway DOUK.PLAKENTIAS Anthousa ANO Gerakas PATISSIA Filothei "®P Suburban Railway Section also used by Metro o Halandri "®P e AGHIOS HALANDRI l P "® ELEFTHERIOS ALSOS VEIKOU Kallitechnoupoli a ANTHOUPOLI Galatsi g FILOTHEI AGHIA E KATO PARASKEVI PERISTERI GALATSI Aghia . PATISSIA Peristeri P Paraskevi t Haidari Psyhiko "® M AGHIOS NOMISMATOKOPIO AGHIOS Pallini ANTONIOS NIKOLAOS Neo PALLINI Pikermi Psihiko HOLARGOS KYPSELI FAROS SEPOLIA ETHNIKI AGHIA AMYNA P ATTIKI "® MARINA "®P Holargos DIKASTIRIA Aghia PANORMOU ®P KATEHAKI Varvara " EGALEO ST.LARISSIS VICTORIA ATHENS ®P AGHIA ALEXANDRAS " VARVARA "®P ELEONAS AMBELOKIPI Papagou Egaleo METAXOURGHIO OMONIA EXARHIA Korydallos Glyka PEANIA-KANTZA AKADEMIA GOUDI Nera "®P PANEPISTIMIO MEGARO MONASTIRAKI KOLONAKI MOUSSIKIS KORYDALLOS KERAMIKOS THISSIO EVANGELISMOS ZOGRAFOU Nikea SYNTAGMA ANO ILISSIA Aghios PAGRATI KESSARIANI Ioannis ACROPOLI NEAR EAST Rentis PETRALONA NIKEA Tavros Keratsini Kessariani SYGROU-FIX KALITHEA TAVROS "®P NEOS VYRONAS MANIATIKA Spata KOSMOS Pireaus AGHIOS Vyronas s MOSCHATO Peania IOANNIS o Dafni t Moschato Ymittos Kallithea ANO t Drapetsona i PIRAEUS DAFNI ILIOUPOLI FALIRO Nea m o Smyrni Y o Î AGHIOS Ilioupoli DIMOTIKO DIMITRIOS .