'20 Feet from Stardom' Gives Background Singers a Voice
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Efnisyfirlit
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Black Magic & White Supremacy
Portland State University PDXScholar University Honors Theses University Honors College 2-23-2021 Black Magic & White Supremacy: Witchcraft as an Allegory for Race and Power Nicholas Charles Peters Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Part of the Film and Media Studies Commons, Race, Ethnicity and Post-Colonial Studies Commons, and the Television Commons Let us know how access to this document benefits ou.y Recommended Citation Peters, Nicholas Charles, "Black Magic & White Supremacy: Witchcraft as an Allegory for Race and Power" (2021). University Honors Theses. Paper 962. https://doi.org/10.15760/honors.986 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Black Magic & White Supremacy: Witchcraft as an Allegory for Race and Power By Nicholas Charles Peters An undergraduate honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Science in English and University Honors Thesis Adviser Dr. Michael Clark Portland State University 2021 1 “Being burned at the stake was an empowering experience. There are secrets in the flames, and I came back with more than a few” (Head 19’15”). Burning at the stake is one of the first things that comes to mind when thinking of witchcraft. Fire often symbolizes destruction or cleansing, expelling evil or unnatural things from creation. “Fire purges and purifies... scatters our enemies to the wind. -
Why the Inimitable Sarah Paulson Is the Future Of
he won an Emmy, SAG Award and Golden Globe for her bravura performance as Marcia Clark in last year’s FX miniseries, The People v. O.J. Simpson: American Crime Story, but it took Sarah Paulson almost another year to confirm what the TV industry really thinks about her acting chops. Earlier this year, her longtime collaborator and O.J. executive producer Ryan Murphy offered the actress the lead in Ratched, an origin story he is executive producing that focuses on Nurse Ratched, the Siconic, sadistic nurse from the 1975 film One Flew Over the Cuckoo’s Nest. Murphy shopped the project around to networks, offering a package for the first time that included his frequent muse Paulson attached as star and producer. “That was very exciting and also very scary, because I thought, oh God, what if they take this out, and people are like, ‘No thanks, we’re good. We don’t need a Sarah Paulson show,’” says Paulson. “Thankfully, it all worked out very well.” In the wake of last year’s most acclaimed TV performance, everyone—TV networks and movie studios alike—wants to be in business with Paulson. Ratched sparked a high-stakes bidding war, with Netflix ultimately fending off suitors like Hulu and Apple (which is developing an original TV series strategy) for the project last month, giving the drama a hefty Why the inimitable two-season commitment. And that is only one of three high- profile TV series that Paulson will film over the next year. In Sarah Paulson is the 2018, she’ll begin production on Katrina, the third installment in Murphy’s American Crime Story anthology series for FX, and continue on the other Murphy FX anthology hit that future of TV. -
Volcanic Action and the Geosocial in Sigur Rós's “Brennisteinn”
Journal of Aesthetics & Culture ISSN: (Print) 2000-4214 (Online) Journal homepage: https://www.tandfonline.com/loi/zjac20 Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn” Tore Størvold To cite this article: Tore Størvold (2020) Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn”, Journal of Aesthetics & Culture, 12:1, 1761060, DOI: 10.1080/20004214.2020.1761060 To link to this article: https://doi.org/10.1080/20004214.2020.1761060 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. Published online: 04 May 2020. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=zjac20 JOURNAL OF AESTHETICS & CULTURE 2020, VOL. 12, 1761060 https://doi.org/10.1080/20004214.2020.1761060 Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn” Tore Størvold Department of Musicology, University of Oslo, Oslo, Norway ABSTRACT KEYWORDS This article presents a musicological and ecocritical close reading of the song “Brennisteinn” Sigur Rós; anthropocene; (“sulphur” or, literally, “burning rock”) by the acclaimed post-rock band Sigur Rós. The song— ecomusicology; ecocriticism; and its accompanying music video—features musical, lyrical, and audiovisual means of popular music; Iceland registering the turbulence of living in volcanic landscapes. My analysis of Sigur Rós’s music opens up a window into an Icelandic cultural history of inhabiting a risky Earth, a condition captured by anthropologist Gísli Pálsson’s concept of geosociality, which emerged from his ethnography in communities living with volcanoes. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
The Perpetuation of Historical Myths in New Orleans Tourism
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-31-2021 Don’t Be Myth-taken: The Perpetuation of Historical Myths in New Orleans Tourism Madeleine R. Roach University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Oral History Commons, Public History Commons, Social History Commons, and the United States History Commons Recommended Citation Roach, Madeleine R., "Don’t Be Myth-taken: The Perpetuation of Historical Myths in New Orleans Tourism" (2021). University of New Orleans Theses and Dissertations. 2902. https://scholarworks.uno.edu/td/2902 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Don’t Be Myth-taken: The Perpetuation of Historical Myths in New Orleans Tourism A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the in the requirements for the degree of Master of Arts in History Public History By Madeleine Roach B.A. -
AMERICAN HORROR STORY TEMP 9 CAP 8 9 Pasfox
AMERICAN HORROR STORY TEMP 9 CAP 8 - 9 | Pasfox AMERICAN HORROR STORY TEMP 9 CAP 8 - 9 | Pasfox 1 / 3 2 / 3 Jun 29, 2020 — American Horror Story - 1984 (Temporada 9) capitulo 8 parte 19. 704 views704 views. Premiered Jun 29, 2020. Critics Consensus: A near-perfect blend of slasher tropes and American Horror Story's trademark twists, 1984 is a bloody good time. 2019, FX, 9 episodes, ... Oct 31, 2019 — Cast members from seasons past return to haunt the current AHS season. ... 10/01/19American Horror Story: 1984 | Season 9 Ep. 3: Slashdance .... Nov 14, 2019 — 'American Horror Story: 1984' will feature a killer soundtrack with a bunch of '80s classics during the season. ... Episode 9: Final Girl.. Oct 22, 2013 — Banda sonora de la serie American Horror Story: Coven*Intento actualizarla ... 8. House of the Rising Sun. Lauren O'Connell. 3:05. 9. Pie IX.. 29, 2021 American Horror Stories. iCarly 1×09. HD. Episodio 9. T1 E9 / Jul. ... Rápidos y Furiosos 9 (2021). 2021. Cielo rojo sangre (2021). 0. Destacado ... Sep 18, 2019 — American Horror Story Temporada 9 Trailer Oficial Subtitulado ... American Horror Story 6: Roanoke capítulo 8 y 9 | Review con spoilers.. La familia ingalls -Temporada 9 Cap 17 (5-5). 00:08:28 11.63 MB Series ... Battlestar Galactica de los 80 Episodio 2 cap 8 . 00:04:58 6.82 MB .... ... Freddy Krueger Jason Bracelet American Horror Story Classic Horror Movies ... Baggy Soft Slouchy Beanie Hat Stretch Infinity Scarf Head Wrap Cap, 8 Pack .... Dónde ver American Horror Story - Temporada 2? ¡Prueba a ver si Netflix, iTunes, Amazon o cualquier otro servicio te deja reproducirlo en streaming, .. -
Cinematic Specific Voice Over
CINEMATIC SPECIFIC PROMOS AT THE MOVIES BATES MOTEL BTS A&E TELEVISION NETWORKS CHOZEN S1 --- IN THEATER "TURN OFF CELL PHONE" MESSAGE FX NETWORKS E!: BELL MEDIA WHISTLER FILM FESTIVAL TRAILER BELL MEDIA AGENCY FALLING SKIES --- CLEAR GAZE TEASE TNT HOUSE OF LIES: HANDSHAKE :30 SHOWTIME VOICE OVER BEST VOICE OVER PERFORMANCE ALEXANDER SALAMAT FOR "GENERATIONS" & "BURNOUT" ESPN ANIMANIACS LAUNCH THE HUB NETWORK JUNE STUNT SPOT SHOWTIME LEADERSHIP CNN NATIONAL GEOGRAPHIC CHANNEL SUMMER IMAGE "LIFE" SHAW MEDIA INC. Page 1 of 68 TELEVISION --- VIDEO PRESENTATION: CHANNEL PROMOTION GENERAL CHANNEL IMAGE SPOT GENERIC :45 RED CARPET IMAGE FOX BROADCASTING COMPANY HAPPY DAYS FOX SPORTS MARKETING HOLIDAY CAMPAIGN TELEMUNDO MEDIA MUCH: TMC --- SERENA RYDER BELL MEDIA AGENCY SUMMER BY BRAVO DESERT ISLAND :60 BRAVO GENERAL CHANNEL IMAGE CAMPAIGN COMPETITIVE CAMPAIGN DIRECTV DISCOVERY BRAND ANTHEM DISCOVERY, RADLEY, BIGSMACK FOX SPORTS 1 LAUNCH CAMPAIGN FOX SPORTS MARKETING LAUNCH CAMPAIGN PIVOT THE HUB NETWORK'S SUMMER CAMPAIGN THE HUB NETWORK ART DIRECTION & DESIGN: GENERAL CHANNEL IMAGE SPOT BRAG PHOTOBOOTH CBS TELEVISION NETWORK BRAND SPOT A&E TELEVISION NETWORKS Page 2 of 68 NBC 2013 SEASON NBCUNIVERSAL SUMMER BY BRAVO DESERT ISLAND :60 BRAVO ZTÉLÉ – HOSTS BELL MEDIA INC. ART DIRECTION & DESIGN: GENERAL CHANNEL IMAGE CAMPAIGN NICKELODEON HALLOWEEN IDS 2013 NICKELODEON HOLIDAY CAMPAIGN TELEMUNDO MEDIA NICKELODEON KNIT HOLIDAY IDS 2013 NICKELODEON SUMMER BY BRAVO DESERT ISLAND CAMPAIGN BRAVO NICKELODEON SUMMER IDS 2013 NICKELODEON GENERAL CHANNEL IMAGE SPOT --- LONG FORMAT "WE ARE IT" NUVOTV AN AMERICAN COACH IN LONDON NBC SPORTS AGENCY GENERIC: FBC COALITION SIZZLE (1:49) FOX BROADCASTING COMPANY PBS UPFRONT SIZZLE REEL PBS Page 3 of 68 WHAT THE FOX! FOX BROADCASTING CO. -
[177. Mál] Um Lagagildi Samnings Milli Ríkisstjórnar Íslands Og Swiss Aluminium Ltd., Um Álbræðslu Við Straumsvík
Nd. 434. Frumvarp til laga [177. mál] um lagagildi samnings milli ríkisstjórnar Íslands og Swiss Aluminium Ltd., um álbræðslu við Straumsvík. (Lagt fyrir Alþingi á 86. löggjafarþingi, 1965-66.) 1. gr. Með lögum þessum staðfestist samningur milli ríkisstjórnar Islands og Swiss Aluminium Limited, dags. 28. marz 1966, um byggingu og rekstur álbræðslu við Straumsvík, í lögsagnarumdæmi Hafnarfjarðar. Samningurinn er prentaður sem fylgiskjal með lögum þessum, á íslenzku og ensku. 2. gr. Ákvæði samnings þess, sem um ræðir í 1. gr., skulu hafa lagagildi hér á landi. 3. gr. Lög þessi öðlast þegar gildi. AÐALSAMNINGUR SAMNINGUR, gerður hinn 28. dag marzmánaðar 1966 MILLI RíKISSTJÓRNAR íSLANDS (hér eftir nefnd "ríkisstjórnin") ANNARS VEGAR OG SWISS ALUMINIUM LIMITED (hér eftir nefnt "Alusuisse"), sem er félag stofnað að svissneskum lögum HINS VEGAR MEÐ ÞVI að stóriðjunefnd, er skipuð var af iðnaðarmálaráðuneytinu hinn 5. mai 1961, og raforkumálastjórnin hafa um nokkurt árabil rannsakað kosti þess að virkja vatnsraforkumagn Islands í sambandi við raforkunotkun til iðnaðar; MEÐ ÞVI að Alusuisse, félag, er stundar alhliða áliðnað, hefur rætt við ríkis- stjórnina hagkvæmni þess að reisa á Íslandi álbræðslu, er noti orku frá islenzkum stöðvum um langt árabil; MEÐ Því að með lögum frá Alþingi nr. 59 20. maí 1965 var stofnuð Lands- virkjun, og henni heimilað að byggja raforkuver við Þjórsá og tilteknar eldsneytis- aflstöðvar ; MEÐ ÞVI að Hafnarfjarðarkaupstaður (hér á eftir nefndur "kaupstaðurinn") er reiðubúinn að byggja hafnarmannvirki við Straumsvík á Suðvesturlandi; MEÐ ÞVÍ að Alusuisse er reiðubúið að fela Íslenzka Alfélaginu hf. (Icelandic Aluminium Company Limited, hér á eftir nefnt "ISAL"), að byggja álbræðslu við Straumsvik; MEÐ ÞVÍ uð ISAL, Landsvirkjun og kaupstaðurinn hafa lögformlega sam- þykkt i rafmagnssamningi og hafnar- og lóðarsamningi að efna og takast á hendur þær skuldbindingar, sem lagðar eru á hvern um sig með tilteknum ákvæðum samn- ings þessa; ER HÉR MEÐ GERÐUR EFTIRFARANDI SAMNINGUR: I. -
Sundance Institute Announces 2019 New Frontier Story Lab Fellows
FOR IMMEDIATE RELEASE Media Contact: May 16, 2019 Chrissy Riley 310.360.1981 [email protected] Sundance Institute Announces 2019 New Frontier Story Lab Fellows Groundbreaking Group of Emerging Media Creatives Convene to Push the Boundaries of Storytelling and Technology Sandra Rodriguez | Michael Burk | Klasien van de Zandschulp | Emily Baltz | Jenny (QinYa) Guo | Xin Liu | Eve-Lauryn Little Shell LaFountain | Razan AlSalah | Momchil Alexandrov Alexiev | Michael Fallik | Laura Emel Yilmaz Los Angeles, CA — Sundance Institute announces six projects selected for the 2019 Sundance Institute New Frontier Story Lab, which supports independent artists working at the cutting-edge convergence of film, art, media, live performance and technology. The New Frontier Story Lab is a week-long immersive experience that empowers creatives with individual story sessions, conversations about key artistic, design and technology issues and case study presentations from experts in multiple disciplines. Past participants include Roger Ross Williams, Josephine Decker, Silas Howard, Tracy Fullerton, Yung Jake, Chris Milk, Hasan Minhaj, Tommy Pallotta, Amelia Winger-Bearskin, Hank Willis Thomas, Jillian Mayer, Heather Dewey-Hagborg, Navid and Vassiliki Khonsari, A Dandy Punk, and Nicolas Peufaillit. The Lab takes place May 16-21 at the Sundance Resort in Utah, under the leadership of Sundance Institute Feature Film Program Founding Director Michelle Satter and Ruthie Doyle, Interim Director of New Frontier Lab Programs. “The relationship between artists and creative technologists develops and expands during the Lab, using emerging and immersive media to find new forms of deeply personal storytelling, this year especially through performance, machine learning, and reimaginings at the intersection of the human and the machine,” said Ruthie Doyle, Interim Director of New Frontier Lab Programs. -
2016•2017 Season
2016•2017 SEASON DUNCAN-WILLIAMS PERFORMANCE HALL TICKETS AND SUBSCRIPTIONS ON SALE NOW! SUBSCRIBE AND SAVE UP TO 30%! To those that have been with us for many years as a subscriber, patron, volunteer or contributor, I am Giving Opportunities pleased to report we’re on a roll! To those of you who are coming to GPAC for the fi rst time, welcome! We are delighted to have you. I encourage you to explore our numerous performances, educational programs, No gift is ever too small or too big … from PRESENTERS CIRCLE community outreach events and volunteer opportunities. $1 to $100,000+! Please contact Deni Hirsh, Do you want to help ensure Director of Development, at 901.751.7505 or the future of the arts? Most venues and performing arts groups both locally and nationwide [email protected] to discuss your gift. Then consider joining the have seen a dramatic decrease in subscriptions. Thanks to your support GPAC Presenters Circle! and participation, however, our number of subscribers has doubled over Membership consists of an the past three years. In fact, not only have our subscriptions increased, SPONSORSHIP annual gift of at least $1,000 with a three but our single tickets sales are also on the rise. Are we bragging? Well… GPAC sponsorships are an excellent way year commitment. Members are prominently perhaps a little. We are defi nitely celebrating, though, and I want to to promote your business and cultivate recognized throughout the season as part of take this opportunity to thank the City of Germantown, the GPAC Board community recognition as a supporter of the a special circle of supporters who share our of Directors, the Director’s Advisory Committee, the Jazz Advisory arts. -
Journey to the Academy Awards: an Investigation of Oscar-Shortlisted and Nominated Documentaries (2014-2016) PRELIMINARY KEY
Journey to the Academy Awards: An Investigation of Oscar-Shortlisted and Nominated Documentaries (2014-2016) PRELIMINARY KEY FINDINGS By Caty Borum Chattoo, Co-Director, Center for Media & Social Impact American University School of Communication | Washington, D.C. February 2016 OVERVIEW For a documentary filmmaker, being recognized by the Academy of Motion Picture Arts & Sciences for an Oscar nomination in the Best Documentary Feature category is often the pinnacle moment in a career. Beyond the celebratory achievement, the acknowledgment can open up doors for funding and opportunities for next films and career opportunities. The formal recognition happens in three phases: It begins in December with the Academy’s announcement of a shortlist—15 films that advance to a formal nomination for the Academy’s Best Documentary Feature Award. Then, in mid-January, the final list of five official nominations is announced. Finally, at the end of February each year, the one winner is announced at the Academy Awards ceremony. Beyond a film’s narrative and technical prowess, the marketing campaigns that help a documentary make it to the shortlist and then the final nomination list are increasingly expensive and insular, from advertisements in entertainment trade outlets to lavish events to build buzz among Academy members and industry influencers. What does it take for a documentary film and its director and producer to make it to the top—the Oscars shortlist, the nomination and the win? Which film directors are recognized—in terms of race and gender?