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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Screendollars August 10, 2020 About Films, the Film Industry No
For Exhibitors Screendollars August 10, 2020 About Films, the Film Industry No. 129 Newsletter and Cinema Advertising Happy birthday to Stan Durwood, the Founder of AMC Theatres, born 100 years ago on August 5, 1920. Stan was a highly motivated and creative entrepreneur, who expanded the family theatre business he took over in 1960 to become one of the largest theatre chains in the world. He is credited with many innovations that transformed the movie business, most notably, the creation of the multiplex cinema and the invention of the arm-rest cup holder. Purpose-built, multiple- screen, cinema entertainment complexes became Parkway Twin Theatres, the first Multiplex, The dominant force in exhibition in the late 20th century, growing a $2B annual industry in opened in Kansas City on July 12, 1963 1975 to a $6B industry in 1997. He was a proud son of Kansas City, where AMC is based. Welcome Back - Looking Forward to a Brighter 2021 As theatres begin to re-open and the industry comes back to life, we take stock of the positive signs of what lies ahead. The movie business has been interrupted, but it is not broken. Despite the significant challenges this year, when new movies return to theatres, audiences will follow. When circumstances permit, people are going to say to themselves, “I have been stuck at home for months watching streaming, and I’m tired of that. Now I want go out with friends and family, see other people, and experience something fantastic." Screendollars has produced this three-minute video, which previews the Must-See Movies which will be coming to theatres in 2021. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
If You Take the King's Shilling, You Do the King's Bidding: Funding and Censorship of Public Television Programs
DOCUMENT RESUME ED 395 338 CS 509 239 AUTHOR Drushel, Bruce E. TITLE If You Take the King's Shilling, You Do the King's Bidding: Funding and Censorship of Public Television Programs. PUB DATE Nov 95 NOTE 21p.; Paper presented at the Annual Meeting of the Speech Communication Association (81st, San Antonio, TX, November 18-24, 1995). PUB TYPE Viewpoints (Opinion/Position Papers, Essays, etc.) (120) Information Analyses (070) Speeches/Conference Papers (150) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Censorship; Conservatism; *Financial Support; *Government Role; Higher Education; Homosexuality; Legislators; Mass Media; *Moral Issues; *Programming (Broadcast); *Public Television IDENTIFIERS Congress; *Controversial Topics; First Amendment; Religious Right ABSTRACT Public broadcasting in the United States frequently draws criticism from conservatives who accuse it of pursuing an agenda promoting environmentalism, gay rights, affirmative action, reproductive choice, and other liberal causes, and of being hostile to conservative interests such as defense, the pro-life effort, and the promotion of Christian values. To date, concerns over censorship in public television have focused, not on overt efforts by Congress to determine the bounds of acceptable programs, but on not-so-subtle pressure at both the national and the local level to self-censor or risk loss of funding. Several recent cases of controversial programs have led to calls for ties between funding of the public television system and program content--programs such as "Tongues Untied," "Portrait of a Marriage," and "Tales of the City." Assessing the constitutionality of possible future efforts by Congress to place content-related conditions on the funding of,public television seems to require that 3 areas of law be analyzed: (1) the current statutory framework in which the public television system operates;(2) the recent case law in the area of the First Amendment and public broadcasting; and (3) relevant overarching judicial principles. -
88Th Oscars® Nominations Announced
MEDIA CONTACT Natalie Kojen [email protected] January 14, 2016 FOR IMMEDIATE RELEASE 88TH OSCARS® NOMINATIONS ANNOUNCED LOS ANGELES, CA — Academy President Cheryl Boone Isaacs, Guillermo del Toro, John Krasinski and Ang Lee announced the 88th Academy Awards® nominations today (January 14). Del Toro and Lee announced the nominees in 11 categories at 5:30 a.m. PT, followed by Boone Isaacs and Krasinski for the remaining 13 categories at 5:38 a.m. PT, at the live news conference attended by more than 400 international media representatives. For a complete list of nominees, visit the official Oscars® website, www.oscar.com. Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees. Official screenings of all motion pictures with one or more nominations will begin for members on Saturday, January 23, at the Academy’s Samuel Goldwyn Theater. Screenings also will be held at the Academy’s Linwood Dunn Theater in Hollywood and in London, New York and the San Francisco Bay Area. Active members of the Academy are eligible to vote for the winners in all 24 categories. To access the complete nominations press kit, visit www.oscars.org/press/press-kits. The 88th Oscars will be held on Sunday, February 28, 2016, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m. -
Indian Summers
FOR IMMEDIATE RELEASE: CONTACT: Maria Pisano August 25, 2015 412-622-1459 [email protected] EXPERIENCE “INDIAN SUMMERS” WITH WQED THIS FALL Join WQED, Silk Screen and Britsburgh Saturday, September 12 For a Screening and Discussion of the NEW MASTERPIECE Series, “Indian Summers” PITTSBURGH – WQED Multimedia in partnership with Silk Screen and Britsburgh will present two screening times for the NEW MASTERPIECE series called Indian Summers on Saturday, September 12 at WQED in the Elsie Hilliard Hillman Conference Center. The 1:00 p.m. time is SOLD OUT. Spaces are still available for the 4:00 p.m. time. Click here to reserve a spot for the 4:00 p.m. session. Space is limited. Light hors d'oeuvres will be provided by Taj Mahal Restaurant. A discussion with Silk Screen Executive Director Harish Saluja and a Britsburgh representative will immediately follow the screening. Set against the sweeping grandeur of the Himalayas and tea plantations of Northern India, Indian Summers tells the rich and explosive story of the decline of the British Empire and the birth of modern India, from both sides of the experience. This epic new series airs in nine episodes, Sundays, September 27 - November 22, 2015 at 9 p.m. locally on WQED-TV. The MASTERPIECE series is made possible locally on WQED-TV by UPMC. About WQED Pittsburgh WQED changes lives by creating and sharing outstanding public media that educates, entertains, and inspires. It is the parent company of WQED-TV (PBS); WQED Create; WQED WORLD Channel; WQED Showcase; Classical WQED-FM 89.3/Pittsburgh; Classical WQEJ-FM 89.7/Johnstown; the Pittsburgh Concert Channel at WQED-HD2 (89.3-2FM) and online at www.wqed.org/fm; local and national television and radio productions; WQED Interactive (www.wqed.org) and iQ: smartmedia, WQED’s Educational initiative (www.wqed.org/edu). -
Hetherington, K
KRISTINA HETHERINGTON Editor Feature Films: THE DUKE - Sony/Neon Films - Roger Michell, director BLACKBIRD - Millennium Films - Roger Michell, director Toronto International Film Festival, World Premiere RED JOAN - Lionsgate - Trevor Nunn, director Toronto International Film Festival, Official Selection CHRISTOPHER ROBIN (additional editor) - Disney - Marc Forster, director MY COUSIN RACHEL - Fox Searchlight Pictures - Roger Michell, director DETOUR - Magnet Releasing - Christopher Smith, director TRESPASS AGAINST US - A24 - Adam Smith, director LE WEEK-END - Music Box Films - Roger Michell, director JAPAN IN A DAY - GAGA - Philip Martin & Gaku Narita, directors A BOY CALLED DAD - Emerging Pictures - Brian Percival, director SUMMER - Vertigo Films - Kenny Glenaan, director YASMIN - Asian Crush - Kenny Glenaan, director BLIND FIGHT - Film1 - John Furse, director LIAM - Lions Gate Films - Stephen Frears, director Television: SITTING IN LIMBO (movie) - BBC One/BBC - Stella Corradi, director THE CHILD IN TIME (movie) - BBC One/BBC - Julian Farino, director THE CROWN (series) - Netflix/Left Blank Pictures - Stephen Daldry & Philip Martin, directors MURDER (mini-series) - BBC/Touchpaper Television - Iain Forsyth & Jane Pollard, directors BIRTHDAY (movie) - Sky Arts/Slam Films - Roger Michell, director THE LOST HONOUR OF CHRISTOPHER JEFFERIES - ITV/Carnival Film & TV - Roger Michell, director RTS of West England Award Winner, Best Editing in Drama KLONDIKE (mini-series) - Discovery Channel/Scott Free Productions - Simon Cellan Jones, director -
Sundance Institute Announces 2019 New Frontier Story Lab Fellows
FOR IMMEDIATE RELEASE Media Contact: May 16, 2019 Chrissy Riley 310.360.1981 [email protected] Sundance Institute Announces 2019 New Frontier Story Lab Fellows Groundbreaking Group of Emerging Media Creatives Convene to Push the Boundaries of Storytelling and Technology Sandra Rodriguez | Michael Burk | Klasien van de Zandschulp | Emily Baltz | Jenny (QinYa) Guo | Xin Liu | Eve-Lauryn Little Shell LaFountain | Razan AlSalah | Momchil Alexandrov Alexiev | Michael Fallik | Laura Emel Yilmaz Los Angeles, CA — Sundance Institute announces six projects selected for the 2019 Sundance Institute New Frontier Story Lab, which supports independent artists working at the cutting-edge convergence of film, art, media, live performance and technology. The New Frontier Story Lab is a week-long immersive experience that empowers creatives with individual story sessions, conversations about key artistic, design and technology issues and case study presentations from experts in multiple disciplines. Past participants include Roger Ross Williams, Josephine Decker, Silas Howard, Tracy Fullerton, Yung Jake, Chris Milk, Hasan Minhaj, Tommy Pallotta, Amelia Winger-Bearskin, Hank Willis Thomas, Jillian Mayer, Heather Dewey-Hagborg, Navid and Vassiliki Khonsari, A Dandy Punk, and Nicolas Peufaillit. The Lab takes place May 16-21 at the Sundance Resort in Utah, under the leadership of Sundance Institute Feature Film Program Founding Director Michelle Satter and Ruthie Doyle, Interim Director of New Frontier Lab Programs. “The relationship between artists and creative technologists develops and expands during the Lab, using emerging and immersive media to find new forms of deeply personal storytelling, this year especially through performance, machine learning, and reimaginings at the intersection of the human and the machine,” said Ruthie Doyle, Interim Director of New Frontier Lab Programs. -
2016•2017 Season
2016•2017 SEASON DUNCAN-WILLIAMS PERFORMANCE HALL TICKETS AND SUBSCRIPTIONS ON SALE NOW! SUBSCRIBE AND SAVE UP TO 30%! To those that have been with us for many years as a subscriber, patron, volunteer or contributor, I am Giving Opportunities pleased to report we’re on a roll! To those of you who are coming to GPAC for the fi rst time, welcome! We are delighted to have you. I encourage you to explore our numerous performances, educational programs, No gift is ever too small or too big … from PRESENTERS CIRCLE community outreach events and volunteer opportunities. $1 to $100,000+! Please contact Deni Hirsh, Do you want to help ensure Director of Development, at 901.751.7505 or the future of the arts? Most venues and performing arts groups both locally and nationwide [email protected] to discuss your gift. Then consider joining the have seen a dramatic decrease in subscriptions. Thanks to your support GPAC Presenters Circle! and participation, however, our number of subscribers has doubled over Membership consists of an the past three years. In fact, not only have our subscriptions increased, SPONSORSHIP annual gift of at least $1,000 with a three but our single tickets sales are also on the rise. Are we bragging? Well… GPAC sponsorships are an excellent way year commitment. Members are prominently perhaps a little. We are defi nitely celebrating, though, and I want to to promote your business and cultivate recognized throughout the season as part of take this opportunity to thank the City of Germantown, the GPAC Board community recognition as a supporter of the a special circle of supporters who share our of Directors, the Director’s Advisory Committee, the Jazz Advisory arts. -
The Documentary Feature RIVER CITY DRUMBEAT Is Coming to PBS in June, 2021
The documentary feature RIVER CITY DRUMBEAT is coming to PBS in June, 2021 RIVER CITY DRUMBEAT will be available from PBS and its local stations beginning June 18, 2021. (Check local PBS stations for listings.) The documentary will also be available on PBS digital platforms, including the PBS app, PBS.org, and via PBS Distribution streaming services. PR inquiries: Adam Segal, [email protected] Publicity Assets https://www.dropbox.com/sh/ogmg56qg06c39fj/AAC0zn-d8Zmz5iiVTdUeqVkXa?dl=0 Vimeo Trailer: http://bit.ly/rcd2021trailer YouTubeTrailer: http://bit.ly/rcdyttr2021 Website: https://rivercitydrumbeatmovie.com LOGLINE RIVER CITY DRUMBEAT is a powerful story of music, love, and legacies, told by the members of a Black youth drum corps in Louisville, Kentucky. When the founder steps down, a young alum whose life was saved by the drumline rises to mentor the next generation in the face of systemic injustices. SYNOPSIS The critically-acclaimed, audience favorite RIVER CITY DRUMBEAT is an immersive story of music, love, and legacies set in the American South. For three decades, the dynamic Ed “Nardie” White offered a path to empowerment to Black youth in Louisville, Kentucky through his Pan-African community drum corps. When he decides to step down, Albert Shumake, an alum whose life was saved by the drumline, returns home to carry “the spirit of the drum” forward for the next generation. During the year-long changing of the guard, young drummers Imani, Jailen, and Emily navigate the cadences of adolescence even as systemic forces threaten to undermine their dreams. Directors Marlon Johnson and Anne Flatté deliver a vital and insightful tale that shows how art, love and mentors can transform a child’s life. -
Journey to the Academy Awards: an Investigation of Oscar-Shortlisted and Nominated Documentaries (2014-2016) PRELIMINARY KEY
Journey to the Academy Awards: An Investigation of Oscar-Shortlisted and Nominated Documentaries (2014-2016) PRELIMINARY KEY FINDINGS By Caty Borum Chattoo, Co-Director, Center for Media & Social Impact American University School of Communication | Washington, D.C. February 2016 OVERVIEW For a documentary filmmaker, being recognized by the Academy of Motion Picture Arts & Sciences for an Oscar nomination in the Best Documentary Feature category is often the pinnacle moment in a career. Beyond the celebratory achievement, the acknowledgment can open up doors for funding and opportunities for next films and career opportunities. The formal recognition happens in three phases: It begins in December with the Academy’s announcement of a shortlist—15 films that advance to a formal nomination for the Academy’s Best Documentary Feature Award. Then, in mid-January, the final list of five official nominations is announced. Finally, at the end of February each year, the one winner is announced at the Academy Awards ceremony. Beyond a film’s narrative and technical prowess, the marketing campaigns that help a documentary make it to the shortlist and then the final nomination list are increasingly expensive and insular, from advertisements in entertainment trade outlets to lavish events to build buzz among Academy members and industry influencers. What does it take for a documentary film and its director and producer to make it to the top—the Oscars shortlist, the nomination and the win? Which film directors are recognized—in terms of race and gender? -
Production Notes
Production Notes ABOUT THE FILM Timed to the 50th anniversary of NASA’s celebrated Apollo 11 mission, Apollo 11: First Steps Edition is a thrilling cinematic experience that showcases the real-life moments of humankind’s first steps on the Moon. In this special giant screen edition of Todd Douglas Miller’s (Dinosaur 13) critically acclaimed Apollo 11 documentary, the filmmakers reconstruct the exhilarating final moments of preparation, liftoff, landing, and return of this historic mission—one of humanity’s greatest achievements, and the first to put humans on the Moon. It seems impossible, but this project was possible because of the discovery of a trove of never-before-seen 70mm footage and uncatalogued audio recordings—which allowed the filmmakers to create a 47-minute version of the film tailored exclusively for IMAX® and giant screen theaters in science centers and museums. Apollo 11: First Steps Edition is produced by Statement Pictures in partnership with CNN Films. The film is presented by Land Rover, and distributed by MacGillivray Freeman Films. “The Apollo 11 mission was humanity’s greatest adventure and we’re pleased to be bringing this edition to science centers and museums everywhere,” says director Todd Douglas Miller. “This film was designed to take full advantage of the immersive quality of IMAX and giant screen theaters.” But how did it happen? How did this one-in-a-lifetime batch of footage remain undiscovered for fifty years? Miller explains that as his team was working closely with NASA and the National Archives (NARA) to locate all known Apollo 11 footage, NARA staff members simply discovered reels upon reels of 70mm, large-format Apollo footage.