Spinning Around Artist:Kylie Minogue , Writer:Ira Shickman, Osborne Bingham, Kara Dioguardi, Paula Abdul

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Spinning Around artist:Kylie Minogue , writer:Ira Shickman, Osborne Bingham, Kara DioGuardi, Paula Abdul Kylie Minogue: https://www.youtube.com/watch?v=fJqbTud_9-c Capo on 2 [C] I'm spinning a-[D]round, move out of my [C] way, I know you're feelin' me' cause you [D] like it like [C] this. I'm breakin' it [D] down, I'm not the [C] same, I know you're [D] feelin' me 'cause you like it like [C] this. [C] Traded in my sorrows for some [D] joy that I borrowed [C] from back in the [D] day. [C] Threw away my old clothes, [D] got myself a better wardrobe, [C] I got something to [D] say. I'm [C] through with the past, ain't no point in looking [D] back, [C] the future will [D] be. And did [C] I forget to mention that I [D] found a new direction, [C] and it leads back to [D] me ? [C] I'm spinning a-[D]round, move out of my [C] way, I know you're feelin' me' cause you [D] like it like [C] this. I'm breakin' it [D] down, I'm not the [C] same, I know you're [D] feelin' me 'cause you like it like [C] this. The mi-[C]stakes I've made, have [D] given me the strength [C] to really [D] believe [C] that no matter how I take it, there's no way I'm gonna fake it[D], [C] 'cause it's gotta be real. [D] [C] I've got nothin' left to hide, [D] no reason left to fight, [C] 'cause the truth's given [D] me [C] a new freedom inside, gettin' [D] rid of my desire. [C] Do you like what you [D] see ? [C] I'm spinning a-[D]round, move out of my [C] way, I know you're feelin' me' cause you [D] like it like [C] this. I'm breakin' it [D] down, I'm not the [C] same, I know you're [D] feelin' me 'cause you like it like [C] this. [C] Baby, baby, [D] baby ! [A] You know you [C] like it like [D] this, oh, [Em] baby, baby, baby ! [A] You know you [C] like it like [D] this, oh, [Em] baby, baby, baby ! [C] I'm spinning a-[D]round, move out of my [C] way, I know you're feelin' me' cause you [D] like it like [C] this. I'm breakin' it [D] down, I'm not the [C] same, I know you're [D] feelin' me 'cause you like it like [C] this. [C] [D] [C] [D] Produced by http://ozbcoz.com Jim's Tenor Guitar Songbook Tenor GuitarTuning CGDA.

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Exploring Lesbian and Gay Musical Preferences and 'LGB Music' in Flanders
Observatorio (OBS*) Journal, vol.9 - nº2 (2015), 207-223 1646-5954/ERC123483/2015 207 Into the Groove - Exploring lesbian and gay musical preferences and 'LGB music' in Flanders Alexander Dhoest*, Robbe Herreman**, Marion Wasserbauer*** * PhD, Associate professor, 'Media, Policy & Culture', University of Antwerp, Sint-Jacobsstraat 2, 2000 Antwerp ([email protected]) ** PhD student, 'Media, Policy & Culture', University of Antwerp, Sint-Jacobsstraat 2, 2000 Antwerp ([email protected]) *** PhD student, 'Media, Policy & Culture', University of Antwerp, Sint-Jacobsstraat 2, 2000 Antwerp ([email protected]) Abstract The importance of music and music tastes in lesbian and gay cultures is widely documented, but empirical research on individual lesbian and gay musical preferences is rare and even fully absent in Flanders (Belgium). To explore this field, we used an online quantitative survey (N= 761) followed up by 60 in-depth interviews, asking questions about musical preferences. Both the survey and the interviews disclose strongly gender-specific patterns of musical preference, the women preferring rock and alternative genres while the men tend to prefer pop and more commercial genres. While the sexual orientation of the musician is not very relevant to most participants, they do identify certain kinds of music that are strongly associated with lesbian and/or gay culture, often based on the play with codes of masculinity and femininity. Our findings confirm the popularity of certain types of music among Flemish lesbians and gay men, for whom it constitutes a shared source of identification, as it does across many Western countries. The qualitative data, in particular, allow us to better understand how such music plays a role in constituting and supporting lesbian and gay cultures and communities.
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