DOCSLIB.ORG

Kylie Minogue Obe (1968-)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Kylie Minogue Obe (1968-) AUSTRALIAN EPHEMERA COLLECTION FINDING AID KYLIE MINOGUE OBE (1968-) PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JUNE 2018 Kylie Minogue is an Australian pop singer, songwriter, and actor. After beginning her career as a child actor on Australian television, she achieved recognition through her role in the television soap opera Neighbours, before commencing her career as a recording artist in 1987. This finding aid lists programs and ephemera which document all aspects of Kylie Minogue’s singing, song-writing and stage acting careers in Australia and overseas. The Library does not generally collect material on Minogue’s film and television screen career. CONTENT Printed materials in the PROMPT collection include programs and printed ephemera such as brochures, leaflets, tickets, etc. Theatre programs are taken as the prime documentary evidence of a performance. The list is based on imperfect holdings, and is updated as gaps in the Library’s holdings fill. Unless otherwise stated, all entries are based on published programs in the PROMPT collection. ACCESS The Kylie Minogue PROMPT files may be accessed through the Library’s Special Collections Reading Room by eCallslip request: https://nla.gov.au/nla.cat-vn3529676 ARRANGEMENT Programs in the National Library’ PROMPT collection are arranged chronologically / by entrepreneur and/or management company name, etc. Then individually listed, chronologically by performance as follows: OTHER RESOURCES The National Library’s collection also includes: Biographical cuttings file - available via the Newspaper Reading Room Related manuscripts – available via the Manuscripts Reading Room Pictures and posters – available via the Pictures Reading Room Broadsides - available via the Petherick Reading Room Kylie Minogue information and resources listed within the TROVE discovery service 1. Folder of general ephemera about Kylie Minogue: Including magazine articles and clippings, postcards, fan club ephemera and a greeting card. 2. AUSTRALIAN PERFORMANCES: 1991 10 February; Bruce Stadium, Canberra (Australian Capital Territory) Rhythm of Love Live!! 2 handbills 1991 February - March; tour of Australia, Japan, Malaysia, Singapore & Thailand. Kylie - Rhythm of Love 1 folded poster/tour program 3. OVERSEAS PERFORMANCES: 1988 21 November; The Palladium, London (England) The Royal Performance in the presence of Her Majesty Queen Elizabeth the Queen Mother In aid of the Entertainment Artistes’ Benevolent Fund. Program features Kylie Minogue, and separately the cast of Neighbours. 2 programs 1990 Tour from April – May; Europe, Hong Kong, China. Kylie Minogue – Enjoy Yourself Tour Souvenir large format program by Kaydeebee Pty. Ltd, England. 1 program 1991 29 October; Wembley Arena, London (England) Harvey Goldsmith Ents. presents Kylie Let’s Get to It tour. 2 variant handbills PROMPT: Kylie Minogue 2 1998 29 July; Shepherds Bush Empire, London (England) Intimate and Live Intimate and Live was the fifth concert tour by Australian recording artist Kylie Minogue in support of her sixth studio album Impossible Princess (1997). 2 handbills 2000 5 December; Dominion Theatre, Camden, London (England) The Royal Variety Performance 2000 – in the presence of His Royal Highness the Prince of Wales 1 program 2002 6 – 9 May; The NEC Arena, Birmingham (England) Triple “A” Ents. presents Kylie Minogue Tour name: KylieFever2002. 2 copies of What’s On produced by the NEC Group UK. 2002 2 December; Carling Apollo, Hammersmith, London (England) The Royal Variety Performance 2002 – in the presence of His Royal Highness the Prince of Wales 1 program 2010 19 November; Royal Albert Hall, London (England) The Royal Variety Performance 2012 – in the presence of His Royal Highness the Prince of Wales and Her Royal Highness The Duchess of Cornwall 1 program 2011 February – May (international tour) Aphrodite: les Follies Tour 2011 Aphrodite: Les Folies Tour (also known as Aphrodite Live) was the twelfth concert tour by Australian recording artist Kylie Minogue. 1 program 2011 Commencing 19 March; Novello Theatre, Westminster, London (England) Cameron Mackintosh presents Betty Blue Eyes / Allan Bennett & Malcolm Mowbray A new musical comedy starring Sarah Lancashire, David Bamber, Reece Shearsmith , and Kylie Minogue (as the Voice of Betty) 1 program 2012 19 November; Royal Albert Hall, London (England) The Royal Variety Performance 2012 – held in the presence of Her Majesty the Queen and HRH The Prince Phillip, Duke of Edinburgh 1 program PROMPT: Kylie Minogue 3 .
Load more

Recommended publications
  • Exploring Lesbian and Gay Musical Preferences and 'LGB Music' in Flanders
    Observatorio (OBS*) Journal, vol.9 - nº2 (2015), 207-223 1646-5954/ERC123483/2015 207 Into the Groove - Exploring lesbian and gay musical preferences and 'LGB music' in Flanders Alexander Dhoest*, Robbe Herreman**, Marion Wasserbauer*** * PhD, Associate professor, 'Media, Policy & Culture', University of Antwerp, Sint-Jacobsstraat 2, 2000 Antwerp ([email protected]) ** PhD student, 'Media, Policy & Culture', University of Antwerp, Sint-Jacobsstraat 2, 2000 Antwerp ([email protected]) *** PhD student, 'Media, Policy & Culture', University of Antwerp, Sint-Jacobsstraat 2, 2000 Antwerp ([email protected]) Abstract The importance of music and music tastes in lesbian and gay cultures is widely documented, but empirical research on individual lesbian and gay musical preferences is rare and even fully absent in Flanders (Belgium). To explore this field, we used an online quantitative survey (N= 761) followed up by 60 in-depth interviews, asking questions about musical preferences. Both the survey and the interviews disclose strongly gender-specific patterns of musical preference, the women preferring rock and alternative genres while the men tend to prefer pop and more commercial genres. While the sexual orientation of the musician is not very relevant to most participants, they do identify certain kinds of music that are strongly associated with lesbian and/or gay culture, often based on the play with codes of masculinity and femininity. Our findings confirm the popularity of certain types of music among Flemish lesbians and gay men, for whom it constitutes a shared source of identification, as it does across many Western countries. The qualitative data, in particular, allow us to better understand how such music plays a role in constituting and supporting lesbian and gay cultures and communities.
    [Show full text]
  • Objection To, Or Fault Found with Applicant’S Services Marketed Under
    Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA728619 Filing date: 02/22/2016 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Notice of Opposition Notice is hereby given that the following party opposes registration of the indicated application. Opposer Information Name KDB Pty Ltd. Granted to Date 02/21/2016 of previous ex- tension Address 108-110 Church Street Hawthorn VIC, 3122 AUSTRALIA Attorney informa- Rebeccah Gan tion WENDEROTH LLP 1030 15th Street, NW, Suite 400 East Washington, DC 20005 UNITED STATES [email protected], [email protected] Phone:202-721-8227 Applicant Information Application No 86584742 Publication date 08/25/2015 Opposition Filing 02/22/2016 Opposition Peri- 02/21/2016 Date od Ends Applicant Kylie Jenner, Inc. c/o Boulevard Management, Inc. Woodland Hills, CA 91364 UNITED STATES Goods/Services Affected by Opposition Class 035. First Use: 0 First Use In Commerce: 0 All goods and services in the class are opposed, namely: Advertising services, namely, promotingthe brands, goods and services of others; endorsement services, namely, promoting the goods and ser- vices of others Grounds for Opposition Priority and likelihood of confusion Trademark Act section 2(d) Dilution by blurring Trademark Act section 43(c) Dilution by tarnishment Trademark Act section 43(c) Marks Cited by Opposer as Basis for Opposition U.S. Application 86683460 Application Date 07/06/2015 No. Registration Date NONE Foreign Priority NONE Date Word Mark KYLIE MINOGUE DARLING Design Mark Description of NONE Mark Goods/Services Class 003.
    [Show full text]
  • Art. Music. Games. Life. 16 09
    ART. MUSIC. GAMES. LIFE. 16 09 03 Editor’s Letter 27 04 Disposed Media Gaming 06 Wishlist 07 BigLime 08 Freeware 09 Sonic Retrospective 10 Alexander Brandon 12 Deus Ex: Invisible War 20 14 Game Reviews Music 16 Kylie Showgirl Tour 18 Kylie Retrospective 20 Varsity Drag 22 Good/Bad: Radio 1 23 Doormat 25 Music Reviews Film & TV 32 27 Dexter 29 Film Reviews Comics 31 Death Of Captain Marvel 32 Blankets 34 Comic Reviews Gallery 36 Andrew Campbell 37 Matthew Plater 38 Laura Copeland 39 Next Issue… Publisher/Production Editor Tim Cheesman Editor Dan Thornton Deputy Editor Ian Moreno-Melgar Art Editor Andrew Campbell Sub Editor/Designer Rachel Wild Contributors Keith Andrew/Dan Gassis/Adam Parker/James Hamilton/Paul Blakeley/Andrew Revell Illustrators James Downing/Laura Copeland Cover Art Matthew Plater [© Disposable Media 2007. // All images and characters are retained by original company holding.] dm6/editor’s letter as some bloke once mumbled. “The times, they are You may have spotted a new name at the bottom of this a-changing” column, as I’ve stepped into the hefty shoes and legacy of former Editor Andrew Revell. But luckily, fans of ‘Rev’ will be happy to know he’s still contributing his prosaic genius, and now he actually gets time to sleep in between issues. If my undeserved promotion wasn’t enough, we’re also happy to announce a new bi-monthly schedule for DM. Natural disasters and Acts of God not withstanding. And if that isn’t enough to rock you to the very foundations of your soul, we’re also putting the finishing touches to a newDisposable Media website.
    [Show full text]
  • Andy Higgins, BA
    Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support.
    [Show full text]
  • Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle
    Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle by Konstantinos Chatzipapatheodoridis A dissertation submitted to the Department of American Literature and Culture, School of English in fulfillment of the requirement for the degree of Doctor of Philosophy Faculty of Philosophy Aristotle University of Thessaloniki Konstantinos Chatzipapatheodoridis Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle Supervising Committee Zoe Detsi, supervisor _____________ Christina Dokou, co-adviser _____________ Konstantinos Blatanis, co-adviser _____________ This doctoral dissertation has been conducted on a SSF (IKY) scholarship via the “Postgraduate Studies Funding Program” Act which draws from the EP “Human Resources Development, Education and Lifelong Learning” 2014-2020, co-financed by European Social Fund (ESF) and the Greek State. Aristotle University of Thessaloniki I dress to kill, but tastefully. —Freddie Mercury Table of Contents Acknowledgements...................................................................................i Introduction..............................................................................................1 The Camp of Diva: Theory and Praxis.............................................6 Queer Audiences: Global Gay Culture, the Arena Tour Spectacle, and Fandom....................................................................................24 Methodology and Chapters............................................................38 Chapter 1 Times
    [Show full text]
  • Popularmusikforschung39-03: the Value of Live Music
    THE VALUE OF LIVE MUSIC Simon Frith From April 2008 until April 2011 I directed a research project on live music in Britain.1 We are now writing up our findings,2 and since February 2012 we have had funding for a follow-up project, designed to establish ongoing links between academic researchers, the live music industry and the wider public.3 The original research project was organized around an investigation of the business of live music promotion and a crucial part of our method was interviewing. We talked to more than 100 promoters, from the MD of Live Nation in the UK and such big names as Harvey Goldsmith to local club owners and enthusiasts. We covered all types of music (including classical) — which is one reason why our findings will fill three books. One of my roles in the research team is to present our work to the live music industry itself, whether by attending their trade events and writing for their trade papers or by inviting them to seminars we organise. Such »knowledge exchange« (to use current academic jargon) is not without its problems and two kinds of miscommunication between university-based researchers and live music industry players particular interest me (and have informed the design of our follow up project). First, we apparently have quite different interpretations of a shared phrase, »the value of live music«. Their take is, it seems, straightforwardly economic: the value of live music can be measured by how much money people are prepared to pay for it. Our approach, by contrast, is more philo- sophical (or up our own backsides, as the industry would say): what is it that people think they are paying for? What exactly do they value? I'm not 1 See http://www.gla.ac.uk/departments/livemusicproject.
    [Show full text]
  • BBC MUSIC MAGAZINE BBC MUSIC MAGAZINE 43 Films with Live Orchestra
    Films with live orchestra he took a break from the ‘day job’, hitting the road on his own blockbusting concert tour; and while this wasn’t about live scores exactly, it offered the composer (and musician) the opportunity to see for himself the appetite there is right now for live film music. Was he surprised at its success? ‘A little,’ he admits. ‘The first thing I said to (concert promoter) Harvey Goldsmith was “do you think anyone will come?”’ Come they did, and in their thousands, as Zimmer and his hand-picked ensemble played to packed arenas across the globe. But playing a Zimmer score live in concert is no easy feat. ‘I’ve written so many things that are not easy to pull off in front of a live audience,’ he Symphonic Brando: explains, ‘because I use odd line-ups. I love David Newman conducts the line-up of 28 cellos and eight basses only. the score to On the It’s hard to get that in your normal symphony Waterfront in New York orchestra, plus the brass section is going to be really cross with you because there’s nothing for them to play. I remember an orchestra taking Pirates of the Caribbean out to do live and I said tracks that are played simultaneously with the “you’d better book two complete French horn music. Synchronicity, speed and rhythm are still sections, because they need to take a break – key, however, and remain a specific challenge, their lips will literally start bleeding!” When we as he explains.
    [Show full text]
  • Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
    nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here..
    [Show full text]
  • In the Transition from Stage to Arena, Live Music Is Remade
    Intimate live girls Halligan, B Title Intimate live girls Authors Halligan, B Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/33518/ Published Date 2015 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Intimate Live Girls Benjamin Halligan Keywords: aura, intimacy, kissing, authenticity, liveness, social media, spectacle, Miley Cyrus, Katy Perry, Terry Richardson, Peter Gabriel Abstract: The arena concert requires a particular type of liveness of performance in order to transcend impersonal mass entertainment. Liveness here looks to authenticity and happenstance, privileges personal communications and seeks to live in the moment, and in this way the live performance then meets and matches or even surpasses the virtual life of the artist or group. The concert must be both mass spectacle and an individual and singular experience for those witnessing and participating in it. Without these latter essential attributes, which can be read as the auratic and authentic replacing the virtual, the arena concert falls short of ontological expectations of live music. In recent years the mise-en-scène of the arena concert has become calibrated to female artists with, seemingly, a concomitant feminisation of the event. In this, the space is often given over to intimacy, empathy, and presented as an insight into the life, and even philosophy, of the performer.
    [Show full text]
  • 01 Cover JULY.Indd
    B63C:B7;/B35C723B=5/G:=<2=< 4@33 9G:73E=EE=EE=E 7<A723¬D/<1=CD3@>@723:=<2=</<<735/G07<5= EEE=Cb;/51=C9 7AAC3<7<3B33<%& =C :=@3; bZ]`S[ WORDS BY LOREM DELOREM | PHOTOGRAPH BY MAET IPSUM =CbT`]\b Knight Hooson has an EDITORIAL// immigrant’s view of ADVERTISING the British PAGE 46 Editor INTERNATIONAL MR David Hudson LEATHER [email protected] Chris Jepson reports +44 (0)20 7258 1943 from the annual Contributing Editor International Mr Adrian Gillan Leather contest in [email protected] Chicago Design Concept Splicer Design PAGE 51 www.splicerdesign.com OUT THERE Art Director Upcoming scene Markus Scheef highlights for July, plus [email protected] PAGE 20 coverage of Hustlaball, Designer KYLIE XXL Bear Pride and Siv Nilsen Circus Sub Editor Kathryn Fox PAGE 81 Contributors OUTREACH Marc Andrews, Dan Browne, Dr Justin Varney on Paul Burston, Charlotte making your protests Dingle, Adrian Foster, Knight CONTENTS heard Hooson, Cary James, Gary Ryan, Richard Tonks, Michael Turnbull, Justin Varney, Iwan PAGE 04 Watson, Steve Watson LETTERS Photographers Send your Chris Jepson, Dick Goose correspondence to Publisher [email protected] Sarah Garrett//Linda Riley ISDN: 1473-6039 HUDSON’S LETTER PAGE 06 Head of Business Development Walking on the Pride I think I’ve been on every MY LONDON Rob Harkavy London parade last Pride march in London Gaydar radio and [email protected] year, I was struck by the since 1989, and the Classic FM’s Jamie Crick PAGE 54 +44 (0)20 7258 1936 huge number of gay faces numbers taking part on BEAR PRIDE Sales Executive I recognised lining the the parade have dwindled PAGE 08 Dan Goodban route… compared to the over the years.
    [Show full text]
  • Essendon Fields Precinct – Hyatt Place Melbourne
    insert cover positional here MELBOURNE CBD about this 15 minutes box size 10% Transparency of your 16 DFO ESSENDON cover artwork Tullamarine Freeway & CityLink TRA N S P O R T A BOUT U S 15 iFLY THINGS TO D O F OOD & DRINK 6 ESSENDON FIELDS AIRPORT 7 GYMNASIUM S ERVICE S 9 ESSENDON FIELDS CENTRAL 12 LAMANNA CAFÉ & SUPERMARKET ue ven 1 THE HUNGRY FOX CAFÉ ve A Hargra Bristol Street 2 CAR DEALERSHIPS MELBOURNE AIRPORT 3 FLIGHT EXPERIENCES 8 CHILDCARE 11 DENTIST 7km* 4 AIRWAYS MUSEUM 13 HYATT PLACE HOTEL & EVENTS CENTRE CYCLING TRAIL 5 BOUNCE INC. TRAM STOP 56 10 MEDICAL CENTRE English Street ESSENDON STATION oad Nomad R levard kin Bou Lar ESSENDON FIELDS IS WELL CONNECTED TO BOTH THE BUSINESS DISTRICT MELBOURNE CBD AND 14 MR MCCRACKEN RESTAURANT & BAR MELBOURNE AIRPORT MELBOURNE CBD 10km* Public Transport The free EF Station Shuttle operates from Essendon Fields to Essendon Train Station. Every weekday departing on the half hour between 7.15 – 9.30am & 4.15 – 6.30pm. Tram service 59 is a short walk from EF. Stop 56 (Airport West), located on Matthews Ave/ Earl Street departs every 8 minutes. Myki available from EF Newsagency. Airport Transit 16 DFO Essendon The free airport shuttle bus operates on- DFO Essendon comprises over 110 outlet retailers including demand daily between Essendon Fields Polo Ralph Lauren, Hugo Boss, Ted Baker and Coach. The Airport and Melbourne Airport between adjacent Homemaker Hub comprises over 20 stores. 6.00am and 10.00pm. Visit ef.com.au/ 100 Bulla Road, Essendon airportshuttle for booking details.
    [Show full text]
  • Profile: Kylie Minogue
    AUSTRALIAN LEFT REVIEW 7 Left to themselves, the people Maryanne Fahey's roo!ly excellent could think of nothing better to do Kylie Mole is the role model for politically than elect Richard Nixon. Minogue. who now guests on The General de Gaulle and Ted Heath. In Comedy Company as Mole’s friend Australia they couldn't remember Rebecca while Mole appears as whom they’d elected, as a succession herself on Perfect Match. And the of conservative prime ministers came role model for grade six primary and went, one of them going from the school children isn’t Minogue but beach in symbolic fusion of politics Mole: Kylie and surfing, never to be seen again. Teacher Colin Fletcher said: I think the Left to itself, the people's culture reason the .show look off so well was Minogue maintained a lively interest in the because we have a Kylie, Amanda and body and spectacle, but not in Dina in the class. I use the show in formal politics and society. And Kylie teaching because the kids are so tuned in. I ihink lhe kids can relate to Kylie Mole Minogue, a child of ’68, grew. he birth was in Bethlehem. The because she is such a real character, Did she revere Abbie Hoffman. (Perth Sunday Times, 18.9.88.) date was 28 May, 1968. There Rudi Dutschke, Daniel Cohn- T was a time when a birth in Bendit, Richard Neville, Germaine And the generation of ’68 looks Bethlehem was considered Greer? on, aghast, muttering tnea culpa. Is newsworthy, but times have No, but she and her Melburnian this the reality they imagined, the changed.
    [Show full text]