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Microphone Techniques for Drums (English)
MICROPHONE TECHNIQUES DRUMS A Shure Educational Publication Microphone Techniques Table of Contents for DRUMS General Rules . 4 Microphone Positions . 6 Overhead-Cymbals . 7 Snare drum . 7 Bass drum (kick drum) . 7 Tom-toms . 7 Hi-hat . 8 Snare, hi-hat and hi-tom . 8 Cymbals, floor tom and hi-tom . 8 Timbales, congas, bongos . 9 Tambourine . 9 Steel drums . 9 Xylophone, marimba, vibraphone . 9 Glockenspiel . 9 Glossary . 10 Microphone Selection Guide . 11 Drums 3 Microphone Techniques for DRUMS GENERAL RULES Microphone technique is largely a matter of personal taste — whatever method sounds right for the particular instrument, musician, and song is right. There is no one ideal microphone to use on any particular instrument. There is also no one ideal way to place a microphone. Place the microphone to get the sound you want. However, the desired sound can often be achieved more quickly and consistently by understanding basic microphone characteristics, sound-radiation properties of musical instruments, and acoustic fundamentals. Here are some suggestions to follow when miking musical instruments for sound reinforcement. • Try to get the sound source (instrument, voice, or amplifier) to sound good acoustically (“live”) before miking it. • Use a microphone with a frequency response that is limited to the frequency range of the instrument, if possible, or filter out frequencies below the lowest fundamental frequency of the instrument. • To determine a good starting microphone position, try closing one ear with your finger. Listen to the sound source with the other ear and move around until you find a spot that sounds good. Put the microphone there. -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
The Craft of Fine Drum Making
2 playDIXON.com 3 Dixon Conviction Dixon Drums is a full-line acoustic drum and hardware brand with over 35 years of manufacturing experience. Committed to quality and innovation, we embrace both sound and function to advance the art of drumming through the craft of fine drum making. A drummer-centric approach is at the core of everything we do, resonating throughout each one of our product lines. We have established a reputation for durability and reliability, while remaining nimble enough to respond to industry trends and player needs quickly and creatively. In this catalog, you will see a dynamic blend of time-tested, industry-standard configurations mixed with innovations in shell materials, cutting-edge hardware designs, and world-class signature artist models. Our ability to serve all styles of music (ranging from Jazz to Metal), deliver at all levels of playing (beginner to pro), and offer full customization of each aspect of the instrument (see our flagship Artisan Series), has made Dixon a rising star in today’s drum market. Join the Dixon family, and be a part of drum history in the making. 4 playDIXON.com 5 Committed to Quality Driven by Sound 06 / ARTISAN Series 18 / BLAZE Series 20 / FUSE Series 22 / SPARK Series 24 / JET SET Series 26 / SNARE Drums 36 / HARDWARE 53 / INVENTOR Series 6 Series playDIXON.com 7 Features Dixon understands that every drummer reaches a point when it all comes together and refined skills culminate in optimum results. We refer to this achievement as ARTISAN. Our flagship series delivers the very best our craftsmen have to offer, along with choices to personalize your instrument. -
Bass Drum Cases Snare Drum Cases Power Tom
DANNY SERAPHINE THOMAS LANG VIRGIL DONATI DERRICK WRIGHT THOMAS PRIDGEN C.T.A MIKE JOHNSTON Stork/Indep. Planet X/Steve Vai Adele The Memorials Educator Licensed by: Bass Drum Cases Prices subject to change without notice. Snare Drum Cases Pro Grip Handles Retail Retail AR1418 • 14“ x 18” w/legs bass drum case..... 124.50 AR3003 • 3“ x 13” piccolo.................................$ 58.50 AR1618 • 16“ x 18” bass drum case................ 126.50 AR3004 • 4“ x 14” piccolo ................................. 62.50 AR1818 • 18“ x 18” bass drum case................ 159.50 AR3005 • 6½“ x 15” free floater snare case....... 65.50 AR1420 • 14“ x 20” bass drum case................. 144.50 AR3006 • 6½” x 14“ standard snare case......... 58.50 AR1620 • 16“ x 20” bass drum case................. 146.50 AR3007 • 5“ x 13” piccolo snare case............... 60.50 AR1820 • 18“ x 20” bass drum case................. 139.50 AR3008 • 7“ x 12” snare case............................ 60.50 Patented "TruForm" design AR3009 • 8“ x 14” snare case............................ 69.50 AR2020 • 20“ x 20” bass drum case................. 149.50 corresponds to the "true AR2420 • 24“ x 20” deep bass drum case........ 168.50 shape" of the drum plus its AR3010 • 5“ x 10” piccolo snare case............... 56.50 mounting hardware. This AR3011 • 5½“ x 14” snare case......................... 58.50 AR1422 • 14“ x 22” bass drum case................. 145.50 universal teardrop design allows a much snugger fit. AR3012 • 5“ x 12” piccolo snare case............... 60.50 AR1622 • 16“ x 22” bass drum case................. 145.50 AR3013 • 7“ x 13” snare case............................ 65.50 AR1822 • 18“ x 22” bass drum case................ -
Multi-Percussion in the Undergraduate Percussion Curriculum Benjamin A
University of Miami Scholarly Repository Open Access Dissertations Electronic Theses and Dissertations 2014-12 Multi-percussion in the Undergraduate Percussion Curriculum Benjamin A. Charles University of Miami, [email protected] Follow this and additional works at: http://scholarlyrepository.miami.edu/oa_dissertations Recommended Citation Charles, Benjamin A., "Multi-percussion in the Undergraduate Percussion Curriculum" (2014). Open Access Dissertations. Paper 1324. This Open access is brought to you for free and open access by the Electronic Theses and Dissertations at Scholarly Repository. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of Scholarly Repository. For more information, please contact [email protected]. ! ! UNIVERSITY OF MIAMI ! ! MULTI-PERCUSSION IN THE UNDERGRADUATE PERCUSSION CURRICULUM ! By Benjamin Andrew Charles ! A DOCTORAL ESSAY ! ! Submitted to the Faculty of the University of Miami in partial fulfillment of the requirements for the degree of Doctor of Musical Arts ! ! ! ! ! ! ! ! ! Coral Gables,! Florida ! December 2014 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ©2014 Benjamin Andrew Charles ! All Rights Reserved UNIVERSITY! OF MIAMI ! ! A doctoral essay proposal submitted in partial fulfillment of the requirements for the degree of Doctor of Musical! Arts ! ! MULTI-PERCUSSION IN THE UNDERGRADUATE PERCUSSION CURRICULUM! ! Benjamin Andrew Charles ! ! !Approved: ! _________________________ __________________________ -
PP Drums 2013.Pdf
PP Drums_2013_PP 2006 03/10/2012 12:31 Page 2 PP Drums_2013_PP 2006 03/10/2012 12:32 Page 3 Contents 2-5 Drum Kits and Snare Drums 6 Stands, Drum Stools & Bass Drum Pedals 7 Drumsticks, Brushes, Cymbals & Practice Pads 8 Bags & Drum Tech Drum Parts 9 Congas, Bongos, Glockenspiel & Roto Toms 10 Cajóns, Djembes, Samba Drums & Tambourines 11 Bodhrans and Drums 12-16 Educational Percussion Sets & Packs 16 Thunder Tubes and Bead Brains 17 Multi-Cultural Instruments & Shakers 18-19 Hand Percussion Instruments Performance Percussion PP300R Metallic Red The #1 Percussion Choice! Never before have drums and percussion instruments enjoyed such an exciting profile in music. From subtle shaker tracks adding a highly effective ‘feel good’ rhythm factor to some of the funkiest chart R&B songs, to the thundering, tightly-syncopated low-end rhythms of hard rock and nu-metal, interest levels in the power and dynamics of drumming and percussion are at an all-time high. It’s time to get involved! But where to start? Well, make sure you start with the best you can buy – that’s why the comprehensive PP Drums range of drum kits, accessories and percussion instruments (traditional and multi-cultural) are the #1 choice as the best value, best equipped entry and education level range of drums and percussion. Great choice, great value, great performance; right from the convenience of PP Drums’ superb ‘everything you need to play now!’ drum kit packs, right through The PP300 has many excellent to PP World educational percussion instruments that all school children everywhere can join in with, having “qualities: it’s well-made, has fun while they learn valuable rhythm basics! sturdy hardware and good sound properties...” magazine Remo® has well and truly earned its reputation as the acknowledged 'drummer's drumheads', The PP300s come fitted* with Remo® drum heads as standard! * playing heads fitted on snare and tomtoms, bass drum front and back. -
Bell Type Instruments • Bamboo Vibraphone • Belltree • Bhutan Bells
Bell Type Instruments Bamboo Vibraphone Iran Fingercymbals Tibetan Cymbals Belltree Metallophon Tibetan Singing Bells Bhutan Bells Mini Bells Vietnam Bells China Finger Cymbals Saron Gamelan Windbells Dream Catcher Shanghai Baby Piano Windchimes Ethno Gamelan Crash Bells Small Burma Bells World Glockenspiel Small Tubular Bells Bowed Instruments Gaohu Dilruba Ih Khuur Bass Morin Khuur Violin Egyptian Fiddle Jinghu Operaviolin Small Morin Khuur Erhu Morin Khuur Strings Western Fiddle Licks Esraj Ensemble CONSTRUCTION SETS China Set 100 Mid East Set 100 China Set 120 Mid East Set 120 Mid East Set 80 China Set 140 Mid East Set 140 GONGS & BOWLS Big FengGong Big Rako Bowls Java Gong Tam Tam Besar “ Big Tibetan Singing Mongolian Gong Thai Gong 14 Bowls Rin Singing Bowls Wuhan Tam Tam “ Gong Besar 18 KEYED INSTRUMENTS Scale Changer Dallape Accordion Melodica Harmonium India METAL TYPE INSTRUMENTS Kalimba Kibirizi 15 Bass Kalimba tuning Plates Metal Squares Cymbals Kalimba Kibirizi 5 Military Cymbals Hand Cymbals tuning Plates Mongolian Jews Harp Jews Harp Kalimba Hugh Tracey STRINGED INSTRUMENTS Acoustic Bass Vester Domra Sitar Balalaika Dra-Ngen Small Erhu Plectrum Bandura Grand Monochord Violin Banjo Framus Joochin Dulcimer Small Kantele Banjolin Kantele Steel String Guitar Big Erhu Plectrum Mandolin Truxa Falcon Violin Oud Tampura Bouzouki Sakis Oud Licks Tanbur Ceylon Guitar Resonator Guitar Timple Contra Guitar F - Bass Santoor Saberi Turke Saz Cora -
Choosing a Drum Set for Worship
Choosing a Drum Set for Worship We hope this guide will help you find the right drum set and drum hardware that fits your playing style and needs. Whether it is an affordable starter set or a sophisticated, arena-worthy acoustic or electronic kit, this guide will help you identify the right combination of gear to match your budget and percussion skills. You will learn about the elements that go into making drums and cymbals, and what to consider when shopping for drums. Before choosing a drum set, you need to be familiar with the components that go into it, these include: The Snare Drum, the Bass Drum, one or more Mounted Toms and a Floor Tom. The two other essential components that complete a full drum set, Cymbals and Hardware. We have also included a section on how to reduce acoustic drum volume, a microphone alternative, and a section on electronic drums. If you are unfamiliar with any of the terms used here, please see the Glossary of Terms at the end of this document. Enjoy! Parts of the Drum Set ANATOMY OF A DRUM TOP (BATTER) HEAD: The most basic component of a drum, the head is a round membrane made of a synthetic material usually mylar, that is stretched across the shell, with varying degrees of tension. HOOP: The drum hoop is usually made of either cast or stamped metal, although some drummers prefer wood hoops. Hoops are constructed with a flange shaped to hold the head on the shell for tensioning. TENSION ROD: These mount through holes in the hoop and thread into the lug to maintain the desired tension. -
TC 1-19.30 Percussion Techniques
TC 1-19.30 Percussion Techniques JULY 2018 DISTRIBUTION RESTRICTION: Approved for public release: distribution is unlimited. Headquarters, Department of the Army This publication is available at the Army Publishing Directorate site (https://armypubs.army.mil), and the Central Army Registry site (https://atiam.train.army.mil/catalog/dashboard) *TC 1-19.30 (TC 12-43) Training Circular Headquarters No. 1-19.30 Department of the Army Washington, DC, 25 July 2018 Percussion Techniques Contents Page PREFACE................................................................................................................... vii INTRODUCTION ......................................................................................................... xi Chapter 1 BASIC PRINCIPLES OF PERCUSSION PLAYING ................................................. 1-1 History ........................................................................................................................ 1-1 Definitions .................................................................................................................. 1-1 Total Percussionist .................................................................................................... 1-1 General Rules for Percussion Performance .............................................................. 1-2 Chapter 2 SNARE DRUM .......................................................................................................... 2-1 Snare Drum: Physical Composition and Construction ............................................. -
Drum Set Setup Step
DRUM SET SETUP 1 STEP 2 A practical guideline for setting up 3 a BY drum set STEP 1 UNPACKING AND ALLOCATING CONTENTS You see two cardboard boxes in front of you. For reasons of transportation your drum set has been delivered dismantled into single parts. Don‘t worry, by means of the following instructions we will help you to assemble your drum set correctly. Depending on the model, the quantities indicated may vary. First, we refer to the content CONTENTS of the two boxes and the allocation of the single drums. 1 drum shell, 12 wing screws with washers, 12 claw hooks, BASS DRUM 1 bottom head, 1 batter head, 2 rims, 2 bass-drum legs (spurs) SNARE DRUM 1 snare drum completely assembled 1 drum shell each 2 x 2 heads, TOM-TOM 1 + 2 2 x 2 rims 2 x 10 wing screws with washers 1 dum shell, 10 wing screws with washers, 2 heads, FLOOR TOM 2 rims, 3 legs 1 tuning key, ACCESSORIES 1 pair of drumsticks Ride cymbal, CYMBALS Crash cymbal, (if included in scope of delivery) 2 hi-hat cymbals HARDWARE PACKAGE 1 bass-drum pedal 1 hi-hat stand 1 snare-drum stand 1 cymbal boom stand, 1 straight cymbal stand 2 tom-tom mounting arms 2 ASSEMBLING THE DRUMS BASS DRUM We begin with the bass drum. Take the bass drum shell and place it in such a way that the attachment screws of the bass drum legs as well as the tom-tom mounting assembly point downwards. 1 Now take the bottom head (black with logo) and lay it on the drum shell. -
Export Prices 2010
Prisliste vinter 2010/11 Art.nr. Beskrivelse Nok inkl.mva MS1091 Set 5 Hand Chimes kr 1 360 MS1414 Bass Instrument STAND kr 3 340 PP001 Soprano Diatonic GLOCKENSPIEL - PP001 kr 899 PP002 Soprano Chromatic Half GLOCK - PP002 kr 730 PP003 Alto Diatonic GLOCKENSPIEL - PP003 kr 1 220 PP004 Alto Chromatic Half GLOCK - PP004 kr 980 PP006 Soprano Chromatic GLOCK - PP006 kr 1 403 PP007 Alto Full Chromatic GLOCK - PP007 kr 1 840 PP009 Educ CHIMES Diat set of 8 - PP009 kr 1 928 PP010 Educ CHIMES Chrom set of 5 - PP010 kr 1 230 PP011 Educ CHIME FRAME - PP011 kr 3 398 PP012 Educ Chimes MALLET - PP012 kr 162 PP014 FRAME CHIMES (TUBULAR BELLS) PP014 kr 2 160 PP017 Soprano Diatonic METALLOPHONE - PP017 kr 3 146 PP018 Soprano Chromatic Half METALLO - PP018 kr 2 033 PP019 Alto Diatonic METALLOPHONE - PP019 kr 4 070 PP020 Alto Chromatic Half METALLO - PP020 kr 2 720 PP021 Bass Diatonic METALLOPHONE - PP021 kr 7 976 PP022 Bass Chromatic Half METALLO - PP022 kr 5 183 PP023 Soprano Diatonic XYLOPHONE - PP023 kr 3 060 PP024 Soprano Chromatic Half XYLO - PP024 kr 1 880 PP025 Alto Diatonic XYLOPHONE - PP025 kr 3 600 PP026 Alto Chromatic Half XYLO - PP026 kr 2 390 PP027 Bass Diatonic XYLOPHONE - PP027 kr 7 080 PP028 Bass Chromatic Half XYLO - PP028 kr 4 868 PP030 RAINTUBE - PP030 kr 920 PP032 6" (15) TRIANGLE Concert - PP032 kr 198 PP034 6"(15) TAMBOUR Wood shell - PP034 kr 263 PP035 8"(20) TAMBOUR Wood shell - PP035 kr 286 PP036 10"(25) TAMBOUR Wood shell - PP036 kr 298 PP038 6"(15) TAMBOURINE Wood shell - PP038 kr 337 PP040 8"(20) TAMBOURINE Wood shell - PP040 -
ROGERS Literature 09.Pdf
RD2124 with add-on floor tom RD2124 The Trailblazer drum set features birch/poplar shells in three spectacular Delmar wraps. All kits come complete with a double bass drum pedal, 2-legged hi-hat stand and a nickel-plated steel snare drum. These are just some of the features that raise the bar at this unbeatable price. The Trailblazer offers three unique configurations to choose from, with 8” toms and 14” floor toms to create your custom configuration. Pro features and incredible value is what you will find with the all new Trailblazer series. RD2120 with add-on tom Kansas City Swirl Pittsburgh Swirl Indy Swirl RD2122 RD2122 with add-on toms bass drum floor tom mounted tom steel snare RD2120 20”x 16” 14”x 13” 10”x 7.5”, 12”x 8” 14”x 5.5” RD2122 22”x 16” 16”x 15” 10”x 7.5”, 12”x 8” 14”x 5.5” RD2124 24”x 18” 16”x 15” 12”x 8” 14”x 5.5” RD2122P5 22”x 16” 16”x 15” 10”x 7.5”, 12”x 8” 14”x 5.5” add-on toms RTT-0807TB 8”x 7” tom with multi-clamp and tom arm RD2120 RFT-1413TB 14”x 13” floor tom straight boom boom 2-leg hi-hat snare double bass drum tom cymbal stand cymbal stand arm stand stand drum pedal throne arm cymbals RD2120 •• ••• 2 RD2122 •• ••• 2 RD2124 •••••• 1 RD2122P5 •• ••• 2Paiste PST5 14/16/20 2-Legged Hi-Hat Stand Double Bass Drum Pedal Nickel-Plated Steel Snare Improved Floor Tom Ball Joint Tom Mount Ball Joint Snare Stand Hardware (with RIMS-type mount) The Prospector series features 100% poplar shells in four stunning finishes.