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RD2124 with add-on floor tom RD2124 The Trailblazer drum set features birch/poplar shells in three spectacular Delmar wraps. All kits come complete with a double bass drum pedal, 2-legged hi-hat stand and a nickel-plated steel snare drum. These are just some of the features that raise the bar at this unbeatable price. The Trailblazer offers three unique configurations to choose from, with 8” toms and 14” floor toms to create your custom configuration. Pro features and incredible value is what you will find with the all new Trailblazer series. RD2120 with add-on tom Kansas City Swirl Pittsburgh Swirl Indy Swirl RD2122 RD2122 with add-on toms bass drum floor tom mounted tom steel snare RD2120 20”x 16” 14”x 13” 10”x 7.5”, 12”x 8” 14”x 5.5” RD2122 22”x 16” 16”x 15” 10”x 7.5”, 12”x 8” 14”x 5.5” RD2124 24”x 18” 16”x 15” 12”x 8” 14”x 5.5” RD2122P5 22”x 16” 16”x 15” 10”x 7.5”, 12”x 8” 14”x 5.5” add-on toms RTT-0807TB 8”x 7” tom with multi-clamp and tom arm RD2120 RFT-1413TB 14”x 13” floor tom straight boom boom 2-leg hi-hat snare double bass drum tom cymbal stand cymbal stand arm stand stand drum pedal throne arm cymbals RD2120 •• ••• 2 RD2122 •• ••• 2 RD2124 •••••• 1 RD2122P5 •• ••• 2Paiste PST5 14/16/20 2-Legged Hi-Hat Stand Double Bass Drum Pedal Nickel-Plated Steel Snare Improved Floor Tom Ball Joint Tom Mount Ball Joint Snare Stand Hardware (with RIMS-type mount) The Prospector series features 100% poplar shells in four stunning finishes. Double-braced hardware, infinite adjustable snare stand, and spider feet floor tom legs are just a few of the outstanding features that make the Prospector drum set one of the best values on the market today. Two versatile configurations are available and are perfect for any playing style. Find the value and quality you’ve been searching for in Rogers Drums. RD618 RD622 bass drum floor tom mounted tom wood snare RD618 18”x 15” 14”x 13” 12”x 8” 14”x 5.5” RD622 22”x 16” 16”x 15” 10”x 7.5”, 12”x 8” 14”x 5.5” RD622P1 22”x 16” 16”x 15” 10”x 7.5”, 12”x 8” 14”x 5.5” RD622P3 22”x 16” 16”x 15” 10”x 7.5”, 12”x 8” 14”x 5.5” straight boom boom hi-hat snare bass drum drum tom cymbal stand cymbal arm cymbal stand stand stand pedal throne arm cymbals RD618 •• • •••1 RD622 • • • •••2 RD622P1 • • • •••2Paiste 101 14/16/20 RD622P3 • • • •••2Paiste PST3 14/16/20 Improved Tom Mount Infinite Adjustable Boom Cymbal Arm Snare Stand (with RD618 only) Chicago Blue, Los Angeles Black, Oakland Silver, Portland Red Spider Foot New Bass Drum Pedal Improved Drum Throne www.ROGERSDRUMSUSA.com ©2009 Yamaha Corporation of America. All rights reserved. Rogers is a registered trademark of Yamaha Corporation of America..

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Microphone Techniques for Drums (English)
MICROPHONE TECHNIQUES DRUMS A Shure Educational Publication Microphone Techniques Table of Contents for DRUMS General Rules . 4 Microphone Positions . 6 Overhead-Cymbals . 7 Snare drum . 7 Bass drum (kick drum) . 7 Tom-toms . 7 Hi-hat . 8 Snare, hi-hat and hi-tom . 8 Cymbals, floor tom and hi-tom . 8 Timbales, congas, bongos . 9 Tambourine . 9 Steel drums . 9 Xylophone, marimba, vibraphone . 9 Glockenspiel . 9 Glossary . 10 Microphone Selection Guide . 11 Drums 3 Microphone Techniques for DRUMS GENERAL RULES Microphone technique is largely a matter of personal taste — whatever method sounds right for the particular instrument, musician, and song is right. There is no one ideal microphone to use on any particular instrument. There is also no one ideal way to place a microphone. Place the microphone to get the sound you want. However, the desired sound can often be achieved more quickly and consistently by understanding basic microphone characteristics, sound-radiation properties of musical instruments, and acoustic fundamentals. Here are some suggestions to follow when miking musical instruments for sound reinforcement. • Try to get the sound source (instrument, voice, or amplifier) to sound good acoustically (“live”) before miking it. • Use a microphone with a frequency response that is limited to the frequency range of the instrument, if possible, or filter out frequencies below the lowest fundamental frequency of the instrument. • To determine a good starting microphone position, try closing one ear with your finger. Listen to the sound source with the other ear and move around until you find a spot that sounds good. Put the microphone there.
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FAMOUS DRUMMERS QUIZ WIN A FREE ONE YEAR'S SUBSCRIPTION! Name this famous drummer who played with the Count Basie Orchestra of 1940. One year's free subscription to Modern Drummer magazine to the first 10 winning entries postmarked before February 1, 1977. Send your answer with return address to: MODERN DRUMMER MAGAZINE C/O FAMOUS DRUMMERS QUIZ 47 HARRISON STREET NUTLEY, NEW JERSEY 07110 MD JANUARY 1977 Editor's Overview If you're a drum student, an aspiring pro, a teacher, professional player, or just a plain old drum enthusiast from eight to eighty, Modern Drummer is meant for you. Welcome to our inaug- ural issue. Drummers have long needed a voice in the form of an intelligent publica- tion encompassing all phases of the art, and we hope to establish ourselves in this and future issues, as a significant force in the field of drum education, and as a platform for the exchange of ideas. We're basically for the drummer IN THIS ISSUE who's interested in growing as a music- ian and in search of a source from which FEATURES: he might draw some intelligent conclu- View From The Top: sions. We hope to be that source by Exclusive Buddy Rich Interview 4 staying abreast of the latest in styles, artists, and equipment; by keeping the MD Shoppers Guide looks at pages of Modern Drummer as relevant Ludwig, Sonor and Pearl 6 to the needs of todays drummer as possible; and by keeping our fingers One-Thousand Year Old Duffy Jackson 9 firmly placed on the pulse of our fast growing, ever changing industry.
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