Eddie Kendricks Boogie Down Mp3, Flac, Wma
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Lyricist's Lyrical Lyrics: Widening the Scope of Poetry Studies by Claiming the Obvious
Paper from the Conference “Current Issues in European Cultural Studies”, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS) in Norrköping 15-17 June 2011. Conference Proceedings published by Linköping University Electronic Press: http://www.ep.liu.se/ecp_home/index.en.aspx?issue=062. © The Author. Lyricist’s Lyrical Lyrics: Widening the Scope 1 of Poetry Studies by Claiming the Obvious Geert Buelens Utrecht University/ Stellenbosch University [email protected] Poetry is all but absent from Cultural Studies. Most treatments of the genre tend to focus on canonized poets whose work is wilfully difficult and obscure. Alternative histories should be explored, opening up possibilities to view poetry again as a culturally relevant art form. The demotic and popular strain provides a case in point. From the Romantics onwards modern poetry linked itself with oral or folk traditions like the ballad. Socially the most popular of these forms is the pop lyric. Since the 1950s rock lyrics have been studied in Social Studies, Cultural Studies, Musicology and some English Departments, but rarely within the context of Poetics or Comparative Literature. Rap and canonized singer-songwriters like Dylan and Cohen are the exceptions to the rule. Systematic attention to both lyrics and performance may open up current ideas of what a poem is and how it works. 1 This article is the non copy-edited draft of a paper presented at the 2011 ACSIS conference ‘Current Issues in European Cultural Studies’, Norrköping, 15-17 June 2011 within the session ‘Revisiting the Literary Within Cultural Studies’. 495 LYRICIST’s LYRICAL LYRICS: WIDENING THE SKOPE OF POETRY STUDIES BY CLAIMING THE OBVIOUS Listen – I’m not dissin but there’s something that you’re missin Maybe you should touch reality KRS-One/Boogie Down Productions, ‘Poetry’ (1987) (in Bradley&DuBois 2010, 145) It is a truism of sorts to claim that Cultural Studies tries to understand the world we live in and to explain how cultural artefacts both reflect and construct that world and its inherent political tensions. -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
Complete John Lee Hooker Session Discography
The Complete John Lee Hooker Discography –Part II from The Great R&B-files Created by Claus Röhnisch: http://www.rhythm-and-blues.info The Great R&B Files (# 2 of 12) Part II Updated 2017-09-23 MAIN CONTENTS: page Hooker Singles in Disguise 82 Hooker’s First and Last Albums 94 The Body & Soul CD-series 112 Giant of Blues – an Essay by Les Fancourt 114 The Complete EP Collection 118 The Real Best of Selection (with Trivia) 132 The three “whole career” double-CDs 137 JLH Recording Scale 138 Bootlegs and DVDs 142 Nuthin’ but the Best! – Fictional Album 145 The World’s Greatest Blues Singer Supplement to The John Lee Hooker Session Discography http://www.rhythm-and-blues.info/02_HookerSessionDiscography.pdf Part II of the John Lee Hooker Session Discography - compiled by Claus Röhnisch - The R&B Pioneers Series: Volume Two (Part II) of twelve The Great R&B-files Created by Claus Röhnisch: http://www.rhythm-and-blues.info page 81 (of 164) The Complete John Lee Hooker Discography – Part II from The Great R&B-files Created by Claus Röhnisch: http://www.rhythm-and-blues.info The BEST of the CDs featuring Johnnie’s pirate recordings Check Ultimate CD’s entries in the Session Discography, Part One for more details ….. and check Singles discography for pseudonyms. ”Boogie Awhile” – Krazy Kat; ”Early Years: The Classic Savoy Sessions” (1948/49 and 1961) - MetroDoubles; ”Savoy Blues Legends: Detroit 1948-1949” – Savoy; ”Danceland Years” – Pointblank ”I’m A Boogie Man: The Essential Masters 1948-1953” – Varese Sarabande; ”The Boogie Man” – Properbox; -
“Where the Mix Is Perfect”: Voices
“WHERE THE MIX IS PERFECT”: VOICES FROM THE POST-MOTOWN SOUNDSCAPE by Carleton S. Gholz B.A., Macalester College, 1999 M.A., University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Carleton S. Gholz It was defended on April 11, 2011 and approved by Professor Brent Malin, Department of Communication Professor Andrew Weintraub, Department of Music Professor William Fusfield, Department of Communication Professor Shanara Reid-Brinkley, Department of Communication Dissertation Advisor: Professor Ronald J. Zboray, Department of Communication ii Copyright © by Carleton S. Gholz 2011 iii “WHERE THE MIX IS PERFECT”: VOICES FROM THE POST-MOTOWN SOUNDSCAPE Carleton S. Gholz, PhD University of Pittsburgh, 2011 In recent years, the city of Detroit’s economic struggles, including its cultural expressions, have become focal points for discussing the health of the American dream. However, this discussion has rarely strayed from the use of hackneyed factory metaphors, worn-out success-and-failure stories, and an ever-narrowing cast of characters. The result is that the common sense understanding of Detroit’s musical and cultural legacy tends to end in 1972 with the departure of Motown Records from the city to Los Angeles, if not even earlier in the aftermath of the riot / uprising of 1967. In “‘Where The Mix Is Perfect’: Voices From The Post-Motown Soundscape,” I provide an oral history of Detroit’s post-Motown aural history and in the process make available a new urban imaginary for judging the city’s wellbeing. -
Alan Evans - Nothing to Say
Daringer - Baker's Dozen: Daringer KEY SELLING POINTS - Daringer is the in-house producer for Griselda Records having produced a significant amount of the Westside Gunn and Conway catalog in addition to working with Roc Marciano, MF Doom, Termanology and others - “a master of the mournful soul loop” – Okayplayer - Rhythm Roulette Feature via Mass Appeal: https://www.youtube.com/watch?v=fmKLE RyDUFY DESCRIPTION The 11th installment in Fat Beats’ heralded instrumental series. Artist Daringer Title Baker's Dozen: Daringer “I’ve been developing the ear for composition since Catalog # l-BDZ011 my born day. My father is a jazz pianist, I grew up Label Fat Beats Records everyday listening to hours of his practicing solo Genre Hip-Hop/Instrumental improv. That’s why my sequences are often Barcode 680599101588 unconventional. Format LP + Flexi Disc Home Market Buffalo, NY I grew up surrounded by a family of musicians. That Release Date 6/7/19 had me listening to jazz, piano, horns, bass, and Cost $12.50 drums. The MPC became the most natural musical List Price $19.98 extension for me. The City of Buffalo provided the Allotments Will Be Necessary gritty, and ominous influence I became recognized for. TRACKLISTING I cooked this Baker’s Dozen as a token of 1. Entrance appreciation to all the artists who have inquired for 2. Afet the opportunity to rap over my music.” 3. Mente 4. Next Of Kin -DARINGER 5. Gold 97s 6. Bayonet 7. Oddball 8. Benzo’s 9. Omicidio 10. Oowop 11. Pistol Lake 12. April 13. Villa PROUDLY DISTRIBUTED BY FAT BEATS DISTRIBUTION | 8930 ETON AVE. -
Mixtape Djs, the Piracy Paradox, and Lessons for the Recording Industry
Pace University DigitalCommons@Pace Pace Law Faculty Publications School of Law 2009 "Criminal Minded?": Mixtape DJs, The Piracy Paradox, and Lessons for the Recording Industry Horace E. Anderson Elisabeth Haub School of Law at Pace University Follow this and additional works at: https://digitalcommons.pace.edu/lawfaculty Part of the Intellectual Property Law Commons Recommended Citation Horace E. Anderson, "Criminal Minded?": Mixtape DJs, The Piracy Paradox, and Lessons for the Recording Industry, 76 Tenn. L. Rev. 111 (2009), http://digitalcommons.pace.edu/lawfaculty/484/. This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace Law Faculty Publications by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. "CRIMINAL MINDED?":' MIXTAPE DJS, THE PIRACY PARADOX, AND LESSONS FOR THE RECORDING INDUSTRY HORACE E. ANDERSON, JR.* ' 2 "There's nothing that sells music like music. - 50 Cent "Just because you can do something, doesn't mean you should do it."3 - Folk wisdom For at least the past three years, leading American fashion designers have lobbied for passage of copyright-like protection for the design aspects of their apparel creations.4 For at least as long, the recorded-music industry has been engaged in an aggressive campaign to enforce its copyrights in recorded music against a number of technology-enabled, culturally ,,sympathetic alleged,,5 infringers, including "twelve year-olds" and grandmothers. Although the record labels already have protection under the copyright law while the fashion houses seek it, both groups have at least 1. -
Music Therapy Master Song Resource List
University of Kansas Music Therapy Song Repertoire Resource List Spring 2021 The KU music therapy song repertoire resource list acts as a reference for music therapy students as they work to develop a diverse repertoire of songs for use in their musical, pre-clinical, and clinical work. As such, it is a both a document of important songs that have historically been used in music therapy processes, and a living, breathing document that will be updated intermittently to maintain the dynamic of new musics. Songs are categorized and divided into music genres. Genres provide some level of diversity. Current genres in the book are provided as a general list on page 2, and then each genre is presented alphabetically, with songs in each genre also presented alphabetically. This approach helps to make finding songs easier. Some songs will be cross-referenced. Each song will include either an original artist or the song’s author (or both), as well as the year the song was written. This list can help students learn more songs, not only for singing and accompaniment purposes, but also for using recordings of songs when appropriate. Students are strongly encouraged to locate and listen to original recordings of songs to help their learning processes. Original notation in lead sheets is also helpful, especially for students that excel in reading. A good ear and solid music reading skills help for music therapists to be efficient in their learning of new songs. Also, looking up the history of a song helps a clinician make important decisions on how the music may connect with a client, increasing the potential for its effective use. -
Eto in Me Wo 4E
DEDICATED TO THE NEEDS OF THE MUSIC/RECORD INDUSTRY .,,, 9yG03 2, Qqv ' 3 1%; SCe+ '3 13ç ..c, 3b GtJII,^<, A' JUNE 1, 1974 bd I J 1 I S t I I' ''1 HS l,-c t l eto in me wo 4e# THE STYUSTIr With A Bulleted Top Five Single ('You Make Me Feel Brand New') And An Album That Is The Record World Chartmaker Of The Week ('Let's Put It All Together'), This Avco Vocal Quintet From Philly Has Never Been Hotter. See Story On Page 24. SINGLES SLEEPERS ALBUMS HELEN REDDY, "YOU AND ME AGAINST THE SAMI JO, "IT COULD HAVE BEEN ME" (prod. "DIANA ROSS LIVE." There's no deny- WORLD" (prod. by Tom Catalano) by Sonny Limbo & Mickey Buckins/ ing Ms. Ross' hold on stardom, and (Almo, ASCAP). Mother -to -child song 1-2-3 Records) (Senor, ASCAP). this album is a testimony to the strength of reassurance hits so many lyrical Thrush who bowed onto the top of that grip. Whether with a medley O harmonics in these times, the Paul 40 stage with "Tell Me a Lie" of her hits of previous days, her Williams -Kenny Ascher tune already should have an even bigger hit in spirited rendering of "Corner Of The sounds Ike a classic. And who better this tale of love's triangle at the Sky" or with highlights of her "Lady to deliver it than the most consistent altar. Familiarity of the storyline Sings The Blues" effort, this lady's pop female vocal talent of the seven- takes on an interesting twist at the luminous power reigns supreme. -
The Coolest Music Book Ever Made Aka the MC 500 Vol. 1 Marcus Chapman Presents… the Coolest Music Book Ever Made Aka the MC 500 Vol
The Coolest Music Book Ever Made aka The MC 500 Vol. 1 Marcus Chapman presents… The Coolest Music Book Ever Made aka The MC 500 Vol. 1 k Celebrating 40 Years of Sounds, Life, and Culture Through an All-Star Team of Songs Marcus Chapman For everyone who knows the joy of spending time shopping in a record store, and for the kids of the present and future who will never have that experience… Copyright © 2015 Marcus Chapman All rights reserved. ISBN: 1511780126 ISBN 13: 9781511780124 Contents Intro: What is The MC 500 and What Makes This Book So Cool? BONUS SONG: #501 Ooh . Roy Ayers 500 to 401 500 You Don’t Know How It Feels . Tom Pett y 499 Diggin’ On You. TLC 498 Here I Go Again . Whitesnake 497 Blame It . Jamie Foxx featuring T-Pain 496 Just Shopping (Not Buying Anything) . The Dramatics 495 Girls Dem Sugar . Beenie Man featuring Mya 494 My Heart Belongs To U . Jodeci 493 What’s My Name? . Rihanna featuring Drake 492 Feel the Need . Chocolate Milk 491 Midnight Flight . Jake Jacobson 490 The Big Payback . EPMD 489 Still Talkin’ . Eazy-E 488 Too Hot Ta Trot . Commodores 487 Who Dat . JT Money featuring Solé 486 Dark Vader . Instant Funk 485 Flow On (Move Me No Mountain). Above the Law 484 Fantasy . Earth, Wind & Fire 483 Payback Is a Dog . The Stylistics 452 Life Can Be Happy . Slave 482 Double Vision . Foreigner 451 I’ll Take Your Man . Salt ‘N Pepa 481 Soliloquy of Chaos . Gang Starr 480 Spirit of the Boogie . -
Schedule Quickprint TKRN-FM
Schedule QuickPrint TKRN-FM 7/17/2020 10A through 7/17/2020 2PM s: AirTime s: Runtime Schedule: Description 10:00:00a 00:00 Friday, July 17, 2020 10A 10:00:00a 04:01 FLY LIKE AN EAGLE (ALBUM) / STEVE MILLER BAND 10:04:01a 03:29 WILD NIGHT / VAN MORRISON 10:07:30a 03:39 SWEET TALKIN' WOMAN / ELECTRIC LIGHT ORCHESTRA 10:11:09a 04:25 SUPERSTITION / STEVIE WONDER 10:15:34a 04:32 ONE OF THESE NIGHTS (ALBUM) / EAGLES 10:20:06a 03:07 IT'S A SHAME / SPINNERS 10:23:13a 03:28 TAKIN' IT TO THE STREETS / DOOBIE BROTHERS 10:26:41a 02:36 I CAN SEE CLEARLY NOW / JOHNNY NASH 10:29:21a 03:30 STOP-SET 10:36:07a 04:07 CRAZY ON YOU / HEART 10:40:14a 03:52 FEELING ALRIGHT / JOE COCKER 10:44:06a 04:55 BENNIE AND THE JETS / ELTON JOHN 10:49:01a 03:45 BOOGIE DOWN / EDDIE KENDRICKS 10:52:46a 03:30 STOP-SET 11:00:00a 00:00 Friday, July 17, 2020 11A 11:00:00a 03:00 YOU MIGHT THINK / CARS 11:03:00a 04:50 EASY LOVER / PHILIP BAILEY & PHIL COLLINS 11:07:50a 04:37 PINK HOUSES / JOHN MELLENCAMP 11:12:27a 04:22 (I JUST) DIED IN YOUR ARMS / CUTTING CREW 11:16:49a 03:41 ELECTRIC AVENUE / EDDIE GRANT 11:20:30a 04:03 SIMPLY IRRESISTIBLE / ROBERT PALMER 11:24:33a 04:10 AFRICA / TOTO 11:28:47a 03:30 STOP-SET 11:35:31a 04:08 TAINTED LOVE / WHERE DID OUR LOVE GO / SOFT CELL 11:39:39a 04:00 ST. -
Eddie Kendricks Son of Sagittarius Mp3, Flac, Wma
Eddie Kendricks Son Of Sagittarius mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: Son Of Sagittarius Country: US Released: 1974 Style: Soul, Funk, Ballad MP3 version RAR size: 1974 mb FLAC version RAR size: 1181 mb WMA version RAR size: 1955 mb Rating: 4.6 Votes: 650 Other Formats: VOC AC3 MP3 AHX MP4 XM VQF Tracklist Hide Credits Son Of Sagittarius A 3:12 Written-By – A. Poree* Trust Your Heart B 4:13 Written-By – T. McFaddin* Companies, etc. Phonographic Copyright (p) – Motown Record Corporation Copyright (c) – Motown Record Corporation Published By – Stone Diamond Music Corp. Published By – Jobete Music Co., Inc. Copyright (c) – Stone Diamond Music Corp. Copyright (c) – Jobete Music Co., Inc. Mastered At – Motown Recording Studios Pressed By – Columbia Records Pressing Plant, Pitman Credits Arranged By – Dave Van De Pitte*, Frank Wilson, James Carmichael*, Leonard Caston Orchestrated By – Dave Van De Pitte*, James Carmichael*, Leonard Caston Producer – Frank Wilson, Leonard Caston Written-By – F. Wilson*, L. Caston* Notes Columbia Pitman pressing variant, with differences in typesetting and layout from other variants including: - On A side, James Carmichael's first name misspelled "Jomes" within orchestration credit - Music publishing, rights society, matrix number, running time, and orchestration credits on left side (joined, on B side, by LP blurb) - 'STEREO' designation, catalogue number, producer credits and phonographic copyright / trademark notice on right side - En-dash ( – ) used to separate matrix -
Stop the Violence: Overcoming Self-Destruction. INSTITUTION National Urban League, Inc., New York, N.Y
DOCUMENT RESUME ED 377 284 UD 030 212 AUTHOR George, Nelson, Ed. TITLE Stop the Violence: Overcoming Self-Destruction. INSTITUTION National Urban League, Inc., New York, N.Y. REPORT NO ISBN-0-679-72782-5 PUB DATE 90 NOTE 90p.. PUB TYPE Reports Evaluative/Feasibility (142) EDRS PRICE MF01/PC04 Plus Pdstage. DESCRIPTORS Accountability; Adolescents; *Blacks; Crime; Males; Mass Media Effee_s; Musicians; *Self Destructive Behavior; Social Problems; Social Responsibility; "Urban Areas; Urban Problems; Urban Youth; *Videotape Recordings; *Violence; *Youth Problems IDENTIFIERS *Rap Music ABSTRACT The story of the Stop the Violence movementamong rap music artists and music industry colleagues is told,along with the story of a video that was produced as part of this initiative.The Stop the Violence project grew out of the reaction to violenceamong concert goers at a 1987 rap concert cm. Long Island .(New York).Rap musicians have joined projects thatare centered around the "Self Destruction" video, which is a rap performance callingfor an end to violence and promoting positive action byyoung people to combat crime. The book contains lyrics, statements by therappers, statistics about urban violence, letters fromyoung people about their experiences of black-on-black crime, and thestory of the Stop the Violence movement. Comments by the artists complementthe project. Contains a 32-item reading list preparedby some contributors. (SLD) *********************************************************************** Reproductions supplied by EDRS are the best thatcan be made from the original document. *********************************************************************** STOP THE VIOLENCE Overcoming Seif-Destruction U.S. DEPARTMENT OF EDUCATION Olive of Eescat.enat Resoaic and olsovernent E JCATIONAL RESOURCES INFOP.M4TION PERMISSION TO REPRODUCE THIS CENTER (ERIC) MATERIAL HAS GRANTED BY This document has been reproduced as received from the person or organization originating it C :,95{1 1:1 Minor changes have been made to .