Ibiza Plugs In

Total Page:16

File Type:pdf, Size:1020Kb

Ibiza Plugs In ibiza plugs in Will the recent twangs of rock ’n’ roll on Spain’s raving island spell the death of the dance scene? WordS by jo gifford 66 ‰ august 2007 photos: © getty images photo: © everynight images august 2007 ‰ 67 ibiza rocks With rock roots already on the shores and a resurgence of indie popularity humming away in the zeitgeist, 2005 saw the birth of ibiza rocks, the brainchild of andy mcKay, the man behind island institution manumission. maxïmo park, hard Fi, the Futureheads, Kaiser Chiefs, audio Bullys and relative unknowns the Kooks took to the stage despite early criticism. andy feeling to be entering our third year and remembers, “When we launched, many a proud moment to be launching with people laughed at the idea of bringing such a strong line up,” says mcKay. live bands to ibiza and it was very and what a line up indeed. having hard to book them.” now, in its third opened with scottish rock favourites year of incremental success, bands the view on 19th June, other confirmed previously featured as unknowns return acts for later in the summer include as platinum-selling artists, and ibiza CSS, arctic monkeys, the Fratellis, LCD rocks, now recognised as a festival in its soundsystem, the enemy and a return own right, has the backing of partners to the stage for mika and Kasabian. ibiza Channel 4, radio 1, Xfm, sony ericsson, rocks also includes this year, for the myspace and Freedm2. “it’s an amazing first time, London’s Camden Lockt avern Manumission’s message is don’t stay away, bring your recent emo fringe to play. transformation rock is certainly no stranger to the of Ibiza into a Balearics. Close neighbour Formentera is A NEW mecca for head- a celebrity haven for the likes of philippe nodding beer swillers starck, simon Le Bon, elle macpherson, INFLUX OF marks a grand gesture uber cool groupie Kate moss and rock away from the ‘house’ chick-by-birth Jade Jagger. a hippy heritage on the Balearic’s tidal wave in the 60s brought to shore RAW ROCK White Isle of excess. musical innovators pink Floyd and the Don’t ditch the lycra just yet though, infamous mr Bob Dylan, who took up TALENT the clubbers haven’t left the room. a bizarre residence ensconsed in a indeed, the summer season in ibiza windmill on the island. in later years, as still throbs with DJ’s and throngs of ibiza continued to build on a reputation INDICATES A die-hard dancers at the hub of the as a choice for clubbers it played host to house scene. however, a new influx of the legendary Freddie mercury at the Ku SHIFT IN THE raw rock talent indicates a shift in the Club in 1987. his famous footsteps were party vibe opening up the stages for a then followed by songwriter/perfomer PARTY VIBE new generation. if glow sticks and furry mika, in 2006, as he made his live debut boots make your skin crawl and chill- at manumission, just one of the acts out tunes get you agitated, then the returning to the stage this summer. © getty / images photos: reuters 68 ‰ august 2007 august 2007 ‰ 69 IBIZA ROCKS venue featuring sets from superstar radio DJs Zane Lowe, simian mobile Disco, rob Da Bank and noel Fieldings (from acclaimed the mighty Boosh BY BRINGING A NEW alternative comedy duo) as well as team Disgusting collective. With stunning ELEMENT TO IBIZA. ROCK HAS beach-side settings and glorious weather, this all seems a bit far removed from darkened tar-laden taverns, yet OPENED THE FLOODGATES FOR mcKay muses that: “perhaps, in time, people might consider the west end of INNOVATION AND VARIETY san antonio as akin to Camden.” perhaps surprisingly, the two music scenes seem to complement each other. although the image of Doherty- like to get your groove on or just listen have a place in the future of the White esque beings co-habiting an island with to live music. a bit of mix and match isle, and theatre, cinema and the arts ravers might seem bizarre, the addition in the options is a true reflection of might come forward as new contenders. of rock to ibiza underlines the factor the diversity occurring regularly in our one thing is for sure, the future is s which ultimately both groups have in culture, and as much is reflected in the exciting for ibiza. after all, after sex and CK common—a love of music. as explained music scene. drugs comes rock ’n’ roll. a ro Z by one island regular: “the mentality it also offers an injection of new life to www.ibizarocks.com i B of gig-goers and clubbers is essentially an island holding reign over the dance the same—to listen to music and have a scene for several years. By bringing a good time”. new element to ibiza, rock has opened people who have long ago hung up up the floodgates for innovation and their dancing shoes and would prefer a variety. promoters will have noted few beers with a band might now relish the success of a new concept and as the idea of flying to an island that offers the rock scene has been successfully gigs as well as sun, sand and surf. it also adopted, who knows what we will see in offers an element of choice—you may the future. perhaps soul, jazz and fusion photos: © / everynight images i photos: 70 ‰ august 2007.
Recommended publications
  • The Mighty Boosh Is an Award Winning British Comedy Show Created and Written by Comedians Noel Fielding & Julian Barratt
    Photography by Dave Brown 01.09.12 – 16.10.12 Exhibition at Oriel Colwyn, Theatre Colwyn, Abergele Road, Colwyn Bay Clwyd, Wales LL29 7RU All prints are available for sale unframed. Limited Edition of 100 Signed & Numbered. Page 1 of 3 The Mighty Boosh is an award winning British comedy show created and written by comedians Noel Fielding & Julian Barratt. Also starring regular cast members Rich Fulcher, Michael Fielding and Dave Brown. Developed from 3 stage shows appearing at Edinburgh & Melbourne Comedy Festivals, The Boosh has since produced a 6 episode radio series, 3 television series (a total of 20 television episodes) for the BBC, which have aired worldwide and 2 sell out live tours of the UK, as well as performing exclusive live shows in the United States and Australia. Dave Brown has been part of The Mighty Boosh since its conception in the late 90s. Over the years he has been involved in many aspects of the show from designing DVDs, books and merchandise to choreography, music and playing many characters in the show itself, most famously Bollo, the Gorilla. Dave’s also had a camera in his hand from day 1 of the show. These photographs of his fellow cast members and good friends span over 12 years. Photographs from early live gigs, filming the TV shows and behind the scenes whilst on tour. They provide a unique insight into the lives and characters of The Mighty Boosh collective. Dave is alone in his photographic documentation of the show. He has reduced his extensive archive to 46 of his personal favourites to exhibit here at Oriel Colwyn, many being shown for the first time.
    [Show full text]
  • 1 © 2013 Yougov Ltd. All Rights Reserved Yougov.Co.Uk Liberal
    Liberal Democrat rank Have I Got News for You 1 Mock the Week 2 QI 3 Black Books 4 The IT Crowd 5 Brass Eye 6 Doctor Who 7 Red Dwarf 8 Futurama 9 Newswipe with Charlie Brooker 10 Family Guy 11 Russell Howard's Good News 12 Pride and Prejudice 13 Sherlock 14 The Thick of It 15 Being Human 16 Wallace and Gromit 17 Grand Designs 18 Elementary 19 Bremner, Bird and Fortune 20 8 Out of 10 Cats 21 Just a Minute 22 Blackadder 23 The Big Bang Theory 24 Fry's Planet Word 25 Jeeves and Wooster 26 Spaced 27 Dexter 28 Castle 29 The Armando Iannucci Shows 30 House of Cards 31 Green Wing 32 Firefly 33 That Mitchell And Webb Look 34 Buffy the Vampire Slayer 35 Parks and Recreation 36 Brainiac 37 Whose Line Is It Anyway? 38 Time Team 39 Tomorrow's World 40 Scrubs 41 Peep Show 42 Knowing Me, Knowing You... with Alan Partridge 43 BBC News 44 Campus 45 The Golden Age of Canals 46 That Was The Week That Was 47 Charlie Brooker's Screenwipe 48 1 © 2013 YouGov Ltd. All Rights Reserved yougov.co.uk Liberal Democrat rank Look Around You 49 Stand Up for the Week 50 Arrested Development 51 Dirk Gently 52 Stingray 53 The Sunday Night Project 54 Would I Lie To You? 55 Psychoville 56 The Big Fat Quiz of the Year 57 Wonders of the Universe 58 South Park 59 Vicious 60 Watson & Oliver 61 Dead Ringers 62 Absolutely Fabulous 63 Extreme Makeover 64 True Blood 65 Jack Dee Live at the Apollo 66 Nigella Bites 67 Planet Earth 68 Hancock's Half Hour 69 Friends 70 Putin, Russia and the West 71 How the Earth Was Made 72 Kath & Kim 73 Changing Rooms 74 My So-Called Life 75 Click 76 Ask Rhod Gilbert 77 Vic Reeves Big Night Out 78 Batman 79 How Clean is Your House? 80 Goodness Gracious Me 81 Supernatural 82 Walking with Dinosaurs 83 American Dad! 84 The Hitchhiker's Guide to the Galaxy 85 The Day Today 86 Not the Nine O'Clock News 87 Argumental 88 Is It Bill Bailey? 89 Russell Howard Live 90 Acorn Antiques 91 The Impressions Show with Culshaw and Stephenson 92 My Hero 93 The Office 94 House 95 New Girl 96 The Returned 97 Big Train 98 Due South 99 Destination Titan 100 2 © 2013 YouGov Ltd.
    [Show full text]
  • Uk Versus Usa at the Shockwaves Nme Awards 2007
    STRICTLY EMBARGOED UNTIL 8PM MONDAY 29 TH JANUARY Insert logo UK VERSUS USA AT THE SHOCKWAVES NME AWARDS 2007 Expect blood, sweat and tears as we prepare for what will undoubtedly be one big dirty rock’n’roll battle of the bands – and of the nations – at the Shockwaves NME Awards 2007 . The best of British – Arctic Monkeys , Muse and Kasabian – will take on stateside success stories My Chemical Romance and The Killers on March 1 at Hammersmith Palais. Let battle commence! This year, there’s no one clear leader but FIVE bands that dominate the nominations list. With four nominations each, Arctic Monkeys, Muse, Kasabian, The Killers and My Chemical Romance have been chosen by the fans to fight it out on the night. For the past two years, it’s been British bands sweeping the board, but this year The Killers and My Chemical Romance may very well make the 2007 ceremony a stateside success story. Arctic Monkeys made NME Awards history last year by scooping the Award for both Best New Band and Best British Band in the same year, in addition to winning Best Track and scoring a nomination for Best Live Band . Sheffield’s favourites have matched their achievement, with four nominations this year for Best British Band, Best Live Band, Best Album and Best Music DVD. Arctic Monkeys said: “Very nice, we didn’t think we would get any this year! It seems weird for us to be alongside them [the competition] because we still feel like a little band. When it’s your own thing you don’t really see yourself alongside The Killers and Kasabian.” The Monkeys have more than one tough fight on their hands if they want to claim the Best British Band title for the second year running, though.
    [Show full text]
  • UK RELEASE DATE: 10Th NOVEMBER 2017 GERMANY: November 23Rd FRANCE: December 6Th AUSTRALIA & NEW ZEALAND: December 26Th US: January 12Th 2018
    UK RELEASE DATE: 10th NOVEMBER 2017 GERMANY: November 23rd FRANCE: December 6th AUSTRALIA & NEW ZEALAND: December 26th US: January 12th 2018 For more information please contact: [email protected] [email protected] [email protected] Tel: +44 (0)20 7534 2700 Images and Press materials: www.studiocanalpress.co.uk 1 Synopsis Following the worldwide hit PADDINGTON, the most successful non-US studio family film of all time, the much-anticipated sequel finds Paddington happily settled with the Brown family in London, where he has become a popular member of the local community, spreading joy and marmalade wherever he goes. While searching for the perfect present for his beloved Aunt Lucy’s hundredth birthday, Paddington sees a unique pop-up book in Mr. Gruber’s shop, and embarks upon a series of odd jobs to buy it. But when the book is stolen, it’s up to Paddington and the Browns to unmask the thief, who appears to be a master of disguise… A Heyday Films and STUDIOCANAL production, Paddington’s return to the big screen is helmed by BAFTA nominated director Paul King (PADDINGTON, ‘COME FLY WITH ME’, ‘THE MIGHTY BOOSH’) written by Paul King and Simon Farnaby (‘YONDERLAND’ and MINDHORN) and produced by multi award-winning David Heyman (producer of all eight of the HARRY POTTER films, GRAVITY, THE BOY IN THE STRIPED PYJAMAS, FANTASTIC BEASTS AND WHERE TO FIND THEM). With Hugh Grant and Brendan Gleeson joining the all-star returning cast of Hugh Bonneville, Sally Hawkins, Julie Walters, Jim Broadbent, Peter Capaldi, Madeleine Harris and Samuel Joslin, Ben Whishaw as the beloved voice of Paddington and Imelda Staunton as Aunt Lucy, Paddington 2 is released in cinemas November 10th.
    [Show full text]
  • NOEL FIELDING Claimant
    IN THE HIGH COURT OF JUSTICE Claim Number: BL-2019-000538 BUSINESS AND PROPERTY COURTS OF ENGLAND AND WALES IN THE MATTER OF THE MOBILE TELEPHONE VOICEMAIL INTERCEPTION LITIGATION BEFORE: THE HONOURABLE MR JUSTICE MANN B E T W E E N: NOEL FIELDING Claimant and NEWS GROUP NEWSPAPERS LIMITED Defendant STATEMENT IN OPEN COURT Alex Cochrane, Hamlins LLP, Solicitor for the Claimant 1. My Lord, in this action for misuse of private information, I appear on behalf of the Claimant, Mr Noel Fielding. My learned friend, Mr Silverstone, appears on behalf of the Defendant, News Group Newspapers Limited. 2. The Claimant is a comedian, actor and television presenter best known for his creation of, and role in, the BBC television series ‘The Mighty Boosh’. As a result of the Claimant’s high profile, he was a person of interest to the press. 3. The Defendant was the publisher of the News of the World which, until its closure in July 2011, was the UK’s biggest selling Sunday newspaper with a very considerable readership in this jurisdiction. The Defendant was, and remains, the publisher of The Sun which still enjoys a substantial circulation and readership in this jurisdiction both in the hard copies of its publications and on its website. 4. In March 2019, the Claimant issued proceedings against the Defendant. Mr Fielding claimed that his voicemail messages were intercepted by the Defendant’s journalists and that as a result, these journalists would have been privy to private and confidential voicemail messages left on his mobile telephone by others, such as his family and close friends.
    [Show full text]
  • Broadcast Bulletin Issue Number
    O fcom Broadcast Bulletin Issue number 100 14 January 2008 Ofcom Broadcast Bulletin, Issue 100 14 January 2008 Contents Introduction 3 Standards cases In Breach McFly Competition 4 BBC North West Tonight (BBC1), 6, 8, and 9 February 2007 Dirty Cows 6 LIVING, 14 October 2007, 17:00 UK’s Toughest Jobs 7 Discovery+1, 20 October 2007, 16:00 Rich Kids’ Cattle Drive 8 E! Entertainment, 29 October 2007, 17:20 Ryanair.com POP POP POP 9 Bubble Hits, 9 November 2007, 14:00 Radio Ramadan (Bristol) 10 11 and 12 October 2007, various times Resolved F1: Japanese Grand Prix 11 ITV1, 30 September 2007, 04:30 Not in Breach Hell’s Kitchen 12 ITV1: 4, 6, 7, 8 and 10 September 2007, various times Weekend “Nazis” 15 BBC1, 27 August 2007, 20:30 Crash Test Dummies 17 Sky One, 7 October 2007, 09:00 Fairness & Privacy cases Partly Upheld Complaint by Brodies LLP Solicitors on behalf of Parks of Hamilton 19 (Coach Hirers) Limited News Items, Real Radio (Central Scotland), 5 January 2007 Other programmes not in breach/outside remit 22 2 Ofcom Broadcast Bulletin, Issue 100 14 January 2008 Introduction Ofcom’s Broadcasting Code (“the Code”) took effect on 25 July 2005 (with the exception of Rule 10.17 which came into effect on 1 July 2005). This Code is used to assess the compliance of all programmes broadcast on or after 25 July 2005. The Broadcasting Code can be found at http://www.ofcom.org.uk/tv/ifi/codes/bcode/ The Rules on the Amount and Distribution of Advertising (RADA) apply to advertising issues within Ofcom’s remit from 25 July 2005.
    [Show full text]
  • The Mighty Book of Boosh Free
    FREE THE MIGHTY BOOK OF BOOSH PDF Julian Barratt,Noel Fielding,Dave Brown | 304 pages | 01 Nov 2009 | Canongate Books Ltd | 9781847673220 | English | Edinburgh, United Kingdom The Mighty Boosh - Wikipedia Cookies are used to provide, analyse and improve our services; provide chat tools; and show you relevant content on advertising. You can learn more about our use of cookies here. Are you happy to accept all cookies? Accept all Manage Cookies Cookie Preferences We use cookies and similar tools, including those used by The Mighty Book of Boosh third parties collectively, "cookies" for the purposes described below. You can learn more about how we plus approved third parties use cookies and how to change your settings by visiting the Cookies notice. The choices you make here will apply to your interaction with this service on this device. Essential We use cookies to provide our servicesfor example, to keep track of items stored in your The Mighty Book of Boosh basket, prevent fraudulent activity, improve the security of our services, keep track of your specific preferences e. These cookies are necessary to provide our The Mighty Book of Boosh and services and therefore cannot be disabled. For example, we use cookies to conduct research and diagnostics to improve our content, products and services, and to measure and The Mighty Book of Boosh the performance of our services. Show less Show more Advertising ON OFF We use cookies to serve you certain types of adsincluding ads relevant to your interests on Book Depository and to work with approved third parties in the process of delivering ad content, including ads relevant to your interests, to measure the effectiveness of their ads, and to perform services on behalf of Book Depository.
    [Show full text]
  • Comedy and Distinction: the Cultural Currency of a ‘Good’ Sense of Humour
    Sam Friedman Comedy and distinction: the cultural currency of a ‘good’ sense of humour Book (Accepted Version) Original citation: Comedy and distinction: the cultural currency of a ‘good’ sense of humour, Abingdon, Oxon: Routledge, 2014, 228 pages. © 2017 The Author This version available at: http://eprints.lse.ac.uk/59932/ Available in LSE Research Online: September 2017 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s submitted version of the book section. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Introduction: Funny to Whom? In January 2011, the scheduling plans of Britain’s biggest TV station, BBC 1, were leaked to the press. After the recent success of BBC comedies such as Outnumbered and My Family, BBC1 Controller Danny Cohen apparently told his team of producers that BBC Comedy was becoming ‘too middle class’, and failing in its responsibility to appeal to working class viewers (Gammell, 2011; Revoir, 2011; Leith, 2011).
    [Show full text]
  • The BBC Trust's Review and Assessment
    CONSULTING WITH YOU/ DELIVERING FOR YOU/ Part One: Annual Report and Accounts 2008/09 The BBC Trust’s review and assessment GETTING THE BEST OUT OF THE BBC FOR THE LICENCE FEE PAYER. 01 02 / OVERVIEW / CHAIRMAN’S ForEWorD / PERForMANCE AGAINST STraTEGIC OBJECTIVES / FINANCIAL PERForMANCE / SUpporTING AND CHALLENGING THE EXECUTIVE / VERVIEW BBC SERVICES AT A GLANCE / THE TRUST’S roLE / O 16 / PERFORMANCE 2008/09 PLAN / AUDIENCE coUNCILS / PUrpoSES / SERVICE PERForMANCE / STEWarDSHIP OF THE LICENCE FEE / UPHOLDING LICENCE FEE paYERS’ INTERESTS / 42 / LOOKING AHEAD THE TRUST’S PLANS For 2009/10 / 46 / GOVERNANCE BBC TrUSTEES / DELIVERING VALUE For MONEY / THE BBC AND THE WIDER EcoNOMY / SECURING EDITorIAL STANDarDS / SERVING ALL AUDIENCES / 58 / INSIDE THE TRUST INSIDE THE TrUST / coNTacTS / OVERVIE W/ 04 / CHAIRMAN’S FOREWORD/ 06 / PERFORMANCE AGAINST STRATEGIC OBJECTIVES/ 08 / FINANCIAL PERFORMANCE/ 10 / SUppORTING AND CHALLENGING THE EXECUTIVE/ 12 / BBC SERVICES AT A GLANCE/ 14 / THE TRUST’S ROLE/ OVERVIE W/ 03 / VERVIEW O OVERVIEW/ CHAIRMAN’S FOREWORD/ BBC CHAIRMAN SIR MICHAEL LYONS LOOKS BACK AT THE PAST YEAR AT THE BBC AND SETS OUT HOW THE TRUST WILL SERVE LICENCE FEE PAYERS IN THE FUTURE. 04 Welcome to the Trust’s Annual Report. It is published at a time when There was undoubtedly failure by the performers, but the biggest we have been engaged in a wide ranging debate about the future of failure was in editorial control, which allowed the show to air. The communications in our country, spurred by the Government’s Digital Trust acted immediately, putting its sometimes uncomfortable findings / Britain review. Our role in this debate has been to ensure the voices of into the public domain.
    [Show full text]
  • Shedding Light on Dark Comedy
    Shedding Light on Dark Comedy: Humour and Aesthetics in British Dark Comedy Television Rebecca Louisa Collings Submitted for the qualification of PhD University of East Anglia School of Art, Media and American Studies September 2015 © “This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution”. Abstract The term ‘dark comedy’ is used by audiences, producers and academics with reference to an array of disparate texts, yet attempts to actually define it perpetuate a sense of confusion and contradiction. This suggests that although there is a kind of comedy that is common enough to be widely noted, and different enough from other types to require separation, how and why this difference can be perceived could be better understood. Accordingly, I investigate what is enabling the recognition and distinction in respect of British dark comedy programmes, and use this as a basis for considering how this type of comedy works. I argue that the programmes may be distinguished primarily by aesthetic features, placing their rise on British television in a broader context of aesthetic trends towards a display of visual detail, spectacle, and excess that puts the private and the taboo on greater show. Using the theories of Freud, Bakhtin, and Bergson about taboo, the uncanny, the grotesque, and the appearance of mechanical actions in humans, I examine in detail examples of British comedy television programmes that are typically referred to as ‘dark’, demonstrating their consistent depiction of subjects that are often repressed or avoided, particularly those around which taboo restrictions and prohibitions have evolved (such as violence and death, illness, and transgressive sexuality).
    [Show full text]
  • Kath Pollard CV FILM&TV
    KATH POLLARD AMPS Re-recording Mixer and Sound Editor MIX CREDITS Crossing Lines, TV drama series, Seasons 1,2&3 Prod: Tandem Da Vinci’s Demons, TV drama series, Season 3, Eps7&8, Prod: Starz/Fox Social Suicide, Feature, Dir: Bruce Webb, Prod: Quarry Island Films Spotless, TV drama series, Prod: Tandem/Canal+ Spirit Child, Documentary, Al Jazeera The Secret Lives of Dorks, Feature, Dir: Salomé Breziner Feed Me with Your Words, Feature, Dir: Martin Turk Payback Season, Feature, Dir: Danny Donnelly Vinyl, Feature, Dir: Sara Sugarman Night Boats, Feature, Dir: Igor Mirković Papa Hedi, Documentary, Dir: Claire Belhassine Women and Children, Feature, Dir: Daniel Mitlepunkt Arrietty (UK version), Feature, Studio Ghibli/Optimum A Turtles Tale: Sammy's Adventures (UK version), NWave/Optimum Without Gorky, Documentary Feature, Dir: Cosima Spender Blue Moon Rising, Documentary Feature, Dir: Stewart Sugg, Prod: Endemol Dobson, Arts Documentary, BBC Four, Dir: Waldemar Januszak, Prod: ZCZ Lindsay Lohan's Indian Journey, Documentary, BBC Four Baroque, Documentary Arts Series, BBC Four, Dir: Waldemar Januszak, Prod: ZCZ (RTS Award: Best Arts Programme) The Be All and End All, Feature, Dir: Bruce Webb The Forest, Feature, Dir: Ashvin Kumar My Breasts Could Kill Me, Documentary, Sky One, Prod: Eleven Film Fathers of Girls, Feature, Dir: E. Cetintas & K. Howman The Mighty Boosh-Future Sailors Tour, DVD, Dir: Paul King, Prod: WARP Films (NME Award: Best DVD) The Murder of Billie-Jo, Documentary, Channel 4, Prod: Eleven Film How to Be, Feature, Dir: Oliver
    [Show full text]
  • 29 March 2013 Page 1 of 17
    Radio 4 Listings for 23 – 29 March 2013 Page 1 of 17 SATURDAY 23 MARCH 2013 who takes Helen to one of his favourite hidden gems, a Rowlatt's investigating the mining boom bringing riches to woodland near the village of Muff where he walks and feeds the Mongolia - he meets one man he describes as Mongolia's most SAT 00:00 Midnight News (b01r9wgk) red squirrels who call the woodland home. influential since Genghis Khan! The latest national and international news from BBC Radio 4. Presenter: Helen Mark Producer: Helen Chetwynd. Producer: Tony Grant. Followed by Weather. SAT 06:30 Farming Today (b01rft3n) SAT 12:00 Money Box (b01rft3z) SAT 00:30 Book of the Week (b01r9wcb) Farming Today This Week Budget lowdown, how safe are your savings, and when is 0% Jared Diamond - The World Until Yesterday interest not 0%? Farming needs new blood . What better than to educate the next Diet and Health generation about the farming life in school. Charlotte Smith HELP WITH MORTGAGES talks with students at The Rural Enterprise Academy in Help to Buy is the new multibillion pound scheme to assist Diet and health. Staffordshire, which is the first land based free school in homebuyers with 5% deposits buy homes worth up to £600,000. England. Equity Loan will lend up to 20% of the price of a new build Extract from Pulitzer Prize-winning author Jared Diamond's home - interest free for five years and with a low rate thereafter powerful new book which suggests that traditional societies Presented by Charlotte Smith.
    [Show full text]