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The Rovers' Tale
Vol 436|11 August 2005 BOOKS & ARTS The rovers’ tale How NASA scientists overcame the odds to find signs of water on Mars. Roving Mars: Spirit, Opportunity, and the Exploration of the Red Planet by Steve Squyres JPL/NASA Hyperion: 2005. 432 pp. $25.95 Gregory Benford Roving Marsis a deftly and dramatically writ- ten history of the Mars rovers, Spirit and Opportunity. It is also a primer on how to do exotic geology at a distance of 100 million miles using robots. Steve Squyres knows how to render scenes and intricate technical detail to build tension, without losing sight of the thrill and grind of the groundbreaking work. “Eleven years had passed since I had started trying to send hardware to Mars, and in all that time I hadn’t seen a single plan for Mars explo- ration survive for more than about eighteen months before there was some sort of cata- clysm,” writes Squyres. Chief among these was the loss of the 1999 Mars Climate Orbiter: “The Mars program had become so screwed up that nobody had caught a high-school mis- take like mixing up English and metric units.” NASA doesn’t escape criticism over the rover mission either. According to Squyres, NASA’s On a roll: during testing for manoeuvrability in the lab, the rovers overcame a series of obstacles. rules meant that “cutting corners and taking chances” were the Jet Propulsion Laboratory’s The team had to trim experiments and patch signs of ancient surface water and found it, only management tools. After the losses of the problems right up to the launch date. -
Thin Blue Lines: Product Placement and the Drama of Pregnancy Testing in British Cinema and Television
BJHS 50(3): 495–520, September 2017. © British Society for the History of Science 2017. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. doi:10.1017/S0007087417000619 Thin blue lines: product placement and the drama of pregnancy testing in British cinema and television JESSE OLSZYNKO-GRYN* Abstract. This article uses the case of pregnancy testing in Britain to investigate the process whereby new and often controversial reproductive technologies are made visible and normal- ized in mainstream entertainment media. It shows how in the 1980s and 1990s the then nascent product placement industry was instrumental in embedding pregnancy testing in British cinema and television’s dramatic productions. In this period, the pregnancy-test close- up became a conventional trope and the thin blue lines associated with Unilever’s Clearblue rose to prominence in mainstream consumer culture. This article investigates the aestheticiza- tion of pregnancy testing and shows how increasingly visible public concerns about ‘schoolgirl mums’, abortion and the biological clock, dramatized on the big and small screen, propelled the commercial rise of Clearblue. It argues that the Clearblue close-up ambiguously concealed as much as it revealed; abstraction, ambiguity and flexibility were its keys to success. Unilever first marketed the leading Clearblue brand of home pregnancy test in the mid- 1980s. Since then home pregnancy tests have become a ubiquitous and highly familiar reproductive technology and diagnostic tool. -
Planetary Report Report
The PLANETARYPLANETARY REPORT REPORT Volume XXIX Number 1 January/February 2009 Beyond The Moon From The Editor he Internet has transformed the way science is On the Cover: Tdone—even in the realm of “rocket science”— The United States has the opportunity to unify and inspire the and now anyone can make a real contribution, as world’s spacefaring nations to create a future brightened by long as you have the will to give your best. new goals, such as the human exploration of Mars and near- In this issue, you’ll read about a group of amateurs Earth asteroids. Inset: American astronaut Peggy A. Whitson who are helping professional researchers explore and Russian cosmonaut Yuri I. Malenchenko try out training Mars online, encouraged by Mars Exploration versions of Russian Orlan spacesuits. Background: The High Rovers Project Scientist Steve Squyres and Plane- Resolution Camera on Mars Express took this snapshot of tary Society President Jim Bell (who is also head Candor Chasma, a valley in the northern part of Valles of the rovers’ Pancam team.) Marineris, on July 6, 2006. Images: Gagarin Cosmonaut Training This new Internet-enabled fun is not the first, Center. Background: ESA nor will it be the only, way people can participate in planetary exploration. The Planetary Society has been encouraging our members to contribute Background: their minds and energy to science since 1984, A dust storm blurs the sky above a volcanic caldera in this image when the Pallas Project helped to determine the taken by the Mars Color Imager on Mars Reconnaissance Orbiter shape of a main-belt asteroid. -
Thin Blue Lines: Product Placement and the Drama of Pregnancy Testing in British Cinema and Television
BJHS 50(3): 495–520, September 2017. © British Society for the History of Science 2017. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. doi:10.1017/S0007087417000619 Thin blue lines: product placement and the drama of pregnancy testing in British cinema and television JESSE OLSZYNKO-GRYN* Abstract. This article uses the case of pregnancy testing in Britain to investigate the process whereby new and often controversial reproductive technologies are made visible and normal- ized in mainstream entertainment media. It shows how in the 1980s and 1990s the then nascent product placement industry was instrumental in embedding pregnancy testing in British cinema and television’s dramatic productions. In this period, the pregnancy-test close- up became a conventional trope and the thin blue lines associated with Unilever’s Clearblue rose to prominence in mainstream consumer culture. This article investigates the aestheticiza- tion of pregnancy testing and shows how increasingly visible public concerns about ‘schoolgirl mums’, abortion and the biological clock, dramatized on the big and small screen, propelled the commercial rise of Clearblue. It argues that the Clearblue close-up ambiguously concealed as much as it revealed; abstraction, ambiguity and flexibility were its keys to success. Unilever first marketed the leading Clearblue brand of home pregnancy test in the mid- 1980s. Since then home pregnancy tests have become a ubiquitous and highly familiar reproductive technology and diagnostic tool. -
The Mighty Boosh Is an Award Winning British Comedy Show Created and Written by Comedians Noel Fielding & Julian Barratt
Photography by Dave Brown 01.09.12 – 16.10.12 Exhibition at Oriel Colwyn, Theatre Colwyn, Abergele Road, Colwyn Bay Clwyd, Wales LL29 7RU All prints are available for sale unframed. Limited Edition of 100 Signed & Numbered. Page 1 of 3 The Mighty Boosh is an award winning British comedy show created and written by comedians Noel Fielding & Julian Barratt. Also starring regular cast members Rich Fulcher, Michael Fielding and Dave Brown. Developed from 3 stage shows appearing at Edinburgh & Melbourne Comedy Festivals, The Boosh has since produced a 6 episode radio series, 3 television series (a total of 20 television episodes) for the BBC, which have aired worldwide and 2 sell out live tours of the UK, as well as performing exclusive live shows in the United States and Australia. Dave Brown has been part of The Mighty Boosh since its conception in the late 90s. Over the years he has been involved in many aspects of the show from designing DVDs, books and merchandise to choreography, music and playing many characters in the show itself, most famously Bollo, the Gorilla. Dave’s also had a camera in his hand from day 1 of the show. These photographs of his fellow cast members and good friends span over 12 years. Photographs from early live gigs, filming the TV shows and behind the scenes whilst on tour. They provide a unique insight into the lives and characters of The Mighty Boosh collective. Dave is alone in his photographic documentation of the show. He has reduced his extensive archive to 46 of his personal favourites to exhibit here at Oriel Colwyn, many being shown for the first time. -
Educator's Guide
EDUCATOR’S GUIDE ABOUT THE FILM Dear Educator, “ROVING MARS”is an exciting adventure that This movie details the development of Spirit and follows the journey of NASA’s Mars Exploration Opportunity from their assembly through their Rovers through the eyes of scientists and engineers fantastic discoveries, discoveries that have set the at the Jet Propulsion Laboratory and Steve Squyres, pace for a whole new era of Mars exploration: from the lead science investigator from Cornell University. the search for habitats to the search for past or present Their collective dream of Mars exploration came life… and maybe even to human exploration one day. true when two rovers landed on Mars and began Having lasted many times longer than their original their scientific quest to understand whether Mars plan of 90 Martian days (sols), Spirit and Opportunity ever could have been a habitat for life. have confirmed that water persisted on Mars, and Since the 1960s, when humans began sending the that a Martian habitat for life is a possibility. While first tentative interplanetary probes out into the solar they continue their studies, what lies ahead are system, two-thirds of all missions to Mars have NASA missions that not only “follow the water” on failed. The technical challenges are tremendous: Mars, but also “follow the carbon,” a building block building robots that can withstand the tremendous of life. In the next decade, precision landers and shaking of launch; six months in the deep cold of rovers may even search for evidence of life itself, space; a hurtling descent through the atmosphere either signs of past microbial life in the rock record (going from 10,000 miles per hour to 0 in only six or signs of past or present life where reserves of minutes!); bouncing as high as a three-story building water ice lie beneath the Martian surface today. -
Emerging Technologies 1 for Human Mars Exploration
Emerging Technologies 1 for Human Mars Exploration Michelle Rucker Mars Study Capability Team NASA Johnson Space Center IEEE Aerospace Conference 2018 March, 2018 Human Explorers on Mars 2 have different needs than rovers Power Life Support Health Care Shelter Communication Earth Return Image courtesy NASA/JPL-Caltech IEEE Aerospace Conference 2018 March, 2018 Humans 3 need a lot more power! Rovers can hibernate…humans cannot . Mars rovers need less than 25 Watts (W) keep-alive power • Less than 650 W at peak loads . Human explorers may need as much as 40 kiloWatts (kW) for 300+ day surface missions • As much as 25 kW keep-alive power • Apollo missions were ~4 kW for 3 days . Kilopower Fission Power . High density energy storage . Robotic power connections IEEE Aerospace Conference 2018 March, 2018 Humans 4 need Life Support Systems! Rovers don’t need food, oxygen, water, bathrooms, or spacesuits . Closed-loop life support systems . Advanced water/air monitoring . Advanced waste management . Extended shelf-life food systems . New planetary spacesuits IEEE Aerospace Conference 2018 March, 2018 Humans 5 need Health Care! Rovers don’t get sick . Space radiation protection . Reduced gravity countermeasures . Autonomous medicine + non-physician training . In situ sample analysis, health monitoring IEEE Aerospace Conference 2018 March, 2018 Humans 6 need to come inside! Rovers don’t mind living outside . Reduced pressure . Temperature extremes . Months-long dust storms . Radiation . Long-duration habitats . Pressurized Rovers IEEE Aerospace Conference 2018 March, 2018 Humans 7 need to connect with loved ones! Isolation doesn’t bother a rover MARS . Up to 44 minutes delay between asking MARS EARTH Min. -
Tuesday, May 3Rd, Naresh Pai, University of Arkansas Poster Presenters Will Also Be Discussing Their Information
My Day-at-a-Glance Time Event Room Attending 7:00 AM to 5:45 PM Registration Desk Open Mezzanine Level Atrium 7:00 AM to 7:00 PM Posters Open 301 C 8:00 AM to 9:15 AM Technical Program — Keynote Address 104 D 8:00 AM to 5:00 PM Career Interview Room Open 201 D 9:30 AM to 11:00 AM Technical Sessions — 1 to 11 varies, see description 9:30 AM to 11:00 AM Poster Presentation I 203 A 10:00 AM to 7:00 PM Exhibit Hall Opens Exhibit Hall 301 C 11:15 AM to 12:15 PM Hot Topics varies, see description 12:15 PM to 1:30 PM 22nd Annual Awards Luncheon & 77th Installation of ASPRS Officers Ballroom 104 D 1:30 PM to 3:00 PM Technical Sessions — 12 to 21 varies, see description 1:30 PM to 3:00 PM Poster Presentation II 203 A 2:30 PM to 3:30 PM Student & Young Professionals Event — Exhibit Hall Guided Tour for Students Exhibit Hall 301 C 3:30 PM to 5:00 PM Technical Sessions — 22 to 30 varies, see description 3:30 PM to 5:00 PM Poster Presentation III 203 A 5:30 PM to 7:00 PM Exhibitors’ Welcome Reception Exhibit Hall 301 C 7:00 PM Espionage for a Great Cause Offsite The National Geospatial-Intelligence Agency (NGA) has organized a special unclassified track to run on Tuesday and Wednesday during the technical sessions. There are four special sessions, each followed by an open discussion session, in order for NGA to get important information and feedback from attendees. -
Eugenie Pastor-Phd Thesis Moving Intimacies
MOVING INTIMACIES: A COMPARATIVE STUDY OF “PHYSICAL THEATRES” IN FRANCE AND THE UNITED KINGDOM EUGÉNIE FLEUR PASTOR ROYAL HOLLOWAY, UNIVERSITY OF LONDON DEPARTMENT OF DRAMA AND THEATRE A Thesis submitted as a partial fulfilment of the requirements of the degree of Ph.D. August 2014 1 DECLARATION OF AUTHORSHIP I, Eugénie Fleur Pastor, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: 7 August 2014 2 ABSTRACT This thesis is an exploration of movement in contemporary “physical theatres”. I develop a renewed understanding of “physical theatres” as embodied framework to experience both spectatorship and theatre-making. I analyse how, in this type of performance, movement blurs distinctions between the intimate and the collective, the inside and the outside, thus challenging definitions of intimacy and tactility. The thesis consists of a comparative study of examples of “physical theatres”, in the 21st century, in France and in the UK. The comparison highlights that “physical theatres” practitioners are under-represented in France, a reason I attribute in part to a terminological absence in the French language. The four case studies range from itinerant company Escale and their athletic embodiment of a political ideal to Jean Lambert-wild’s theatre of “micro-movement”, from Told by an Idiot’s position in a traditional theatre context in the UK to my own work within Little Bulb Theatre, where physicality is virtuosic in its non- virtuosity. For each case study, I use a methodology that echoes this exploration of movement and reflects my position within each fieldwork. -
I Can't Recall As Exciting a Revival Sincezeffirelli Stunned Us with His
Royal Shakespeare Company The Courtyard Theatre Southern Lane Stratford-upon-Avon Warwickshire CV37 6BB Tel: +44 1789 296655 Fax: +44 1789 294810 www.rsc.org.uk ★★★★★ Zeffirelli stunned us with his verismo in1960 uswithhisverismo stunned Zeffirelli since arevival asexciting recall I can’t The Guardian on Romeo andJuliet 2009/2010 134th report Chairman’s report 3 of the Board Artistic Director’s report 4 To be submitted to the Annual Executive Director’s report 7 General Meeting of the Governors convened for Friday 10 September 2010. To the Governors of the Voices 8 – 27 Royal Shakespeare Company, Stratford-upon-Avon, notice is hereby given that the Annual Review of the decade 28 – 31 General Meeting of the Governors will be held in The Courtyard Transforming our Theatres 32 – 35 Theatre, Stratford-upon-Avon on Friday 10 September 2010 commencing at 4.00pm, to Finance Director’s report 36 – 41 consider the report of the Board and the Statement of Financial Activities and the Balance Sheet Summary accounts 42 – 43 of the Corporation at 31 March 2010, to elect the Board for the Supporting our work 44 – 45 ensuing year, and to transact such business as may be transacted at the Annual General Meetings of Year in performance 46 – 49 the Royal Shakespeare Company. By order of the Board Acting companies 50 – 51 The Company 52 – 53 Vikki Heywood Secretary to the Governors Corporate Governance 54 Associate Artists/Advisors 55 Constitution 57 Front cover: Sam Troughton and Mariah Gale in Romeo and Juliet Making prop chairs at our workshops in Stratford-upon-Avon Photo: Ellie Kurttz Great work • Extending reach • Strong business performance • Long term investment in our home • Inspiring our audiences • first Shakespearean rank Shakespearean first Hicks tobeanactorinthe Greg Proves Chairman’s Report A belief in the power of collaboration has always been at the heart of the Royal Shakespeare Company. -
SKEPTICAL INQUIRER Vol
SKEPTICAL INQUIRER Vol. 18. No. 4 THE SKEPTICAL INQUIRER is the official journal of the Committee for the Scientific Investigation of Claims of the Paranormal, an international organization. Editor Kendrick Frazier. Editorial Board James E. Alcock, Barry Beyerstein, Susan J. Blackmore, Martin Gardner, Ray Hyman, Philip J. Klass, Paul Kurtz, Joe Nickell, Lee Nisbet, Bela Scheiber. Consulting Editors Robert A. Baker, William Sims Bainbridge, John R. Cole, Kenneth L. Feder, C. E. M. Hansel, E. C. Krupp, David F. Marks, Andrew Neher, James E. Oberg, Robert Sheaffer, Steven N. Shore. Managing Editor Doris Hawley Doyle. Contributing Editor Lys Ann Shore. Writer Intern Thomas C. Genoni, Jr. Cartoonist Rob Pudim. Business Manager Mary Rose Hays. Assistant Business Manager Sandra Lesniak. Chief Data Officer Richard Seymour. Fulfillment Manager Michael Cione. Production Paul E. Loynes. Art Linda Hays. Audio Technician Vance Vigrass. Librarian Jonathan Jiras. Staff Alfreda Pidgeon, Etienne C. Rios, Ranjit Sandhu, Sharon Sikora, Elizabeth Begley (Albuquerque). The Committee for the Scientific Investigation of Claims of the Paranormal Paul Kurtz, Chairman; professor emeritus of philosophy, State University of New York at Buffalo. Barry Karr, Executive Director and Public Relations Director. Lee Nisbet, Special Projects Director. Fellows of the Committee James E. Alcock,* psychologist, York Univ., Toronto; Robert A. Baker, psychologist, Univ. of Kentucky; Stephen Barrett, M.D., psychiatrist, author, consumer advocate, Allentown, Pa. Barry Beyerstein,* biopsychologist, Simon Fraser Univ., Vancouver, B.C., Canada; Irving Biederman, psychologist, Univ. of Southern California; Susan Blackmore,* psychologist, Univ. of the West of England, Bristol; Henri Broch, physicist, Univ. of Nice, France; Jan Harold Brunvand, folklorist, professor of English, Univ. -
HISTORIA SCEPTYCYZMU Monografie Fundacji Na Rzecz Nauki Polskiej
HISTORIA SCEPTYCYZMU monografie fundacji na rzecz nauki polskiej rada wydawnicza prof. Tomasz Kizwalter, prof. Janusz Sławiński, prof. Antoni Ziemba, prof. Marek Ziółkowski, prof. Szymon Wróbel fundacja na rzecz nauki polskiej Renata Ziemińska HISTORIA SCEPTYCYZMU W POSZUKIWANIU SPÓJNOŚCI toruń 2013 Wydanie książki subwencjonowane przez Fundację na rzecz Nauki Polskiej w ramach programu Monografie FNP Redaktor tomu Anna Mądry Korekty Ewelina Gajewska Projekt okładki i obwoluty Barbara Kaczmarek Printed in Poland © Copyright by Renata Ziemińska and Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika Toruń 2013 ISBN 978-83-231-2949-3 WYDAWNICTWO NAUKOWE UNIWERSYTETU MIKOŁAJA KOPERNIKA Redakcja: ul. Gagarina 5, 87-100 Toruń tel. +48 56 611 42 95, fax +48 56 611 47 05 e-mail: [email protected] Dystrybucja: ul. Reja 25, 87-100 Toruń tel./fax: +48 56 611 42 38, e-mail: [email protected] www.wydawnictwoumk.pl Wydanie pierwsze Druk i oprawa: Abedik Sp. z o.o. ul. Glinki 84, 85-861 Bydgoszcz Spis treści wstęp ......................................................................................................... 9 część i. pojęcie i rodzaje sceptycyzmu rozdział 1. genealogia terminu „sceptycyzm” ........................... 15 rozdział 2. ewolucja pojęcia sceptycyzmu .................................. 21 Starożytny sceptycyzm jako zawieszenie sądów pretendujących do prawdy .......................................................................................... 21 Średniowieczny sceptycyzm jako uznanie słabości ludzkich sądów wobec Bożej wszechmocy