Folsom Prison Blues Ringtone Free
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Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Johnny Cash: the Man, His World, His Music,” Tuesday, Aug
For Immediate Release Contacts: P.O.V. Communications: 212-989-7425. Emergency contact: 646-729-4748 Cynthia López, [email protected], Cathy Fisher, [email protected] P.O.V. online pressroom: www.pbs.org/pov/pressroom P.O.V. Revives Classic 1969 Portrait of “Johnny Cash: The Man, His World, His Music,” Tuesday, Aug. 5 on PBS Film Captures Cash on the Road, on Stage and Behind the Scenes Fresh on the Heels of His Breakthrough “Folsom Prison” Album; June Carter Cash, Bob Dylan, Carl Perkins Featured “…a rousing masterpiece.” – Rolling Stone Magazine When the Man in Black died in September 2003, he closed an original and captivating chapter in the great American songbook. Even as death approached, Johnny Cash displayed the hardscrabble grit, authentic individualism and knack for doing the unexpected that had made him an American icon — his powerful video cover of Trent Reznor’s “Hurt,” showing him visibly ailing but resolute, was nominated for six MTV Video Music Awards that year. It had been a long, maybe improbable, certainly American journey for a sharecropper’s son from Kingsland, Ark., and it had more ups and downs and surprising turns than a country road. In 1968, Robert Elfstrom (who went on to an award-winning career as a cinematographer and director) had the insight to make a documentary on Cash — and the luck to strike up a warm and candid rapport with the temperamental singer. By then, Cash, who had begun his career in the late ‘50s, had won over country music audiences with his uniquely intense "underdog" ballads, and was experiencing the first of several crossover successes with Johnny Cash at Folsom Prison. -
Johnny Cash by Dave Hoekstra Sept
Johnny Cash by Dave Hoekstra Sept. 11, 1988 HENDERSONVILLE, Tenn. A slow drive from the new steel-and-glass Nashville airport to the old stone-and-timber House of Cash in Hendersonville absorbs a lot of passionate land. A couple of folks have pulled over to inspect a black honky-tonk piano that has been dumped along the roadway. Cabbie Harold Pylant tells me I am the same age Jesus Christ was when he was crucified. Of course, this is before Pylant hands over a liter bottle of ice water that has been blessed by St. Peter. This is life close to the earth. Johnny Cash has spent most of his 56 years near the earth, spiritually and physically. He was born in a three-room railroad shack in Kingsland, Ark. Father Ray Cash was an indigent farmer who, when unable to live off the black dirt, worked on the railroad, picked cotton, chopped wood and became a hobo laborer. Under a New Deal program, the Cash family moved to a more fertile northeastern Arkansas in 1935, where Johnny began work as a child laborer on his dad's 20-acre cotton farm. By the time he was 14, Johnny Cash was making $2.50 a day as a water boy for work gangs along the Tyronza River. "The hard work on the farm is not anything I've ever missed," Cash admitted in a country conversation at his House of Cash offices here, with Tom T. Hall on the turntable and an autographed picture of Emmylou Harris on the wall. -
Sweet & Lowdown Repertoire
SWEET & LOWDOWN REPERTOIRE COUNTRY 87 Southbound – Wayne Hancock Johnny Yuma – Johnny Cash Always Late with Your Kisses – Lefty Jolene – Dolly Parton Frizzell Keep on Truckin’ Big River – Johnny Cash Lonesome Town – Ricky Nelson Blistered – Johnny Cash Long Black Veil Blue Eyes Crying in the Rain – E Willie Lost Highway – Hank Williams Nelson Lover's Rock – Johnny Horton Bright Lights and Blonde... – Ray Price Lovesick Blues – Hank Williams Bring It on Down – Bob Wills Mama Tried – Merle Haggard Cannonball Blues – Carter Family Memphis Yodel – Jimmy Rodgers Cannonball Rag – Muleskinner Blues – Jimmie Rodgers Cocaine Blues – Johnny Cash My Bucket's Got a Hole in It – Hank Cowboys Sweetheart – Patsy Montana Williams Crazy – Patsy Cline Nine Pound Hammer – Merle Travis Dark as a Dungeon – Merle Travis One Woman Man – Johnny Horton Delhia – Johnny Cash Orange Blossom Special – Johnny Cash Doin’ My Time – Flatt And Scruggs Pistol Packin Mama – Al Dexter Don't Ever Leave Me Again – Patsy Cline Please Don't Leave Me Again – Patsy Cline Don't Take Your Guns to Town – Johnny Poncho Pony – Patsy Montana Cash Ramblin' Man – Hank Williams Folsom Prison Blues – Johnny Cash Ring of Fire – Johnny Cash Ghost Riders in the Sky – Johnny Cash Sadie Brown – Jimmie Rodgers Hello Darlin – Conway Twitty Setting the Woods on Fire – Hank Williams Hey Good Lookin’ – Hank Williams Sitting on Top of the World Home of the Blues – Johnny Cash Sixteen Tons – Merle Travis Honky Tonk Man – Johnny Horton Steel Guitar Rag Honky Tonkin' – Hank Williams Sunday Morning Coming -
Johnny Cash Trail Art Experience Swath Through Folsom
7 GOLDEN RETIREMENT MISTAKES | CAPPUCCINO CRUISERS | DINE: PIGGYBACK RIBS S TY L E FOL S OM E L DOR ADO HI L LS FOLSOM EL DORADO HILLS FE JOHNNY BRUAR Y 2 0 CASH 16 RETURNS TO FOOD FOLSOM | HOME | CO MMUN 50+ ITY Hot Home | EV E Design NTS | Trends for ARTS 2016 | L IFE ST YLEFE ALSO... DH .C education OM guide PG. 34 FEBRUARY 2016 STYLEFEDH.COM Statue rendering for the Johnny Cash Trail Art Experience FEDH-0216-PAGES 01 COVER.indd 2 1/18/16 4:40 PM as seen in FOLSOM EL DORADO HILLS million will be raised through community thearts events, corporate sponsorships and social media contacts. All of the art pieces are johnny inspired by Cash and the Folsom Prison concerts, and at each end of the trail there will be a seven-foot tall guitar pick; as with the first note of a song, the pick will mark the beginning of the trail. Between, cash trail art many more opportunities to be immersed in Cash’s life and music will abound. “The trail is designed to be interactive,” Goss explains. “The more you read and reflect, experience the deeper the storyline goes, and with it Learn, Listen and Reflect your experience.” by LeeAnn Dickson Along with the art, the three-acre ership with the vision to help make this Johnny Cash Legacy Park is planned. ot every city in the U.S. is rec- happen,” Goss says. “I work with some This intimate outdoor amphitheater—with ognized around the world, but very creative people.” grounds reminiscent of a guitar and a 50- foot tall Man in Black sculpture—will Nas the saying goes: Folsom is on Their plan is to honor and celebrate the map. -
March 1-May 5, 2013
March 1-May 5, 2013 Created by Richard Maltby, Jr. Conceived by William Meade Orchestrations by Steven Bishop and Jeff Lisenby RING OF FIRE: Milwaukee Repertory Theater presents THE MUSIC OF JOHHNY CASH PLAY GUIDE • Written by Leda Hoffmann Education Coordinator with contributions from Steven Esche Education Intern Created and Directed by Richard Maltby, Jr. Amanda Garrigan Conceived by William Meade Education Intern Orchestrations by Steven Bishop and Jeff Lisenby March 1- May 5, 2013 • Stackner Cabaret Play Guide edited by Lisa Fulton MARK’S TAKE: Director of Marketing “Prior to coming to America, I’d never paid much attention to country music. But it’s now JC Clementz Literary Assistant become a style that I absolutely love. Johnny Cash is so influential to so many musicians Jenny Kostreva across so many genres, and Ring of Fire treats Education Director us to all of those legendary, great songs, • while giving us a snapshot into his life. It’s a Graphic Design by celebration of his soul-stirring music—really good stuff!” Eric Reda -Mark Clements, Artistic Director TABLE OF CONTENTS Page 3 Synopsis Musical Numbers Page 4 Johnny Cash Timeline Tickets: 414-224-9490 www.MilwaukeeRep.com Page 6 Johnny Cash: The Man Page 7 Richard Maltby, Jr. Mark Clements Page 8 Visiting The Rep Artistic Director Milwaukee Repertory Theater 108 E. Wells Street Milwaukee, WI • 53202 SYNOPSIS Ring of Fire is a jukebox musical that celebrates the lives and stories Johnny Cash sang about in his music. A cast of four men and one woman tell his remarkable life story through some of the greatest songs of one of America’s most brilliant singer/ songwriters, Johnny Cash. -
A Politics of Empathy: Johnny Cash, the Vietnam War, and the ‘Walking Contradiction’ Myth Dismantled
Popular Music and Society ISSN: 0300-7766 (Print) 1740-1712 (Online) Journal homepage: http://www.tandfonline.com/loi/rpms20 A Politics of Empathy: Johnny Cash, the Vietnam War, and the ‘Walking Contradiction’ Myth Dismantled Michael Stewart Foley To cite this article: Michael Stewart Foley (2014) A Politics of Empathy: Johnny Cash, the Vietnam War, and the ‘Walking Contradiction’ Myth Dismantled, Popular Music and Society, 37:3, 338-359, DOI: 10.1080/03007766.2013.798928 To link to this article: http://dx.doi.org/10.1080/03007766.2013.798928 Published online: 26 Jun 2013. Submit your article to this journal Article views: 253 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rpms20 Download by: [University of Groningen] Date: 23 March 2016, At: 04:33 Popular Music and Society, 2014 Vol. 37, No. 3, 338–359, http://dx.doi.org/10.1080/03007766.2013.798928 A Politics of Empathy: Johnny Cash, the Vietnam War, and the ‘Walking Contradiction’ Myth Dismantled Michael Stewart Foley In the years since Johnny Cash’s death in 2003, popular and scholarly writing has persisted in framing Cash’s politics as contradictory—thus seeming to support Kris Kristofferson’s line, often assumed to be about Cash: a “walking contradiction, partly truth and partly fiction.” This essay argues that, although Cash may have seemed conflicted in the late 1960s and early 1970s, his political views on Native Americans, prison reform, and the Vietnam War, especially, were remarkably consistent in that they were based not on ideological views as much as on emotion, instinct, and an ability to relate to familial suffering. -
Jay's Céilidh Book Vol 2 – the Other Stuff
Jay's Céilidh Book Vol 2 – The Other Stuff Updated: July 5, 2020 If Music be the Food of Love, Play On... Digital versions of this document are available at http://www.cheakamus.com/Ceilidh - if you change it please send alterations to [email protected] for inclusion in future versions. 2 Songs All I Want for Christmas is my Two Front Teeth ...........................................................................26 Always Look on the Bright Side of Life .........................................................................................12 Big River ........................................................................................................................................ 8 Black Fly Song, The .....................................................................................................................19 Dr. Bernice ................................................................................................................................... 17 El Paso ......................................................................................................................................... 22 Eurotrash Girl ...............................................................................................................................13 Everybody Knows ........................................................................................................................ 20 Fever ........................................................................................................................................... -
Johnny Cash Bicentennial Suit Article
RISON - Fresh off an exhibit at the Rock and Roll Hall of Fame in Cleveland, Ohio, the suit that country music legend Johnny Cash wore during his American Bicentennial concert at Rison in 1976 will be among the pieces on display at the inaugural Johnny Cash Heritage Festival set for next weekend, Oct. 19-21, at the Dyess Colony in Northeast Ar- kansas. Wayne Cash, a Cleveland County native who is a relative of Johnny Cash and helps keep track of the suit for the Cleveland County Historical Society, said the black suit emblazoned with dual eagles across the chest and stars around the collar and along the pant legs will be on display inside the Dyess Colony Visi- tor Center that is associated with Johnny Cash’s boyhood home at Dyess. This will be the first time an event honoring Johnny Cash has been held at Dyess. Previous events celebrating Cash’s con- JOHNNY CASH AT THE CLEVELAND COUNTY BICENTENNIAL PARADE - Country music icon and Kingsland nection to Northeast Arkansas native Johnny Cash (right) with his wife, June Carter Cash (to Cash’s left), waves to the crowd as they ride in a were held at Jonesboro. horse-drawn carriage down Main Street in downtown Rison during a parade for the Cleveland County Bicenten- The three-day festival will nial Celebration held in March 1976. The suit that Cash is wearing will be on display at the Johnny Cash Heritage consist of a symposium on the Festival to be held Oct. 19-21 at his boyhood home at Dyess. -
2021 Season Presents
ARIZONA BROADWAY THEatRE 2021 SEASON presents CRAZY FOR GERSHWIN BEEHIVE FEB 26 - MAR 21 MAR 26 - APR 18 NUNSENSE GODSPELL Conceived and compiled by Scott Moreau APR 23 - MAY 16 MAY 21 - JUN 13 with JR McAlexander and Seth Reines for Showtune Productions, 2012 Directed by Written by SCOTT MOREAU SCOTT MOREAU, JR MCALEXANDER, AND SETH REINES GILLIGAN’S ISLAND LITTLE SHOP OF HORRORS JUN 18 - JUL 11 JUL 16 - AUG 8 Keys Bass DENICE MINTER DAN STOTZ Drums Guitar DEREK ENGLER JARED MANCUSO THE SPITFIRE GRILL AUG 13 - SEP 5 ABT Performing Arts Association, Inc. Assoc. Artistic Director Artistic Producer Executive Producer AZBROADWAY.ORG | 623-776-8400 KURTIS OVERBY CASSANDRA KLAPHAKE KIEL KLAPHAKE SCOTT MOREAU is from Litchfield, Maine, and MUSICAL NUMBERS holds a BFA in Music Theatre from Illinois Wesleyan University. He is a 21-year veteran of the professional SONG WRITTEN BY stage and is most known for his portrayal of Johnny Folsom Prison Blues .........................................................Johnny Cash Cash on the 1st National Broadway Tour of Million Hey, Porter! .................Johnny Cash, Luther Perkins, Marshall Grant Dollar Quartet. He has reprised his role as Johnny Cash (a part he has now played over 1,000 times) Cry, Cry, Cry .....................................................................Johnny Cash numerous times: The Regional Premiere at the Ogunquit Playhouse I Still Miss Someone ................................... Johnny Cash, Roy Cash Jr in 2015 (and return performance in 2016), The Tony Award-winning Get Rhythm ......................................................................Johnny Cash Paper Mill Playhouse, Riverside Theatre, Springer Opera House, Don’t Take Your Guns To Town .......................................Johnny Cash Fulton Theatre, Maine State Music Theatre, New Theatre, Farmer’s Alley Theatre and The Las Vegas production at Harrah’s Casino. -
Record World Country
RECORD WORLD um map COUNTRY Country Artists Contribute to Charity Williams Exits CBS WSM DJ Confab Set NASHVILLE WSM's 49th By DON CUSIC NASHVILLE-Bill Williams has - resigned his post in national sales Grand Ole Opry Birthday Cele- NASHVILLE - Country music The Tuesday and Wednesday and promotion for Epic and bration and Disc Jockey Conven- artists rallied to support the Mus- preceding the Labor Day week- Custom labels for country pro- tion has been set to convene here cular Dystrophy Telethon held end, 143 people from Nashville duct. October 16 to 20. This will be the Labor Day weekend, giving freely flew to Oklahoma City via charter Williams received several Opry's first birthday celebration of their time and talent in order plane to participate in the second awards for his promotion work in its eight month old Grand Ole House at to raise money to find a cure annual Conway Twitty Celebrities with the CBS Records group and Opry Opryland USA. for the crippling disease. Softball Game and Concert for has been acknowledged by The convention will begin Oc- Charlie Rich tober 16 with the Early Bird Blue Nashville Totals for the benefit of Muscular Dys- for having played a trophy. $30,000 was raised from major part in the artist's recent Grass Concert, and will be cli- In Nashville, approximately a the two day event. phenomenal success story. maxed by a cake -cutting cere- quarter of a million dollars was mony on stage at the Saturday Artists raised from the event. Sponsored who participated in the Will Announce Plans night Grand Ole Opry show. -
Vereins-Chronik
VEREINS-CHRONIK Wir, die Country- und Westernfreunde Hausruckwald – kurz CWF – wurden am 21. April 1990 gegründet, können auf eine ungewöhnliche und aufregende Entstehungsgeschichte zurückblicken und haben derzeit 750 Mitglieder. (Stand 31. Dezember 2016) Wir haben zwei wesentliche Ziele: Die Förderung der Country Music Die Darstellung der amerikanischen Geschichte Zur Förderung der Country Music veranstalten wir unter der Leitung von Obmann Manfred Humenberger neben den zahlreichen anderen Aktivitäten mehrmals im Jahr Livemusik- Veranstaltungen. Seit Vereinsbeginn wird am Pfingstmontag mit dem Aufbau für das alljährliche internationale COUNTRY MUSIC FESTIVAL begonnen, welches dann am darauffolgenden Wochenende stattfindet. Die FESTIVALS wurden 1990 und 1991 auf verschiedenen Bauernhöfen veranstaltet 1992 bis 1998 auf dem Bahnhofsgelände Haag 1999 bis 2001 am Gelände des Autohofes Haag Seit 2002 wieder am Bahnhofsgelände Haag Aus den anfänglichen Zweitages-FESTIVALS, wo wir auch zum Teil Dampflok-Sonderfahrten zusätzlich angeboten haben, wurde1997 eine Dreitages-Veranstaltung, die bis 2001 an den Freitagen mit Konzertbestuhlung durchgeführt wurde. Seit 2005 organisieren wir an den Freitagen bei den FESTIVALS die Linedanceparty mit Workshops. Von 09. bis 11. Juni 2017 findet bereits das 28. Int. COUNTRY MUSIC FESTIVAL mit der 13. Linedanceparty am Bahnhofsgelände Haag statt. Von diesen FESTIVALS gibt es jedes Jahr DVD‘s und CD´s zu kaufen. Seit der Gründung waren wir bei den Haager Marktfesten mit Aktivitäten und Livemusik dabei. Weiters unterstützen wir diverse Veranstalter immer wieder bei der Organisation. Ab 1993 begannen wir mit diversen Musikveranstaltungen und fanden in der „Waldschenke“ bis 1994 den geeigneten Platz. Ab 1995 wurden diese beim „Wirt z´Gries“ veranstaltet. Nebenbei organisierten wir immer wieder in verschiedenen Gasthäusern unsere Musikveranstaltungen.