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TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much. -
JAMES RAE “JIM” DENNY (1911-1963) Music Publisher
JAMES RAE “JIM” DENNY (1911•1963) Music publisher, booking agent, long•time manager of the Grand Ole Opry, and promoter of Nashville’s music industry, was born in Buffalo Valley, Putnam County, TN. As a young man, Denny found work as a mail clerk with the National Life and Accident Insurance Company, parent organization to WSM and the Grand Ole Opry. With growing interest in country music, Denny was running the WSM Artists Service Bureau by 1946, booking Opry talent and other WSM acts. Denny eventually managed the Grand Ole Opry itself. Denny, along with his predecessor, Jack Stapp, is responsible for updating the face of the Opry. As promoters and developers of talent, they helped to transform the Opry from a popular barn dance to a showcase of country superstars, ensuring its growth and long•term success. During their tenure, the cast grew enormously, most major stars became Opry members, and an Opry appearance became a must goal for many performers. In 1954 Denny and Opry star Webb Pierce formed Cedarwood Publishing Company, for a time the most important publishing house in Nashville. Driftwood Music, a companion firm, was a partnership between Denny and Carl Smith, another Opry star. These business interests led to conflict of interest allegations by WSM and eventually Denny’s dismissal. With his knowledge of WSM operations, Denny achieved immediate success as a booking agent. The Jim Denny Bureau served most of the artists Denny had signed while at the Opry. Billboard magazine estimated that, by 1961, the bureau was handling over 3,300 personal appearances worldwide. -
Course Description, Class Outline and Syllabus Instructor: Peter Elman
Course description, class outline and syllabus Instructor: Peter Elman Title: “A Round-Trip Road Trip of Country Music, 1950-present: From Nashville to California to Texas--and back.” Course Description: An up close and personal look at the golden era of American country music, this class will explore key movements that contributed to the explosive growth of country music as an industry, art form and subculture. The first half of this course will focus on three major regions: Nashville, California and Texas, and concentrate on the period 1950-1975. The second half will look at the women of country, discuss the making of a country song and record, look at the work of five great songsmiths, visit the country music of the 1980’s, and end with an examination of Americana music. The course will do this through lectures, photographs, recorded music, film clips, question and answer sessions, and the use of live music. The instructor will play piano, guitar and sing, and will choose appropriate examples from each region, period and style. - - - - - - - - - - - Course outline by week, with syllabus; suggested reading, listening and viewing Week one: The rise of “honky-tonk” music, 1940-60: Up from bluegrass—the roots of country music. Roy Acuff, Ernest Tubb, Hank Williams, Kitty Wells, Lefty Frizzell, Porter Wagoner, Jim Reeves, Webb Pierce, Ray Price, Hank Lochlin, Hank Snow, and the Grand Old Opry. Reading: The Nashville sound: bright lights and country music Paul Hemphill, 1970-- the definitive portrait of the roots of country music. Listening: 20 of Hank Williams Greatest Hits, Mercury, 1997 30 #1 Country Hits of the 1950s, 3-disc set, Direct Source, 1997 Viewing: O Brother Where Art Thou, 2000, by the Coen brothers America's Music: The Roots of Country 1996, three-part, six episode documentary. -
Willie Nelson
LESSON GUIDE • GRADES 3-6 TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 5: Literary Lyrics 17 Lyric Sheet: Daddy What If? 18 Lyric Sheet: Act Naturally 19 Complete Tennessee Standards 21 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time. -
Key Magazine Nashville LLC [email protected]
Greater Nashville August 2015 Arts Entertainment Dining Maps Nightlife ® Shopping the nashville visitors guide Attractions “A great show, very authentic! I look forward to seeing it again.” —DJ Fontana, Elvis’s longtime drummer “You were AWESOME!” —Wynonna “A MUST-SEE SHOW” —Country Weekly Magazine Monday and Thursday, March through October Tickets: 615-758-0098 Celebrating our 15th Anniversary! Read more about us on page 3 1 Summer at the SCHERMERHORN 1964 August 7 August 14 & THE WILDCATS GOLDEN OLDIES SPECTACULAR CHARLIE THOMAS’ DRIFTERS THE DUPREES August 16 August 27 KEB’ JONNY MO’ LANG August 28 September 4 BEETHOVEN’S NINTH & JOHN ADAMS’ HOMAGE TO 9/11 with the Nashville Symphony & Chorus WITH THE NASHVILLE SYMPHONY SERIES SERIES September 10 to 13 September 24 to 26 LOCATED IN DOWNTOWN NASHVILLE 615.687.6400 | NashvilleSymphony.org 2 this month’s events THIS MONTH’S FEATURES: August 1 – Fairgrounds Speedway Fairgrounds Speedway, 625 Smith Avenue. Come Mondays and Thursdays out and join us! Admission: $10; $8 seniors, kids 12 – A Tribute to the KING: and under; $5 military. The pit ticket gate opens at 1953-1977 9:30 am, first practice at 12 noon, the grandstand Texas Troubadour Theatre, officially opens at 3 pm, the green flag racing slat- 2416 Music Valley Drive. On Mondays and ed for 4 pm. fairgroundsspeedwaynashville.com Thursdays this high-energy, live musical biogra- phy starring John Beardsley features all six eras of August 1 – Downtown Art Crawl the King’s career, including over 30 songs and five Fifth Avenue of the Arts, Historic Arcade, Eighth costume changes, and has thrilled audiences of all Avenue, Broadway. -
'Dolly Celebrates 25 Years of Dollywood' Talent Bios
‘DOLLY CELEBRATES 25 YEARS OF DOLLYWOOD’ TALENT BIOS DOLLY PARTON - "I've always been a writer. My songs are the door to every dream I've ever had and every success I've ever achieved," says Dolly Parton of her incredible career, which has spanned nearly five decades and is showing no signs of slowing down. An internationally renowned superstar, the iconic and irrepressible Parton has contributed countless treasures to the world of music entertainment, penning classic songs such as "Jolene," "Coat of Many Colors," and her mega-hit "I Will Always Love You." With 1977's crossover hit "Here You Come Again," she successfully erased the line between country and pop music without noticeably altering either her music or her image. "I'm not leaving country," she said at the time, "I'm just taking it with me." Making her film debut in the 1980 hit comedy “9 to 5,” Parton earned rave reviews for her performance and an Oscar nomination for writing the title tune, along with her second and third Grammy Awards. Roles in “Steel Magnolias,” “Best Little Whorehouse in Texas,” “Rhinestone,” and “Straight Talk” followed, along with two network television series, made for television movies, network and HBO specials, and guest-starring roles in series television. In 2006, Parton earned her second Oscar nomination for "Travelin' Thru," which she wrote for the film “Transamerica.” Dolly Parton's remarkable life began very humbly. Born January 19, 1946 on a farm in Sevier County, Tennessee, Parton is the fourth of twelve children. Her parents, Robert Lee and Avie Lee Parton struggled to make ends meet in the impoverished East Tennessee hills. -
Clarence Belcher Collection
Clarence Belcher Collection The Bassett Historical Center is a non-circulating facility. Feel free to come in and listen to any selection from this music collection here at the Center. LOCAL 45s (recorded on one CD) 01 Dink Nickelston and the Virginia Buddies – (1) Henry County Blues; (2) Trying at Love Again 01 The Dixie Pals – (1) Dixie Rag; (2) Wedding Bells 01 The Dixie Pals – (1) The Model Church; (2) Pass Me Not 01 The Dixie Pals – (1) Who’ll Take Care of the Graves?; (2) Don’t Say Good-Bye If You Love Me 02 Ted Prillaman and the Virginia Ramblers – (1) There’ll Come a Time; (2) North to 81 Albums (* recorded on CD) 01 Abe Horton: Old-Time Music from Fancy Gap (vault) 01A Back Home in the Blue Ridge, County Record 723 (vault) 02* Bluegrass on Campus, Vol. 1, recorded live at Ferrum College Fiddlers Convention 02A Blue Grass Hits (Jim Eanes, The Stonemans) 03* Blue Ridge Highballers 1926 Recordings featuring Charley La Prade (vault) 04* Blue Ridge Barn Dance – Old Time Music, County Record 746 (vault) (2 copies) 04A Camp Creek Boys – Old-Time String Band (vault) 04B Charlie Poole – The Legend of, County Record 516 (vault) 04C Charlie Poole and the NC Ramblers, County Record 505 (vault) 04D Charlie Poole and the NC Ramblers, County Record 509 (vault) 05* Charlie Poole & the NC Ramblers – Old Time Songs recorded from 1925-1930 (vault) (2 copies) 05A* Charlie Poole and the NC Ramblers – Old Time Songs recorded from 1925-1930, Vol. 2 (vault) 06 Clark Kessinger, Vol. -
Music City Walk of Fame Park
Demonbreun St. between 4th & 5th Ave., Nashville, TN 37203 • visitmusiccity.com/walkoffame • [email protected] 1 6 MUSIC11 16 21 CITY26 31 WALK40 53 58 OF63 FAME68 73 78PARK83 4 9 14 19 24 29 34 47 56 61 66 71 76 81 86 2 7 12 17 22 27 32 41 54 59 64 69 74 79 84 88 5 10 15 20 25 30 35 48 57 62 67 72 77 82 87 3 8 13 18 23 28 33 42 55 60 65 70 75 80 85 89 36 49 43 37 50 44 38 51 45 39 52 46 1. Boudleaux 23. Steve Wariner 46. Lady A 69. Kix Brooks BROADWAY & Felice Bryant 24. Nitty Gritty Dirt Band 47. Kid Rock 70. Dottie Rambo Visitor ★ Honky Tonks Information Honky Tonks 2. Kenneth Schermerhorn 25. Martina McBride 48. Ernest Tubb 71. Bob Babbitt Center 3. Fisk Jubilee Singers 26. Little Richard 49. Little Big Town 72. Steve Winwood Tennessee Sports Hall of Fame Hilton 4. Ronnie Milsap 27. Elvis Presley 50. Ben Folds 73. Kings of Leon Nashville Downtown 5. Reba McEntire 28. Trace Adkins 51. Ray Stevens 74. Loretta Lynn Bridgestone Arena 6. Roy Orbison 29. Jo Walker-Meador 52. Clint Black 75. Jack White 4TH AVE S 5TH AVE S 7. Frances W. Preston 30. Randy Travis 53. Tootsie Bess 76. Trisha Yearwood Music City Schermerhorn 8. Emmylou Harris 31. Michael McDonald 54. Charlie Daniels 77. Garth Brooks Symphony Walk of Fame Center 9. Michael W. Smith 32. R.H. Boyd 55. Eddy Arnold 78. -
Johnny Cash Bicentennial Suit Article
RISON - Fresh off an exhibit at the Rock and Roll Hall of Fame in Cleveland, Ohio, the suit that country music legend Johnny Cash wore during his American Bicentennial concert at Rison in 1976 will be among the pieces on display at the inaugural Johnny Cash Heritage Festival set for next weekend, Oct. 19-21, at the Dyess Colony in Northeast Ar- kansas. Wayne Cash, a Cleveland County native who is a relative of Johnny Cash and helps keep track of the suit for the Cleveland County Historical Society, said the black suit emblazoned with dual eagles across the chest and stars around the collar and along the pant legs will be on display inside the Dyess Colony Visi- tor Center that is associated with Johnny Cash’s boyhood home at Dyess. This will be the first time an event honoring Johnny Cash has been held at Dyess. Previous events celebrating Cash’s con- JOHNNY CASH AT THE CLEVELAND COUNTY BICENTENNIAL PARADE - Country music icon and Kingsland nection to Northeast Arkansas native Johnny Cash (right) with his wife, June Carter Cash (to Cash’s left), waves to the crowd as they ride in a were held at Jonesboro. horse-drawn carriage down Main Street in downtown Rison during a parade for the Cleveland County Bicenten- The three-day festival will nial Celebration held in March 1976. The suit that Cash is wearing will be on display at the Johnny Cash Heritage consist of a symposium on the Festival to be held Oct. 19-21 at his boyhood home at Dyess. -
Past Performers by Year
Fort Loramie, Ohio www.countryconcert.com 1981 LOUISE MANDRELL R.C. BANNON JOHNNY RUSSELL THE BLUE RIDGE & MARK FOUR JIM PRENGER HOME BREW COUNTRY GRASS RUSSEL BRAMLAGE as ELVIS 1982 T.G. SHEPPARD (REPLACED RONNIE MILSAP DUE TO ILLNESS) SONNY JAMES SYLVIA KENNY PRICE JIM PRENGER KEVIN MABRY & LIBERTY STREET HOME BREW DIXIE RIDERS 1983 BOXCAR WILLIE MOE BANDY DAVID FRIZZELL TOM T. HALL MCGUFFY LANE REBA MCENTIRE JIMMY C. NEWMAN SHELLY WEST JIM & CONNIE PRENGER KUHN SISTERS JOE STAMPLEY BRANDED 1984 TAMMY WYNETTE LEE GREENWOOD MOE BANDY EARL THOMAS CONLEY LITTLE JIMMY DICKENS MCGUFFY LANE RONNIE MCDOWELL SANDI POWELL JIM & CONNIE PRENGER JOHN ARNOLD BAND THE HARVEST TRIO 1985 JERRY REED CHARLEY PRIDE ATLANTA MOE BANDY HELEN CORNELIUS BILLY CRASH CRADDOCK TOM T. HALL GRANDPA JONES SANDI POWELL JIM & CONNIE PRENGER THE HARVEST TRIO THE WHITES 1986 CONWAY TWITTY MEL TILLIS LOUISE MANDRELL EXILE MEL MCDANIEL BELLAMY BROTHERS DAN SEALS FORESTER SISTERS KENDALLS LEON EVERETTE SANDI POWELL THE HARVEST TRIO JIM & CONNIE PRENGER 1987 LORETTA LYNN JOHN SCHNEIDER GEORGE JONES TANYA TUCKER NITTY GRITTY DIRT BAND ATLANTA BOBBY BARE LEON EVERETTE GIRLS NEXT DOOR PORTER WAGONER STEVE WARINER 1988 THE JUDDS EDDIE RABBITT TAMMY WYNETTE RICKY SKAGGS JOHN ANDERSON BELLAMY BROTHERS T. GRAHAM BROWN JOHN CONLEE HIGHWAY 101 KATHY MATTEA BILLY JOE ROYAL RICKY VAN SHELTON FARON YOUNG 1989 RANDY TRAVIS CHARLIE DANIELS BAND JANIE FRICKIE MICKEY GILLEY PATTY LOVELESS SAWYER BROWN BAILLIE & THE BOYS BILLY CRASH CRADDOCK JETT WILLIAMS & DRIFTING COWBOYS DESERT ROSE BAND HOLLY DUNN (Replaced Keith Whitly) JESS KING’S GOSPEL EDDIE RAVEN SHENANDOAH JOE STAMPLEY GENE WATSON TOM WOPAT 1990 WILLIE NELSON & FAMILY EDDIE RABBIT LEE GREENWOOD GARTH BROOKS EARL THOMAS CONLEY CHUBBY CHECKER VERN GOSDIN JESS KINGS GOSPEL DOUG KERSHAW LORRIE MORGAN NITTY GRITTY DIRT BAND BILLY JOE ROYAL RESTLESS HEART SAWYER BROWN TANYA TUCKER WILD ROSE JASON D. -
Kosher Country: Success and Survival on Nashville's Music Row V
Kosher Country: Success and Survival on Nashville's Music Row V Stacy Harris uring the last few years, Nashville's country music in- dustry has been mourning a larger number of its citizens Dthan usual. These losses included two, Norma Gerson ("makeup artist to the stars") and Rainbow Room owner/- erstwhile "Hee Haw" bit-player David "Skull" Schulman ("the mayor of Printers' Alley"), that underscore the little-known range and diversity of roles Jews have played in Nashville and country- music history. According to Karen B. Fine, Nashville's Jewish music indus- try population numbers "about 60 or 70."1 Few would characterize this minority as a vocal one. Indeed, when Life staff writer Charles Hirshberg wrote about the relationship between Jews and country music in the Forward, he titled the article "Nashville's Jewish Newcomers Assert Themselves (Softly)."2 Likening the reluctance of Jewish country-music industry participants to medieval Marranos who, Hirshberg believed, kept "their Jewishness private to protect their livelihoods," Hirshberg's observations of five years ago seem equally as dire in 1999.3 There would well be a justification for this. Country music's heritage is rooted in traditions of a Protestant-Christian America. Six years ago, this author wrote, "Most country artists have re- corded at least one album of sacred songs; indeed it is almost expected."4 112 SOUTHERN JEWISH HISTORY Nonetheless change may be imminent. With many more new artists and a younger listener base, this expectation no longer exists. While it still looks good for a country singer to have a press kit containing biographical information noting that the subject's earliest memories are of "hymns or more fervent gospel songs" and of his/her own performances in church, whether true or not, such references are increasingly less mandatory. -
Vereins-Chronik
VEREINS-CHRONIK Wir, die Country- und Westernfreunde Hausruckwald – kurz CWF – wurden am 21. April 1990 gegründet, können auf eine ungewöhnliche und aufregende Entstehungsgeschichte zurückblicken und haben derzeit 750 Mitglieder. (Stand 31. Dezember 2016) Wir haben zwei wesentliche Ziele: Die Förderung der Country Music Die Darstellung der amerikanischen Geschichte Zur Förderung der Country Music veranstalten wir unter der Leitung von Obmann Manfred Humenberger neben den zahlreichen anderen Aktivitäten mehrmals im Jahr Livemusik- Veranstaltungen. Seit Vereinsbeginn wird am Pfingstmontag mit dem Aufbau für das alljährliche internationale COUNTRY MUSIC FESTIVAL begonnen, welches dann am darauffolgenden Wochenende stattfindet. Die FESTIVALS wurden 1990 und 1991 auf verschiedenen Bauernhöfen veranstaltet 1992 bis 1998 auf dem Bahnhofsgelände Haag 1999 bis 2001 am Gelände des Autohofes Haag Seit 2002 wieder am Bahnhofsgelände Haag Aus den anfänglichen Zweitages-FESTIVALS, wo wir auch zum Teil Dampflok-Sonderfahrten zusätzlich angeboten haben, wurde1997 eine Dreitages-Veranstaltung, die bis 2001 an den Freitagen mit Konzertbestuhlung durchgeführt wurde. Seit 2005 organisieren wir an den Freitagen bei den FESTIVALS die Linedanceparty mit Workshops. Von 09. bis 11. Juni 2017 findet bereits das 28. Int. COUNTRY MUSIC FESTIVAL mit der 13. Linedanceparty am Bahnhofsgelände Haag statt. Von diesen FESTIVALS gibt es jedes Jahr DVD‘s und CD´s zu kaufen. Seit der Gründung waren wir bei den Haager Marktfesten mit Aktivitäten und Livemusik dabei. Weiters unterstützen wir diverse Veranstalter immer wieder bei der Organisation. Ab 1993 begannen wir mit diversen Musikveranstaltungen und fanden in der „Waldschenke“ bis 1994 den geeigneten Platz. Ab 1995 wurden diese beim „Wirt z´Gries“ veranstaltet. Nebenbei organisierten wir immer wieder in verschiedenen Gasthäusern unsere Musikveranstaltungen.