Community Development Committee - Agenda
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HOMELAND STORY Saving Country
ROGUE PRODUCTIONS & DONYDJI HOMELAND presents HOMELAND STORY Saving Country PRESS KIT Running Time: 86 mins ROGUE PRODUCTIONS PTY LTD - Contact David Rapsey - [email protected] Ph: +61 3 9386 2508 Mob: +61 423 487 628 Glenda Hambly - [email protected] Ph: +61 3 93867 2508 Mob: +61 457 078 513461 RONIN FILMS - Sales enquiries PO box 680, Mitchell ACT 2911, Australia Ph: 02 6248 0851 Fax: 02 6249 1640 [email protected] Rogue Productions Pty Ltd 104 Melville Rd, West Brunswick Victoria 3055 Ph: +61 3 9386 2508 Mob: +61 423 487 628 TABLE OF CONTENTS Synopses .............................................................................................. 3 Donydji Homeland History ................................................................. 4-6 About the Production ......................................................................... 7-8 Director’s Statement ............................................................................. 9 Comments: Damien Guyula, Yolngu Producer… ................................ 10 Comments: Robert McGuirk, Rotary Club. ..................................... 11-12 Comments: Dr Neville White, Anthropologist ................................. 13-14 Principal Cast ................................................................................. 15-18 Homeland Story Crew ......................................................................... 19 About the Filmmakers ..................................................................... 20-22 2 SYNOPSES ONE LINE SYNOPSIS An intimate portrait, fifty -
ASTROMAN by ALBERT BELZ Welcome
ASTROMAN BY ALBERT BELZ Welcome Over the course of this year our productions have taken you to London, New York, Norway, Malaysia and rural Western Australia. In Astroman we take you much closer to home – to suburban Geelong where it’s 1984. ASTROMAN In this touching and humorous love letter to the 80s, playwright Albert Belz wraps us in the highs and lows of growing up, the exhilaration of learning, and what it means to be truly courageous. BY ALBERT BELZ Directed by Sarah Goodes and Associate Director Tony Briggs, and performed by a cast of wonderful actors, some of them new to MTC, Astroman hits the bullseye of multigenerational appeal. If ever there was a show to introduce family and friends to theatre, and the joy of local stories on stage – this is it. At MTC we present the very best new works like Astroman alongside classics and international hits, from home and abroad, every year. As our audiences continue to grow – this year we reached a record number of subscribers – tickets are in high demand and many of our performances sell out. Subscriptions for our 2019 Season are now on sale and offer the best way to secure your seats and ensure you never miss out on that must-see show. To see what’s on stage next year and book your package visit mtc.com.au/2019. Thanks for joining us at the theatre. Enjoy Astroman. Brett Sheehy ao Virginia Lovett Artistic Director & CEO Executive Director & Co-CEO Melbourne Theatre Company acknowledges the Yalukit Willam Peoples of the Boon Wurrung, the First Peoples of Country on which Southbank Theatre and MTC HQ stand, and we pay our respects to all of Melbourne’s First Peoples, to their ancestors and Elders, and to our shared future. -
Reporting Issuers List As of August 13, 2021
Alberta Securities Commission Page 1 of 2 Reporting Issuer List - Cover Page Reporting Issuers Default When a reporting issuer is noted in default, standardized codes (a number and, if applicable a letter, described in the legend below) will be appear in the column 'Nature of Default'. Every effort is made to ensure the accuracy of this list. A reporting issuer that does not appear on this list or that has inappropriately been noted in default should contact the Alberta Securities Commission (ASC) promptly. A reporting issuer’s management or insiders may be subject to a Management Cease Trade Order, but that order will NOT be shown on the list. Legend 1. The reporting issuer has failed to file the following continuous disclosure document prescribed by Alberta securities laws: (a) annual financial statements; (b) an interim financial report; (c) an annual or interim management's discussion and analysis (MD&A) or an annual or interim management report of fund performance (MRFP); (d) an annual information form; (AIF); (e) a certification of annual or interim filings under National Instrument 52-109 Certification of Disclosure in Issuers' Annual and Interim Filings (NI 52-109); (f) proxy materials or a required information circular; (g) an issuer profile supplement on the System for Electronic Disclosure By Insiders (SEDI); (h) a material change report; (i) a written update as required after filing a confidential report of a material change; (j) a business acquisition report; (k) the annual oil and gas disclosure prescribed by National Instrument -
M Ed Ia R Elea Se M Ed Ia R Elea Se
Filmmakers announced for Cook 2020: Our Right of Reply Tuesday 14 May 2019: Screen Australia and the New Zealand Film Commission (NZFC) are pleased to announce the eight Indigenous teams from Australia and New Zealand who will work on a joint anthology feature, Cook 2020: Our Right of Reply, entitled Ngā Pouwhenua in New Zealand. The teams will each create a short chapter for the feature film, which will provide an Indigenous perspective on the 250th anniversary of James Cook’s maiden voyage to the Pacific. Mitchell Stanley (Servant or Slave) from Australia, and Bailey Mackey (All or Nothing; New Zealand All Blacks, associate producer on Hunt for the Wilderpeople) and Mia Henry-Teirney (Baby Mama’s Club) from New Zealand have been chosen as co-producers and will collaborate with the teams to develop their concepts and the overarching narrative. The teams and producers are attending a residential lab at Shark Island Institute in Kangaroo Valley to develop the film. Screen Australia’s Head of Indigenous Penny Smallacombe said: “This is a rare opportunity for creative collaboration between Indigenous cultures, from Australia, New Zealand and the Pacific. I’m inspired by the experience and talent of the filmmakers selected to helm this project. These teams have presented exceptional concepts, with stories exploring the past, present and future, with humour and horror, sadness and joy, in response to who we are and how we continue to survive the colonial experience.” MEDIA RELEASE “I’m excited by their unique storytelling styles and individual voices, and how they will complement each other to create a powerful anthology. -
Senate Order for Entity Contracts Listing Relating to the Period 1 July 2020 to 30 June 2021
Senate Order for Entity Contracts listing relating to the period 1 July 2020 to 30 June 2021. Pursuant to the Senate Order for entity contracts, the following table sets out contracts entered into by Screen Australia, which provide for a consideration to the value of $100,000 or more (GST Inclusive) and which: a. Have not been fully performed as at 30 June 2021, or b. Which have been entered into during the 12 months prior to 30 June 2021. Most of the contracts listed contain confidentiality provisions of a general nature that are designed to protect the confidential information of the parties that may be obtained or generated in carrying out the contract. The reasons for including such clauses include: a. Ordinary commercial prudence that requires protection of trade secrets, proprietary information, sensitive business information and the like and/or b. Protection of other Commonwealth material and personal information. The accountable authority of Screen Australia has assured that the listed contracts do not contain any inappropriate confidentiality provisions. The estimated cost of complying with this order was approximately $1,500. Basis of method used to estimate the cost: Applying salary costs to the number of hours spent by staff across various Departments to collect and analyse the information. Senate Order for Entity Contracts listing relating to the period 1 July 2020 to 30 June 2021 Total Other Confidentiality Reason For Reason For Name of Contractor Subject Matter Funding for Start Date End Date Confidentiality Provisions -
Missionaries, Mercenaries, Misfits…
Missionaries, Mercenaries, Misfits… COMEDY 6 x 30’ HD COMEDY HD 6 x 30’ At the ass-end of the world, in the middle of nowhere, is Alice Springs. It’s a sacred place for Aboriginal people and a magnet for three kinds of whitefellas: Missionaries, Mercenaries and Misfits. It’s also the home of 8MMM Aboriginal Radio, where the mob meets the 3Ms. 8MMM is the proud voice of blackfellas in this part of the world. Trouble is, like most Indigenous organisations, it’s run by whitefellas. For the Missionaries, Mercenaries and Misfits of Alice Springs, ‘saving’ Aboriginal people from themselves is hard work. For Aboriginal people, being ‘saved’ all the time is exhausting. As the motley crew at 8MMM broadcasts the day-to-day goings on of Alice Springs, they find ignorance and interference at every turn - and that’s before they’ve left the building. 8MMM ABORIGINAL RADIO is truthful and bold - a comedy about tolerance, self-determination and cultural misunderstanding and why, when all else fails - which it usually does - it’s good to laugh. Australia’s first Indigenous narrative comedy, 8MMM ABORIGINAL RADIO is an original series from Alice Springs-based production company Brindle Films (Big Name No Blanket, Blown Away and producer of Double Trouble) and Princess Pictures (Summer Heights High, Angry Boys, John Safran’s Race Relations, It’s a Date). The series is written and directed by Indigenous talent, shot on location in Central Australia and features an exciting ensemble cast and local performers. WRITERS: Trisha Morton-Thomas, Danielle MacLean, Sonja Dare DIRECTORS: Dena Curtis, Adrian Russell Wills PRODUCERS: Rachel Clements, Trisha Morton-Thomas, Anna Cadden EXECUTIVE PRODUCERS: Andrea Denholm, Laura Waters PRODUCTION COMPANIES: Brindle Films, Princess Pictures. -
Shari Sebbens Looks at 'The Horrible Side' of the Country in Australia Day Garry Maddox 2 June 2017
Shari Sebbens looks at 'the horrible side' of the country in Australia Day Garry Maddox 2 june 2017 Shari Sebbens is no fan of Australia Day. A Bardi Jabirr Jabirr woman who grew up in Darwin, the Sapphires star thinks of it as Invasion Day and prefers to take time to reflect with her "mob" – family and friends – rather than celebrate. So Sebbens was surprised to hear she had been invited to audition for a new film called Australia Day. Shari Sebbens: "Why would I want to audition for a film called Australia Day?" Photo: Nic Walker "I laughed," she says. "I said 'why would I want to audition for a film called Australia Day?' As an Aboriginal woman, it conjures up that it's going to be some bogan Cronulla riots type thing." But when she read the script, Sebbens was delighted to see the provocative territory the drama was covering – a potent examination of race and identity. "It's taking a look at the horrible side to Australia that people don't like to acknowledge exists, especially on nice summer days when you can just pop on the Hottest 100 and enjoy a tinnie," she says. Sebbens plays an Aboriginal police officer, Senior Constable Sonya Mackenzie, who is caught up in interwoven dramas as three teenagers run away on the national day: a 14- 2 year-old Indigenous girl fleeing a car crash, a 17-year-old Iranian boy running from a crime scene and a 19-year-old Chinese girl escaping sexual slavery. Directed by Kriv Stenders with a cast that includes Bryan Brown, Matthew Le Nevez, Isabelle Cornish and such newcomers as Miah Madden, Elias Anton and Jenny Wu, the topical drama has its world premiere at Sydney Film Festival this month. -
Clickview ATOM Guides 1 Videos with ATOM Study Guides Title Exchange Video Link 88
ClickView ATOM Guides Videos with ATOM Study Guides Title Exchange Video Link 88 http://online.clickview.com.au/exchange/videos/8341/88 http://online.clickview.com.au/exchange/videos/21821/the-100- 100+ Club club 1606 and 1770 - A Tale Of Two Discoveries https://clickviewcurator.com/exchange/programs/5240960 http://online.clickview.com.au/exchange/videos/8527/8mmm- 8MMM Aboriginal Radio aboriginal-radio-episode-1 http://online.clickview.com.au/exchange/videos/21963/900- 900 Neighbours neighbours http://online.clickview.com.au/exchange/series/11149/a-case-for- A Case for the Coroner the-coroner?sort=atoz http://online.clickview.com.au/exchange/videos/12998/a-fighting- A Fighting Chance chance https://online.clickview.com.au/exchange/videos/33771/a-good- A Good Man man http://online.clickview.com.au/exchange/videos/13993/a-law- A Law Unto Himself unto-himself http://online.clickview.com.au/exchange/videos/33808/a-sense-of- A Sense Of Place place http://online.clickview.com.au/exchange/videos/3226024/a-sense- A Sense Of Self of-self A Thousand Encores - The Ballets http://online.clickview.com.au/exchange/videos/32209/a- Russes In Australia thousand-encores-the-ballets-russes-in-australia https://online.clickview.com.au/exchange/videos/25815/accentuat Accentuate The Positive e-the-positive Acid Ocean http://online.clickview.com.au/exchange/videos/13983/acid-ocean http://online.clickview.com.au/exchange/series/8583/addicted-to- Addicted To Money money/videos/53988/who-killed-the-economy- http://online.clickview.com.au/exchange/videos/201031/afghanist -
Community Development Committee - Agenda
Community Development Committee - Agenda Community Development Committee Business Paper for July 2020 Monday, 13 July 2020 Via Teleconference Councillor Jimmy Cocking (Chair) 1 Community Development Committee - Agenda ALICE SPRINGS TOWN COUNCIL COMMUNITY DEVELOPMENT COMMITTEE AGENDA FOR THE MEETING TO BE HELD ON MONDAY 13 JULY 2020 VIA TELECONFERENCE 1. APOLOGIES 2. RESPONSE TO PUBLIC QUESTIONS 3. DISCLOSURE OF INTEREST 4. MINUTES OF THE PREVIOUS MEETING 4.1. UNCONFIRMED Minutes – Community Development Committee – 15 June 2020 4.2. Business Arising 5. IDENTIFICATION OF ITEMS FOR DISCUSSION 5.1. Identification of items for discussion 5.2. Identification of items to be raised in General Business by Elected Members and Officers 6. DEPUTATIONS Nil 7. PETITIONS 8. NOTICE OF MOTION 9. REPORTS OF OFFICERS 9.1. Community Development Directorate Update Report No. 151/20cd (DCS) 9.2 ASTC Art Collection – Report on Activities 2019/20 Report No. 152/20cd (MCCD) 9.3 Brindle Films Sponsorship Application Report No. 162/20cd (MCCD) 9.4 Creative Arts Recovery Package Report No. 163/20cd (MCCD) 9.5 Phoney Film Festival Prize Report No. 164/20cd (YDO) 10. REPORTS OF ADVISORY AND EXECUTIVE COMMITTEES 10.1. UNCONFIRMED Minutes – Seniors Coordinating Committee – 17 June 2020 10.2. UNCONFIRMED Minutes – Tourism, Events & Promotions Committee – 25 June 2020 10.3. UNCONFIRMED Minutes – ASALC Committee – 30 June 2020 10.4. UNCONFIRMED Minutes – Youth Action Group Committee – 1 July 2020 Page 2 2 Community Development Committee - Agenda 10.5. UNCONFIRMED Minutes – Public Art Advisory Committee – 6 July 2020 11. GENERAL BUSINESS 12. NEXT MEETING: Monday 17 August 2020 CONFIDENTIAL SECTION 13. APOLOGIES - CONFIDENTIAL 14. -
2019/20 Annual Report
Annual Report 2019/20 ANNUAL REPORT 2019/20 1 RESPONSIBLE BODY’S DECLARATION In accordance with the Financial Management Act 1994, I am pleased to present Film Victoria’s Annual Report for the year ending 30 June 2020. Ian Robertson AO President Film Victoria August 2020 Contents Role and Vision 4 A Message from Film Victoria’s President 6 A Message from Film Victoria’s CEO 7 Performance 9 Year in Review 11 Strategic Priority One: 13 Position the Victorian screen industry to create high quality, diverse and engaging content Fiction Features 14 Fiction Series 16 Documentary 18 Games 20 Production Attraction and Regional Assistance 22 Developing Skills and Accelerating Career Pathways 25 Fostering and Strengthening Diversity 28 Strategic Priority Two: 31 Promote screen culture Strategic Priority Three: 35 Provide effective and efficient services Governance and Report of Operations 39 Establishment and Function 40 Governance and Organisational Structure 41 Film Victoria’s Board 42 Committees and Assessment Panels 44 Overview of Financial Performance and Position 46 During 2019/20 Employment Related Disclosures 47 Other Disclosures 50 Financial Statements 55 Disclosure Index 81 ANNUAL REPORT 2019/20 3 Role Film Victoria is the State Government agency that provides strategic leadership and assistance to the film, television and digital media sectors of Victoria. Film Victoria invests in projects, businesses and people, and promotes Victoria as a world-class production destination nationally and internationally. The agency works closely with industry and government to position Victoria as a leading centre for technology and innovation through the growth and development of the Victorian screen industry. -
Carry-The-Flag-Press-Kit-Jmbl.Pdf
Link to Trailer https://vimeo.com/215101133/ password CTF Link to website www.tamarindtreepictures.com Contact Us AUSTRALIA Tamarind Tree Pictures Danielle MacLean +61411491613 [email protected] Synopsis Short - This is a rich and powerful story of a man whose design created meaning for a people once invisible to mainland Australia, the people of the Torres Strait. Long - In 2017 it is the 25th anniversary of the Torres Strait Flag. For Bernard Namok Jnr, ‘Bala B’ the flag is a poignant reminder of home, family and the father he hardly knew. Bernard Namok Senior won the flag design competition in 1992 but a year later, at just 31 years, he died leaving behind his wife with four young children. Journey across the Torres Straits with Bala B to honour his father’s legacy. A rich and powerful story of a man whose design created meaning for a people once invisible to mainland Australia, the people of the Torres Strait. Story Bernard Namok Jnr, is a Senior Broadcaster and presenter of ‘Mornings with Bala B’ at The Top End Aboriginal Bush Broadcasting Association – TEABBA. Everyday he speaks to thousands of Indigenous Australians across the Northern Territory but he feels disconnected from his own culture and family. When he sees the Torres Strait Islands flag flying, it is for him, not only the symbol of identity of his people, but a poignant reminder of his home and the father he hardly knew. Bernard Namok Senior won the Torres Strait Islander flag design competition in 1992 but a year after his flag was formally recognised, at 31 years of age, he died leaving behind a wife and four young children. -
School of Psychology and Speech Pathology a Causal Layered Analysis of Movement, Paralysis and Liminality in the Contested Arena
School of Psychology and Speech Pathology A causal layered analysis of movement, paralysis and liminality in the contested arena of indigenous mental health Darren Charles Garvey This thesis is presented for the Degree of Doctor of Philosophy of Curtin University December 2015 A Causal Layered Analysis of the Indigenous Mental Health Arena i Declaration This thesis contains no material which has been accepted for the award to any other degree or diploma in any other university. To the best of my knowledge and belief this thesis contains no material previously published by any other persons except where due acknowledgement has been made. Signature: ……………………………… Date: …………………………………… A Causal Layered Analysis of the Indigenous Mental Health Arena ii A Causal Layered Analysis of the Indigenous Mental Health Arena iii Acknowledgements I wish to acknowledge the Whadjuk Noongar Boodja within which the thesis was written. The realization that the answers to the questions that occupy our mind may in fact be under our feet, or in the sky above, will remain an enduring lesson beyond this investigation. I wish to acknowledge my supervisors, Associate Professor Brian Bishop and Professor Jan Piek. Brian served as an endlessly patient and often unsettling listener over the course of the investigation. His insights were thought provoking, and guidance respectful. Our yarns covered a range of topics, and the references to Remarque, Adams, and Monty Python are a nod to the various academic and other sources discussed with him. Jan was beacon- like in her presence and influence. Although our discussions were less frequent, I always knew when I spoke with her that I would receive wise counsel.