Vii ABSTRAK Lucia Suciadi Skripsi Penerapan Gaya Early Christian, Romanesque, Gothic, Baroque, Dan Rococo Pada Interior Gereja K

Total Page:16

File Type:pdf, Size:1020Kb

Vii ABSTRAK Lucia Suciadi Skripsi Penerapan Gaya Early Christian, Romanesque, Gothic, Baroque, Dan Rococo Pada Interior Gereja K ABSTRAK Lucia Suciadi Skripsi Penerapan Gaya Early Christian, Romanesque, Gothic, Baroque, dan Rococo pada Interior Gereja Katolik St. Yakobus Surabaya. Seperti yang terlihat pada tiap-tiap elemen interiornya, Gereja Katolik St. Yakobus Surabaya menerapkan beberapa macam gaya. Penelitian ini merupakan penelitian lanjutan dari skripsi yang berjudul: ”Studi Gaya Ekletik pada Interior Gereja Katolik Santo Yakobus Surabaya (Wendy, 2007)”. Pada penelitian tersebut dikatakan bahwa Gereja St. Yakobus menggunakan Gaya Ekletik (pencampuran beberapa macam gaya), yang terdiri dari : Gaya Early Christian, Romanesque, Gothic, Baroque, dan Rococo. Penelitian ini memiliki tujuan untuk mengetahui unsur-unsur dan transformasi penerapan dari kelima gaya tersebut pada interior Gereja Katolik St. Yakobus Surabaya. Teknik analisis yang digunakan dalam penelitian ini adalah deskriptif dengan metode studi kasus untuk mengetahui unsur-unsur dan transformasi penerapan gaya tersebut. Hasil penelitian menunjukkan bahwa unsur-unsur yang diterapkan dari kelima gaya tersebut, adalah : unsur bentuk (denah, elemen pembentuk, elemen transisi, perabot, dekoratif, dan pencahayaan), kemudian unsur warna (elemen penbentuk, kolom, dan pencahayaan), dan unsur bahan (lantai, plafon, dan kolom). Penerapan transformasi yang dilakukan, adalah perubahan bentuk dengan pengurangan dimensi atau elemen seperti pada : denah, dinding, plafon, dan perubahan bentuk itu sendiri seperti : denah, elemen pembentuk, perabot, jendela, dan dekoratif, sedangkan bahan dan warna cenderung tidak mengalami perubahan. Kata kunci: Penerapan gaya, Early Christian, Romanesque, Gothic, Baroque, Rococo, Gereja Katolik St. Yakobus vii Universitas Kristen Petra ABSTRACT Lucia Suciadi Thesis Application of Early Christian, Romanesque, Ghotic, Baroque, and Rococo Styles on the Interior of Catholic Church St. Yakobus Surabaya. As seen in every element of the interior, the Catholic Church of St. Yakobus Surabaya applied some kind of styles. This study is the continuation of the thesis entitled : “Studies on the Eclectic Style of Interior of the Catholic Church of St.Yakobus in Surabaya (Wendy, 2007)”. In that study, it was said that the Church of St. Yakobus used Eclectic Style (the blending of several different styles), which consists of : Early Christian, Romanesque, Gothic, Baroque, and Rococo Styles. This research aims to find out the elements and the transformation of the application of the five styles in interior of the Catholic Church of St.Yakobus in Surabaya. The analysis technique used in this study was a descriptive case study method to determine that element and application of styles. The results showed that adopted elements of the fifth styles are : the element of form (layout, forming element, transition element, furniture, decoration, and lighting), then the element of color (forming element, column, lighting), and the element of material (floor, ceiling, and column). The application of performed transformation, was the change in shape with a reduced dimension or element like in : layout, wall, ceiling, and the changes in the form itself like : layout, forming element, furniture, window, and decoration, while the materials and colors did not tend to change. Key words: Application of styles, Early Christian, Romanesque, Ghotic, Baroque, Rococo, Chatolic Church of St. Yakobus viii Universitas Kristen Petra DAFTAR ISI HALAMAN JUDUL .......................................................................................... i LEMBAR PENGESAHAN ............................................................................... ii LEMBAR PERSETUJUAN PUBLIKASI ILMIAH ......................................... iii SURAT PERNYATAAN KEASLIAN KARYA TUGAS AKHIR .................. iv KATA PENGANTAR ....................................................................................... v ABSTRAK ......................................................................................................... vii DAFTAR ISI ...................................................................................................... ix DAFTAR TABEL .............................................................................................. xii DAFTAR GAMBAR ......................................................................................... xiii DAFTAR LAMPIRAN ......................................................................................xvii 1. PENDAHULUAN ......................................................................................... 1 1.1. Latar Belakang Masalah ......................................................................... 1 1.2. Judul dan Pengertiannya ......................................................................... 3 1.2.1. Judul ............................................................................................. 3 1.2.2. Pengertian Judul ........................................................................... 3 1.3. Perumusan Masalah ................................................................................ 5 1.4. Ruang Lingkup Penelitian ...................................................................... 5 1.5. Tujuan Penelitian .................................................................................... 6 1.6. Manfaat Penelitian .................................................................................. 6 1.7. Metode Penelitian ................................................................................... 7 1.7.1. Sifat Penelitian ............................................................................. 7 1.7.2. Jenis Penelitian ............................................................................. 7 1.7.3. Metode Pendekatan ...................................................................... 8 1.7.4. Metode Pengumpulan Data .......................................................... 8 1.7.5. Metode Analisis Data ................................................................... 9 1.7.6. Metode Populasi dan Sampel ....................................................... 9 2. LANDASAN TEORI ..................................................................................... 10 2.1. Tinjauan Tentang Gereja ........................................................................ 10 2.1.1. Pengertian Gereja Katolik ............................................................ 10 2.1.2 Arsitektur dan Tata Ruang Gereja ................................................. 11 2.1.3 Ruang dan Perlengkapan Gedung Gereja ...................................... 12 2.2. Tinjauan Tentang Liturgi ........................................................................ 19 2.2.1 Asal Usul Kata Liturgi .................................................................. 19 2.2.2 Prinsip Ruang Liturgi .................................................................... 20 ix Universitas Kristen Petra 2.2.3 Struktur Pokok Perayaan Ekaristi ................................................. 21 2.3. Tinjauan Tentang Transformasi ............................................................. 23 2.4. Tinjauan Tentang Gaya .......................................................................... 25 2.4.1. Gaya Early Christian ................................................................... 25 2.4.1.1 Gambaran Umum Gaya Early Christian .......................... 26 2.4.1.2 Elemen Pembentuk Ruang ................................................ 27 2.4.1.3 Perabot .............................................................................. 31 2.4.1.4 Elemen Dekoratif .............................................................. 31 2.4.1.5 Warna ................................................................................ 32 2.4.2. Gaya Romanesque ........................................................................ 37 2.4.2.1 Gambaran Umum Gaya Romanesque ............................... 37 2.4.2.2 Elemen Pembentuk Ruang ................................................ 37 2.4.2.3 Perabot .............................................................................. 40 2.4.2.4 Elemen Dekoratif .............................................................. 40 2.4.2.5 Warna ................................................................................ 41 2.4.3. Gaya Gothic .................................................................................. 45 2.4.3.1 Gambaran Umum Gaya Gothic ........................................ 46 2.4.3.2 Elemen Pembentuk Ruang ................................................ 48 2.4.3.3 Perabot .............................................................................. 50 2.4.3.4 Elemen Dekoratif .............................................................. 51 2.4.3.5 Warna ................................................................................ 54 2.4.4. Gaya Baroque ............................................................................... 57 2.4.4.1 Gambaran Umum Gaya Baroque ..................................... 58 2.4.4.2 Elemen Pembentuk Ruang ................................................ 59 2.4.4.3 Perabot .............................................................................. 61 2.4.4.4 Elemen Dekoratif .............................................................. 61 2.4.4.5 Warna ................................................................................ 63 2.4.5 Gaya Rococo ................................................................................. 66 2.4.5.1 Gambaran Umum Gaya Rococo ....................................... 66 2.4.5.2 Elemen Pembentuk
Recommended publications
  • 175 DAFTAR REFERENSI “Abbey Church”. Stiftmelk. N.D. 18 Maret
    DAFTAR REFERENSI “Abbey Church”. Stiftmelk. n.d. 18 Maret 2010. <http://www.stiftmelk.at/englisch/pages_melk/abbeychurch.html>. “Amiens Cathedral”. Sacred-destinations. n.d. 12 Maret 2010. <http://www.sacred-destinations.com/france/amiens-cathedral>. Angel, Wendy Ivander. Studi Gaya Ekletik pada Interior Gereja Katolik Santo Yakobus Surabaya. Surabaya : Universitas Kristen Petra. 2007. Ardhi, Wibowo F.X. Arti Gereja. Yogyakarta : Kanisius. 1993. “Autun Cathedral”. Sacred-destinations. n.d. 18 Maret 2010. <http://www.sacred- destinations.com/france/autun-cathedral>. Boediono, Endang MA. Sejarah Arsitektur 1. Yogyakarta : Kanisius. 1997. ---. Sejarah Arsitektur 2. Yogyakarta : Kanisius. 1997. “Chartres Cathedral”. Sacred-destinations. n.d. 12 Maret 2010. <http://www.sacred-destinations.com/france/chartres-cathedral> Ching, Francis D.K. Ilustrasi Desain Interior. Jakarta : Erlangga. 1996. ---. Architecture : Form-Space and Order. New York : Van Nostrand Reinhold. 1979. Crochet, Treena. Designer’s Guide to Furniture Style. Second Edition. New Jersey : Pearson Education. 1999. Davies, J.G. Temples, Churches, and Mosques : A Guide to the Appreciation of Religious Architecture. England : Basil Blackwell Publisher Limited. 1982. “Durham Cathedral”. Wikipedia, The Free Encyclopedia. n.d 18 Maret 2010. <http://en.wikipedia.org/wiki/durham-cathedral>. Ensiklopedi Nasional Indonesia. Jakarta : PT. Cipta Adipustaka. 1988. Fletcher, Sir Banister. A History of Architecture on The Comparative Method. London : The Whitefriars Press. 1928. Harwood, Buie, May, Bridget, & Sherman, Curt. Architecture and Interior Design Throught The 18th Century. New Jersey : Prentice Hall. 1999. 175 Universitas Kristen Petra Heuken S.J, Adolf. Ensiklopedia Gereja (Jilid I A-G). Jakarta : Yayasan Cipta Loka Caraka. 1991. ---. Ensiklopedia Gereja (Jilid II Ph-To). Jakarta : Yayasan Cipta Loka Caraka.
    [Show full text]
  • Procédures De Redressement Ou De Liquidation Judiciaire Des Entreprises
    o Quarante-cinquième année. – N 109 A ISSN 0298-296X Samedi 4 et dimanche 5 juin 2011 BODACCBULLETIN OFFICIEL DES ANNONCES CIVILES ET COMMERCIALES ANNEXÉ AU JOURNAL OFFICIEL DE LA RÉPUBLIQUE FRANÇAISE DIRECTION DE L’INFORMATION Standard......................................... 01-40-58-75-00 LÉGALE ET ADMINISTRATIVE Annonces....................................... 01-40-58-77-56 Accueil commercial....................... 01-40-15-70-10 26, rue Desaix, 75727 PARIS CEDEX 15 Abonnements................................. 01-40-15-67-77 www.dila.premier-ministre.gouv.fr (8h30à 12h30) www.bodacc.fr Télécopie........................................ 01-40-15-72-75 BODACC “A” Ventes et cessions - Créations d’établissements Procédures collectives Procédures de rétablissement personnel Avis relatifs aux successions Avis aux lecteurs Les autres catégories d’insertions sont publiées dans deux autres éditions séparées selon la répartition suivante Modifications diverses........................................ BODACC “B” Radiations ............................................................ } Avis de dépôt des comptes des sociétés ....... BODACC “C” Banque de données BODACC servie par les sociétés : Altares-D&B, EDD, Extelia, Questel, Tessi Informatique, Jurismedia, Pouey International, Scores et Décisions, Les Echos, Creditsafe, Coface services, Cartegie, La Base Marketing,Infolegale, France Telecom Orange, Telino et Maxisoft. Conformément à l’article 4 de l’arrêté du 17 mai 1984 relatif à la constitution et à la commercialisation d’une banque de données télématique des informations contenues dans le BODACC, le droit d’accès prévu par la loi no 78-17 du 6 janvier 1978 s’exerce auprès de la Direction de l’information légale et administrative. Le numéro : 3,10 € Abonnement. − Un an (arrêté du 26 octobre 2010 publié au Journal officiel du 28 octobre 2010) : France : 412,20 €. Pour l’expédition par voie aérienne (outre-mer) ou pour l’étranger : paiement d’un supplément modulé selon la zone de destination ; tarif sur demande Paiement à réception de facture.
    [Show full text]
  • The South African Architectural Record
    THE SOUTH AFRICAN ARCHITECTURAL RECORD THE JOURNAL OF THE TRANSVAAL, NATAL AND ORANGE FREE STATE PROVINCIAL INSTITUTES OF SOUTH AFRICAN ARCHITECTS AND THE CHAPTER OF SOUTH AFRICAN QUANTITY SURVEYORS. }< 1V Vol. XPH. No. 53. MARCH, 1929. CONTENTS. A D iscordant N o t e ........................................................................................................................................... p a g e 3 A p a t h y ................. ............................................ .............................. ............................................ ............... 4 A nglican C hurch A rchitecture in South A frica. By H. G. Tomkyns ............... 4— 11 N otes from an A rchitectural Student in Spain ................. ................. ................. ................ 15— 17 A nnual R eports : The Cape Provincial Institute ................. 1 8 - 2 0 The Natal Provincial Institute ... ... ••• .... ................. 20— 23 The O.F.S. Provincial Institute ................. 23— 25 The Transvaal Provincial Institute ................. 2 5 - 2 9 The Chapter of South African Quantity Surveyors ... ................. 29— 30 R eport by M r . R. H owden ................................................................................................................ ................. 31 T he T own P lanning A ssociation (Transvaal) .......................................................... ............................................ 32 - 33 N ew W esleyan C hurch, B loemfontein ........................... 33— 34 P rofessional N ews
    [Show full text]
  • 10 2. LANDASAN TEORI 2.1 Tinjauan Tentang Gereja Gereja Merupakan
    2. LANDASAN TEORI 2.1 Tinjauan tentang Gereja Gereja merupakan tempat peribadatan agama kristiani. Pada bab ini akan lebih dijelaskan lebih detail lagi mengenai pengertian gereja Katolik, arsitektur (tata ruang), beserta ruang dan peralatan dalam gereja. 2.1.1 Pengertian Gereja Katolik Pengertian gereja dari asal katanya yaitu, „gereja‟ berasal dari kata Portugis „igreja‟ yang berarti : „kumpulan‟ atau „pertemuan‟, yang merupakan transkripsi dari kata Yunani atau kata latin „ekklesia‟ yang berarti : mereka yang dipanggil, kaum, golongan, dan „kyriake‟ yang berarti : yang dimiliki Tuhan (Heuken 341). Dilihat dari istilah di atas dapat disimpulkan bahwa pengertian dari gereja adalah suatu kumpulan (golongan) orang yang dipanggil dan dimiliki oleh Tuhan. Kata „Katolik‟ sendiri berasal dari Bahasa Yunani yang berarti umum, universal. Kata ini pertama kali ditemukan dalam tulisan Ignatius dari Antiokhia, yaitu dalam surat kepada jemaat di Smirna. Dalam terminologi Kristen, kata ini dipergunakan dalam beberapa arti sebagai berikut: a. Gereja yang universal, yang bertujuan untuk membedakannya dari gereja lokal. b. Gereja yang benar, yang bertujuan untuk membedakannya dengan aliran sesat dan skismatik. c. Bagi penulis sejarah, istilah ini dipakai untuk menunjuk gereja sebelum perpisahan antara Gereja Barat dan Gereja Timur pada tahun 1054. d. Sejak munculnya Reformasi, istilah ini dipakai oleh Gereja Barat sebagai nama dirinya. (Wellem 211) Jadi kesimpulannya, Gereja Katolik menurut Heuken adalah umat Kristen yang meyakinkan dirinya sebagai „Gereja yang satu, kudus, katolik, dan apostolik sesuai dengan Syahadat‟. Gereja yang dikepalai Kristus, di dunia ini tersusun sebagai satu umat yang beriman akan Yesus Kristus dan direalisasikan 10 Universitas Kristen Petra dulu Gereja Katolik, yang dipimpin oleh pengganti para rasul yang diketuai oleh uskup Roma sebagai pengganti St.
    [Show full text]
  • Jourda De Vaux, Gaston De (1862-1933). Le Nobiliaire Du Velay Et De L'ancien Diocèse Du Puy : Noms Féodaux / Par Le [Vicomte] Gaston De Jourda De Vaux
    Le nobiliaire du Velay et de l'ancien diocèse du Puy : noms féodaux / par le [vicomte] Gaston de Jourda de Vaux,... ; [...] Source gallica.bnf.fr / Bibliothèque nationale de France Jourda de Vaux, Gaston de (1862-1933). Le nobiliaire du Velay et de l'ancien diocèse du Puy : noms féodaux / par le [vicomte] Gaston de Jourda de Vaux,... ; planches d'armoiries dessinées par l'auteur. 1924-1933. 1/ Les contenus accessibles sur le site Gallica sont pour la plupart des reproductions numériques d'oeuvres tombées dans le domaine public provenant des collections de la BnF.Leur réutilisation s'inscrit dans le cadre de la loi n°78-753 du 17 juillet 1978 : *La réutilisation non commerciale de ces contenus est libre et gratuite dans le respect de la législation en vigueur et notamment du maintien de la mention de source. *La réutilisation commerciale de ces contenus est payante et fait l'objet d'une licence. Est entendue par réutilisation commerciale la revente de contenus sous forme de produits élaborés ou de fourniture de service. Cliquer ici pour accéder aux tarifs et à la licence 2/ Les contenus de Gallica sont la propriété de la BnF au sens de l'article L.2112-1 du code général de la propriété des personnes publiques. 3/ Quelques contenus sont soumis à un régime de réutilisation particulier. Il s'agit : *des reproductions de documents protégés par un droit d'auteur appartenant à un tiers. Ces documents ne peuvent être réutilisés, sauf dans le cadre de la copie privée, sans l'autorisation préalable du titulaire des droits.
    [Show full text]
  • Winnovative HTML to PDF Converter for .NET
    BLACK MADONNAS AND PILGRIMAGE IMAGES OF BLACK MADONNAS, ISIS AND HORUS AS PRECURSORS, PILGRIMAGE SITES* Montserrat Rocamadour Rocamadour Madonna Isis and Horus Isis and Horus Black Madonna of Częstochowa Virgin of Guadalupe Maps of Pilgrimage Routes Cathedral at Le Puy Cloister at Le Puy Mermaid at Le Puy Cathedral Saint- Michel d'Aiguilhe, le Puy Black Virgin at Le Puy Black Madonna of Einsiedeln Madonnas (Notre Dame de Confession, Saint Victor de Marseille, Notre Dame aux Nieges, Aurillac, Saint Sara, Saintes Maries de la Mer all in France) Madonnas (La Moreneta, Our Lady of Montserrat, Spain, Notre Dame du Pilier, Chartres, France, Nuestra Senora de los Angeles, Cartago, Costa Rica) *Images of madonnas are from postcards or prayer cards available at these sites. Images of cathedral, Saint Michel chapel and Black Madonna at Le Puy are from the book on Le Puy by Cécile Gall. All other images are from English, French or Spanish wikipedia sites. ARTICLES AND BOOKS ABOUT BLACK MADONNAS AND PILGRIMAGE Barham, Penny. "Black Madonnas." Feminist Theology 11:3 (2003) 325-332. Begg, Ean. The Cult of the Black Virgin. New York : Arkana, 1996. Benko, Stephen. The Virgin goddess: studies in the pagan and Christian roots of mariology. Boston: Brill, 2004. Birnbaum, Lucia Chiavola . Black Madonnas: feminism, religion and politics in Italy. Boston: Northeastern University Press, 1993. Birnbaum, Lucia Chiavola. Dark mother: African origins and godmothers. New York: Authors Choice Press, 2001. Bonvin, Jacques. Vierges noires: la réponse vient de la terre. Paris: Dervy, 2000. Castillo, Ana. Goddess of the Americas: la Diosa de las Americas. New York: Riverhead Books, 1996.
    [Show full text]
  • THE LATIN NEW TESTAMENT OUP CORRECTED PROOF – FINAL, 1/12/2015, Spi OUP CORRECTED PROOF – FINAL, 1/12/2015, Spi
    OUP CORRECTED PROOF – FINAL, 1/12/2015, SPi THE LATIN NEW TESTAMENT OUP CORRECTED PROOF – FINAL, 1/12/2015, SPi OUP CORRECTED PROOF – FINAL, 1/12/2015, SPi The Latin New Testament A Guide to its Early History, Texts, and Manuscripts H.A.G. HOUGHTON 1 OUP CORRECTED PROOF – FINAL, 14/2/2017, SPi 3 Great Clarendon Street, Oxford, OX2 6DP, United Kingdom Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries © H.A.G. Houghton 2016 The moral rights of the authors have been asserted First Edition published in 2016 Impression: 1 Some rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, for commercial purposes, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. This is an open access publication, available online and unless otherwise stated distributed under the terms of a Creative Commons Attribution –Non Commercial –No Derivatives 4.0 International licence (CC BY-NC-ND 4.0), a copy of which is available at http://creativecommons.org/licenses/by-nc-nd/4.0/. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America British Library Cataloguing in Publication Data Data available Library of Congress Control Number: 2015946703 ISBN 978–0–19–874473–3 Printed in Great Britain by Clays Ltd, St Ives plc Links to third party websites are provided by Oxford in good faith and for information only.
    [Show full text]
  • Sirens Chanting in Auvergne- Velay: a Story of Exegetical Pilgrimage on the Via Podiensis*
    AVITAL HEYMAN Sirens Chanting in Auvergne-Velay… Sirens Chanting in Auvergne- Velay: A Story of Exegetical Pilgrimage on the Via Podiensis* Avital Heyman Sapir College This article marks my own odyssey. I wish to thank Manuel Castiñeiras, whose encouragement and enthusiasm served as huge comfort on the long and perilous pilgrimage roads I took. El canto de las sirenas en Auvernia-Velay: Una historia de peregrinación exegética en la Via Podiensis Resumen: En su viaje de la mitología griega a las Sagradas Escrituras y textos eclesiásticos, las sirenas son mejor conocidas por los peligros que supusieron en el camino de Ulises, que por los que ejercieron en el de Cristo crucificado y en el del peregrino, dos significados que Ulises, el viajero eternamente atado al mástil, llegó a simbolizar en la Edad Media. Como bien constató la historiografía del pasado, el motivo de la sirena era entendido como una imagen de múltiples capas, cuyas connotaciones homéricas negativas servían para una gama aun más amplia de significados destructivos de tipo moral, social y político. Mas que pura misoginia, las híbridas sire- nas representan el quebrantamiento del orden social, sobre todo del mundo masculino. Por ello, no es por casualidad que las encontremos habitando la depravada ciudad bíblica de Babilonia, y en la tierra de Edom, destinada a ser destruida, junto con los híbridos centauros, tanto en la Septuaginta como en * This study forms part of the research project “Artistas, patronos y público. Cataluña y el Mediterráneo. Siglos XI-XV. Magistri Cataloniae” (MICINN HAR2011-23015). This article is dedicated to the precious memory of Moshe Lazar, a unique scholar, a dear friend and mentor, a source of inspiration.
    [Show full text]
  • Chapter 2: Getting the Point--The Invention of the Gothic Spire
    40 Great Spires: Skyscrapers of the New Jerusalem 2-1 Saint-Denis Abbey, ambulatory. Chapter 2: Getting the Point--The Invention of the Gothic Spire The invention of the great spire type in the mid-twelfth century in many respects paralleled the contemporary emergence of the Gothic style, but this provocative parallelism has attracted surprisingly little scholarly attention. Accounts of the early history of Gothic architecture tend to emphasize the importance of a relatively small set of monuments, most notably Suger's Saint-Denis Abbey, in which the consistent use of rib vaults together with the piercing of large windows and the attenuation of supporting structure led to a new and dynamic sense of interior space (fig. 2-1). In the words of art historian Paul Frankl, Gothic was "a style of becoming," in which the static, additive, blockiness typical of the Romanesque gave way to dynamism, diagonality, interconnectedness, and what he called partiality, the sense that the whole structure could be progressively subdivided into Getting the Point – The Invention of the Gothic Spire 41 2-2 Chartres Cathedral, south spire base, seen from above. parts whose form would echo and harmonize with that of the whole.1 These, however, are essentially the same formal principles that characterize the great spire type. The diagonal lines of the gables and pinnacles seen in even the earliest great spires, such as the south spire at Chartres (figs. I-1 and 2-2), create an impression of dynamic visual elision on the spire exterior, just as the diagonal vault ribs do in the Gothic church interior.
    [Show full text]
  • The Case of Muslims Tomasz Pelech
    Shaping the Image of Enemy-Infidel in the Relations of Eyewitnesses and Participants of the First Crusade : The Case of Muslims Tomasz Pelech To cite this version: Tomasz Pelech. Shaping the Image of Enemy-Infidel in the Relations of Eyewitnesses and Participants of the First Crusade : The Case of Muslims. Archaeology and Prehistory. Université Clermont Auvergne; Uniwersytet Wroclawski, 2020. English. NNT : 2020CLFAL002. tel-03143783 HAL Id: tel-03143783 https://tel.archives-ouvertes.fr/tel-03143783 Submitted on 17 Feb 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. UNIWERSYTET WROCŁAWSKI WYDZIAŁ NAUK HISTORYCZNYCH I PEDAGOGICZNYCH INSTYTUT HISTORYCZNY / UNIVERSITÉ CLERMONT–AUVERGNE ÉCOLE DOCTORALE DES LETTRES, SCIENCES HUMAINES ET SOCIALES (ED 370) CENTRE D’HISTOIRE «ESPACES ET CULTURES» PRACA DOKTORSKA/THÈSE DE DOCTORAT Shaping the Image of Enemy-Infidel in the Relations of Eyewitnesses and Participants of the First Crusade: The Case of Muslims NAPISANA POD KIERUNKIEM/SOUS LA DIRECTION DES: Promotorzy/Directeurs: Prof. dr hab. Stanisław Rosik (Université de Wrocław) Prof. dr hab. Jean-Luc Fray (Université Clermont-Auvergne) Kopromotor/Cotuteur: Dr hab. Damien Carraz (Université Clermont-Auvergne) SKŁAD KOMISJI/MEMBRES DU JURY: Prof. dr hab.
    [Show full text]
  • ILLUSTRATION CREDITS INTRODUCTION I-1 Chartres
    448 Great Spires: Skyscrapers of the New Jerusalem ILLUSTRATION CREDITS INTRODUCTION I-1 Chartres Cathedral (from Étienne Houvet, Chartres Cathedral, rev. by Malcolm B. Miller, Chartres, 1985, cover). I-2 Cologne Cathedral (from Wolff, Cologne Cathedral, 7). I-3 Strasbourg, from the Liber Chronicarum of Hartmann Schedel, woodcut, 1493 (from Elizabeth Rücker, Hartmann Schedels Weltchronik: Das grösste Buchunternehmen der Dürerzeit Munich, 1988, 200-201). I-4 New York, Empire State Building (from Sam Hunter, John Jacobus, and Daniel Wheeler, Modern Art: Painting, Sculpture, and Architecture, New York, 2000, 210). I-5 Freiburg im Breisgau, Minster (courtesy Freiburger Münsterbauverein, e.V, Freiburg). I-6 Antwerp, Notre-Dame (from Buyle, Architecture Gothique en Belgique, 96). I-7 Lübeck, Marienkirche (from Heinle and Leonhardt, Towers, 155). I-8 Norwich Cathedral (photograph by Charles D. Cuttler). I-9 Chartres Cathedral, seen rising above the wheat fields of Beauce (from Anne Prache, Chartres Cathedral: Image of the Heavenly Jerusalem, Paris, 1993, 123). I-10 Saturn V launch seen rising across the marshes of Florida (from Richard P. Hallion, ed., Apollo: Ten Years Since Tranquility Base, Washingon, D.C., 1979, 16). I-11 Ulm Minster, spire (photograph by Robert Bork). I-12 Aachen Cathedral treasury, three towered reliquary (from Herta Lepie and Georg Minkenberg, Die Schatzkammer des Aachener Domes Aachen, 1995, 31). I-13 Vienna, Stephansdom, spire (from Arthur Saliger, Cathedral and Metropolitan Church: St. Stephen’s in Vienna, Munich, 1990, 16). Illustration Credits 449 CHAPTER 1 1-1 Babylon, Tower of Babel; reconstruction (from Heinle and Leonhardt, Towers, 29. 1-2 Strasbourg Cathedral, north tower and spire with stair turrets (photograph by Javier Gómez Martinez).
    [Show full text]
  • How Visible Are Sacred Sites Online? : Availability of European Sacred Site Websites
    International Journal of Religious Tourism and Pilgrimage Volume 5 Issue 1 Article 10 2017 How Visible Are Sacred Sites Online? : Availability of European sacred site websites Onur Akbulut Mugla Sitki Kocman University Fethiye Faculty of Bussines, [email protected] Yakin Ekin MuglaSitkiKocman University, Fethiye Faculty of Business, Department of Tourism Management, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/ijrtp Part of the Tourism and Travel Commons Recommended Citation Akbulut, Onur and Ekin, Yakin (2017) "How Visible Are Sacred Sites Online? : Availability of European sacred site websites," International Journal of Religious Tourism and Pilgrimage: Vol. 5: Iss. 1, Article 10. doi:https://doi.org/10.21427/D7F711 Available at: https://arrow.tudublin.ie/ijrtp/vol5/iss1/10 Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License. © International Journal of Religious Tourism and Pilgrimage ISSN : 2009-7379 Available at: http://arrow.dit.ie/ijrtp/ Volume 5(i) 2017 How Visible Are Sacred Sites Online? : Availability of European sacred site websites Onur Akbulut & Yakin Ekin Mugla Sitki Kocman University, Fethiye Faculty of Business, Department of Tourism Management [email protected], [email protected] Sacred sites are places where the spiritual world meets the real world. Every culture in the world seeks to acclaim the mysterious, the divine, the martyred or the extraordinary. There are vast numbers of sacred places of prehistoric, historic and contemporary culture in the world. The internet has become a popular tool for gathering information about sacred sites as well as imagery and other required details related to the travel attraction of sacred sites.
    [Show full text]