The Library of America Interviews Ross Posnock About Henry James
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
MIDDLEMARCH Adam Roberts Epigraphs and Mirrors A
MIDDLEMARCH AdAm RobeRts Epigraphs and Mirrors A AdAm RobeRts d A m Using epigraphs as a lens to open up new vistas, this study explores a wide range R of connectons. Moving freely between epigraphs and the main text, Roberts obe succeeds in throwing fresh light on the manifold ‘middleness’ of Middlemarch and the richness and sophistcaton of George Eliot’s realism. R ts John Rignall In Middlemarch, George Eliot draws a character passionately absorbed by abstruse allusion and obscure epigraphs. Casaubon’s obsession is a cautonary tale, but Adam Roberts nonetheless sees in him an invitaton to take Eliot’s use of epigraphy and allusion seriously, and this book is an atempt to do just that. Roberts considers the epigraph as a mirror that refracts the meaning of a text, and that thus carries important resonances for the way Eliot’s novels generate their meanings. In this lively and provoking study, he tracks down those allusions and quotatons that have hitherto gone unidentfed by scholars, examining their MIDDLEMARCH relatonship to the text in which they sit to unfurl a broader argument about the novel – both this novel, and the novel form itself. Middlemarch: Epigraphs and Mirrors is both a study of George Eliot and a meditaton on the textuality of fcton. It is essental reading for specialists and students of George Eliot, the nineteenth century novel, and intertextuality. It will also richly reward anyone who has ever taken pleasure in Middlemarch. This is the author-approved editon of this Open Access ttle. As with all Open Book publicatons, this entre book is available to read for free on the publisher’s website. -
Loveʼs Negative Dialectic in Henry Jamesʼs the Golden Bowl
/RYHV1HJDWLYH'LDOHFWLFLQ+HQU\-DPHVV7KH*ROGHQ 6X]LH*LEVRQ%RZO Philosophy and Literature, Volume 39, Number 1, April 2015, pp. 1-14 (Article) 3XEOLVKHGE\-RKQV+RSNLQV8QLYHUVLW\3UHVV DOI: 10.1353/phl.2015.0009 For additional information about this article http://muse.jhu.edu/journals/phl/summary/v039/39.1.gibson.html Access provided by Charles Sturt University (27 Nov 2015 00:57 GMT) Suzie Gibson LOve’S NEGATIVE DIALECTIC IN HENRY JAMES’S THE GOLDEN BOWL Abstract. In literary romance love operates as a narrative point of access, suspension, and ending: every element works toward its ultimate consummation. However, in the novels of Henry James, including The Golden Bowl, love is not fulfilled because it is intrinsically flawed. Here, I examine the broken nature of Jamesian love through two key philoso- phers, Jean-Luc Nancy and Martha Nussbaum, who assist in providing a rich theoretical dimension to the question of love’s representation. Ultimately, I address how love’s negative dialectic is elemental to nar- rative, thinking, and subjectivity. ince Plato’s SYMPOSIUM, romantic, sexual love has been characterized Sas a movement in desire that seeks wholeness and identity since it is, at heart, broken.1 The yearning for sexual consummation is predicated upon the idea that love completes the self. Copulation provides lovers with a moment of rapture, relief, and oneness, but once satisfied it is again wanting in reawakening the desire to pledge and to make love again. Love operates much like a promise whose constant and insistent offerings seek to recover again and again its inherent brokenness. -
Henry James's Worldview in the Ambassadors
1 HENRY JAMES’S WORLDVIEW IN THE AMBASSADORS: A GENETIC STRUCTURALISM APPROACH RESEARCH PAPER Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education in English Department by DANANG AGUSTOMO A.320 030 062 SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2008 1 CHAPTER I INTRODUCTION A. Background of the Study Literature is a social institution, using language as medium of social creation. Furthermore, literature represents life and life is in large measure, a social reality (Wellek 1959: 94). Hence, a literary work which is the author’s creation is an ideal reflection of social reality. The literary work and the author cannot be separated since; the literary work is a reproduction of the author’s mind. The author’s mind is a result of the author’s response towards the social reality where he or she lives. An author lives among the society which he or she associates and mingles with it. As human being an author is like the other people who are influenced by his or her religious conviction, social idea, settlement, culture and convention of his or her culture. However, an author does not always in harmony or agrees with the social circumstances in his or her society. He or she can also require a different view on it. The different view toward his or her social life force him or her to change and shape the behavior and the social view of his or her society. An author expresses his or her view by creating a work art. -
19Th-Century Male Visions of Queer Femininity
19TH-CENTURY MALE VISIONS OF QUEER FEMININITY A Thesis Presented to the Faculty of California State Polytechnic University, Pomona In Partial Fulfillment Of the Requirement for the Degree Master of Arts In English By Dino Benjamin-Alexander Kladouris 2015 i SIGNATURE PAGE PROJECT: 19TH-CENTURY MALE VISIONS OF QUEER FEMININITY AUTHOR: Dino Benjamin-Alexander Kladouris DATE SUBMITTED: Spring 2015 English and Foreign Languages Dr. Aaron DeRosa _________________________________________ Thesis Committee Chair English and Foreign Languages Lise-Hélène Smith _________________________________________ English and Foreign Languages Dr. Liliane Fucaloro _________________________________________ English and Foreign Languages ii ACKNOWLEDGEMENTS Dr. Aaron DeRosa, thank you for challenging and supporting me. In the time I have known you, you have helped to completely reshape my scholarship and in my worst moments, you have always found a way to make me remember that as hopeless as I am feeling, I am still moving forward. I do not think that I would have grown as much in this year without your mentorship. Thank you for always making me feel that I am capable of doing far more than what I first thought. Dr. Lise-Hélène Smith, my writing skills have improved drastically thanks to your input and brilliant mind. Your commitment to student success is absolutely inspiring to me, and I will be forever grateful for the time you have taken to push me to make this project stronger as my second reader, and support me as a TA. Dr. Liliane Fucaloro, you helped me switch my major to English Lit 6 years ago, and I am honored that you were able to round out my defense. -
MENG 6510: Eminent Writers, Ralph Waldo Emerson Instructor
Course Syllabus: MENG 6510: Eminent Writers, Ralph Waldo Emerson Instructor: Dr. John Schwiebert Office: EH #457 Phone: 626-6289 e-mail: [email protected] Office hours: XXX, or by appointment Course Overview Ralph Waldo Emerson was the central figure in the American Literary Renaissance of the middle nineteenth century. Numerous writers, American and worldwide, then and since, have felt his influence, and many of his ideas have become mainstays of the American vocabulary. For instance, Emerson popularized the term “self-reliance,” and much of what is best and most enduring in American intellectual history has affinities with ideas in his essays, poems, journals, and other writings. Emerson’s main interest, throughout his life, was in processes: natural and physical processes, creative processes, and spiritual; how to read, how to write, how to think and grow, and above all, how to live. In Emerson’s view nothing is static, least of all his own writings. A course in Emerson cannot properly be limited to Emerson as a “subject,” because for Emerson the “subject” was always living people, e.g, you and me, who are tasked with the challenge of creating their own lives out of a living past. Accordingly, we will treat Emerson’s works less as ends in themselves than as means to our own intellectual growth and creativity. To live the Emersonian life is to live your own life; to study Emerson is to do your own work. Required Course Texts and Supplies • Emerson, Ralph Waldo. Ralph Waldo Emerson: Essays & Poems. Ed. Harold Bloom, Paul Kane, and Joel Porte. -
The Early Feminists' Struggle Against Patriarchy and Its Impetus to The
The early feminists’ struggle against patriarchy and its impetus to the nineteenth century american women’s rights movement in henry james’s the bostonians SKRIPSI Submitted as a Partial Fulfillment of Requirements For The Sarjana Degree in English Department By: Dessy Nuraini Anggariningsih NIM. C.0397025 FACULTY OF LETTERS AND FINE ARTS SEBELAS MARET UNIVERSITY SURAKARTA 2003 1 APPROVAL Approved to be examined before The Board of Examiners Faculty of Letters and Fine Arts Sebelas Maret University Thesis Consultant : 1. Dra. Endang Sri Astuti, MS ( ) First Consultant NIP. 130 902 533 2. Dra. Rara Sugiarti, M. Tourism ( ) Second Consultant NIP. 131 918 127 2 Approved by the Board of Examiners Faculty of Letters and Fine Arts Sebelas Maret Universuty On March 27th, 2003 The Board of Examiners: 1. Dra. Hj. Tri Retno Pudyastuti, M.Hum ( ) Chairman NIP. 131 472 639 2. Dra. Zita Rarastesa, MA ( ) Secretary NIP.132 206 593 3. Dra. Endang Sri Astuti, MS ( ) First Examiner NIP.130 902 533 4. Dra. Rara Sugiarti, M.Tourism ( ) Second Examiner NIP 131 918 127 Dean Faculty of Letters and Fine Arts Sebelas Maret University Dr. Maryono Dwi Rahardjo, SU NIP. 130 675 176 3 MOTTO “Verily, along with every hardship is relief. So, when you have finished your occupation, devote yourself for Allah’s worship. And to your Lord Alone tirn all your intention and hopes.” (Surat Al Insyoroh : 6 –7) A thousand miles begins at zero … 4 DEDICATION To my beloved Ibu’ and Bapak 5 ACKNOWLEDGMENT Alhamdulillaahirabbil ‘aalamiin. Nothing else can be uttered after long exhausting struggle have been done to complete this thesis. -
Roderick Hudson Ebook, Epub
RODERICK HUDSON PDF, EPUB, EBOOK Henry James | 400 pages | 01 Jul 1986 | Penguin Books Ltd | 9780140432640 | English | London, United Kingdom Roderick Hudson PDF Book Striker, the Yankee attorney, serves as a comic villain in Roderick Hudson's New England life, a provincial, puritanical antithesis Enabling JavaScript in your browser will allow you to experience all the features of our site. The final few chapters are somehow both completely superfluous page after page of 'the alps sto Very indirect plot spoilers here. Rowland Mallett believes Roderick has real genius -- this based solely on Roderick's bronze statuette that Rowland sees in his cousin Cecilia's garden. Why not perfect? View all 26 comments. The Portable Graham Greene. I haven't quite decided on a serious project for the rest of the year. Sinclair Lewis. The argument then touches briefly on The Marble Faun before turning to Roderick Hudson and its wary deployments of allegory Readers also enjoyed. Rowland admits that he is in love with Miss Garland. Finally, Roderick dies in a storm while on his way to Interlaken; Rowland and Sam find his dead body the next day. How then to reconcile the extravagance of 'Orlando Furioso' with HJ's much more down-to-earth story? Take a look at the figures of mothers. And with these words from the mouth of the elderly Italian cavalier, I have James to thank for helping me to understand the Hawthorne: "Ah, dear sir, Rome is Rome still: a place where strange things happen! Stay in Touch Sign up. Is it Orlando or Rinaldo who loves the modest maiden, we ask ourselves. -
The Tragic Muse, by Henry James 1
The Tragic Muse, by Henry James 1 The Tragic Muse, by Henry James The Project Gutenberg eBook, The Tragic Muse, by Henry James This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Tragic Muse Author: Henry James Release Date: December 10, 2006 [eBook #20085] Language: English Character set encoding: ISO-8859-1 The Tragic Muse, by Henry James 2 ***START OF THE PROJECT GUTENBERG EBOOK THE TRAGIC MUSE*** E-text prepared by Chuck Greif, R. Cedron, and the Project Gutenberg Online Distributed Proofreading Team Europe (http://dp.rastko.net/) THE TRAGIC MUSE by HENRY JAMES MacMillan and Co., Limited St. Martin's Street, London 1921 PREFACE I profess a certain vagueness of remembrance in respect to the origin and growth of The Tragic Muse, which appeared in the Atlantic Monthly again, beginning January 1889 and running on, inordinately, several months beyond its proper twelve. If it be ever of interest and profit to put one's finger on the productive germ of a work of art, and if in fact a lucid account of any such work involves that prime identification, I can but look on the present fiction as a poor fatherless and motherless, a sort of unregistered and unacknowledged birth. I fail to recover my precious first moment of consciousness of the idea to which it was to give form; to recognise in it--as I like to do in general--the effect of some particular sharp impression or concussion. -
A Novel, by Henry James. Author of "The Awkward Age," "Daisy Miller," "An International Episode," Etc
LIU Post, Special Collections Brookville, NY 11548 Henry James Book Collection Holdings List The Ambassadors ; a novel, by Henry James. Author of "The Awkward Age," "Daisy Miller," "An International Episode," etc. New York and London: Harper & Brothers Publishers, 1903. First American edition. Light blue boards with dark blue diagonal-fine-ribbed stiff fabric-paper dust jacket, lettered and ruled in gilt. - A58b The American, by Henry James, Jr. Boston: James R. Osgood and Company, late Ticknor and Fields, and Fields, Osgood & Company, 1877. First edition, third variant binding - in dark green cloth. Facing title page, advertisement of "Mr. James' Writings." - A4a The American, by Henry James, Jr. London: Ward, Lock & Co. [1877]. 1st English edition [unauthorized]. Publisher's advertisements before half- title page and on its verso. Advertisements on verso of title page. 15 pp of advertisements after the text and on back cover. Pictorial front cover missing. - A4b The American, by Henry James, Jr. London: Macmillan and Co., 1879. 2nd English edition (authorized). 1250 copies published. Dark blue cloth with decorative embossed bands in gilt and black across from cover. Variant green end- papers. On verso of title page: "Charles Dickens and Evans, Crystal Palace Press." Advertisements after text, 2 pp. -A4c The American Scene, by Henry James. London: Chapman and Hall, 1907. 1st edition. 1, 500 copies published. Second binding of red cross-grain cloth. " This is a remainder binding for 700 copies reported by the publisher as disposed of in 1913." Advertisements after text, 6 pp. - A63a The American Scene, by Henry James. New York and London: Harper &Brothers Publishers, 1907. -
Philip Roth, Henry Roth and the History of the Jews
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 16 (2014) Issue 2 Article 9 Philip Roth, Henry Roth and the History of the Jews Timothy Parrish Florida State University Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Literature Commons, Comparative Literature Commons, Jewish Studies Commons, Modern Literature Commons, and the Other Arts and Humanities Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Parrish, Timothy. "Philip Roth, Henry Roth and the History of the Jews." CLCWeb: Comparative Literature and Culture 16.2 (2014): <https://doi.org/10.7771/1481-4374.2411> This text has been double-blind peer reviewed by 2+1 experts in the field. -
The Scapegoats and Martyrs of Henry James
Colby Quarterly Volume 10 Issue 7 September Article 4 September 1974 The Scapegoats and Martyrs of Henry James Elsa Nettels Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 10, no.7, September 1974, p.413-427 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Nettels: The Scapegoats and Martyrs of Henry James Colby Library Quarterly 413 THE SCAPEGOATS AND MARTYRS OF HENRY JAMES By ELSA NETTELS n most of his novels and tales, James dramatizes acts of I sacrifice, either destructive or redemptive in effect. At one extreme are the destructive sacrifices exacted of such char acters as Madame de Cintre (The American), May Bartram ("The Beast in the Jungle"), and Neil Paraday ("The Death of the Lion"), victims whose powers and hopes of life are wasted through the selfishness of others. At the other extreme is the redemptive sacrifice of Milly Theale (The Wings of the Dove), whose death effects the spiritual transformation of another per son. The motives underlying sacrificial acts and the values James attached to such acts can best be studied, however, in those novels which center on the consciousness of characters impelled by a psychological need to play the part of a sacrifi cial victim. Among these characters, two groups may be iden tified: those who assume the role of a scapegoat, making them selves responsible for the well-being of others and to some ex tent taking upon themselves the burden of others' suffering; and those who long to be martyrs and in whom the desire to be a sacrificial victim exists as a fact of their nature, independ ent of a particular situation. -
Henry James , Edited by Daniel Karlin Frontmatter More Information
Cambridge University Press 978-1-107-00398-9 — The Bostonians Henry James , Edited by Daniel Karlin Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-00398-9 — The Bostonians Henry James , Edited by Daniel Karlin Frontmatter More Information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-00398-9 — The Bostonians Henry James , Edited by Daniel Karlin Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES general editors Michael Anesko, Pennsylvania State University Tamara L. Follini, University of Cambridge Philip Horne, University College London Adrian Poole, University of Cambridge advisory board Martha Banta, University of California, Los Angeles Ian F. A. Bell, Keele University Gert Buelens, Universiteit Gent Susan M. Grifn, University of Louisville Julie Rivkin, Connecticut College John Carlos Rowe, University of Southern California Ruth Bernard Yeazell, Yale University Greg Zacharias, Creighton University © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-00398-9 — The Bostonians Henry James , Edited by Daniel Karlin Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES 1 Roderick Hudson 23 A Landscape Painter and Other 2 The American Tales, 1864–1869 3 Watch and Ward 24 A Passionate Pilgrim and Other 4 The Europeans