MIDDLEMARCH Adam Roberts Epigraphs and Mirrors A
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Henry James's Worldview in the Ambassadors
1 HENRY JAMES’S WORLDVIEW IN THE AMBASSADORS: A GENETIC STRUCTURALISM APPROACH RESEARCH PAPER Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education in English Department by DANANG AGUSTOMO A.320 030 062 SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2008 1 CHAPTER I INTRODUCTION A. Background of the Study Literature is a social institution, using language as medium of social creation. Furthermore, literature represents life and life is in large measure, a social reality (Wellek 1959: 94). Hence, a literary work which is the author’s creation is an ideal reflection of social reality. The literary work and the author cannot be separated since; the literary work is a reproduction of the author’s mind. The author’s mind is a result of the author’s response towards the social reality where he or she lives. An author lives among the society which he or she associates and mingles with it. As human being an author is like the other people who are influenced by his or her religious conviction, social idea, settlement, culture and convention of his or her culture. However, an author does not always in harmony or agrees with the social circumstances in his or her society. He or she can also require a different view on it. The different view toward his or her social life force him or her to change and shape the behavior and the social view of his or her society. An author expresses his or her view by creating a work art. -
19Th-Century Male Visions of Queer Femininity
19TH-CENTURY MALE VISIONS OF QUEER FEMININITY A Thesis Presented to the Faculty of California State Polytechnic University, Pomona In Partial Fulfillment Of the Requirement for the Degree Master of Arts In English By Dino Benjamin-Alexander Kladouris 2015 i SIGNATURE PAGE PROJECT: 19TH-CENTURY MALE VISIONS OF QUEER FEMININITY AUTHOR: Dino Benjamin-Alexander Kladouris DATE SUBMITTED: Spring 2015 English and Foreign Languages Dr. Aaron DeRosa _________________________________________ Thesis Committee Chair English and Foreign Languages Lise-Hélène Smith _________________________________________ English and Foreign Languages Dr. Liliane Fucaloro _________________________________________ English and Foreign Languages ii ACKNOWLEDGEMENTS Dr. Aaron DeRosa, thank you for challenging and supporting me. In the time I have known you, you have helped to completely reshape my scholarship and in my worst moments, you have always found a way to make me remember that as hopeless as I am feeling, I am still moving forward. I do not think that I would have grown as much in this year without your mentorship. Thank you for always making me feel that I am capable of doing far more than what I first thought. Dr. Lise-Hélène Smith, my writing skills have improved drastically thanks to your input and brilliant mind. Your commitment to student success is absolutely inspiring to me, and I will be forever grateful for the time you have taken to push me to make this project stronger as my second reader, and support me as a TA. Dr. Liliane Fucaloro, you helped me switch my major to English Lit 6 years ago, and I am honored that you were able to round out my defense. -
Irish Gothic Fiction
THE ‘If the Gothic emerges in the shadows cast by modernity and its pasts, Ireland proved EME an unhappy haunting ground for the new genre. In this incisive study, Jarlath Killeen shows how the struggle of the Anglican establishment between competing myths of civility and barbarism in eighteenth-century Ireland defined itself repeatedly in terms R The Emergence of of the excesses of Gothic form.’ GENCE Luke Gibbons, National University of Ireland (Maynooth), author of Gaelic Gothic ‘A work of passion and precision which explains why and how Ireland has been not only a background site but also a major imaginative source of Gothic writing. IRISH GOTHIC Jarlath Killeen moves well beyond narrowly political readings of Irish Gothic by OF IRISH GOTHIC using the form as a way of narrating the history of the Anglican faith in Ireland. He reintroduces many forgotten old books into the debate, thereby making some of the more familiar texts seem suddenly strange and definitely troubling. With FICTION his characteristic blend of intellectual audacity and scholarly rigour, he reminds us that each text from previous centuries was written at the mercy of its immediate moment as a crucial intervention in a developing debate – and by this brilliant HIST ORY, O RIGI NS,THE ORIES historicising of the material he indicates a way forward for Gothic amidst the ruins of post-Tiger Ireland.’ Declan Kiberd, University of Notre Dame Provides a new account of the emergence of Irish Gothic fiction in the mid-eighteenth century FI This new study provides a robustly theorised and thoroughly historicised account of CTI the beginnings of Irish Gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. -
The Tragic Muse, by Henry James 1
The Tragic Muse, by Henry James 1 The Tragic Muse, by Henry James The Project Gutenberg eBook, The Tragic Muse, by Henry James This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Tragic Muse Author: Henry James Release Date: December 10, 2006 [eBook #20085] Language: English Character set encoding: ISO-8859-1 The Tragic Muse, by Henry James 2 ***START OF THE PROJECT GUTENBERG EBOOK THE TRAGIC MUSE*** E-text prepared by Chuck Greif, R. Cedron, and the Project Gutenberg Online Distributed Proofreading Team Europe (http://dp.rastko.net/) THE TRAGIC MUSE by HENRY JAMES MacMillan and Co., Limited St. Martin's Street, London 1921 PREFACE I profess a certain vagueness of remembrance in respect to the origin and growth of The Tragic Muse, which appeared in the Atlantic Monthly again, beginning January 1889 and running on, inordinately, several months beyond its proper twelve. If it be ever of interest and profit to put one's finger on the productive germ of a work of art, and if in fact a lucid account of any such work involves that prime identification, I can but look on the present fiction as a poor fatherless and motherless, a sort of unregistered and unacknowledged birth. I fail to recover my precious first moment of consciousness of the idea to which it was to give form; to recognise in it--as I like to do in general--the effect of some particular sharp impression or concussion. -
Cahiers-Papers 48-2 Final Proof.Indd
320 Papers of the Bibliographical Society of Canada 48/2 des documents précieux à cause d’une panne de serveur ou d’un virus informatique ? Ne se limitant pas au présent, l’auteur jette un regard curieux et inquiet vers l’avenir rapproché... De plus, le livre est riche, d’une chronologie sélective, d’une riche bibliographie et de l’index. Si vous cherchez une encyclopédie des bibliothèques détruites, ce livre est pour vous. Cette encyclopédie n’est cependant complète, d’abord parce que ces bibliothèques sont trop nombreuses, ensuite parce que chaque année leur liste augmente. EUGÈNE LAKINSKY Bibliothécaire Graham Rees and Maria Wakely. Publishing, Politics, & Culture: The King’s Printers in the Reign of James I and VI. Oxford: Oxford University Press, 2009. 280 pp.; £ 55.00 ISBN 9780199576319 “No one who was there will forget his inspiring inaugural lecture, in which he held a room spellbound as he explicated, with wit and energy, the intricate dances of the skeleton formes used to print Francis Bacon’s Novum Organum.” The explication remembered by David Colclough in the Times Higher Education obituary of Graham Rees now forms a part of this splendid monographic study of the Jacobean King’s Printers, the joint achievement of Rees, who died shortly before its publication, and Maria Wakely. The King’s Printing House had a monopoly on the printing of the Bible and the Book of Common Prayer in England, and was also responsible for many other publications, from proclamations to the 1606 English translation of the atlas of Ortelius and the 1620 Instauratio magna – the latter work making a bridge between this book and Rees and Wakely’s contributions (including the editing of the Instauratio magna) to the Oxford Francis Bacon, of which Rees was the director. -
The Education of the Protagonist As Reader In
THE EDUCATION OF THE PROTAGONIST AS READER IN THE EARLY BILDUNGSROMAN by Zsuzsa Horváth B.A. equivalent, German Literature, University of Augsburg, Germany, 1999 M.A., Germanic Languages and Literatures, University of Pittsburgh, 2001 M.A., Hungarian Language and Literature, University of Szeged, Hungary, 2006 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2009 UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by Zsuzsa Horváth It was defended on October 2, 2009 and approved by Attilio Favorini, PhD, Professor John Lyon, PhD, Associate Professor Sabine von Dirke, PhD, Associate Professor Dissertation Advisor: Clark Muenzer, PhD, Associate Professor ii Copyright © by Zsuzsa Horváth 2009 iii THE EDUCATION OF THE PROTAGONIST AS READER IN THE EARLY BILDUNGSROMAN Zsuzsa Horváth, PhD University of Pittsburgh, 2009 The dissertation investigates reading behaviors in Goethe’s Wilhelm Meisters Lehrjahre (1795-96), Tieck’s Franz Sternbalds Wanderungen (1798/1843) and Novalis’ Heinrich von Ofterdingen (1802) within the framework of the history of reading and book production. Social and technological pressures during the latter part of the eighteenth century resulted in a re- definition and re-invention of the reading process as the modern book was being “invented.” New themes and genres appeared on the literary horizon that had as a goal the education of a new kind of reader. Goethe’s, Tieck’s, and Novalis’s novels, which were products of the paradigm shift in reading, did not, however, just embrace changes that were already in place. By engaging in the contemporary discussion about new and old reading behaviors, each of these works promoted a new kind of reading that in one way or another maintained older forms while still recognizing the revolution that the irreversible technological advances had initiated. -
Henry James , Edited by Adrian Poole Frontmatter More Information
Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES general editors Michael Anesko, Pennsylvania State University Tamara L. Follini, University of Cambridge Philip Horne, University College London Adrian Poole, University of Cambridge advisory board Martha Banta, University of California, Los Angeles Ian F. A. Bell, Keele University Gert Buelens, Universiteit Gent Susan M. Grifn, University of Louisville Julie Rivkin, Connecticut College John Carlos Rowe, University of Southern California Ruth Bernard Yeazell, Yale University Greg Zacharias, Creighton University © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES 1 Roderick Hudson 23 A Landscape Painter and Other Tales, 2 The American 1864–1869 3 Watch and Ward 24 A Passionate -
Middlemarch Ebook
MIDDLEMARCH PDF, EPUB, EBOOK George Eliot | 736 pages | 01 Jan 1998 | Wordsworth Editions Ltd | 9781853262371 | English | Herts, United Kingdom Middlemarch PDF Book Sign in. Looking for More Great Reads? Previous Intro. Mayor Vincy 7 episodes, Also in Penguin Classics Deluxe Edition. But I missed, more or less completely, the irony in the portrayal of Dorothea, with her righteous aspirations. You must be a registered user to use the IMDb rating plugin. He too brings a warm heart and a sympathetic imagination to his marriage, and he too finds himself subject to his intransigently selfish spouse because of these same admirable qualities. External Sites. An energetic man in his sixties with a soft Midlands accent, he has focussed on encouraging a revival of interest in Eliot among the populace of Nuneaton and Bedworth, a neighboring town where there is an impressive nineteenth-century almshouse, if little else. Powderell 3 episodes, Later, Dorothea comes to see Rosamond and Rosamond explains the misunderstanding, adding that Will loves Dorothea. A few weeks later, I also quit my job. BJ Gallagher, the author who took the quote as the title of her self-help book, lives in Los Angeles. The proposed Reform Bill, the new railroads, and scientific advances are threatening upheaval on every front. In addition to creating a thoroughgoing and rich portrait of the life of a small early 19th-century town, Eliot produced an essentially modern novel, with penetrating psychological insights and moral ambiguity. In what was the front hall and parlor, there are now slot machines and a pool table. Garth 5 episodes, Patrick Malahide See Article History. -
Minimal Faith and Irenic Ideals in Seventeenth-Century Scholarly Circles Hugo Grotius As a Guardian of Isaac Casaubon’S Legacy*
Church History Church History and and Religious Culture 94 (2014) 444–478 Religious Culture brill.com/chrc Minimal Faith and Irenic Ideals in Seventeenth-Century Scholarly Circles Hugo Grotius as a Guardian of Isaac Casaubon’s Legacy* Henk Nellen Huygens Institute, The Hague, The Netherlands [email protected] Abstract This article shows how the Dutch humanist Hugo Grotius (1583–1645), inspired by his friend Isaac Casaubon, sought to introduce a procedure for mitigating strife in the Christian church. He proclaimed a division between a set of self-evident, universally accepted key tenets, to be endorsed by all believers, and a larger number of secondary, not completely certain articles of faith, which were to be left open for friendly debate. The doctrine of the Trinity belonged to the second category; it should be treated in a careful, detached way, in words that did not go beyond the terminology of the Bible. However, defenders of this irenic stance laid themselves open to severe criticism: the example of the conservative Lutheran theologian Abraham Calovius illustrates how they were censured for giving up divinely inspired truth for a chimerical unionist ideal which cajoled them into reintroducing the early Christian heresy of Arianism, now called Socinianism. Keywords minimal faith – secularisation – Socinianism – exegesis – seventeenth-century intellectual life – Grotius – Casaubon * Research for this article was conducted within the project ‘Biblical Criticism and Seculariza- tion in the Seventeenth Century’ (nwo, Netherlands Organization for Scientific Research, 360–25–090). I am indebted to two anonymous reviewers for their remarks on an earlier ver- sion of this article. -
The Role of George Henry Lewes in George Eliot's Career
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications -- Department of English English, Department of 2017 The Role of George Henry Lewes in George Eliot’s Career: A Reconsideration Beverley Rilett University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/englishfacpubs Part of the Comparative Literature Commons, English Language and Literature Commons, Modern Literature Commons, Reading and Language Commons, and the Women's Studies Commons Rilett, Beverley, "The Role of George Henry Lewes in George Eliot’s Career: A Reconsideration" (2017). Faculty Publications -- Department of English. 186. http://digitalcommons.unl.edu/englishfacpubs/186 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications -- Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in George Eliot—George Henry Lewes Studies, Vol. 69, No. 1, (2017), pp. 2-34. doi:10.5325/georelioghlstud.69.1.0002 Copyright © 2017 The Pennsylvania State University, University Park, PA. Used by permission. digitalcommons.unl.edudigitalcommons.unl.edu The Role of George Henry Lewes in George Eliot’s Career: A Reconsideration Beverley Park Rilett University of Nebraska–Lincoln Abstract This article examines the “protection” and “encouragement” George Henry Lewes provided to Eliot throughout her fiction-writing career. According to biographers, Lewes showed his selfless devotion to Eliot by encouraging her to begin and continue writing fiction; by foster- ing the mystery of her authorship; by managing her finances; by negotiating her publishing con- tracts; by managing her schedule; by hosting a salon to promote her books; and by staying close by her side for twenty-four years until death parted them. -
Modernizing George Eliot: the Writer As Artist, Intellectual, Proto-Modernist, Cultural Critic
Newton, K.M. "Prototypes and Symbolism in Middlemarch." Modernizing George Eliot: The Writer as Artist, Intellectual, Proto-Modernist, Cultural Critic. London: Bloomsbury Academic, 2010. 69–78. Bloomsbury Collections. Web. 28 Sep. 2021. <http:// dx.doi.org/10.5040/9781849665155.ch-005>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 28 September 2021, 01:32 UTC. Copyright © K.M. Newton 2011. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 5 Prototypes and Symbolism in Middlemarch he question of prototypes for characters in George Eliot’s fi ction has Talways been a subject of interest. The publication of Richard Ellmann’s essay ‘Dorothea’s Husbands’ in the Times Literary Supplement in 1973 1 provoked a long-running correspondence in its letters page. This correspondence refl ected the assumption that one should look to real people personally known to her for prototypes of her characters.2 But though Middlemarch is undoubtedly in certain respects a novel with some strongly personal aspects, it is also concerned with wider issues. To consider the question of prototypes only in relation to people she knew personally limits the novel’s scope since it does not suffi ciently acknowledge that Eliot is both artist and intellectual and that for her the two are not separable. I shall suggest that historical fi gures were a more signifi cant infl uence on Eliot’s characterization in artistic terms than people she knew and that this can offer insight into some of the cultural issues the novel is concerned with. -
1 Miles Smith, Ed., the Workes of the Right Reverend Father in God Gervase Babington, Late Bishop of Worcester (London, 1592), A3v
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of East Anglia digital repository Miles Smith (1552/53-1624) and the Uses of Oriental Learning Item I doe give vnto the Librarie of Hereford these Bookes followinge, The Venice Byble conteyninge the Targumim and the Rabbins in fower Volumes bounde in white Leather Maimonides in fower Volumes. Kimhi his Miklol (That is to saye) his Grammar in Hebrewe & his Dictionarie in Hebrewe. Kimhi vppon the Psalmes Elias Levita his Meturgemam. The Byble in Hebrew in 4 Volumes in 40 guylded leaves, & Stephanus print Raphalingus Arabick Dictionarie. Erpenius Arabick Grammar. Arabick Newe Testament and 5. Bookes of Moses Arabick Lexicon Talmudicum and the Hebrewe Concordance.1 On 7 March 1624, the bishop of Gloucester, Miles Smith, made his will. 2 In it, he left twenty volumes of Hebrew, Aramaic, and Arabic books to the library of Hereford Cathedral. Smith had been born in Hereford, he became a prebend there in 1580, and his career was closely associated with that of another Hereford Cathedral prebend, Gervase Babington (1549/50-1610). His time at Gloucester seems to have been difficult and controversial, and it is striking he chose to leave his books to the library at Hereford, where he was born, rather than Gloucester, where he was a bishop. Smith does not seem to have been unique in his desire to improve libraries’ holdings of oriental books: Richard Kilbye (1560-1620), for instance, left his collection of Hebrew books to the library of Lincoln College,