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Henry James's Worldview in the Ambassadors
1 HENRY JAMES’S WORLDVIEW IN THE AMBASSADORS: A GENETIC STRUCTURALISM APPROACH RESEARCH PAPER Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education in English Department by DANANG AGUSTOMO A.320 030 062 SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2008 1 CHAPTER I INTRODUCTION A. Background of the Study Literature is a social institution, using language as medium of social creation. Furthermore, literature represents life and life is in large measure, a social reality (Wellek 1959: 94). Hence, a literary work which is the author’s creation is an ideal reflection of social reality. The literary work and the author cannot be separated since; the literary work is a reproduction of the author’s mind. The author’s mind is a result of the author’s response towards the social reality where he or she lives. An author lives among the society which he or she associates and mingles with it. As human being an author is like the other people who are influenced by his or her religious conviction, social idea, settlement, culture and convention of his or her culture. However, an author does not always in harmony or agrees with the social circumstances in his or her society. He or she can also require a different view on it. The different view toward his or her social life force him or her to change and shape the behavior and the social view of his or her society. An author expresses his or her view by creating a work art. -
Writing Adolescence: Coming of Age in and Through
Writing Adolescence: Coming of Age in and Through What Maisie Knew, Lolita, and Wide Sargasso Sea Author[s]: Amy Lankester-Owen Source: MoveableType, Vol.1, ‘Childhood and Adolescence’ (2005) DOI: 10.14324/111.1755-4527.003 MoveableType is a Graduate, Peer-Reviewed Journal based in the Department of English at UCL. © 2005 Amy Lankester-Owen. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (CC-BY) 4.0https://creativecommons.org/licenses/by/4.0/, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Writing Adolescence: Coming of Age in and Through What Maisie Knew, Lolita, and Wide Sargasso Sea Amy Lankester-Owen Introduction Adolescence, the transition from childhood to adulthood, is a turbulent time of rapid physical growth and sexual development. It also constitutes a critical phase in the formation of identity and vocation. In what follows I shall explore the ways in which representations of adolescence in three literary novels – Henry James’s What Maisie Knew (1897), Vladimir Nabokov’s Lolita (1955), and Jean Rhys’s Wide Sargasso Sea (1966) – both reflect and shape their authors’ writing lives. My analysis is supported throughout by psychological theories of adolescence, and draws in particular on the psychosocial developmental theory of Erik H. Erikson. In their autobiographies Henry James, Vladimir Nabokov, and Jean Rhys each participate in different ways in the literary tradition of ‘auto/biographical’ writing identified by Laura Marcus.[1] All three authors stress the importance of adolescence as a defining and critical period in their own writing lives. -
A Novel, by Henry James. Author of "The Awkward Age," "Daisy Miller," "An International Episode," Etc
LIU Post, Special Collections Brookville, NY 11548 Henry James Book Collection Holdings List The Ambassadors ; a novel, by Henry James. Author of "The Awkward Age," "Daisy Miller," "An International Episode," etc. New York and London: Harper & Brothers Publishers, 1903. First American edition. Light blue boards with dark blue diagonal-fine-ribbed stiff fabric-paper dust jacket, lettered and ruled in gilt. - A58b The American, by Henry James, Jr. Boston: James R. Osgood and Company, late Ticknor and Fields, and Fields, Osgood & Company, 1877. First edition, third variant binding - in dark green cloth. Facing title page, advertisement of "Mr. James' Writings." - A4a The American, by Henry James, Jr. London: Ward, Lock & Co. [1877]. 1st English edition [unauthorized]. Publisher's advertisements before half- title page and on its verso. Advertisements on verso of title page. 15 pp of advertisements after the text and on back cover. Pictorial front cover missing. - A4b The American, by Henry James, Jr. London: Macmillan and Co., 1879. 2nd English edition (authorized). 1250 copies published. Dark blue cloth with decorative embossed bands in gilt and black across from cover. Variant green end- papers. On verso of title page: "Charles Dickens and Evans, Crystal Palace Press." Advertisements after text, 2 pp. -A4c The American Scene, by Henry James. London: Chapman and Hall, 1907. 1st edition. 1, 500 copies published. Second binding of red cross-grain cloth. " This is a remainder binding for 700 copies reported by the publisher as disposed of in 1913." Advertisements after text, 6 pp. - A63a The American Scene, by Henry James. New York and London: Harper &Brothers Publishers, 1907. -
Henry James and Queer Modernity Eric Haralson Index More Information
Cambridge University Press 0521813948 - Henry James and Queer Modernity Eric Haralson Index More information Index Abraham, Julie, 162–163 anatomy, of queerness/homosexuality in Ackerley, J. R., 41, 159 literature see physical description, of Acocella, Joan, 232 queerness/homosexuality in literature Adams, James Eli, 71 Anders, John P., 150 “adventure,” in The Ambassadors, 113–116 Anderson, Margaret, 189, 201 aestheticism, 29–30 Anderson, Sherwood in The Ambassadors, 119–120 comments on Hemingway, 174, 181, 201 in “The Author of ‘Beltraffio,’ ” 64–66 critics’ effect on, 181 in OneofOurs, 156 meaning/use of term “queer” by, 5, 11–13 in The Professor’s House, 169 portrayedin The Torrents of Spring, 177–178, in The Tragic Muse, 54 182 Alcott, Bronson, 87 reading of James, 176 Ambassadors, The (James), 102–133 as Van Wyck Brooks’s mediator to James, “adventure” in, 113–116 197–199 aestheticism in, 119–120 on voice quality of homosexuality, 41 artistic creativity in, 104 writings of: Dark Laughter, 177; “Hands,” 39, autoeroticism in, 131 198; “The Man Who Became a Woman,” balcony scenes, 130–131, 230 193; Memoirs, 11, 13; Winesburg, Ohio, 5, camp dialogue, 106, 125–126 11–13 comparison with The Sun Also Rises, 190 appearance, of queerness/homosexuality in heterosexuality in, 104–106, 111, 118, 125–126 literature see physical description, of idleness in, 120, 128 queerness/homosexuality in literature impliedqueerness in, 116–119, 122–125, 130 A rebours (Huysmans), 183 andJames biography, 115, 123–124, 127 artistic creativity Lambinet scene, 3–4 in The Ambassadors, 104 marriage in, 104, 111, 118, 120–122, 125–126 in The Europeans, 48–49 masculinity in, 108–113, 126–127, 129–130, in Roderick Hudson, 31 133 in The Tragic Muse, 54 meaning/use of term “queer” in, 103 see also aestheticism national-cultural identity in, 119–120 Auden, W. -
Universe Micrcxilnris International 300 N
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M.F-Ii, Thesis
M .f-ii, Thesis THE AWAKENING PROCESS OR THE ACHIEVEMENT OF MATURITY IN FOUR NOVELS OF HENRY JAMES UNIVERSIDADE: FEDERAL DE SANTA CATARINA PÓS-GRADUACSO EM INGLêS E LITERATURA CORRESPONDENTE: THE AUAKENIN6 PROCESS OR THE ACHIEVEMENT OF MATURITY IN FOUR NOVELS OF HENRY JAMES por IDA LUCIA MAROCHIO CYPRIANÜ Dissertação submetida à Universidade Federal de Santa Catarina para a obtenção do grau de Mestre em Letras» I-1 or i anópol i s Agosto de í'?9í Esta dissertação foi julgada adequada e aprovada em sua forma final para a obtenção do título de MESTRE EM LETRAS Opção Inglês e Literatura Correspondente. Dr$ Bernadete Pasold Coor d en ad or (a) Drü Bernadete Pasold Or i ent adora BANCA EXAMINADORA: ó X M d J L i Dr§ Bernadete Pasold Pres i dente __ Dr^J S i gr i!;d Rersaux Drâ Maria Llisa Cevasco Florianópolis, í? de agosto de Í99Í. Aos meus pais e -F am t ï i ares . AGRADECIMENTOS & Profä ßernadete Pasold da Universidade l-ederal de Saunt a Cat ar i na» À Prof£ Maria Elisa Cevasco da Universidade de Sio aiuiJ.P o. a Profä Sigrid Renaux da Universidade Federal do Paraná. 'A Faculdade de Filosofia Ciências e Letras “Madre Gertrudes de Säo José" de Cachoeiro de Itapeinirim, EIS. Ao João Inácio Müller do Núcleo de Informática do Centre» de Comunicação e Expressão da UF5C« Aos professores do Cur so de Pós-Graduação em Letras, da UFSC. ABSTRACT The tragedy of innocence plays an important role in the works of Henry James- Four of his novels (Roderick Hudson, The Portrait of a Lady, The Ambassadors and The Golden Bowl) have been selected t o p r e s e n t the w a y J a1« e s Id r o a c h e s t h e t r a g e d y u n d e r c o n s i d e r a t i o n i n three periods of his literary career. -
Henry James , Edited by Adrian Poole Frontmatter More Information
Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES general editors Michael Anesko, Pennsylvania State University Tamara L. Follini, University of Cambridge Philip Horne, University College London Adrian Poole, University of Cambridge advisory board Martha Banta, University of California, Los Angeles Ian F. A. Bell, Keele University Gert Buelens, Universiteit Gent Susan M. Grifn, University of Louisville Julie Rivkin, Connecticut College John Carlos Rowe, University of Southern California Ruth Bernard Yeazell, Yale University Greg Zacharias, Creighton University © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES 1 Roderick Hudson 23 A Landscape Painter and Other Tales, 2 The American 1864–1869 3 Watch and Ward 24 A Passionate -
RODERICK HUDSON by Henry James
RODERICK HUDSON by Henry James CHAPTER I. Rowland Mallet had made his arrangements to sail for Europe on the first of September, and having in the interval a fortnight to spare, he determined to spend it with his cousin Cecilia, the widow of a nephew of his father. He was urged by the reflection that an affectionate farewell might help to exonerate him from the charge of neglect frequently preferred by this lady. It was not that the young man disliked her; on the contrary, he regarded her with a tender admiration, and he had not forgotten how, when his cousin had brought her home on her marriage, he had seemed to feel the upward sweep of the empty bough from which the golden fruit had been plucked, and had then and there accepted the prospect of bachelorhood. The truth was, that, as it will be part of the entertainment of this narrative to exhibit, Rowland Mallet had an uncomfortably sensitive conscience, and that, in spite of the seeming paradox, his visits to Cecilia were rare because she and her misfortunes were often uppermost in it. Her misfortunes were three in number: first, she had lost her husband; second, she had lost her money (or the greater part of it); and third, she lived at Northampton, Massachusetts. Mallet's compassion was really wasted, because Cecilia was a very clever woman, and a most skillful counter-plotter to adversity. She had made herself a charming home, her economies were not obtrusive, and there was always a cheerful flutter in the folds of her crape. -
Joseph Conrad
Joseph Conrad Joseph Conrad (born Józef Teodor Konrad Korzeniowski, Joseph Conrad Polish: [ˈjuzɛf tɛˈɔdɔr ˈkɔnrat kɔʐɛˈɲɔfskʲi] ( listen); 3 December 1857 – 3 August 1924) was a Polish-British writer[1][note 1] regarded as one of the greatest novelists to write in the English language.[2] Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature.[note 2] Conrad wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of what he saw as an impassive, inscrutable universe.[note 3] Conrad is considered an early modernist,[note 4] though his works contain elements of 19th-century realism.[3] His narrative style and anti-heroic characters[4] have influenced numerous authors, and many films have been adapted from, or inspired by, his works. Numerous writers and critics have commented that Conrad's fictional works, written largely in the first two decades of the 20th century, seem to have anticipated later world events.[5][6] Conrad in 1904 Writing near the peak of the British Empire, Conrad drew, among by George Charles Beresford other things, on his native Poland's national Born Józef Teodor Konrad [7]:290, 352[note 5] experiences and on his own experiences in the Korzeniowski French and British merchant navies, to create short stories and 3 December 1857 novels that reflect aspects of a European-dominated world— Berdychiv, Russian including imperialism and colonialism—and that profoundly Empire explore -
What Maisie Knew, by Henry James 1
What Maisie Knew, by Henry James 1 What Maisie Knew, by Henry James The Project Gutenberg EBook of What Maisie Knew, by Henry James #46 in our series by Henry James Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. What Maisie Knew, by Henry James 2 Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!**** Title: What Maisie Knew Author: Henry James Release Date: December, 2004 [EBook #7118] [Yes, we are more than one year ahead of schedule] [This file was first posted on March 12, 2003] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK WHAT MAISIE KNEW *** Etext created by Eve Sobol, South Bend, Indiana, USA WHAT MAISIE KNEW HENRY JAMES The litigation seemed interminable and had in fact been complicated; but by the decision on the appeal the judgement of the divorce-court was What Maisie Knew, by Henry James 3 confirmed as to the assignment of the child. -
What Maisie Knew : the Portrait of the Artist As a Young Girl Mastering Language Dennis Tredy
What Maisie Knew : The portrait of the Artist as a Young Girl Mastering Language Dennis Tredy To cite this version: Dennis Tredy. What Maisie Knew : The portrait of the Artist as a Young Girl Mastering Language. Cycnos, Lirces - université Côte d’Azur, 2017, Voyage vers la parole. L’Enfant, les Sens, l’Acquisition du Langage, 33 (1), pp.105-119. hal-03163749 HAL Id: hal-03163749 https://hal.archives-ouvertes.fr/hal-03163749 Submitted on 17 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. What Maisie Knew: The Portrait of the Artist as a Young Girl Mastering Language Dennis Tredy Université Sorbonne Nouvelle – Paris 3 Henry James’s 1897 novel, What Maisie Knew, a Bildungsroman centered on a small child whose plight is that of a helpless “bone of contention” (James 1908, 5)1 buffeted between divorcing parents, step- parents and other would-be guardians, is one of the author’s five major works focusing on the trials and tribulations of young English women of heightened awareness but of uncertain social status, all of which were written in the immediate aftermath of the author’s painful and spectacular failure as a would-be London playwright in the early 1890s. -
What Maisie Knew by Henry James: a Technical Analysis Susan Ilfeld Adleman Lehigh University
Lehigh University Lehigh Preserve Theses and Dissertations 1971 What Maisie Knew by Henry James: a technical analysis Susan Ilfeld Adleman Lehigh University Follow this and additional works at: https://preserve.lehigh.edu/etd Part of the English Language and Literature Commons Recommended Citation Adleman, Susan Ilfeld, "What Maisie Knew by Henry James: a technical analysis" (1971). Theses and Dissertations. 3904. https://preserve.lehigh.edu/etd/3904 This Thesis is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. ,- .., .... ·-. : ·-···.·'.---<." WHAT l'f~;!S~ lOQN BY HEIRY JAMES1 A 'l'ECRNICAL Alf.AL'!'SD Suaan Ilfeld Adleman ABSTRACT It 1• the purpoae ot tbla •~dJ" ot Henry 1 ...a•a novel Wb.a~, ~-"t~&tt .&l:~lf. ( 1897) 1so &Talua,e ·t;be evidence leading to a reliable answer to the queation that 1 ...a poaea 1n the titlet namely, wb.etb.er1 b,. the end or the novel, Maiaie has retained her innocent cbaracter oP baa i.ecome ooprupted b7 the behavior of' the adults who oomprlae Iler •tin world. I baae tb.1• study on three technical. element• or the novels a1'l'Uctw-e, imagery. and point ot .. view. Baaed on the evidence to ronov, I conclude that n• ·\',. definitive app~aisal or her character can be made and f'ulttthermore,; that this situation is brought aboul by a del1bettate ambiguity on the part of the author. • tmlb1gu1ty 1a manirested not only in the situation.a 1n .