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The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author -
Corel Ventura
Anthropology / Middle East / World Music Goodman BERBER “Sure to interest a number of different audiences, BERBER from language and music scholars to specialists on North Africa. [A] superb book, clearly written, CULTURE analytically incisive, about very important issues that have not been described elsewhere.” ON THE —John Bowen, Washington University CULTURE WORLD STAGE In this nuanced study of the performance of cultural identity, Jane E. Goodman travels from contemporary Kabyle Berber communities in Algeria and France to the colonial archives, identifying the products, performances, and media through which Berber identity has developed. ON In the 1990s, with a major Islamist insurgency underway in Algeria, Berber cultural associations created performance forms that challenged THE Islamist premises while critiquing their own village practices. Goodman describes the phenomenon of new Kabyle song, a form of world music that transformed village songs for global audiences. WORLD She follows new songs as they move from their producers to the copyright agency to the Parisian stage, highlighting the networks of circulation and exchange through which Berbers have achieved From Village global visibility. to Video STAGE JANE E. GOODMAN is Associate Professor of Communication and Culture at Indiana University. While training to become a cultural anthropologist, she performed with the women’s world music group Libana. Cover photographs: Yamina Djouadou, Algeria, 1993, by Jane E. Goodman. Textile photograph by Michael Cavanagh. The textile is from a Berber women’s fuda, or outer-skirt. Jane E. Goodman http://iupress.indiana.edu 1-800-842-6796 INDIANA Berber Culture on the World Stage JANE E. GOODMAN Berber Culture on the World Stage From Village to Video indiana university press Bloomington and Indianapolis This book is a publication of Indiana University Press 601 North Morton Street Bloomington, IN 47404-3797 USA http://iupress.indiana.edu Telephone orders 800-842-6796 Fax orders 812-855-7931 Orders by e-mail [email protected] © 2005 by Jane E. -
5030 Roosevelt Way NE, Seattle WA 98105 (206) 524-8554 * BLOG.SCARECROW.COM Page 1 of 8
Films referenced in JOURNEYS THROUGH FRENCH CINEMA which you can rent from Scarecrow Video EPISODE 1 AU GRAND BALCON - Henri Decoin, 1949 In section: Foreign - France BATTEMENT DE COEUR (BEATING HEART) - Henri Decoin, 1940 In section: Foreign - France DAINAH LA METISSE - Jean Gremillon, 1932 In section: Foreign - France EARRINGS OF MADAME DE… - Max Ophuls, 1953 In section: Directors - Max Ophuls LA RONDE - Max Ophuls, 1950 In section: Directors - Max Ophuls LA VERITE SUR BEBE DONGE (THE TRUTH ABOUT BEBE DONGE) - Henri Decoin, 1952 In section: Foreign - France L'AMOUR D'UNE FEMME (THE LOVE OF A WOMAN) - Jean Gremillon, 1953 In section: Foreign - France LE CIEL EST A VOUS - Jean Gremillon, 1944 In section: Foreign - France LE PLAISIR - Max Ophuls, 1952 In section: Directors - Max Ophuls LES AMOREUX SONT SEULS AU MONDE (MONELLE) - Henri Decoin, 1948 In section: Foreign - France LES INCONNUS DANS LA MAISON (STRANGERS IN THE HOUSE) - Henri Decoin, 1942 In section: Foreign - France LOLA MONTES - Max Ophuls, 1955 In section: Directors - Max Ophuls LUMIERE D'ETE - Jean Gremillon, 1943 In section: Foreign - France PATTES BLANCHES (WHITE PAWS) - Jean Gremillon, 1949 In section: Foreign - France RAZZIA SUR LA CHNOUF - Henri Decoin, 1955 In section: Foreign - France REMORQUES (STORMY WATERS) - Jean Gremillon, 1941 In section: Foreign - France EPISODE 2 ANGELE - Marcel Pagnol, 1934 In section: Literature - Marcel Pagnol 5030 Roosevelt Way NE, Seattle WA 98105 (206) 524-8554 * BLOG.SCARECROW.COM Page 1 of 8 Films referenced in JOURNEYS THROUGH FRENCH CINEMA which you can rent from Scarecrow Video ANTOINE ET ANTOINETTE - Jacques Becker, 1947 In section: Directors - Jacques Becker AU HASARD BALTHAZAR - Robert Bresson, 1966 In section: Directors - Robert Bresson DESIRE - Sacha Guitry, 1937 In section: Foreign - France FAISONS UN RĘVE.. -
The Spatial Eld of Plots
The spatial !eld of plots Space, time and plot in Joseph Furphy’s Such is Life; and winter, the trees, a novel SUE PARKER A thesis submitted in ful!lment of the requirements for the degree of Doctor of Philosophy The University of New South Wales, Australia School of the Arts and Media Faculty of Arts and Social Sciences August, 2014 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Parker First name: Sue Other name/s: Abbreviation for degree as given in the University calendar: PhD School: School of the Arts and Media Faculty: Faculty of Arts and Social Sciences Title: The Spatial Field of Plots: ‘Space, time and plot in Joseph Furphy’s Such is Life’ and a novel winter, the trees Abstract This dissertation investigates the enigma of Joseph Furphy’s iconic Australian novel Such is Life (1903) which hides a romance inside its realist portrayal of life in the Riverina at the end of the nineteenth century, and also hides a woman in a male character. An examination of the fragmentary plots in the novel reveals that this enigma can be mapped through the spatial field. It argues that in Such is Life the spatial field, as an isolated motif, and in its continual dialogue with the temporal field, is an active element in, and not a passive background to, the way stories are plotted and to ways we recognise these plots. The spatial field not only delivers the narratives embedded in the novel but is central to the novel’s design. -
Title Director V1886-04 7 Hoppe, W
Item Title Director V1886-04 7 Hoppe, W. Joe D1955-00 8.5 Fellini, Federico L1027-00 8.5 Fellini, Federico D6199-00 8 1/2 Fellini, Federico V1924-01 9.11 Independent Media Center D2432-03 422 Li, Jennifer D6045-00 2046 Wai Wong, Kar D5069-00 [Rec] Balaguero, Jaume and Paco Plaza D2266-07 100% American Rosson, Arthur D2255-00 101 Reykjavik Kormakur, Baltasar D2295-00 12 Monkeys Gilliam, Terry D4041-00 12 Monkeys Gilliam, Terry B1174-00 12 Years a Slave McQueen, Steve D2539-00 13 Most Beautiful … Songs for Andy Warhol's ScreenWarhol, Tests Andy D2976-00 1-800-India: Importing a White-collar EconomyUberoi, Safina D2607-00 1939 World's Fair: New York Var. D4032-00 2 or 3 Things I Know About Her Godard, Jean-Luc D1981-00 20 Centimeters (20 Centímetros) Salazar, Ramon V1629-00 200 Motels Zappa, Frank D1953-00 2001: A Space Odyssey Kubrick, Stanley L1026-00 2001: A Space Odyssey Kubrick, Stanley V1000-00 2001: A Space Odyssey Kubrick, Stanley D6187-00 2001: A Space Odyssey Kubrick, Stanley ST1054-00 2005 Media Arts Student Show (Tape 1 of 3) Various ST1055-00 2005 Media Arts Student Show (Tape 2 of 3) Various ST1056-00 2005 Media Arts Student Show (Tape 3 of 3) Various D2037-00 21 Grams Inarritu, Alejandro Gonzalez D6022-00 24 Hour Party People Winterbottom, Michael D1840-00 25 Watts Rebella, Juan Pablo; Stoll, Pablo V1879-00 26 Bathrooms Greenway, Peter B1207-00 28 Days Later Boyle, Danny B1118-00 28 Weeks Later Fresnadillo, Juan Carlos D2530-13 3 Out of $ Slappe, Steven D2096-00 300 Spartans, The Mate, Rudolph D1160-00 39 Steps, The Hitchcock, -
Film Festival 1975-2012
UNIVERSITY OF MISSOURI-ROLLA FILM FESTIVAL 1975-2012 PERSONAL APPEARANCES Garlic Is As Good As Ten Mothers with personal appearance of film-maker Les Blank Say Amen, Somebody with personal appearance of film-maker George Nierenberg The Bed with personal appearance of film-maker James Broughton Edvard Munch with personal appearance of film-maker Peter Watkins Burden of Dreams with personal appearance of film-maker Les Blank They Tell It For the Truth with personal appearance of film-maker John Altman John Neihardt: Performing the Vision with personal appearance of film-maker Bob Dyer Slatkin! with personal appearance of film-maker Kathy Corley Hour of the Star with personal appearance of film-maker Suzanna Amaral Mid-America Music Video Festival with personal appearance of R. Pest Echoes of the Ozarks plus a $10 Horse and a $40 Saddle with personal appearance of director Brian Dew Thomas Hart Benton with personal appearance of director Ken Burns Gap Toothed Women with personal appearance of director Les Blank Treehouse with personal appearance of director Tom Shipley Tom Benton’s Missouri with personal appearance of film-makers James Bogan and Frank Fillo Innocents Abroad with personal appearance of director Les Blank Frank Fillo’s Favorite Shorts with personal appearance of filmmaker Frank Fillo As Seen by Both Sides with personal appearance of filmmaker Mark Biggs The General with live piano accompaniment by JoAnn Walter An Evening with Alan Greenberg-Screenwriter The Gold Rush with live piano accompaniment by JoAnn Walter A Great Day -
The Culture of Southern Black Women
DOCUMENT RESUME ED 238 820 SO 015 412 AUTHOR Conklin, Nancy Faires; AndOthers TITLE The Culture of Southern BlackWomen: Approaches and Materials. INSTITUTION Alabama Univ., University.Archive of American Minority Cultures and SPONS AGENCY Women's Studies Program. Fund for the Improvementof Postsecondary Education (ED), Washington, DC. PUB DATE 83 GRANT G008004758 NOTE 186p. PUB TYPE Guides - Classroom Use Guides (For Teachers) (052) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS *Art Expression; BlackAchievement; *Black Culture; *Black Studies; *Creativity;Cultural Background; Cultural Influences; EthnicStudies; *Females; Instructional Materials;Postsecondary Education; Regional Characteristics;Social Influences; Units of Study; Womens Education;*Womens Studies IDENTIFIERS *United States (South) AE TRACT Designed for teachers andcurriculum developers in postsecondary education, thiscurriculum focuseson traditional modes of creative expression ofSouthern black womenas they relate to broader social and historical phenomena. The first of sixsections provides an introductionto the curriculum for teachers. e xamines the Southern black female Section 2 identity througha presentation of basic concepts and terms andan exploration of the experiences that have shaped the Southernblack woman's coming ofage. Section 3 traces the roots of this culturefrom West Africa to the American South and then throughout theUnited States in orderto convey the context in which the creativityof these women has developed. and crafts, music, religious Arts customs, and oral traditionsare considered. The essays in section4 examine eachgenre of creative expression, considering its WestAfrican precedents, cultural continuity, connections withwomen's life situations within community, and individual the black creativity within the artiststhemselves. Each of the preceding threesections is composed oftwo parts: approaches, which offers suggestionsfor class discussion andstudent activities; and materials, whichcontains essays describing thebest multidisciplinary scholarship andresources. -
Guide to African Cinema
GUIDE TO AFRICAN CINEMA SHARON A. RUSSELL GREENWOOD PRESS GUIDE TO AFRICAN CINEMA Reference Guides to the World’s Cinema Guide to the Cinema of Spain Marvin D’Lugo Guide to American Cinema, 1965–1995 Daniel Curran GUIDE TO AFRICAN CINEMA SHARON A. RUSSELL Reference Guides to the World’s Cinema Pierre Horn, Series Editor GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Russell, Sharon A., 1941– Guide to African cinema / Sharon A. Russell. p. cm.—(Reference guides to the world’s cinema, ISSN 1090–8234) Includes bibliographical references and index. ISBN 0–313–29621–9 (alk. paper) 1. Motion pictures—Africa—History. I. Title. II. Series. PN1993.5.A35R87 1998 791.43'096—dc21 97–27560 British Library Cataloguing in Publication Data is available. Copyright 1998 by Sharon A. Russell All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 97–27560 ISBN: 0–313–29621–9 ISSN: 1090–8234 First published in 1998 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. Printed in the United States of America TM The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 To Karen, Mary Jean, and Sue for the support of their friendship CONTENTS Foreword ix Preface xi Introduction 1 GUIDE TO AFRICAN FILM 15 Distributors 173 Bibliography 177 Index 181 FOREWORD For the first time, on December 28, 1895, at the Grand Cafe´ in Paris, France, the inventors of the Cine´matographe, Auguste and Louis Lumie`re, showed a series of eleven two-minute silent shorts to a public of thirty- five people each paying the high entry fee of one gold Franc.