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Blackstone As Architect: Constructing the Commentaries
Blackstone as Architect: Constructing the Commentaries Wilfrid Prest* On January 28, 1746, as Cumberland's forces pursued the retreating Jacobite army into Scotland, a twenty-three year old newly-minted Bachelor of Civil Law and junior fellow of All Souls College sat down to write a characteristically cheerful letter to his lawyer uncle Seymour Richmond, shortly after reaching "my new Habitation (which is at Mr Stoke's a Limner in Arundel St)."' In the light of what is becoming clear about William Blackstone's own accomplishments and interests in draftsmanship and the visual arts, his choice of London lodgings was perhaps not entirely accidental. Be that as it may, this report on what was seemingly Blackstone's first serious encounter with the common law (even though he had by now accumulated a full five years' standing at the Middle Temple), exudes a jaunty self-confidence, couched in topically martial language: "I have stormed one Book of Littleton, & opened my Trenches before ye 2d; and I can with Pleasure say I have met with no Difficulty of Consequence...." Having established that even the * Australian Research Council Australian Professorial Fellow, University of Adelaide. This paper is part of William Blackstone. Life and Works, an Australian Research Council Discovery Project (DP0210901) at the University of Adelaide which aims to produce a full- length biography, together with annotated editions of Blackstone's correspondence and architectural writings. Preliminary versions were presented from 1998 onwards to audiences at the University of South Australia, the National Humanities Center, the Australian and New Zealand Law and History Conference, the Australian Modem British History Conference (La Trobe University), the British Legal History Conference (University of Wales, Aberystwyth), the Law and Public Affairs Seminar, Princeton University, the Yale Legal History Forum, and a conference on "Enlightenment Law and Lawyers" at Glasgow University. -
GRAND TOUR of PORTUGAL Beyond Return Date FEATURING the D OURO RIVER VALLEY & PORTUGUESE RIVIERA
Durgan Travel presents… VALID 11 Days / 9 Nights PASSPORT REQUIRED Must be valid for 6 mos. GRAND TOUR OF PORTUGAL beyond return date FEATURING THE D OURO RIVER VALLEY & PORTUGUESE RIVIERA Your choice of departures: April ~ Early May ~ October $ $ TBA* for payment by credit card TBA* for payment by cash/check Rates are per person, twin occupancy, and INCLUDE $TBA in air taxes, fees, and fuel surcharges (subject to change). OUR GRAND TOUR OF PORTUGAL TOUR ITINERARY: DAY 1 – BOSTON~PORTUGAL: Depart Boston’s Logan International Airport aboard our transatlantic flight to Porto, Portugal (via intermediate city) with full meal and beverage service, as well as stereo headsets, available in flight. DAY 2 – PORTO, PORTUGAL: Upon arrival at Francisco Carneiro Airport in Porto, we will meet our Tour Escort, who will help with our transfer. We’ll board our private motorcoach and enjoy a panoramic sightseeing tour en route to our 4-star hotel, which is centrally located. After check-in, the remainder of the day is at leisure. Prior to dinner this evening, we will gather for a Welcome Drink. Dinner and overnight. (D) DAY 3 – PORTO: After breakfast at our hotel, we are off for a full day of guided sightseeing in Porto, Portugal’s second largest city, situated on the right bank of the Douro River. Our tour begins in the Foz area near the mouth of the river. Next, we will visit Pol ácio da Bolsa (the stock exchange) , the Old Trade Hall, the Gold Room, the Arabian Hall, the Clerigos Tower, and Cais da Bibeira. -
Greek and Roman Mythology and Heroic Legend
G RE E K AN D ROMAN M YTH O LOGY AN D H E R O I C LE GEN D By E D I N P ROFES SOR H . ST U G Translated from th e German and edited b y A M D i . A D TT . L tt LI ONEL B RN E , , TRANSLATOR’S PREFACE S Y a l TUD of Greek religion needs no po ogy , and should This mus v n need no bush . all t feel who ha e looked upo the ns ns and n creatio of the art it i pired . But to purify stre gthen admiration by the higher light of knowledge is no work o f ea se . No truth is more vital than the seemi ng paradox whi c h - declares that Greek myths are not nature myths . The ape - is not further removed from the man than is the nature myth from the religious fancy of the Greeks as we meet them in s Greek is and hi tory . The myth the child of the devout lovely imagi nation o f the noble rac e that dwelt around the e e s n s s u s A ga an. Coar e fa ta ie of br ti h forefathers in their Northern homes softened beneath the southern sun into a pure and u and s godly bea ty, thus gave birth to the divine form of n Hellenic religio . M c an c u s m c an s Comparative ythology tea h uch . It hew how god s are born in the mind o f the savage and moulded c nn into his image . -
Relatório De Produção Científica 2017
Relatório de Produção Científica 2017 1. QUADROS DE BALANÇO Publicações Contabilização de publicações por tipologia Tipo de publicação Internacional Nacional Totais Artigos em revistas cientíFicas peer-reviewed 38 11 49 Capítulos ou partes de livro 7 11 18 Autoria e organização de livros e revistas cientíFicas 6 8 14 Artigo em actas de congresso 4 4 8 Outras publicações 2 9 11 Recensões de livros 12 2 14 Teses de doutoramento concluídas — 3 3 Entradas de dicionário 1 — 1 Total 70 48 118 Evolução das publicações por tipologia, 2014-2017 Tipo de publicação 2014 2015 2016 2017 Artigos em revistas cientíFicas peer-reviewed 22 46 49 49 Capítulos ou partes de livro 34 65 36 18 Autoria e organização de livros e revistas cientíFicas 15 19 19 14 Artigo em actas de congresso 11 9 7 8 Outras publicações 10 17 19 11 Recenções de livros 13 17 14 14 Teses de doutoramento concluídas 0 6 2 3 Entradas de dicionário 4 4 18 1 Total 109 183 164 118 Evolução de publicações indexadas, por tipo de índice, 2014-2017 Índice 2014 2015 2016 2017 Latindex 11 9 8 7 Scimago Q1 1 7 8 12 Scimago Q2 6 2 15 7 Scimago Q3 8 12 13 14 Scimago Q4 6 8 5 6 Outros — — 8 4 Subtotal Scimago 21 29 41 39 Total publicações indexadas 32 38 57 50 Evolução das publicações em editoras de referência, 2014-2017 Tipo de publicação 2014 2015 2016 2017 Capítulos de livro 3 15 8 2 Autoria e organização de livros e 0 3 1 1 revistas cientíFicas Entradas de dicionário 2 1 0 0 Total 5 19 9 3 Comunicações em Fóruns Científicos Comunicações, em função do âmbito geográfico, 2015-2017 Âmbito 2015 2016 -
Medical Heritage of the National Palace of Mafra
Medical Heritage of the National Palace of Mafra Medical Heritage of the National Palace of Mafra Edited by Maria do Sameiro Barroso, Christopher J. Duffin and Germano de Sousa Medical Heritage of the National Palace of Mafra Edited by Maria do Sameiro Barroso, Christopher J. Duffin and Germano de Sousa This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Maria do Sameiro Barroso, Christopher J. Duffin, Germano de Sousa and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-4426-5 ISBN (13): 978-1-5275-4426-0 TABLE OF CONTENTS List of Illustrations ................................................................................... vii Introduction ................................................................................................ 1 Christopher J. Duffin and Maria do Sameiro Barroso Chapter 1 .................................................................................................... 9 The National Palace of Mafra and King John V – some historical and medical insights António Trabulo Chapter 2 ................................................................................................. -
Giuseppe Arcimboldo's Composite Portraits and The
Giuseppe Arcimboldo’s Composite Portraits and the Alchemical Universe of the Early Modern Habsburg Court (1546-1612) By Rosalie Anne Nardelli A thesis submitted to the Graduate Program in Art History in conformity with the requirements for the Degree of Master of Arts Queen’s University Kingston, Ontario, Canada July, 2014 Copyright © Rosalie Anne Nardelli, 2014 Abstract At the Renaissance noble court, particularly in the principalities of the Holy Roman Empire, alchemical pursuits were wildly popular and encouraged. By the reign of Rudolf II in the late sixteenth century, Prague had become synonymous with the study of alchemy, as the emperor, renowned for his interest in natural magic, welcomed numerous influential alchemists from across Europe to his imperial residence and private laboratory. Given the prevalence of alchemical activities and the ubiquity of the occult at the Habsburg court, it seems plausible that the art growing out of this context would have been shaped by this unique intellectual climate. In 1562, Giuseppe Arcimboldo, a previously little-known designer of windows and frescoes from Milan, was summoned across the Alps by Ferdinand I to fulfil the role of court portraitist in Vienna. Over the span of a quarter-century, Arcimboldo continued to serve faithfully the Habsburg family, working in various capacities for Maximilian II and later for his successor, Rudolf II, in Prague. As Arcimboldo developed artistically at the Habsburg court, he gained tremendous recognition for his composite portraits, artworks for which he is most well- known today. Through a focused investigation of his Four Seasons, Four Elements, and Vertumnus, a portrait of Rudolf II under the guise of the god of seasons and transformation, an attempt will be made to reveal the alchemical undercurrents present in Arcimboldo’s work. -
December Weekend in Portugal
Frogn University of the Third Age’s Seniors Visit to Portugal 14-21 May 2018 Programme Monday 14nd May 2018 Arrival to the International Airport of Lisbon Transfer to Estoril Welcome at the Hotel Londres and delivery of the Welcome Kits Welcome Dinner at the Hotel Tuesday 15rd May 2018 Breakfast at the Hotel 9h20 Departure from the Hotel 11h00 -12h00 Visit to the Association of the Third Age Universities of Portugal (RUTIS) 12h20 – 13h45 Lunch in a typical restaurant in Almeirim 13h45 – 14h00 Passage to the House Museum 14h00-15h15 Visit to a House Museum of Jose Relvas 15h15-15h30 Passage to Quinta Lagoalva 15h30-17h30 Visit to Quinta Lagoalva (vineyards, horse stables) 19h00 Return to the Hotel Free time Wednesday 16th May 2018 Breakfast at the Hotel 9h00 Departure from the Hotel 9h45-11h30 Visit at the University of 3 Age in Lisbon Bus tour through the center of Lisbon 12h30 – 15h30 Belém Visit to the Jerónimos Monastery Return to the Hotel Free time 17h30 – 18h30 Yoga for Seniors at the beach (optional – depends on the weather) 19h30 Dinner at the restaurant Thursday 17th May 2018 Breakfast at the Hotel 9h00 Departure from the Hotel 9h00 – 13h00 Tour Cabo da Roca, Boca do Inferno, Azenhas do Mar, Sintra Stops: Boca do Inferno, Cabo da Roca, Azenhas do Mar Sintra Free time in Sintra 15h00 Visit to Quinta da Regaleira 18h30 Return to the Hotel 19h30 Dinner at the Hotel Friday 18th May 2018 Breakfast at the Hotel Trip by train to Lisbon and walk in the City centre Free time Discovering Azulejo tiles in Cascais and Estoril 17h30 – 18h30 -
Lisbon Lisboa Between Entre History and História E Modernity Modernidade
Lisbon Lisboa Between Entre History and História e Modernity Modernidade 2011 Urban Design Summer Program City and Regional Planning Department Cal Poly San Luis Obispo This book showcases a selection of work from the 2011 Urban Design Summer Program in Lisbon offered by Cal Poly San Luis Obispo and the Universidade Lusófona. Este livro apresenta uma seleção dos trabalhos do Programa de Verão em Desenho Urbano de 2011 em Lisboa, oferecido pela Cal Poly San Luis Obispo e a Universidade Lusófona. Editor / Organizador Vicente del Rio with / com Jenna Hahn, William Kavadas, Derrick Rinauro, and Nathan Tonnemacher City and Regional Planning Department Departamento de Urbanismo California Polytechnic State University San Luis Obispo Universidade Lusófona de Humanidades e Tecnologias Lisbon Lisboa Between Entre History and História e Modernity Modernidade 2011 Urban Design Summer Program City and Regional Planning Department Cal Poly San Luis Obispo Editor/ Organizador Vicente del Rio with / com Jenna Hahn, William Kavadas, Derrick Rinauro, and Nathan Tonnemacher Vicente del Rio, PhD. is a professor at Cal Poly and a visiting professor at Universidade Lusófona. Jenna Hahn, William Kavadas, Derrick Rinauro and Nathan Tonnemacher are senior students at Cal Poly San Luis Obispo’s City and Regional Planning Department. Copyright 2012: City and Regional Planning Department, Cal Poly San Luis Obispo. Faculty in charge of the program / Professores responsáveis pelo programa Vicente del Rio and Zeljka Howard (Cal Poly), Mario Moutinho, Diogo Mateus and Manuela Carrasco (Lusófona) Graphic lay-out and Indesign / Lay-out grafico e InDesign Vicente del Rio Translation to Portuguese / Versão para o Português Joana Menezes e Vicente del Rio English copy-editing / Revisão do texto em Inglês Jay Gummerman and Zeljka Howard Special thanks to / Agradecimentos especiais a Cal Poly: Zeljka Howard (professor, CRP department), Hemalata Dandekar (CRP department Head), Dean R. -
Executive Summary
EXECUTIVE SUMMARY State Party Portugal State, Province or Region District of Lisbon, Council of Mafra Name of Property Royal Building of Mafra – Palace, Basilica, Convent, Cerco Garden and Hunting Park (Tapada) Geographical coordinates GPS N 38o 56’ 9,886” / W 9o 19’ 41,882” to the nearest second Textual description of the boundary(ies) The boundaries of the property are almost no different from those defined in the 18th century and recorded in the of the nominated property cartography of 1855 (see map no. 6). The building has not undergone any alteration. The main facade and part of the north facade are turned to the Terreiro D. João V and the south facade to the Alameda Garden. The remaining facades of the building are facing the patio. The Cerco Garden and the Hunting Park (Tapada) are completely walled, and some adjustments have been made to its limits for safety reasons, specially the access to fire fighting vehicles. A4 or A3 size map(s) of the nominated See the Royal Building of Mafra and the buffer zone (Map no. 1) property, showing boundaries and buffer zone (if present) Criteria under which property Criteria (i), (ii), (iv) and (vi) is nominated (itemize criteria) Draft Statement of Brief synthesis Outstanding Universal Value The Royal Building of Mafra, today also designated as National Palace of Mafra, consists of a Palace, which integrates a Basilica, with its axial frontispiece uniting the King and the Queen wings, a Convent, the Cerco Garden and a Hunting Park (Tapada). It represents one of the most magnificent works undertaken by KingJoão V, who had exceptional cultural and economic conditions that allowed him to stand out among other European monarchies as a powerful sovereign of a vast multicontinental empire. -
Inside the Bank of England Opens in a New Window
Inside the Bank of England Inside the Bank of England 1 The Bank’s mission The Bank of England is the central bank of the United Kingdom. Sometimes known as ‘the Old Lady of Threadneedle Street’, the Bank was founded in 1694 during a period of economic turbulence, in order to ‘promote the publick good and benefitt of our people’ by acting as the Government’s banker and debt manager. The Bank Charter Although the Bank’s role and responsibilities The Bank Charter was sealed on 27 July 1694, have evolved and expanded since its foundation, and the Bank opened for business shortly after. its mission today remains true to its original purpose: to promote the good of the people of the William III By Henry Cheere United Kingdom by maintaining monetary and William III was the monarch at the time of the financial stability. Bank’s founding in 1694. This statue was In 2013, a new legal framework governing the commissioned by the Bank and unveiled in its new Bank of England conferred greater statutory premises in Threadneedle Street on 1 January 1735. duties on the Bank than at any time in its history. Originally established as a privately owned The Bank needs to be understood, credible and institution, the Bank was nationalised on trusted so that its policies are effective. The Bank 1 March 1946, but retained its broad – but is therefore committed to being transparent, largely informal – public service mission. independent and accountable to stakeholders. 2 Bank of England The Bank today The Bank’s mission to maintain monetary and financial stability is overseen, in the first instance, by the Bank’s Governors. -
Outside Catering Venues Capacities Decor Entertainment Catering Information
OUTSIDE CATERING VENUES CAPACITIES DECOR ENTERTAINMENT CATERING INFORMATION “Bring legendary Four Seasons service to some of Lisbon’s most emblematic venues. Our Catering Team has selected these unique locations making sure that any and all events you organize outside the hotel are as flawless and memorable as ever.” ANA PAULA DIAS banqueting director VENUES CAPACITIES DECOR ENTERTAINMENT CATERING INFORMATION CONVENTO CASA-MUSEU NATIONAL GARDENS & RUINAS DO FORTE DE PÁTIO THE RIVER DO BEATO MEDEIROS E ALMEIDA PALACE OF QUELUZ CARMO S. JULIÃO DA BARRA DA GALÉ CRUISE CONVENTO DO BEATO Convento do Beato is located in a historic part of Lisbon, rich in tradition and culture, and close to the Tagus River. The convent was built in the 15th Century, it survived the great Lisbon earthquake in 1755 with hardly any damage, and was classified as a Building of Public Interest in 1984. With its remarkable facilities, it is an ideal venue for organising a wide range of events including conventions, presentations and weddings. SOMETHING UNIQUE ABOUT THIS VENUE: The material used for the construction of Convento do Beato; mainly Portuguese white marble with veins of red jasper, gave it not only its very special appearance but also made it remarkably strong, allowing it to survive the 1755 earthquake. VENUES CAPACITIES DECOR ENTERTAINMENT CATERING INFORMATION CONVENTO CASA-MUSEU NATIONAL GARDENS & RUINAS DO FORTE DE PÁTIO THE RIVER DO BEATO MEDEIROS E ALMEIDA PALACE OF QUELUZ CARMO S. JULIÃO DA BARRA DA GALÉ CRUISE FORMER LIBRARY Area: 330 m2 CAPACITY: -
Metamorphoses: a Play by Mary Zimmerman
University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 2002 Metamorphoses: A Play by Mary Zimmerman Joseph Farrell University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/classics_papers Part of the Classics Commons Recommended Citation Farrell, J. (2002). Metamorphoses: A Play by Mary Zimmerman. The American Journal of Philology, 123 (4), 623-627. http://dx.doi.org/10.1353/ajp.2003.0005 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/classics_papers/122 For more information, please contact [email protected]. Metamorphoses: A Play by Mary Zimmerman Abstract I cannot remember a time when scholarly interest in a particular classical author was equaled, and maybe exceeded, by a popular enthusiasm measured in weeks on the best-seller lists, boffo box office, andony T awards. But this seems now to have happened with Ovid. Latinists for some time have been taking Ovid much more seriously than they had done, making his poetry a vehicle for new directions in their work. Over roughly the same period, we have seen Ovidian novels by David Malouf, Christoph Ransmayr, and Jane Alison; fresh translations and ambitious reworkings by Ted Hughes and other poets; and now a remarkable new play by the extraordinary Mary Zimmerman (Circle in the Square, New York, N.Y., from 4 March 2002). Disciplines Arts and Humanities | Classics This journal article is available at ScholarlyCommons: https://repository.upenn.edu/classics_papers/122 METAMORPHOSES 623 BRIEF MENTION METAMORPHOSES: A PLAY BY MARY ZIMMERMAN JOSEPH FARRELL I CANNOT REMEMBER A TIME when scholarly interest in a particular classical author was equaled, and maybe exceeded, by a popular enthusi- asm measured in weeks on the best-seller lists, boffo box office, and Tony awards.