International Broadcasting in the Pacific Islands
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
World Radio Network
WORLD RADIO NETWORK • Schedule from October 28, 2018 (B18 season) • Daylight Savings Time commences in North America on March 10, 2019. So from March 10 to March 30 programs will be heard one hour later than the times shown below which are in EST/CST/PST • Days of the week are with respect to UTC times, so previous day in evening in North America ENGLISH FOR NORTH AMERICA UTC/GMT EST PST Programs 00:00 7:00PM 4:00PM NHK World Radio Japan 00:30 7:30PM 4:30PM Israel Radio 01:00 8:00PM 5:00PM Radio Prague 00:30 8:30PM 5:30PM Radio Slovakia Radio New Zealand International: Korero Pacifica (Tue-Sat) 02:00 9:00PM 6:00PM Radio New Zealand International: Dateline Pacific (Sun) Radio Guangdong: Guangdong Today (Mon) 02:15 9:15PM 6:15PM Vatican Radio World News (Tue - Sat) NHK World Radio Japan (Tue-Sat) 02:30 9:30PM 6:30PM PCJ Asia Focus (Sun) Glenn Hauser’s World of Radio (Mon) 03:00 10:00PM 7:00PM KBS World Radio from Seoul, Korea 04:00 11:00PM 8:00PM Polish Radio 05:00 12:00AM 9:00PM Israel Radio – News at 8 06:00 1:00AM 10:00PM Radio France International 07:00 2:00AM 11:00PM Deutsche Welle from Germany 08:00 3:00AM 12:00AM Polish Radio 09:00 4:00AM 1:00AM Vatican Radio World News 09:15 4:15AM 1:15AM Vatican Radio weekly podcast (Sun and Mon) 09:15 4:15AM 1:15AM Radio New Zealand International: Korero Pacifica (Tue-Sat) 09:30 4:30AM 1:30AM Radio Prague 10:00 5:00AM 2:00AM Radio France International 11:00 6:00AM 3:00AM Deutsche Welle from Germany 12:00 7:00AM 4:00AM NHK World Radio Japan 12:30 7:30AM 4:30AM Radio Slovakia International 13:00 -
Review of Content Regulation Models
Issues facing broadcast content regulation MILLWOOD HARGRAVE LTD. Authors: Andrea Millwood Hargrave, Geoff Lealand, Paul Norris, Andrew Stirling Disclaimer The report is based on collaborative desk research conducted for the New Zealand Broadcasting Standards Authority over a two month period. Issue date November 2006 © Broadcasting Standards Authority, New Zealand Contents Aim and Scope of this Report..................................................................................... 3 Executive Summary.................................................................................................... 4 A: Introduction............................................................................................................. 6 Background............................................................................................................. 6 Definitions............................................................................................................... 9 What is the justification for regulation?.................................................................... 9 Protective content regulation: an overview............................................................ 10 Proactive content regulation: an overview............................................................. 12 Co-regulation and self-regulation........................................................................... 12 Technological changes and convergence.............................................................. 15 Differences in devices.......................................................................................... -
Annual Report 2006-2007: Part 2 – Overview
24 international broadcasting then... The opening transmission of Radio Australia in December 1939, known then as “Australia Calling”. “Australia Calling… Australia Calling”, diminishing series of transmission “hops” announced the clipped voice of John Royal around the globe. For decades to come, through the crackle of shortwave radio. It was listeners would tune their receivers in the a few days before Christmas 1939. Overseas early morning and dusk and again at night broadcasting station VLQ 2—V-for-victory, to receive the clearest signals. Even then, L-for-liberty, Q-for-quality—had come alive signal strength lifted and fell repeatedly, to the impending terror of World War II. amid the atmospheric hash. The forerunner of Radio Australia broadcast Australia Calling/Radio Australia based itself in those European languages that were still in Melbourne well south of the wartime widely used throughout South-East Asia at “Brisbane Line” and safe from possible the end of in the colonial age—German, Dutch, Japanese invasion. Even today, one of Radio French, Spanish and English. Australia’s principal transmitter stations is located in the Victorian city of Shepparton. Transmission signals leapt to the ionosphere —a layer of electro-magnetic particles By 1955, ABC Chairman Sir Richard Boyer surrounding the planet—before reflecting summed up the Radio Australia achievement: down to earth and bouncing up again in a “We have sought to tell the story of this section 2 25 country with due pride in our achievements international broadcasting with Australia and way of life, but without ignoring the Television. Neither the ABC nor, later, differences and divisions which are inevitable commercial owners of the service could in and indeed the proof of a free country”. -
Mapping the Information Environment in the Pacific Island Countries: Disruptors, Deficits, and Decisions
December 2019 Mapping the Information Environment in the Pacific Island Countries: Disruptors, Deficits, and Decisions Lauren Dickey, Erica Downs, Andrew Taffer, and Heidi Holz with Drew Thompson, S. Bilal Hyder, Ryan Loomis, and Anthony Miller Maps and graphics created by Sue N. Mercer, Sharay Bennett, and Michele Deisbeck Approved for Public Release: distribution unlimited. IRM-2019-U-019755-Final Abstract This report provides a general map of the information environment of the Pacific Island Countries (PICs). The focus of the report is on the information environment—that is, the aggregate of individuals, organizations, and systems that shape public opinion through the dissemination of news and information—in the PICs. In this report, we provide a current understanding of how these countries and their respective populaces consume information. We map the general characteristics of the information environment in the region, highlighting trends that make the dissemination and consumption of information in the PICs particularly dynamic. We identify three factors that contribute to the dynamism of the regional information environment: disruptors, deficits, and domestic decisions. Collectively, these factors also create new opportunities for foreign actors to influence or shape the domestic information space in the PICs. This report concludes with recommendations for traditional partners and the PICs to support the positive evolution of the information environment. This document contains the best opinion of CNA at the time of issue. It does not necessarily represent the opinion of the sponsor or client. Distribution Approved for public release: distribution unlimited. 12/10/2019 Cooperative Agreement/Grant Award Number: SGECPD18CA0027. This project has been supported by funding from the U.S. -
Hot 100 SWL List Shortwave Frequencies Listed in the Table Below Have Already Programmed in to the IC-R5 USA Version
I Hot 100 SWL List Shortwave frequencies listed in the table below have already programmed in to the IC-R5 USA version. To reprogram your favorite station into the memory channel, see page 16 for the instruction. Memory Frequency Memory Station Name Memory Frequency Memory Station Name Channel No. (MHz) name Channel No. (MHz) name 000 5.005 Nepal Radio Nepal 056 11.750 Russ-2 Voice of Russia 001 5.060 Uzbeki Radio Tashkent 057 11.765 BBC-1 BBC 002 5.915 Slovak Radio Slovakia Int’l 058 11.800 Italy RAI Int’l 003 5.950 Taiw-1 Radio Taipei Int’l 059 11.825 VOA-3 Voice of America 004 5.965 Neth-3 Radio Netherlands 060 11.910 Fran-1 France Radio Int’l 005 5.975 Columb Radio Autentica 061 11.940 Cam/Ro National Radio of Cambodia 006 6.000 Cuba-1 Radio Havana /Radio Romania Int’l 007 6.020 Turkey Voice of Turkey 062 11.985 B/F/G Radio Vlaanderen Int’l 008 6.035 VOA-1 Voice of America /YLE Radio Finland FF 009 6.040 Can/Ge Radio Canada Int’l /Deutsche Welle /Deutsche Welle 063 11.990 Kuwait Radio Kuwait 010 6.055 Spai-1 Radio Exterior de Espana 064 12.015 Mongol Voice of Mongolia 011 6.080 Georgi Georgian Radio 065 12.040 Ukra-2 Radio Ukraine Int’l 012 6.090 Anguil Radio Anguilla 066 12.095 BBC-2 BBC 013 6.110 Japa-1 Radio Japan 067 13.625 Swed-1 Radio Sweden 014 6.115 Ti/RTE Radio Tirana/RTE 068 13.640 Irelan RTE 015 6.145 Japa-2 Radio Japan 069 13.660 Switze Swiss Radio Int’l 016 6.150 Singap Radio Singapore Int’l 070 13.675 UAE-1 UAE Radio 017 6.165 Neth-1 Radio Netherlands 071 13.680 Chin-1 China Radio Int’l 018 6.175 Ma/Vie Radio Vilnius/Voice -
Download This PDF File
internet resources John H. Barnett Global voices, global visions International radio and television broadcasts via the Web he world is calling—are you listening? used international broadcasting as a method of THere’s how . Internet radio and tele communicating news and competing ideologies vision—tuning into information, feature, during the Cold War. and cultural programs broadcast via the In more recent times, a number of reli Web—piqued the interest of some educators, gious broadcasters have appeared on short librarians, and instructional technologists in wave radio to communicate and evangelize the 1990s. A decade ago we were still in the to an international audience. Many of these early days of multimedia content on the Web. media outlets now share their programming Then, concerns expressed in the professional and their messages free through the Internet, literature centered on issues of licensing, as well as through shortwave radio, cable copyright, and workable business models.1 television, and podcasts. In my experiences as a reference librar This article will help you find your way ian and modern languages selector trying to to some of the key sources for freely avail make Internet radio available to faculty and able international Internet radio and TV students, there were also information tech programming, focusing primarily on major nology concerns over bandwidth usage and broadcasters from outside the United States, audio quality during that era. which provide regular transmissions in What a difference a decade makes. Now English. Nonetheless, one of the benefi ts of with the rise of podcasting, interest in Web tuning into Internet radio and TV is to gain radio and TV programming has recently seen access to news and knowledge of perspec resurgence. -
Digitalization of Radio Through DRM Standard on Mediumwave And
ISSN: 2277-3754 ISO 9001:2008 Certified International Journal of Engineering and Innovative Technology (IJEIT) Volume 3, Issue 9, March 2014 Digitalization of Radio through DRM Standard on Mediumwave and Shortwave Branimir Jaksic, Mile Petrovic, Petar Spalevic, Ratko Ivkovic, Sinisa Minic University of Prishtina, Faculty of Technical Sciences, Kosovska Mitrovica, Serbia University of Prishtina, Teachers College, Leposavic, Serbia areas where analog technology AM (amplitude modulation) Abstract— this paper work offers an overview of DRM was used. It is planned that AM should be replaced with standards used in digitization of radio on medium and short waves digital technology which is similar to technologies DAB and in the world. Firstly, it provides the raw characteristics of DRM DVB-T (all of these listed technologies use OFDM technology and its working principle, with a special focus on audio coding. After that, the state of DRM transmissions in modulation) [3]. The primary purpose of DRM technology is February 2014 is given. Also it gives an summary of radio stations for transfer of the audio content. With this basic purpose, which broadcast the program using DRM technology (country DRM also supports the transfer of some multimedia content and language transmission). Broadcasting areas of radio stations with lower transmission capacity: are also provided, as well as the number of active DRM - DRM text messages; frequencies by regions of the world, for each radio station - EPG (Electronic Program Guide); separately. Then, a map of DRM transmitters in the world is - Information text services (Journaline text based shown, with their main characteristics. information service); - Transmission frames (Slideshow); Index Terms—DRM, frequencie, radio channel, transmitters. -
Saturday 28 December 2019 12:04 All Night Programme 6:08 Storytime 7
Pink Floyd’s Nick Mason explores Matilda and the Forgetments, by the history of instruments and Lorinda Creighton, told by Rashmi 3:04 The 3 O'Clock Drama studio innovations which have Pilapitaya; The Wicked Stepmother, shaped popular music over the past by Dugald Ferguson, told by Highlighting radio playwriting and century and speaks to musicians, Matthew Chamberlain; Royal performance (RNZ) producers, engineers and inventors Babysitters, by Joy Cowley, told by 4:06 A History of Music and Saturday 28 December 2019 - Early Electronic Music Pioneers (2 Stephen Clements; Mosley's Dad, by Technology of 9, BBC) Norman Bilbrough, told by Turei 12:04 All Night Programme Reedy (RNZ) Pink Floyd’s Nick Mason explores the history of instruments and A selection of the best RNZ National 5:00 The World at Five 7:30 Insight studio innovations which have interviews and features including A roundup of today's news and An award-winning documentary shaped popular music over the past 3:05 Fish 'n' Chip Shop Song by Carl sport (RNZ) programme providing century and speaks to musicians, Nixon (RNZ) 5:10 White Silence comprehensive coverage of national producers, engineers and inventors 6:08 Storytime and international current affairs - The Electric Guitar (3 of 9, BBC) The Caravan - 40 years after Air New (RNZ) The Silkies, by Anthony Holcroft, told Zealand Flight TE901 crashed into by Theresa Healey; Helper and the side of Mount Erebus disaster, 8:10 The Weekend with Lynn 5:00 The World at Five Helper, by Joy Cowley, told by Moira 'White Silence' tells the -
Commercial Radio
MEDIA RELEASE Embargoed 9.30AM AEDT 19 October 2018 Listening to Aussie radio is easier than ever with Amazon Alexa The commercial radio industry today announced the launch of the RadioApp skill for Alexa, which makes it simple and convenient for listeners to ask Alexa to play any of nearly 300 Australian AM, FM and DAB+ digital radio stations. “Listening to radio is one of the most popular uses for smart speakers, so the Australian radio industry has created a voice experience that works easily and seamlessly across all Alexa-enabled devices,” said Joan Warner, the chief executive officer of industry body Commercial Radio Australia, who announced the initiative at the Radio Alive national radio conference in Melbourne today. The RadioApp skill is now available for listeners to access simply by asking Alexa to play their favourite radio station by name or frequency. For example: “Alexa, play 2GB” “Alexa, play Smooth FM” “Alexa, play 103.5” “Alexa, play Triple M” “Australians are known as rapid adopters of new technology, and they also spend a significant part of the day listening to radio, so we’re very excited to work with broadcasters to help listeners tune into their favorite stations using only their voice,” said Kate Burleigh, Country Manager, Alexa Skills Australia and New Zealand. “The RadioApp skill for Alexa is the latest example of how to bring the simplicity and convenience of voice- technology to listeners.” The initiative makes it easier for consumers to find Australian stations from among tens of thousands of radio stations worldwide. Ms. Warner said: “Consumers have high expectations of technology, and more than ever, radio is working together as an industry to ensure our local Australian content is easily available on every platform and device,” she said. -
Annual-Report-2019.Pdf
G.47 Annual Report 2018/2019 Asia New Zealand Foundation Te Whītau Tūhono Annual Report 2018/2019 Asia New Zealand Foundation Te Whītau Tūhono www.asianz.org.nz Wellington Fujitsu Tower, Level 16, 141 The Terrace PO Box 10144, Wellington 6143 Phone: +64 4 471 2320 Email: [email protected] Auckland DLA Piper Tower, Level 6, Tower 2 205 Queen Street PO Box 105134, Auckland 1143 Phone: +64 9 369 5014 Email: [email protected] Published October 2019 Design | www.schickeda.nz Print | www.milneprint.co.nz Cover image | Hemispheres, Footnote New Zealand Dance and Guangdong Dance Company, photo by Eden Mulholland 2 Contents About the Asia New Zealand Foundation 05 Chairman and Executive Director reports 06 Te Whītau Tūhono 08 Celebrating 25 years of the Foundation 09 Programme highlights Arts 10 Business 11 Education 12 Sports 13 Entrepreneurship 14 Leadership Network 15 Media 16 Asia Media Centre 17 Track II 18 Research 19 Governance and accountability statement 20 Statement of responsibility 22 Independent auditor’s report 23 Statement of performance 26 Financial statements 29 Statement of comprehensive revenue and expense 29 Statement of changes in equity 29 Statement of financial position 30 Statement of cash flows 31 Notes to the financial statements 32 Foundation people and supporters 45 3 Annual Report 2018/2019 Presentation of 2018/2019 Annual Report To the Minister of Foreign Affairs On behalf of the Asia New Zealand Foundation board of trustees, and in accordance with the Crown Entities Act 2004 and the Public Finance Act 1989, I am pleased to present the annual report of the Foundation for the period ended 30 June 2019. -
Public Broadcaster Comparison 2016
Analysis of Government Support for Public Broadcasting Nordicity Prepared for CBC|Radio-Canada April 11, 2016 About Nordicity Nordicity (www.nordicity.com) is a powerful analytical engine with expertise in strategy and business, evaluation and economics, policy and regulation for the arts, cultural and creative industries. Because of Nordicity’s international presence, it has become widely recognized for its ability to translate developments and best practices between markets for the private, public and third sectors. Nordicity would like to Dr. Manfred Kops of the Institute for Broadcasting Economics at the University of Cologne for his contribution to the research and analysis of public broadcasting funding in Germany. Table of Contents Executive Summary 1 1. Introduction 4 2. The Potential Benefits of Public Broadcasting 5 2.1 Market failure in broadcasting 5 2.2 Role of public broadcasting 5 2.3 Potential benefits index 6 3. International Comparison of Public Broadcasting 9 3.1 Public funding for public broadcasting 9 3.2 Public funding vs. potential benefits 11 3.3 Commercial revenues 12 3.4 Advertising revenues 15 3.5 Public funding by type of funding tenure 18 4. The Canadian Government’s Economic Support for Culture 19 5. Funding Models for Public Broadcasting 22 5.1 Overview of funding models 22 5.2 Funding model changes in selected countries 24 5.2.1 France 24 5.2.2 Spain 28 5.2.3 Germany 30 5.2.4 Finland 34 5.2.5 United Kingdom 35 5.3 Key findings 38 References and Data Sources 40 Appendix A: Statistics for Public Broadcasters -
KHF 950/990 HF Communications Transceiver PILOT’S GUIDE and DIRECTORY of HF SERVICES
KHF 950/990 HF Communications Transceiver PILOT’S GUIDE AND DIRECTORY OF HF SERVICES A Table of Contents INTRODUCTION KHF 950/990 COMMUNICATIONS TRANSCEIVER . .I SECTION I CHARACTERISTICS OF HF SSB WITH ALE . .1-1 ACRONYMS AND DEFINITIONS . .1-1 REFERENCES . .1-1 HF SSB COMMUNICATIONS . .1-1 FREQUENCY . .1-2 SKYWAVE PROPAGATION . .1-3 WHY SINGLE SIDEBAND IS IMPORTANT . .1-9 AMPLITUDE MODULATION (AM) . .1-9 SINGLE SIDEBAND OPERATION . .1-10 SINGLE SIDEBAND (SSB) . .1-10 SUPPRESSED CARRIER VS. REDUCED CARRIER . .1-10 SIMPLEX & SEMI-DUPLEX OPERATION . .1-11 AUTOMATIC LINK ESTABLISHMENT (ALE) . .1-11 FUNCTIONS OF HF RADIO AUTOMATION . .1-11 ALE ASSURES BEST COMM LINK AUTOMATICALLY . .1-12 SECTION II KHF 950/990 SYSTEM DESCRIPTION. .2-1 KCU 1051 CONTROL DISPLAY UNIT . .2-1 KFS 594 CONTROL DISPLAY UNIT . .2-3 KCU 951 CONTROL DISPLAY UNIT . .2-5 KHF 950 REMOTE UNITS . .2-6 KAC 952 POWER AMPLIFIER/ANT COUPLER .2-6 KTR 953 RECEIVER/EXITER . .2-7 ADDITIONAL KHF 950 INSTALLATION OPTIONS .2-8 SINGLE KHF 950 SYSTEM CONFIGURATION .2-9 KHF 990 REMOTE UNITS . .2-10 KAC 992 PROBE/ANTENNA COUPLER . .2-10 KTR 993 RECEIVER/EXITER . .2-11 SINGLE KHF 990 SYSTEM CONFIGURATION . .2-12 Rev. 0 Dec/96 KHF 950/990 Pilots Guide Toc-1 Table of Contents SECTION III OPERATING THE KHF 950/990 . .3-1 KHF 950/990 GENERAL OPERATING INFORMATION . .3-1 PREFLIGHT INSPECTION . .3-1 ANTENNA TUNING . .3-2 FAULT INDICATION . .3-2 TUNING FAULTS . .3-3 KHF 950/990 CONTROLS-GENERAL . .3-3 KCU 1051 CONTROL DISPLAY UNIT OPERATION .