Filmmusic Collection ...20Th-Century Repertory
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Cambridge University Press 978-1-107-13355-6 — the Cambridge Companion to Electronic Music Edited by Nick Collins , Julio D'escrivan Index More Information 317
Cambridge University Press 978-1-107-13355-6 — The Cambridge Companion to Electronic Music Edited by Nick Collins , Julio d'Escrivan Index More Information 317 I n d e x 1, 2, 1- 2- 3- 4 , 47 electronic and acoustic compared, 202 1- Bit Symphony , 248 and game music, 166 , 167 2001 A Space Odyssey , 193 and global connection, 32 242.pilots, 131 – 2 information aesthetics, 145 4’33 (Cage), 227 and live electronics, 178 , 262 – 4 , 265 – 7 , 270 , 8- bit music, 81 , 173 – 4 , 248 271 – 2 and microsound, 216 – 17 Aarset, Eivind, 270 – 1 modes of listening, 203 – 4 Abandoned Lake in Maine , 287 and music for i lm, 163 ‘Abstract Cinema - Chromatic Music’, 125 and networks, 148 abstract i lmmaking, visual music, 125 – 6 and sot ware tools, 76 academic electronic music, 32 – 3 , 294 and sound art, 220 – 2 , 225 – 6 , 228 , 230 – 1 , acousmatic musi c . see also Tape Music 236 – 7 challenges to, 31 – 2 , 297 – 8 and spatial elements, 211 , 213 – 15 language and voice use, 208 – 9 and studio development, 27 listener interface, 37 and synaesthetic art, 134 – 5 musique concrète, 27 , 141 , 155 , 157 , 202 , and technology, 27 – 9 , 32 , 76 , 201 , 298 203 – 5 and transmission, 141 , 146 use of noise, 209 – 11 a f ective approach to analysis, 287 origin, 9 – 10 , 203 Africa, as inspiration, 176 soundscapes, 163 , 174 – 5 , 218 – 19 At ershock , 285 spatial aspects, 211 – 15 AI hoaxes, 10 – 11 streaming ef ects, 207 – 8 aleatoric principles, 114 – 15 Acousmonium, 212 Alexander, Amy, 133 acoustic ecology, 174 – 5 , 285 , see also algorithmic compositio -
Expanding Horizons: the International Avant-Garde, 1962-75
452 ROBYNN STILWELL Joplin, Janis. 'Me and Bobby McGee' (Columbia, 1971) i_ /Mercedes Benz' (Columbia, 1971) 17- Llttle Richard. 'Lucille' (Specialty, 1957) 'Tutti Frutti' (Specialty, 1955) Lynn, Loretta. 'The Pili' (MCA, 1975) Expanding horizons: the International 'You Ain't Woman Enough to Take My Man' (MCA, 1966) avant-garde, 1962-75 'Your Squaw Is On the Warpath' (Decca, 1969) The Marvelettes. 'Picase Mr. Postman' (Motown, 1961) RICHARD TOOP Matchbox Twenty. 'Damn' (Atlantic, 1996) Nelson, Ricky. 'Helio, Mary Lou' (Imperial, 1958) 'Traveling Man' (Imperial, 1959) Phair, Liz. 'Happy'(live, 1996) Darmstadt after Steinecke Pickett, Wilson. 'In the Midnight Hour' (Atlantic, 1965) Presley, Elvis. 'Hound Dog' (RCA, 1956) When Wolfgang Steinecke - the originator of the Darmstadt Ferienkurse - The Ravens. 'Rock All Night Long' (Mercury, 1948) died at the end of 1961, much of the increasingly fragüe spirit of collegial- Redding, Otis. 'Dock of the Bay' (Stax, 1968) ity within the Cologne/Darmstadt-centred avant-garde died with him. Boulez 'Mr. Pitiful' (Stax, 1964) and Stockhausen in particular were already fiercely competitive, and when in 'Respect'(Stax, 1965) 1960 Steinecke had assigned direction of the Darmstadt composition course Simón and Garfunkel. 'A Simple Desultory Philippic' (Columbia, 1967) to Boulez, Stockhausen had pointedly stayed away.1 Cage's work and sig- Sinatra, Frank. In the Wee SmallHoun (Capítol, 1954) Songsfor Swinging Lovers (Capítol, 1955) nificance was a constant source of acrimonious debate, and Nono's bitter Surfaris. 'Wipe Out' (Decca, 1963) opposition to himz was one reason for the Italian composer being marginal- The Temptations. 'Papa Was a Rolling Stone' (Motown, 1972) ized by the Cologne inner circle as a structuralist reactionary. -
Ideazione E Coordinamento Della Programmazione a Cura Di Massimo Di Pinto Con La Collaborazione Di Leonardo Gragnoli
Ideazione e coordinamento della programmazione a cura di Massimo Di Pinto con la collaborazione di Leonardo Gragnoli gli orari indicati possono variare nell'ambito di 4 minuti per eccesso o difetto Martedì 7 febbraio 2017 00:00 - 02:00 euroclassic notturno schubert, franz (1797-1828) sei danze tedesche (D 820) orchestraz di anton webern dall'orig. per pf. in la bem mag - in la bem mag - in la bem mag - in si bem mag - in si bem mag - in si bem mag. luxembourg philharmonic orch dir. justin brown (reg. lussemburgo, 20/12/1996) durata: 8.56 RSL radio televisione lussemburghese larsson, lars-erik (1908-1986) croquiser, sei schizzi per pf op. 38 capriccioso - grazioso - semplice - scherzando - espressivo - ritmico. marten landström, pf durata: 11.59 SR radio svedese bruch, max (1838-1920) kol nidrei, per vcl e orch op. 47 adam krzeszowiec, vcl; polish radio symphony orch dir. lukasz borowicz (reg. varsavia, 21/04/2013) durata: 12.26 PR radio polacca poulenc, francis (1899-1963) sept chansons per coro la blanche neige - à peine défigurée - par une nuit nouvelle - tous les droits - belle et ressemblante - marie - luire. jutland chamber choir dir. mogens dahl durata: 12.59 DR radiotelevisione di stato danese händel, georg friedrich (1685-1759) concerto in si bem mag per arpa e orch op. 4 n. 6 (HWV 294) andante, allegro - larghetto - allegro moderato. sofija ristic, arpa; slovenian radio television symphony orch dir. pavle despalj durata: 13.06 RTVS radiotelevisione slovena elgar, edward (1857-1934) sea pictures op. 37 sea slumber song - in haven - sabbath morning at sea - where corals lie - the swimmer. -
This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Vagopoulou, Evaggelia Title: Cultural tradition and contemporary thought in Iannis Xenakis's vocal works General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Cultural Tradition and Contemporary Thought in lannis Xenakis's Vocal Works Volume I: Thesis Text Evaggelia Vagopoulou A dissertation submitted to the University of Bristol in accordancewith the degree requirements of the of Doctor of Philosophy in the Faculty of Arts, Music Department. -
Exploring Xenakis Performance, Practice, Philosophy
Exploring Xenakis Performance, Practice, Philosophy Edited by Alfia Nakipbekova University of Leeds, UK Series in Music Copyright © 2019 Vernon Press, an imprint of Vernon Art and Science Inc, on behalf of the author. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, C/Sancti Espiritu 17, Suite 1200, Wilmington, Malaga, 29006 Delaware 19801 Spain United States Series in Music Library of Congress Control Number: 2019931087 ISBN: 978-1-62273-323-1 Cover design by Vernon Press. Cover image: Photo of Iannis Xenakis courtesy of Mâkhi Xenakis. Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Table of contents Introduction v Alfia Nakipbekova Part I - Xenakis and the avant-garde 1 Chapter 1 ‘Xenakis, not Gounod’: Xenakis, the avant garde, and May ’68 3 Alannah Marie Halay and Michael D. -
NFA Gift Oakes Collection.Xlsx
Title Creator bib. number Call Number Twenty‐four exercises :for the flute (in all major and minor keys), op. 33 Joachim Andersen. MT345 .A544 op. 33 F57 Georg Philipp Telemann herausgegeben im Auftrag der Gesellschaft für Musikalische Werke Musikforschung. M3 .T268 Jeux :sonatine pour flute et piano Jacques Ibert. M242 .I12j Trois pieces en courte‐pointe,pour flute et piano Jacques Chailley. .b27393860 M242 .C434 T 65 Aria for flute and piano,op. 48, no. 1. .b27394268 M242 .DF656 op. 48, no. 1 Quartett, D‐dur, für Flöte (Oboe), Violine, Viola (Horn) und Violoncello, op. VIII/1. Hrsg. von Walter Upmeyer. .b27982981 M462 .S783 op.8 no. 1 Sonatine Es‐durfür Cembalo (Klavier), 2 Flöten, 2 Violinen, Bratsche und Bass hrsg. von Fritz Oberdorffer. .b27996517 M722 .B116s E b maj. Concerto for flute and chamber orchestra, or flute and piano,MCMXXXXII op. 35 [by] Robert Casadesus. .b28016798 M1021 .C334 op.35 Sinfonien für Kammerorchester:E‐moll. Hrsg. von Raymond Meylan. Symphonies for chamber orchestra. .b28020832 M1105 .S286 S5 no.4 Concertino pour flute et orchestre a cordes, ou piano Antonio Szalowski. .b28037613 M1106 .S996 C74 Joh. Seb. Bach auf Grund der Ausgabe der Bachgesellschaft bearbeitet von Ausgewahlte Arien für Alt :mit obligaten Instrumenten und Klavier oder Orgel Eusebius Mandyczewski. .b28068075 M2103.3 .B118 A6 alto Sonate pour piano et flute :op. 52 Ch. Koechlin. .b30264923 M242 .K777 op.52 Melody for flute and piano : op. 35, no. 1 Reinhold Gliere [edited with special annotations by John Wummer] .b4067082x M242 .G545 op. 35 no. 1 1946 6 canonic sonatas :for two flutes Telemann [edited by] C. -
GOLDBERG VARIATIONS - English Suite No
BHP 901 - BACH: GOLDBERG VARIATIONS - English Suite No. 5 in e - Millicent Silver, Harpsichord _____________________________________________________________________________________________________________________ This disc, the first in our Heritage Performances Series, celebrates the career and the artistry of Millicent Silver, who for some forty years was well-known as a regular performer in London and on BBC Radio both as soloist and as harpsichordist with the London Harpsichord Ensemble which she founded with her husband John Francis. Though she made very few recordings, we are delighted to preserve this recording of the Goldberg Variations for its musical integrity, its warmth, and particularly the use of tonal dynamics (adding or subtracting of 4’ and 16’ stops to the basic 8’) which enhances the dramatic architecture. Millicent Irene Silver was born in South London on 17 November 1905. Her father, Alfred Silver, had been a boy chorister at St. George’s Chapel, Windsor where his singing attracted the attention of Queen Victoria, who had him give special performances for her. He earned his living playing the violin and oboe. His wife Amelia was an accomplished and busy piano teacher. Millicent was the second of their four children, and her musical talent became evident in time-honoured fashion when she was discovered at the age of three picking out on the family’s piano the tunes she had heard her elder brother practising. Eventually Millicent Silver won a scholarship to the Royal College of Music in London where, as was more common in those days, she studied equally both piano and violin. She was awarded the Chappell Silver Medal for piano playing and, in 1928, the College’s Tagore Gold Medal for the best student of her year. -
Iannis Xenakis, Roberta Brown, John Rahn Source: Perspectives of New Music, Vol
Xenakis on Xenakis Author(s): Iannis Xenakis, Roberta Brown, John Rahn Source: Perspectives of New Music, Vol. 25, No. 1/2, 25th Anniversary Issue (Winter - Summer, 1987), pp. 16-63 Published by: Perspectives of New Music Stable URL: http://www.jstor.org/stable/833091 Accessed: 29/04/2009 05:06 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=pnm. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. Perspectives of New Music is collaborating with JSTOR to digitize, preserve and extend access to Perspectives of New Music. http://www.jstor.org XENAKIS ON XENAKIS 47W/ IANNIS XENAKIS INTRODUCTION ITSTBECAUSE he wasborn in Greece?That he wentthrough the doorsof the Poly- technicUniversity before those of the Conservatory?That he thoughtas an architect beforehe heardas a musician?Iannis Xenakis occupies an extraodinaryplace in the musicof our time. -
Kammerakademie Potsdam Trevor Pinnock Emmanuel Pahud
Kammerakademie Potsdam Orquestra de Câmara de Potsdam Trevor Pinnock regência Emmanuel Pahud flauta O MINISTÉRIO DA CULTURA, O GOVERNO DO ESTADO DE SÃO PAULO, A SECRETARIA DA CULTURA E A CULTURA ARTÍSTICA APRESENTAM MOMENTO MUSICAL Momento Musical do Le Concert de la Loge (foto Heloisa Bortz) Você conhece o Momento Musical? Sempre às 20h, antes de cada concerto da Temporada Cultura Artística, o jornalista e crítico musical Irineu Franco Perpetuo comenta de forma descontraída sobre os compositores, as obras e os intérpretes que se apresentam naquela noite. Participe deste encontro! realização MINISTÉRIO DA CULTURA Anúncio Momento Musical FINAL.indd 1 19/05/17 10:16 O Ministério da Cultura, o Governo do Estado de São Paulo, a Secretária da Cultura e a Cultura Artística apresentam Kammerakademie Potsdam Orquestra de Câmara de Potsdam Trevor Pinnock regência Emmanuel Pahud flauta PATROCÍNIO REALIZAÇÃO Gioconda Bordon 3 Programa 4 Notas sobre o programa 6 Mônica Lucas Biografias 13 SOCIEDADE DE CULTURA ARTÍSTICA DIRETORIA PRESIDENTE Antonio Hermann D. Menezes de Azevedo VICE-PRESIDENTE Gioconda Bordon DIRETORES Carlos Mendes Pinheiro Júnior, Fernando Lohmann, Gioconda Bordon, Ricardo Becker, Rodolfo Villela Marino SUPERINTENDENTE Frederico Lohmann CONSELHO DE ADMINISTRAÇÃO PRESIDENTE Fernando Carramaschi VICE-PRESIDENTE Roberto Crissiuma Mesquita CONSELHEIROS Antonio Hermann D. Menezes de Azevedo, Carlos José Rauscher, Francisco Mesquita Neto, Gérard Loeb, Henri Philippe Reichstul, Henrique Meirelles, Jayme Sverner, Marcelo Kayath, Milú Villela, -
Trevor Pinnock Journey
TREVOR PINNOCK JOURNEY Two Hundred Years of Harpsichord Music TREVOR PINNOCK JOURNEY Two Hundred Years of Harpsichord Music ANTONIO DE CABEZÓN (c.1510–1566) GIROLAMO FRESCOBALdi (1583–1643) 1. Diferencias sobre 15. Toccata nona ................................ 4:32 ‘El canto del caballero’ .................. 3:10 16. Balletto primo e secondo .............. 5:39 from Toccate d’intavolatura di cimbalo et WILLIAM BYRD (c.1540–1623) organo,1637 2. The Carman’s Whistle .................. 3:58 GEORGE FRIDERIC HAndel (1685–1759) THOMAS TaLLIS (c.1505–1585) 17. Chaconne in G major, HWV 435 ... 6:36 3. O ye tender babes ........................ 2:37 DOMENICO SCARLAtti (1685–1757) JOHN Bull (1562/3–1628) Three Sonatas in D major, K. 490–92 4. The King’s Hunt ............................ 3:25 18. Sonata, K. 490: Cantabile ............ 5:02 JAN PIETERSZOON SWEELINCK 19. Sonata, K. 491: Allegro ................ 4:57 (1562–1621) 20. Sonata, K. 492: Presto ................. 4:17 5. Variations on ‘Mein junges Leben hat ein End’, SwWV 324 .............. 6:10 Total Running Time: 68 minutes JOHANN SEBASTIAN BACh (1685–1750) French Suite No. 6 in E major, BWV 817 6. Prélude ......................................... 1:31 7. Allemande .................................... 3:28 8. Courante ...................................... 1:47 9. Sarabande ................................... 3:22 10. Gavotte ........................................ 1:07 11. Polonaise ...................................... 1:20 12. Bourrée ........................................ 1:41 13. -
2016-Program-Book-Corrected.Pdf
A flagship project of the New York Philharmonic, the NY PHIL BIENNIAL is a wide-ranging exploration of today’s music that brings together an international roster of composers, performers, and curatorial voices for concerts presented both on the Lincoln Center campus and with partners in venues throughout the city. The second NY PHIL BIENNIAL, taking place May 23–June 11, 2016, features diverse programs — ranging from solo works and a chamber opera to large scale symphonies — by more than 100 composers, more than half of whom are American; presents some of the country’s top music schools and youth choruses; and expands to more New York City neighborhoods. A range of events and activities has been created to engender an ongoing dialogue among artists, composers, and audience members. Partners in the 2016 NY PHIL BIENNIAL include National Sawdust; 92nd Street Y; Aspen Music Festival and School; Interlochen Center for the Arts; League of Composers/ISCM; Lincoln Center for the Performing Arts; LUCERNE FESTIVAL; MetLiveArts; New York City Electroacoustic Music Festival; Whitney Museum of American Art; WQXR’s Q2 Music; and Yale School of Music. Major support for the NY PHIL BIENNIAL is provided by The Andrew W. Mellon Foundation, The Fan Fox and Leslie R. Samuels Foundation, and The Francis Goelet Fund. Additional funding is provided by the Howard Gilman Foundation and Honey M. Kurtz. NEW YORK CITY ELECTROACOUSTIC MUSIC FESTIVAL __ JUNE 5-7, 2016 JUNE 13-19, 2016 __ www.nycemf.org CONTENTS ACKNOWLEDGEMENTS 4 DIRECTOR’S WELCOME 5 LOCATIONS 5 FESTIVAL SCHEDULE 7 COMMITTEE & STAFF 10 PROGRAMS AND NOTES 11 INSTALLATIONS 88 PRESENTATIONS 90 COMPOSERS 92 PERFORMERS 141 ACKNOWLEDGEMENTS THE NEW YORK PHILHARMONIC ORCHESTRA THE AMPHION FOUNDATION DIRECTOR’S LOCATIONS WELCOME NATIONAL SAWDUST 80 North Sixth Street Brooklyn, NY 11249 Welcome to NYCEMF 2016! Corner of Sixth Street and Wythe Avenue. -
Composers and Works List
Composers and Works List Adams, John Coolidge (American, 1947-) Common Tones in Simple Time Grand Pianola Music Harmonielehre Shaker Loops The Chairman Dances Two Fanfares for Orchestra Adams, John Luther (American, 1953-) Dark Waves The Farthest Place The Light that Fills the World Addinsell, Richard Stewart (British, 1904-1977) A Christmas Carol Suite Warsaw Concerto Agapkin, Vasily Ivanovich (Russian, 1884-1964) Farewell to Slavianka Albéniz y Pascual, Isaac Manuel Francisco (Spanish, 1860-1909) Suite española, Op 47 Alexandrov, Alexander Vasilyevich (Russian, 1883-1946) Sacred War Soviet National Anthem Alfvén, Hugo Emil (Swedish, 1872-1960) Symphony 1, Op 7 Symphony 2, Op 11 Swedish Rhapsody 1, Op 19 'Midsummer Vigil' Symphony 3, Op 23 The Mountain King, Op 37 Symphony 4, Op 39 'From the Outermost Skerries' Andriessen, Hendrik Franciscus (Dutch, 1892-1981) Ricercare Symphony 2 Symphony 3 Andriessen, Jurriaan Hendrik (Dutch, 1925-1996) Rococo Concerto Antheil, George (American, 1900-1959) A Jazz Symphony Capital of the World Hot-Time Dance Jazz Sonata 4 Specter of the Rose Symphony 3 ‘American’ Symphony 4 ‘1942’ Symphony 5 Symphony 6 Arnič, Blaž (Slovenian, 1901-1970) Overture to a Comic Opera, Op 11 Symphony 5, Op 22 'Particularistic' Artyomov, Vyacheslav Petrovich (Russian, 1940-) Guria Hymn Requiem Atterberg, Kurt Magnus (Swedish, 1887-1974) Symphony 1, Op 3 Symphony 2, Op 6 Auerbach, Lera (Russian-American, 1974-) Icarus, symphonic poem Symphony 1 ‘Chimera’ Bach, Johann Sebastian