DOCSLIB.ORG

Theatre Is GREAT Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

40 FILM & TV PIC CREDIT OPENING LETTER WELCOME PRODUCER: JUDY CRAYMER KHQZH¿UVWRSHQHG WKDW%ULWLVKVWDJHVKRZVOLNH MAMMA MIA! back in MAMMA MIA!DWWUDFWVXFK $SULOZHUHDOO\KDG KXJHDXGLHQFHV WQRLGHDKRZWKHVKRZ 7KHPXVLFDO¶VVXFFHVVZDV ZDVJRLQJWREHUHFHLYHGDQG IROORZHGLQE\MAMMA QHYHULPDJLQHGWKHJOREDO MIA! The Movie ZKLFKKDG VXFFHVVWKDWZRXOGIROORZ7KH VXFKSKHQRPHQDOVXFFHVV DXGLHQFHVKDYHEHHQGDQFLQJ DURXQGWKHZRUOGWKDWDQ LQWKHDLVOHVHYHUVLQFHDQGWKH Judy is the DOOQHZRULJLQDOPXVLFDO VKRZKDVQRZEHHQVHHQE\ producer of DQGPXFKDQWLFLSDWHG DVWDJJHULQJPLOOLRQSHRSOHLQ MAMMA MIA! VHTXHOMAMMA MIA! She created the stage Here We Go Again ODQJXDJHVDURXQGWKHZRUOG VKRZDQGWZR¿OPV 3URGXFWLRQVVXFKDVMAMMA and has won LVQRZLQSURGXFWLRQ MIA!DUHWKHOLIHEORRGRIWKH QXPHURXV 7KH¿OPRSHQVLQ-XO\ UHXQLWLQJWKHRULJLQDO :HVW(QGDQGKDYHKHOSHG awards MAMMA MIA! VWDUVZLWKDVWHOODUFDVWRI PDNH/RQGRQWKHSRZHUKRXVH VKRZFDVHVDFDVWSDFNHG QHZDGGLWLRQVMRLQLQJWKHP RIFXOWXUHWKDWLWLVWRGD\ ZLWKWDOHQW,W¶VVRWKULOOLQJ LQFOXGLQJ&KHU$QG\*DUFLD $QGZKDW¶VPRUHWKHKXJH WRVHHWKHPUDLVLQJWKHURRI DQG/LO\-DPHV GHPDQGIRUZRUOGFODVVWKHDWUH R̆WKH1RYHOOR7KHDWUHZLWK ,W¶VEHHQDQLQFUHGLEOHMRXUQH\ LQWKHFDSLWDOFRQWLQXHVWR $%%$¶VEULOOLDQWPXVLFQLJKW VLQFHRSHQLQJLQ/RQGRQQHDUO\ JURZDQGJURZ DIWHUQLJKW,WLVDWHVWDPHQW \HDUVDJRDQGVHHLQJWKHMR\ 7KH:HVW(QGLVFXUUHQWO\LQ WRWKHSHUIRUPHUVWKDWWKH MAMMA MIA!DQGRWKHUVKRZV LPSHFFDEOHKHDOWK%R[2̇FH VKRZFRQWLQXHVWRSOD\WR EULQJWRDXGLHQFHVUHPLQGVPH UHFRUGVDUHEHLQJVPDVKHGDQG SDFNHGKRXVHVHYHU\HYHQLQJ RIRQHRIP\IDYRXULWH$%%$ WKHUDQJHRIVKRZVRQR̆HU DQG\RXRXUDXGLHQFHVNHHS O\ULFVIURPWKHVRQJThank You LVVWDJJHULQJ FRPLQJEDFNWLPHDQGWLPH for the Music: ‘Who can live $WSUHVHQWWKHSRRORI DJDLQ,WLVEHFDXVHZHVKDUH without it, I ask in all honesty/ H[FHSWLRQDOWDOHQWRQDQG WKHVDPHSDVVLRQDQG What would life be?/Without R̆VWDJHLVTXLWHLQFUHGLEOH DSSUHFLDWHRXWVWDQGLQJWDOHQW a song or a dance, what are we?¶ PARTNERS FIND YOUR MORRIS VISITOR PUBLICATIONS: Editor Kohinoor Sahota Contributors Jo Caird, Flora Neighbour, Hannah Nepil, Stuart Render, Anna Simmons Sub Editor Anna Frame Art Director Tim Benton Senior Designer Carolyn Bunt Production Melanie Needham, Dave Weeks Sales Director Rob Way Content Director Chris Johnson Publishing Director Stewart Dymock made: Managing Director Jonathan Mountford Senior Account Manager Tom Sanderson Published by Morris Visitor Publications, Samuel House, 6 St Alban’s St, London SW1Y 4SQ. Tel: 020-7242 5222 Printed by Acorn Web Offset Ltd COVER IMAGE © MATT CROCKETT; JUDY CRAYMER COURTESY OF MAMMA MIA! COURTESY CRAYMER JUDY CROCKETT; © MATT IMAGE COVER 3 FAMOUS FACES STARS ON STAGE The West End stage continues to welcome the most famous faces in the world, from Oscar winners to international movie stars Words: Flora Neighbour and Kohinoor Sahota Tell us about taking it from What aspect has been WE MEET... Broadway to the West End. the most challenging? On Broadway, the Lincoln I think conveying the King’s KEN WATANABE sense of loneliness. He needs The star of Inception and Centre is a very particular stage to keep up traditions, customs The Last Samurai is making and a very special venue. I want and government – he is always his West End debut as the King to try an authentic, traditional having to think about things. of Siam in The King and I stage in the West End. (21 Jun-29 Sep). What work are you most What drew you to the story? Do you prefer stage proud of? That’s a tough question to to screen? I can’t really compare the pieces answer. It’s a really cold world right now. Many countries are Well, I started out my career that I’ve done, though I would becoming more narrow-minded. onstage. I went to drama say that The King and I is the school, and always had a great Hostility is growing towards most special to me – this is my feeling whenever I was on stage foreigners, too, from Scotland acting. I can’t really compare ¿UVWZKROHSOD\LQ(QJOLVKDQG wanting independence to stage or screen. Right now, I’m doing it in a foreign country. µ$PHULFD¿UVW¶(YHQ-DSDQ there is a lot of amazing has changed its mindset. technology and CGI in movies I wanted to do something with – but after that goes away, live compassion and understanding acting is the best. – it is very important. Kelli O’Hara and Ken Watanabe in The King and I 4 How is it being a Japanese actor in the West End? When it comes to oriental roles, many people think of The King and I – it has an Asian actor playing a king. I will try to represent Asian feelings, the Asian mind in the 19th century DQGWKHGL̆HUHQWFXVWRPV I need to bring Asian feelings to the character. What are you most looking forward to about bringing the story to London? I like London! The story includes England – it shows an English woman going to Thailand. So I want to capture King Lear the feelings of the English people. Anna is an English woman and the audience will McKellen has said that see the show through her eyes. SIR IAN MCKELLEN the role is his ‘last big There is also a lot of humour in Few actors can boast of Shakespeare part’, but the musical, which an English working for the Royal this is now the fourth time audience may enjoy more than Shakespeare Company that the six-time Laurence the Americans. and then in a blockbuster www.kingandimusical.co.uk Olivier Award winner is franchise. Sir Ian McKellen, playing the king. Directed whose illustrious career by Jonathan Munby, this spans decades, also spans version takes the tragic roles, from supervillain lead and turns him into Magneto in X-Men to a military hero as he sees Gandalf in The Lord of the his kingdom and family Rings. The legendary actor divided. If that’s not takes on one of William enticing enough, the Shakespeare’s greatest theatre is removing half of plays when he stars as the its stall seats so the actors protagonist in King Lear can roam freely, letting you (11 Jul-3 Nov) at the Duke see the legend up close. of York’s Theatre. www.atgtickets.com THIS IS MY LAST BIG SHAKESPEARE PART THE KING AND I © PAUL KOLNIK; KING LEAR © MANUEL HARLAN KOLNIK; THE KING AND I © PAUL 5 FAMOUS FACES JUDFLQJRXUVFUHHQVZLWKKHU About TimeLQDQG VANESSA KIRBY ÀDZOHVVSHUIRUPDQFHDV RQVWDJHDV6WHOOD.RZDOVNL If you haven’t been hooked 3ULQFHVV0DUJDUHWLQWKHKLW LQ7HQQHVVHH:LOOLDPV¶ RQ1HWÀL[¶VRULJLQDOVHULHV GUDPDDERXWWKHOLIHRIWKH A Streetcar Named Desire. The CrownZKHUHKDYH\RX 4XHHQ6KHDOVRVWDUUHGLQ 1RZDVKHUWLPHRQ EHHQ"9DQHVVD.LUE\KDVEHHQ 5LFKDUG&XUWLV¶URPDQWLFFRPHG\ The CrownFRPHVWRDQHQG WKH/RQGRQERUQDFWUHVV Julie KDVEHHQFDVWLQWKH1DWLRQDO 7KHDWUH¶VSURGXFWLRQRIJulie 0D\$XJ 7KHSOD\IROORZV WKHZLOGDQGQHZO\VLQJOH-XOLH ZKRWKURZVDSDUW\ZKLFK GHVFHQGVLQWRDVDYDJH¿JKWIRU VXUYLYDO7KH6ZHGLVKSOD\ZULJKW $XJXVW6WULQGEHUJ¶VPDVWHUSLHFH UHPDLQVVKRFNLQJ\HWUHOHYDQW WRGD\DQGKDVEHHQDGDSWHGE\ RQHRIWKH8.¶VJUHDWHVW\RXQJ SOD\ZULJKWV3ROO\6WHQKDP www.nationaltheatre.org.uk SHE HAS GRACED OUR SCREENS AS PRINCESS MARGARET 3ROGDUN¶VVF\WKHIRU AIDAN TURNER DFXWWKURDWUD]RULQ ,I\RX¶UHQRWVXUHZKR$LGDQ 0DUWLQ0F'RQDJK¶V 7XUQHULVWKHQ\RXPLJKW FULWLFDOO\DFFODLPHG UHFRJQLVHKLVFKHVWZKLFK The Lieutenant of The Lieutenant of Inishmore ZDVYRWHGWKH790RPHQWRI Inishmore -XQ 2015 by Radio Times UHDGHUV 6HS 7KHVDWLUH 6HFXULQJKHDUWWKUREVWDWXV RQWHUURULVPVHHV LQPoldarkWKH,ULVKDFWRUKDV 7XUQHUSOD\0DG GHPRQVWUDWHGDGLYHUVHWDOHQW 3DGUDLFDFDWORYLQJ ZLWKUROHVVXFKDV.tOLLQThe WHUURULVWGHHPHG Hobbit5RVV3ROGDUNLQWKH WRRYLROHQWWREH %%&DGDSWDWLRQRIWKH Poldark DPHPEHURIWKH QRYHOVE\:LQVWRQ*UDKDP DQGKLVVWLQWDVWKHYDPSLUH ,5$LQWKLVKLODULRXV LQWKH79VHULHVBeing Human. REVHUYDWLRQRIYLROHQFH 7XUQHUEHJDQKLVFDUHHU LQFRQWHPSRUDU\FXOWXUH RQVWDJHDSSHDULQJLQPDQ\ 'LUHFWHGE\0LFKDHO*UDQGDJH IDYRXULWHVLQFOXGLQJThe Plough, IROORZLQJKLVSURGXFWLRQRI Romeo and Juliet and A Cry 0F'RQDJK¶VThe Cripple AIDAN SECURED from Heaven±WUHDGLQJWKH of InishmaanLQThe ERDUGVLQ,UHODQGDQG/RQGRQ Lieutenant of Inishmore HEART-THROB 1RZPDNLQJKLV:HVW(QG LVDFRPLFVWUROOWKURXJK GHEXW7XUQHULVVZDSSLQJ DYLROHQWZRUOG STATUS JULIE COURTESY OF THE NATIONAL THEATRE; AIDAN TURNER © JOHAN PERSSON AIDAN THEATRE; OF THE NATIONAL JULIE COURTESY 6 WE MEET... CUBA GOODING JR The Academy Award-winning actor makes his West End debut as suave lawyer Billy Flynn in Chicago The Musical (to 30 Jun) at the Phoenix Theatre. What made you want to come to the West End? When I think of all the roles WKDWUHDOO\D̆HFWHGP\FDUHHU – from Boyz n the Hood to The People v OJ Simpson – they were always the roles that I thought were challenging. When my agents called and VDLGµ<RX¶YHEHHQR̆HUHGD musical,’ it scared me to death. ,IWKH\R̆HUHGPHDPXVLFDO in Los Angeles, I probably wouldn’t have done it. But, Chicago The Musical because it’s in London and it’s so removed from my life, I can EHFRPSOHWHO\VHO¿VKLQWKLV +RZDUH\RX¿QGLQJ Do you have any special character. I can also connect learning the dance routines? memories about London? with an international audience Oh my goodness! Everything :KHQ,GLGP\¿UVW¿OPBoyz – and the easiest way to do that hurts. My pecs, my legs, my n the Hood, they put me up LVVSHFL¿FDOO\LQ/RQGRQ biceps. All dancing starts with at The Dorchester. Now, every core balance and strength. time I go through that lobby, What will you bring to Even though I am a lot older I always think about the start of the role of Billy Flynn? than I was when I was a dancer, my acting career. Even though People have seen Billy Flynn the muscle memory has come I’ve found other hotels that I’ve done before, so what is Cuba back so readily. IDOOHQLQORYHZLWKWKDW¿UVW Gooding Jr going to bring to Dorchester experience stands out LW",WZLOOEHDGL̆HUHQWHQHUJ\ What do you think makes as being very ‘London’ to me. with a little swagger and a certain London special? amount of soul that
Recommended publications
  • The Dinner Theatre of Columbia P R E S E N T S

    The Dinner Theatre of Columbia P R E S E N T S

    The Dinner Theatre of Columbia P r e s e n t s August 1 - September 8 Next at TOBY’S September 13 - November 3 HOWARDHUGHES.COM DOWNTOWNCOLUMBIAMD.COM 15-COL-00013 Columbia Ad Resize - Downtown Columbia Brand Ad-4.5X3.75BW.indd 1 8/27/15 2:30 PM THE DINNER THEATRE OF COLUMBIA Production of MAMMA MIA! Music and Lyrics by BENNY ANDERSSON and BJÖRN ULVAEUS And some songs with STIG ANDERSON Book by CATHERINE JOHNSON Originally Conceived by JUDY CRAYMER MAMMA MIA! Was originally produced in London by Judy Craymer, Richard East and Björn Ulvaeus for Littlestar in association with Universal. Additional Material & Arrangements MARTIN KOCH Music Published by Universal Music Publishing Group and EMI Grove Park Music Inc. And EMI Waterford Music Inc. Director & Choreographer Mark Minnick Music Director/Orchestrations Ross Scott Rawlings Scenic/Lighting Designer Sound Designer David A. Hopkins Mark Smedley Costume Designer AT Jones & Sons INC MAMMA MIA! Is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 Phone: 212-541-4684 Fax: 212-397-4684 www.MTIShows.com Video and/or audio recording of this performance is strictly prohibited. Fog, haze and strobe effects are used in this performance. Toby’s Dinner Theatre of Columbia • 5900 Symphony Woods Road • Columbia, MD 21044 Box Office (410) 730-8311 • (301) 596-6161 • (410) 995-1969 www.tobysdinnertheatre.com The CAST (In Order of Speaking) Sophie Sheridan ………………………..........................………............ Maggie Dransfield Ali ……................................................................................................................ Patricia Targete Lisa ……………………...….....................…….....……......................................Cassie Saunders Tanya …...……….......…....................................................…....................... Coby Kay Callahan Rosie ...........................................................................................................
  • Covent Garden London Wc2

    Covent Garden London Wc2

    COVENT GARDEN LONDON WC2 2,597 & 2,613 SQ FT F IRST & T H IRD F LOOR O FFICES TO LET 41-44 GREAT QUEEN STREET COVENT GARDEN British Museum Holborn CONNECTIVITY 8 mins Lincoln’s 5 mins Inn Fields Tottenham Court Road 10 mins 6 mins 6 mins Seven Dials 3 mins 3 mins Located at the vibrant heart of the 7 mins capital in Covent Garden, you’ll Royal fnd a creative and contemporary Covent Opera House Garden offce space with the quality, the style and the character to suit a Leicester business as individual as yours. Square LOCAL OCCUPIERS GENERAL LOCAL BUSINESSES RESTAURANTS / BARS RETAIL 1. Somerset House 12. Red Bull 22. Rules 36. M&S 2. Royal Opera House 13. Google 23. Flat Iron 37. Aesop 3. Covent Garden Piazza/Market 14. Marks & Clerk 24. Clos Maggiore 38. Apple 4. Theatre Royal 25. Sticks ‘n’ Sushi 39. Chanel 5. Sir John Soane’s Museum HOTELS 26. Ivy Market Grill 40. Paul Smith 6. Aldwych Theatre 15. The Waldorf 27. The Delaunay 41. Dior 7. Novello Theatre 16. One Aldwych 28. Bunga Bunga 42. Burberry 8. Lyceum Theatre 17. ME London 29. Frenchie 43. Hackett 9. New London Theatre 18. Strand Palace 30. Balthazar 44. Lulu Guiness 10. Freemasons’ Hall 19. The Hoxton Hotel 31. Barrafina 45. Karen Millen 11. Palace Theatre 20. Club Quarters 32. Henrietta 46. Ray-Ban 21. Rosewood Hotel 33. Radio Roof Top 47. Hobbs 34. Margot 48. All Saints 35. Homeslice 49. Urban Outfitters 50. Carhartt WIP 21 ER STREET RT BA N HIGH HOLBOR HOLBORN PARK 19 GA TE STREET WHETSTONE 5 NEWTON STREET KINGS WA E Y TWYFORD PLAC LINCOLN’S INN FIELDS T SMAR T’S REMNANT STREE
  • A Career Overview 2019

    A Career Overview 2019

    ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour)
  • The City University London Law Society Caters Well for Its Members Who Have a Diverse Range of Interests

    The City University London Law Society Caters Well for Its Members Who Have a Diverse Range of Interests

    CITY UNIVERSITY LONDON LAW SOCIETY The City University London Law Society caters well for its members who have a diverse range of interests; be it the socials (including the Christmas boat party which has sold out in the last two years), epic cinema screenings, lively debates, mooting competitions, pro-bono/voluntary activities and excellent careers events. This year the law society is hoping to stage more sporting activities between its members and law society members in other Universities in response to widening interest. As law students ourselves we appreciate that reading law at university is not a walk in the park and so the City University London Law Society endeavours to support students in every aspect of their life as a law student. Most people seek advice from those closest to them and those who have been through similar experiences in their own lives as students. We therefore take very seriously the importance of hosting events where students can get to know one another. There will be a number of day and evening activities at the beginning of term, but also throughout the academic year, enabling new students to make and build upon lasting relationships. Without a doubt students get far more out of the society than they put in, and so we encourage them all to become involved. The law society works very hard to provide students with the type of events that they are interested in, we just ask that they make sure they come to events once they have signed up and to keep us constantly informed about the type of events that they wish to participate in.
  • Aldwych Theatre Seating Plan Grand Circle

    Aldwych Theatre Seating Plan Grand Circle

    Aldwych Theatre Seating Plan Grand Circle extensively.Jean-Paul heed Derrol mellow economise if orthopedical lifelessly Carlie if bigamous incapacitate Sol blurring or disassembles. or reconcile. Agelong Cary always glozings his misfeasors if Lenard is deliverable or knolls While the rows of soul front seats especially consume in the left provide views just as good outlook those prior the Stalls the ones at it far clause have slightly obstructed views The Grand haven has 52 seats and the inclination of the seating is beat that the graph from the bound is crazy good. There is required to plan. Aldwych Theatre has three levels Orchestra Stalls Dress and Grand Circle. Waterfront hall means you sit? Which began at a grand circle is russell street. Prices are five decades of stairway but is positioned near aldwych and plan where you? Main block and delivery fee applies per order older than in a member code is. Who is currently playing Tina Turner in the musical? It feels close enough legroom is aldwych theatre grand circle section is divided into three rows g, modern and good if your listing before using this resulted in aldwych theatre seating plan grand circle. Opt for illustration purposes only thing is great view of us think we. The aldwych is aldwych theatre seating plan is accessible toilet is a good. Good legroom ok because everyone. It was excellent view of this seat behind you certainly an aisle seat selection, only select a friend sat in. Theatre royal seating plan london Grupo NC. Aldwych Theatre London Seating Plan & Reviews SeatPlan.
  • Women in Theatre 2006 Survey

    Women in Theatre 2006 Survey

    WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female).
  • There's a Little Theatre in Us All!

    There's a Little Theatre in Us All!

    THERE’S A LITTLE THEATRE IN US ALL! Theatre Tokens - Participating Venues Details correct as of Friday, 07 July 2017 * Plus your telephone company's network charge Aberdare Coliseum 0800 014 7111 Dumfries Theatre Royal 01387 254209 Aberdeen Aberdeen Box Office 01224 641122 Dumfries (for His Majesty's Dundee Dundee Repertory 01382 223530 Theatre & Music Hall) Theatre Aberdeen His Majesty's Theatre 01224 641122 East Grinstead Chequer Mead 01342 302000 Aberdeen Music Hall 01224 641122 Theatre Aberystwyth Arts Centre 01970 623232 Eastleigh The Point Theatre 02380 652333 Aylesbury Aylesbury Waterside 0844 871 7667 Calls cost 7p/pm* Edinburgh Festival City Theatres 0131 529 6000 Theatre Edinburgh Kings Theatre 0131 529 6000 Bath Theatre Royal 01225 448844 Edinburgh Playhouse Edinburgh 0844 871 7667 Calls cost 7p/pm* Bedworth Civic Hall 02476 376707 Edinburgh Royal Lyceum Theatre 0131 248 4848 Birmingham Alexandra Theatre 0844 871 7667 Calls cost 7p/pm* Edinburgh Traverse Theatre 0131 228 1404 Birmingham Repertory Theatre 0121 236 4455 Epsom Epsom Playhouse 01372 742555 Blackburn King George's Hall 0844 847 1664 Calls cost 7p/pm* Exeter The Exeter Northcott 01392 726363 Blackpool Grand Theatre 01253 290190 Theatre Bognor Regis Alexandra Theatre 01243 861010 Eastbourne Congress Theatre 01323 412000 Bolton Octagon Theatre 01204 520661 Eastbourne Devonshire Park 01323 412000 Bradford Alhambra Theatre 01274 432000 Theatre Bradford St George's Concert 01274 432000 Eastbourne Royal Hippodrome 01323 802020 Hall Theatre Bristol Bristol Hippodrome 0844
  • The Worldwide Smash Hit Musical Mamma Mia! Will Play in the Open Air for the First Time in the Grounds of Harewood House 13 - 30 August 2021

    The Worldwide Smash Hit Musical Mamma Mia! Will Play in the Open Air for the First Time in the Grounds of Harewood House 13 - 30 August 2021

    Press Release – 12 March 2021 ENJOY MAMMA MIA! UNDER THE STARS! THE WORLDWIDE SMASH HIT MUSICAL MAMMA MIA! WILL PLAY IN THE OPEN AIR FOR THE FIRST TIME IN THE GROUNDS OF HAREWOOD HOUSE 13 - 30 AUGUST 2021 GENERAL ON SALE FRIDAY 19 MARCH AT 10am The sensational feel-good musical MAMMA MIA! will come to Harewood House in the heart of Yorkshire this summer from 13 - 30 August 2021 for audiences to enjoy the original stage show in the open air for the first time. Tickets are on sale to the public from Friday 19 March 2021, 10am. Playing 23 performances only with a strictly limited capacity, this will be part of the MAMMA MIA! UK & International Tour celebrating 22 years since MAMMA MIA! premiered in London in April 1999. Fall in love with the irresistibly funny tale of a mother, a daughter and three possible dads on a Greek island idyll, all unfolding to the magic of ABBA’s timeless songs. Since premiering in London’s West End over 21 years ago the world’s sunniest and most exhilarating smash-hit musical has been turned into two record-breaking movies - MAMMA MIA! The Movie and MAMMA MIA! Here We Go Again. Now audiences can enjoy a picnic in the open air during the summer of 2021 as they watch MAMMA MIA! live on stage set against the stunning, picturesque backdrop of Harewood House – an experience never to forget! MAMMA MIA! at Harewood House is the only chance to see the show in the UK in 2021 outside of London – don’t miss out on the fun! 1 Judy Craymer, Creator and Producer of MAMMA MIA!, said: ‘‘It’s going to be wonderful to experience the original musical literally under the stars in the beautiful grounds of Harewood House.
  • Download András Jacobs' CV

    Download András Jacobs' CV

    András Jacobs Costume and Wardrobe Email: [email protected] Based in London, SE EDUCATION Currently: Technical Theatre Arts: Costume Supervision – Sept 2017 – July 2020 (3rd year) BA(HONS) Guildhall School of Music & Drama PRODUCTION PROFILE (Highlights productions are ones produced by the Guildhall School) ROLE PRODUCTION DESIGNER VENUE/COMPANY Costume Supervisor Grease: The Musical Stewart - Charlesworth Set and Costume The Kettling Brighton Fringe, Edinburgh Designer - Fringe, Camden Fringe. Hungry Wolf VYT Costume Assistant Dance Journeys 2020 Louie Whitemore English National Ballet Costume Supervisor Antigone Kai Fischer Silk Street Theatre, Guildhall School of Music & Drama Costume Supervisor The Royale Louie Whitemore Milton Court Studio, Guildhall School of Music & Drama Costume Supervisor GUT Louie Whitemore Milton Court Studio, Guildhall School of Music & Drama Costume Designer and Autumn Opera Scenes Milton Court Studio, Guildhall - Supervisor School of Music & Drama Costume Assistant [BLANK] Rosie Elnile Donmar Warehouse Costume Designer and RENT Stockwell Playhouse, RicNic - Dresser Theatre Set and Costume Sane and Sound Arcola Theatre - Designer Costume Designer All the Little Lights Tristan Bates Theatre, Camden - Fringe (Offie Winning) Costume Stylist and Iolanta Madeleine Boyd Villa Ephrussi de Rothschild, Les Buyer Azuriales Opera 1st Costume Assistant Merrily We Roll Along Adam Wiltshire Silk Street Theatre, Guildhall and Head Dresser School of Music & Drama Costume Assistant and Opera Double Bill – Aminta E Madeleine
  • 1 When I Kissed the Teacher 2 I Wonder (Departure) 3 One

    1 When I Kissed the Teacher 2 I Wonder (Departure) 3 One

    1 WHEN I KISSED THE TEACHER Lily James, Jessica Keenan Wynn, Alexa Davies & Celia Imrie 2 I WONDER (DEPARTURE) Lily James, Jessica Keenan Wynn & Alexa Davies 3 ONE OF US Amanda Seyfried & Dominic Cooper 4 WATERLOO Hugh Skinner & Lily James 5 WHY DID IT HAVE TO BE ME? Josh Dylan, Lily James & Hugh Skinner 6 I HAVE A DREAM Lily James 7 KISSES OF FIRE Panos Mouzourakis, Jessica Keenan Wynn & Alexa Davies 8 ANDANTE, ANDANTE Lily James 9 THE NAME OF THE GAME Lily James bk KNOWING ME, KNOWING YOU Jeremy Irvine, Lily James, Pierce Brosnan & Amanda Seyfried bl ANGEL EYES Julie Walters, Christine Baranski & Amanda Seyfried bm MAMMA MIA Lily James, Jessica Keenan Wynn & Alexa Davies bn DANCING QUEEN Pierce Brosnan, Christine Baranski, Julie Walters, Colin Firth, Stellan Skarsgård, Dominic Cooper & Amanda Seyfried bo I’VE BEEN WAITING FOR YOU Amanda Seyfried, Christine Baranski & Julie Walters bp FERNANDO Cher & Andy Garcia bq MY LOVE, MY LIFE Lily James, Meryl Streep & Amanda Seyfried br SUPER TROUPER Whole Cast bs THE DAY BEFORE YOU CAME Meryl Streep Music and lyrics by BENNY ANDERSSON and BJÖRN ULVAEUS* Music and lyrics by BENNY ANDERSSON, BJÖRN ULVAEUS & STIG ANDERSON** Produced by BENNY ANDERSSON *songs 1, 3, 5, 6, 7, 8, 11, 17, 18 **songs 2, 4, 9, 10, 12, 13, 14, 15, 16 1 MAMMA MIA! HERE WE GO AGAIN Well, here we go... Welcome back! It’s been ten years since MAMMA MIA! THE MOVIE. Ten years The less familiar songs are a delightful (re)discovery. ‘Even if you don’t know an ABBA song,’ in which original creator and producer Judy Craymer and the creative team had time to ruminate, says Judy Craymer, ‘you are going to warm to it, the theatre, the comedy, the emotion.’ Or as cogitate, and consider how – or even if – a second film could follow the success of the first.
  • Shakespeare and Mamma Mia

    Shakespeare and Mamma Mia

    Multicultural Shakespeare: Translation, Appropriation and Performance; vol. 20 (35), 2019 http://dx.doi.org/10.18778/2083-8530.20.11 ∗ Jana B. Wild On a Romantic Island: Shakespeare and Mamma mia Abstract: The paper concerns the blockbuster musical film Mamma mia, loosely using some of Shakespearean patterns, topoi and plots. Set on a small Greek island, idylic and exotic, the film offers a contemporary romantic story with new/reversed roles in terms of gender, parenthood, sexuality, marriage and age, pointing to a different cultural paradigm. While the Shakespearean level is recast, remixed and probably less visible, the priority is given to the utopia of the 1970s and to the question of its outcome and transformation. Keywords: Mamma mia, musical, popular culture, Shakespeare, The Tempest. This paper concerns the blockbuster musical film Mamma mia (2008) which loosely uses some of Shakespearean patterns, topoi and plots. Set on a small Greek island, idyllic and exotic, the film offers a contemporary romantic story with reversed or reconsidered roles in terms of gender, parenthood, sexuality, marriage and age, pointing to a different cultural paradigm. The musical romantic comedy film Mamma mia is based on the stage musical (1999) with songs of the 1970s popular music group ABBA: The young Sophie, living with her single mother on a Greek island, is about to get married. She wishes her father would give her away though she never knew who it was. In her mother’s diary she had found out that there were three men in question. Despite that she never saw them for they all live far away; she invites all three of them to her wedding without telling her mother Donna.
  • Adelphi Theatre Seating Plan Stalls

    Adelphi Theatre Seating Plan Stalls

    Adelphi Theatre Seating Plan Stalls Directionless Ole tin-plate: he aromatizes his organizer proximo and equidistantly. Factorial and peltate Whit never photocopy warily when Juanita disembowelled his coracoids. Russky Son avoid peculiarly. The probe behind Day Seats is appropriate make theatre affordable to everyone if you're prepared. Good ambient air conditioning vent is right name calling, was fond of stalls seating plan given a very far back to get for those who. What collect the price of real movie and in 2020? You plan guide to stalls, theatre to each theatre is also. If you plan to stalls and adelphi on the adelphi theatre stalls seating plan at the. The stall seats you open in wood of all you cannot guarantee that do is really. Seat plan to. Infrared system and tax on three or ticket sales, you are a large theater, box office within this seat, which will depend solely responsible for. The time and productions including other theatres available at this website, so can see everything well as the best seats may be. Sorry there was perfect seat plan is the adelphi theatre is plenty of our editors will take. Average but Ticket Rises to 926 in law Quarter Hollywood. However transfer seating is request to any bill the Stalls' aisle seats. Definitely recommend for theatre plan affecting some theatres have further back, great view of stalls by. Where the adelphi theatre staff to the theatre plan for everyone who are. Bythewood are making this theatre plan concludes with distributors and adelphi stalls between to jump to still survive is a plaque erected in.