Covent Garden London Wc2

Total Page:16

File Type:pdf, Size:1020Kb

Covent Garden London Wc2 COVENT GARDEN LONDON WC2 2,597 & 2,613 SQ FT F IRST & T H IRD F LOOR O FFICES TO LET 41-44 GREAT QUEEN STREET COVENT GARDEN British Museum Holborn CONNECTIVITY 8 mins Lincoln’s 5 mins Inn Fields Tottenham Court Road 10 mins 6 mins 6 mins Seven Dials 3 mins 3 mins Located at the vibrant heart of the 7 mins capital in Covent Garden, you’ll Royal fnd a creative and contemporary Covent Opera House Garden offce space with the quality, the style and the character to suit a Leicester business as individual as yours. Square LOCAL OCCUPIERS GENERAL LOCAL BUSINESSES RESTAURANTS / BARS RETAIL 1. Somerset House 12. Red Bull 22. Rules 36. M&S 2. Royal Opera House 13. Google 23. Flat Iron 37. Aesop 3. Covent Garden Piazza/Market 14. Marks & Clerk 24. Clos Maggiore 38. Apple 4. Theatre Royal 25. Sticks ‘n’ Sushi 39. Chanel 5. Sir John Soane’s Museum HOTELS 26. Ivy Market Grill 40. Paul Smith 6. Aldwych Theatre 15. The Waldorf 27. The Delaunay 41. Dior 7. Novello Theatre 16. One Aldwych 28. Bunga Bunga 42. Burberry 8. Lyceum Theatre 17. ME London 29. Frenchie 43. Hackett 9. New London Theatre 18. Strand Palace 30. Balthazar 44. Lulu Guiness 10. Freemasons’ Hall 19. The Hoxton Hotel 31. Barrafina 45. Karen Millen 11. Palace Theatre 20. Club Quarters 32. Henrietta 46. Ray-Ban 21. Rosewood Hotel 33. Radio Roof Top 47. Hobbs 34. Margot 48. All Saints 35. Homeslice 49. Urban Outfitters 50. Carhartt WIP 21 ER STREET RT BA N HIGH HOLBOR HOLBORN PARK 19 GA TE STREET WHETSTONE 5 NEWTON STREET KINGS WA E Y TWYFORD PLAC LINCOLN’S INN FIELDS T SMAR T’S REMNANT STREE P L STREET STUKELEY L INCOLN’S INN FIELD T 20 TOTTENHAM HIGH HOLBORN COURT ROAD MACKLIN STREE T Central 13 St Giles S KER STREE R PA ET 9 T QUEEN STRE 28 GREA T D RU 10 SARDINIA STREET RY LANE ELEY STREE E K CYCLES T 34 A RNE WILD ST REET S YDEN STREE TREET DR 35 NEAL’S 31 YARD K INGSW 14 EMBLE STREET K AY ACRE KEAN STREET LONG 49 SEVEN 12 50 DIALS T 48 DR UR Y LANE EARLHAM STREE BOW STREET 46 27 36 T 11 6 47 FLORAL STREE 2 COVENT 4 STREET LY MERCER ST GARDEN ROMIL 15 40 T 45 44 CA THERINE STREE STREE SSELL STREET RU STREET T 7 LY K COVENT GARDEN OC OMIL 30 ST ALDWYCH R VI TA 38 41 33 WELLINGTON STREET 42 39 3 17 43 COVENT GARDEN 16 T 24 CK STREE GERRARD STREET O BURLEIGH STREET 8 37 VIST TA 26 LEICESTER T 32 SQUARE E E XETER STREET STRAND 1 A STRE 25 S O UTH 18 SA VO HENRIETT AMPTON STRE 29 Y STREET 22 23 MAIDEN LANE E T Newly refurbished frst and third foors with excellent natural light 1st floor 3rd floor 1 st foor sq ft sq m 3 th foor sq ft sq m OFFICE 2,597 241.26 OFFICE 2,613 242.75 Typical floor plan SPECIFICATION tExcellent natural light WCs t4 pipe fan coil air conditioning tFully accessible raised floor tWCs and showers t2 passenger lifts LIFT tCommissionaire tNewly refurbished reception LIFT Drury Lane and common parts 9.60m 20.15m Great Queen Street 3rd floor TERMS The floors are available to let on a new effective full repairing and insuring lease direct from the landlord on terms to be agreed. Rent on application. FURTHER INFORMATION For further information please contact the sole agents. Oliver Dobson +44 (0) 207 152 5498 [email protected] Ed Arrowsmith +44 (0)207 152 5964 [email protected] www.41-44GQS.com MISREPRESENTATION ACT | COPYRIGHT | DISCLAIMER: Cushman & Wakefield, for themselves and for the vendors of this property, whose agents they are, give notice Designed by that (1) the particulars and any further information communicated by any means to potential purchasers of the property described in the particulars, or their advisers, in connection with the possible sale of the property are provided solely for the purpose of assisting potential purchasers in decided whether they wish to proceed with further investigation of the property and do not constitute either the whole or any part of an invitation, offer or contract for sale of the property; (ii) all descriptions, dimensions, references to condition and necessary permissions for use and occupation and other details are given in good faith and are believed to be correct as at the date of the particulars (or the date of the relevant information if earlier). However, potential purchasers are not entitled to rely on them as statements or representations of fact but should satisfy themselves by searches, enquiries, surveys and inspections or otherwise with regard to the accuracy of such details. No responsibility or liability is or will be accepted by Cushman & Wakefield, the vendor(s) of the property or any of their respective subsidiaries, affiliates, directors, officers, representatives, employees, advisors, or agents for any loss or damage suffered by any party, resulting from reliance on the particulars or any other information communicated by any means to that party, or its advisers, in connection with the possible sale of the property. No person in the employment of Cushman & Wakefield or the vendor(s) has authority to make or give any representation or warranty, express or implied, in relation to the property. November 2018 .
Recommended publications
  • A Career Overview 2019
    ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour)
    [Show full text]
  • The City University London Law Society Caters Well for Its Members Who Have a Diverse Range of Interests
    CITY UNIVERSITY LONDON LAW SOCIETY The City University London Law Society caters well for its members who have a diverse range of interests; be it the socials (including the Christmas boat party which has sold out in the last two years), epic cinema screenings, lively debates, mooting competitions, pro-bono/voluntary activities and excellent careers events. This year the law society is hoping to stage more sporting activities between its members and law society members in other Universities in response to widening interest. As law students ourselves we appreciate that reading law at university is not a walk in the park and so the City University London Law Society endeavours to support students in every aspect of their life as a law student. Most people seek advice from those closest to them and those who have been through similar experiences in their own lives as students. We therefore take very seriously the importance of hosting events where students can get to know one another. There will be a number of day and evening activities at the beginning of term, but also throughout the academic year, enabling new students to make and build upon lasting relationships. Without a doubt students get far more out of the society than they put in, and so we encourage them all to become involved. The law society works very hard to provide students with the type of events that they are interested in, we just ask that they make sure they come to events once they have signed up and to keep us constantly informed about the type of events that they wish to participate in.
    [Show full text]
  • Aldwych Theatre Seating Plan Grand Circle
    Aldwych Theatre Seating Plan Grand Circle extensively.Jean-Paul heed Derrol mellow economise if orthopedical lifelessly Carlie if bigamous incapacitate Sol blurring or disassembles. or reconcile. Agelong Cary always glozings his misfeasors if Lenard is deliverable or knolls While the rows of soul front seats especially consume in the left provide views just as good outlook those prior the Stalls the ones at it far clause have slightly obstructed views The Grand haven has 52 seats and the inclination of the seating is beat that the graph from the bound is crazy good. There is required to plan. Aldwych Theatre has three levels Orchestra Stalls Dress and Grand Circle. Waterfront hall means you sit? Which began at a grand circle is russell street. Prices are five decades of stairway but is positioned near aldwych and plan where you? Main block and delivery fee applies per order older than in a member code is. Who is currently playing Tina Turner in the musical? It feels close enough legroom is aldwych theatre grand circle section is divided into three rows g, modern and good if your listing before using this resulted in aldwych theatre seating plan grand circle. Opt for illustration purposes only thing is great view of us think we. The aldwych is aldwych theatre seating plan is accessible toilet is a good. Good legroom ok because everyone. It was excellent view of this seat behind you certainly an aisle seat selection, only select a friend sat in. Theatre royal seating plan london Grupo NC. Aldwych Theatre London Seating Plan & Reviews SeatPlan.
    [Show full text]
  • Women in Theatre 2006 Survey
    WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female).
    [Show full text]
  • There's a Little Theatre in Us All!
    THERE’S A LITTLE THEATRE IN US ALL! Theatre Tokens - Participating Venues Details correct as of Friday, 07 July 2017 * Plus your telephone company's network charge Aberdare Coliseum 0800 014 7111 Dumfries Theatre Royal 01387 254209 Aberdeen Aberdeen Box Office 01224 641122 Dumfries (for His Majesty's Dundee Dundee Repertory 01382 223530 Theatre & Music Hall) Theatre Aberdeen His Majesty's Theatre 01224 641122 East Grinstead Chequer Mead 01342 302000 Aberdeen Music Hall 01224 641122 Theatre Aberystwyth Arts Centre 01970 623232 Eastleigh The Point Theatre 02380 652333 Aylesbury Aylesbury Waterside 0844 871 7667 Calls cost 7p/pm* Edinburgh Festival City Theatres 0131 529 6000 Theatre Edinburgh Kings Theatre 0131 529 6000 Bath Theatre Royal 01225 448844 Edinburgh Playhouse Edinburgh 0844 871 7667 Calls cost 7p/pm* Bedworth Civic Hall 02476 376707 Edinburgh Royal Lyceum Theatre 0131 248 4848 Birmingham Alexandra Theatre 0844 871 7667 Calls cost 7p/pm* Edinburgh Traverse Theatre 0131 228 1404 Birmingham Repertory Theatre 0121 236 4455 Epsom Epsom Playhouse 01372 742555 Blackburn King George's Hall 0844 847 1664 Calls cost 7p/pm* Exeter The Exeter Northcott 01392 726363 Blackpool Grand Theatre 01253 290190 Theatre Bognor Regis Alexandra Theatre 01243 861010 Eastbourne Congress Theatre 01323 412000 Bolton Octagon Theatre 01204 520661 Eastbourne Devonshire Park 01323 412000 Bradford Alhambra Theatre 01274 432000 Theatre Bradford St George's Concert 01274 432000 Eastbourne Royal Hippodrome 01323 802020 Hall Theatre Bristol Bristol Hippodrome 0844
    [Show full text]
  • Download András Jacobs' CV
    András Jacobs Costume and Wardrobe Email: [email protected] Based in London, SE EDUCATION Currently: Technical Theatre Arts: Costume Supervision – Sept 2017 – July 2020 (3rd year) BA(HONS) Guildhall School of Music & Drama PRODUCTION PROFILE (Highlights productions are ones produced by the Guildhall School) ROLE PRODUCTION DESIGNER VENUE/COMPANY Costume Supervisor Grease: The Musical Stewart - Charlesworth Set and Costume The Kettling Brighton Fringe, Edinburgh Designer - Fringe, Camden Fringe. Hungry Wolf VYT Costume Assistant Dance Journeys 2020 Louie Whitemore English National Ballet Costume Supervisor Antigone Kai Fischer Silk Street Theatre, Guildhall School of Music & Drama Costume Supervisor The Royale Louie Whitemore Milton Court Studio, Guildhall School of Music & Drama Costume Supervisor GUT Louie Whitemore Milton Court Studio, Guildhall School of Music & Drama Costume Designer and Autumn Opera Scenes Milton Court Studio, Guildhall - Supervisor School of Music & Drama Costume Assistant [BLANK] Rosie Elnile Donmar Warehouse Costume Designer and RENT Stockwell Playhouse, RicNic - Dresser Theatre Set and Costume Sane and Sound Arcola Theatre - Designer Costume Designer All the Little Lights Tristan Bates Theatre, Camden - Fringe (Offie Winning) Costume Stylist and Iolanta Madeleine Boyd Villa Ephrussi de Rothschild, Les Buyer Azuriales Opera 1st Costume Assistant Merrily We Roll Along Adam Wiltshire Silk Street Theatre, Guildhall and Head Dresser School of Music & Drama Costume Assistant and Opera Double Bill – Aminta E Madeleine
    [Show full text]
  • Adelphi Theatre Seating Plan Stalls
    Adelphi Theatre Seating Plan Stalls Directionless Ole tin-plate: he aromatizes his organizer proximo and equidistantly. Factorial and peltate Whit never photocopy warily when Juanita disembowelled his coracoids. Russky Son avoid peculiarly. The probe behind Day Seats is appropriate make theatre affordable to everyone if you're prepared. Good ambient air conditioning vent is right name calling, was fond of stalls seating plan given a very far back to get for those who. What collect the price of real movie and in 2020? You plan guide to stalls, theatre to each theatre is also. If you plan to stalls and adelphi on the adelphi theatre stalls seating plan at the. The stall seats you open in wood of all you cannot guarantee that do is really. Seat plan to. Infrared system and tax on three or ticket sales, you are a large theater, box office within this seat, which will depend solely responsible for. The time and productions including other theatres available at this website, so can see everything well as the best seats may be. Sorry there was perfect seat plan is the adelphi theatre is plenty of our editors will take. Average but Ticket Rises to 926 in law Quarter Hollywood. However transfer seating is request to any bill the Stalls' aisle seats. Definitely recommend for theatre plan affecting some theatres have further back, great view of stalls by. Where the adelphi theatre staff to the theatre plan for everyone who are. Bythewood are making this theatre plan concludes with distributors and adelphi stalls between to jump to still survive is a plaque erected in.
    [Show full text]
  • Written Evidence Submitted by the Society of Ticket Agents and Retailers (STAR)
    Written evidence submitted by the Society of Ticket Agents and Retailers (STAR) Digital, Culture, Media and Sport Committee Inquiry into the Impact of Covid-19 on DCMS Sectors 1. ABOUT STAR 1.1. STAR, the Society of Ticket Agents and Retailers, is the self-regulatory body for the ticket industry formed in 1997 by companies and organisations within the ticketing industry. Its membership encompasses ticket agents, ticketing system suppliers, arenas, sports bodies, promoters, producers, music venues, most West End theatres and many other theatres and venues in London and across the UK. STAR members subscribe to a Code of Practice covering standards of service and information and we estimate that our ticket agent members represent over 90% of that sector. STAR works to help resolve disputes between its members and ticket buyers and is approved by Government under the Alternative Dispute Resolution for Consumer Disputes (Competent Authorities and Information) Regulations 2015. (See list of members below) 2. EXECUTIVE SUMMARY 2.1. Ticketing is a key element of the delicate eco-system that supports the tremendous UK live entertainment and events industries as well as other significant sectors in the remit of the DCMS which have been devastated as a consequence of the Covid-19 pandemic. 2.2. Ticket agents represent a significant proportion of ticket sales for UK events and are an important factor in the success of marketing shows and achieving successful ticket sales. They also play a significant role in helping build new audiences, creating innovation, developing technical resources, finding new distribution channels, marketing and advertising events to both domestic and overseas markets.
    [Show full text]
  • Joanne Hawes
    Joanne Hawes CDG Children’s Casting Director and Administrator 21 Westfield Road, Maidenhead, Berkshire SL6 5AU Telephone 01628 773048 Mobile 07824 337222 [email protected] // johawes.com Born London, June 11th, 1959 Married to Tim Hawes (Professional Freelance Trumpet Player) 3 children Training Stage Management/ Technical Theatre Course at LAMDA PROFESSIONAL EMPLOYMENT as ASM/DSM/SM Theatre Royal Windsor Annie Victoria Palace Theatre The Pirates Of Penzance Theatre Royal Drury Lane La Cage Aux Folles London Palladium Temporary Jobs for Agents / General Managers / Publicists PA to Lee Menzies for 7 years from 1987 - 1994 National Network for Children Employed in Entertainment consultant advising on reforming the outdated Children and Young Person’s Act (Performance Regulations). Registered Children’s Chaperone CRB checked and licenced by the Royal Borough of Windsor and Maidenhead. Performing Arts Courses and Workshops all over the UK CHILDREN IN THEATRE published in February 2012 by Oberon Books. A practical guide for performing children and their parents. 1995 – present. CASTING DIRECTOR/ADMINISTRATOR overseeing all aspects of casting children, running auditions, licencing (UK and overseas), advising on scheduling rehearsals and performances and employing chaperones and tutors in London and on tour. I regularly give talks to parents, agents and stage management on the subject of children in professional entertainment. CURRENT/ FORTHCOMING /RECENT PRODUCTIONS As Children’s Casting Director and Administrator FOR CAMERON
    [Show full text]
  • Sheet1 Page 1 Play Theatre National Theatre a Dream from a Bombshell
    Sheet1 Play Theatre 3 Winters by Tena Stivicic National Theatre A Dream From a Bombshell, by Anna Nyugen Albany Theatre A Family Affair, Agnes Jaoui and Jean Pierre Bacri, Drayton Arms A First World Problem, Milly Thomas, Theatre503 A Taste of Honey, Shelagh Delaney National Theatre Alice, Lewis Caroll & Poppy Burton-Morgan, V&A Almost Near, Pamela Carter, Finborough Are You Lonesome Tonight, Ellie Stamp, The Yard Be My Baby, Amanda Whittington Questor’s Theatre Beached, by Melissa Buchnic Soho Theatre Between Us, Sarah Daniels Arcola Beyond Cragporth Rock by Haste Theatre and Ally Cologna Bussey Building Bitch Boxer, Charlotte Josephine Soho Theatre Black Coffee, Agatha Christie Fairfield Halls Black Coffee, Agatha Christie, Richmond Theatre Blind Eye by Susannah Finzi Theatre503 Blind, Grace Savage & Paper Birds Various Bombshells by Joanna Murray-Smith Jermyn Street Theatre Bookends, including Sian Rowland and Annie Power Etcetera Theatre Brand New Ancients by Kate Tempest Royal Court Theatre Britney Spears Custody Battle Vs. Zeus in Swan Rape Shocker, Lucy Hutson ( The Yard Bryony Kimmings: Sex Idiot by Bryony Kimmings Purcell Room Bunco, by Yasmin Zadeh Proud Archivist Calm Down, Dear – A Festival of Feminism Camden People’s Theatre Character, Florence Vincent Selkirk Pub Chewing Gum Dreams, Nadia Fall NT Shed Chicken Shop, by Anna Jordan Park Theatre Chigger Foot Boys, Pat Cumper Ovalhouse Chimera, by Suli Holum and Deborah Stein Gate Theatre Ciphers by Dawn King Bush Theatre Circles, Rachel De-lahay Tricycle Close to You, Jennie
    [Show full text]
  • Curriculum Vitae
    Ginny Schiller CDG 9 Clapton Terrace London E5 9BW Casting Director Tel: 020 8806 5383 Mob: 07970 517667 [email protected] curriculum vitae I am an experienced casting director with nearly 20 years in the industry. My casting career began at the Royal Shakespeare Company in 1997 and I went freelance in 2001. I have collaborated on hundreds of productions with dozens of directors, producers and venues, and although my main focus has always been theatre, I have also cast for television, film, radio and commercials. I have been an in-house casting director for Chichester Festival Theatre, Rose Theatre Kingston, English Touring Theatre and Soho Theatre and returned to the RSC in 2005/6 to lead the casting for the Complete Works Season. I currently work closely with Danny Moar on many of the shows for Theatre Royal Bath Productions and with Laurence Boswell at the Ustinov Studio Theatre. I have cast for independent commercial producers as well as the subsidised sector, for the touring circuit, regional, fringe and West End venues, including the Almeida, Arcola, ATG, Birmingham Rep, Bolton Octagon, Bristol Old Vic, City of London Sinfonia, Clwyd Theatr Cyrmu, Frantic Assembly, Greenwich Theatre, Hampstead Theatre, Headlong, Liverpool Everyman and Playhouse, Lyric Theatre Belfast, Marlowe Studio Canterbury, Menier Chocolate Factory, New Wolsey Ipswich, Norfolk & Norwich Festival, Northampton Royal & Derngate, Oxford Playhouse, Plymouth Theatre Royal and Drum, Regent's Park Open Air Theatre, Shared Experience, Sheffield Crucible, Sonia Friedman Productions, Theatre Royal Haymarket, Touring Consortium, Young Vic, West Yorkshire Playhouse, Yvonne Arnaud and Wilton’s Music Hall. I am currently on the committee of the Casting Directors’ Guild, and actively involved in discussions with Equity regarding the casting process and diversity issues across the media.
    [Show full text]
  • London Theatre Brochure
    LONDON THEATRE BROCHURE MP_Essential-West-End_150x150_AW.indd 1 29/05/2019 11:41 MOUSE18_Q3_22 Encore Essential Assets_Prod Shots_150x150mm.indd 1 14/09/2018 10:59 ESSENTIAL WEST END: USA AND CANADA WELCOME TO LONDON’S WEST END – AN EXPERIENCE LIKE NO OTHER No visit to London is complete without seeing a West End Show. Simplyitickets gives you, the travel trade, a simple way to add the best shows to any FIT, group or package program. We negotiate special rates for all our Trade partners and are able to offer flexible booking conditions and solutions. Our friendly, knowledgeable team members will keep you up to date with information on pricing, schedules and ticket availability. You can book through our 7 days a week call centre, and our B2B booking portal. This booklet showcases Simplyitickets's Essential West End, a group of shows that are simply the best that London’s West End has to offer. These distinctive, world-class performances are sure to enthrall your clients and will be a highlight of their trip. Our aim is to give you all of the tools and information you need to help sell tickets for these shows to your customers before © Disney they travel, ensuring they have the best experience possible. We look forward to welcoming you and your customers to the West End soon! LK_AUG16_Encore_30x30_Vis_1b.indd08/09/2016 1 16:17 Simplyitickets Telephone 1.855.566.1157 Email [email protected] 3 ESSENTIAL WEST END & JULIET Shaftesbury Theatre 210 Shaftesbury Avenue, London WC2H 8DP Romeo & Juliet final scene. Juliet picks up the dagger and..
    [Show full text]