Joanne Hawes

Total Page:16

File Type:pdf, Size:1020Kb

Joanne Hawes Joanne Hawes CDG Children’s Casting Director and Administrator 21 Westfield Road, Maidenhead, Berkshire SL6 5AU Telephone 01628 773048 Mobile 07824 337222 [email protected] // johawes.com Born London, June 11th, 1959 Married to Tim Hawes (Professional Freelance Trumpet Player) 3 children Training Stage Management/ Technical Theatre Course at LAMDA PROFESSIONAL EMPLOYMENT as ASM/DSM/SM Theatre Royal Windsor Annie Victoria Palace Theatre The Pirates Of Penzance Theatre Royal Drury Lane La Cage Aux Folles London Palladium Temporary Jobs for Agents / General Managers / Publicists PA to Lee Menzies for 7 years from 1987 - 1994 National Network for Children Employed in Entertainment consultant advising on reforming the outdated Children and Young Person’s Act (Performance Regulations). Registered Children’s Chaperone CRB checked and licenced by the Royal Borough of Windsor and Maidenhead. Performing Arts Courses and Workshops all over the UK CHILDREN IN THEATRE published in February 2012 by Oberon Books. A practical guide for performing children and their parents. 1995 – present. CASTING DIRECTOR/ADMINISTRATOR overseeing all aspects of casting children, running auditions, licencing (UK and overseas), advising on scheduling rehearsals and performances and employing chaperones and tutors in London and on tour. I regularly give talks to parents, agents and stage management on the subject of children in professional entertainment. CURRENT/ FORTHCOMING /RECENT PRODUCTIONS As Children’s Casting Director and Administrator FOR CAMERON MACKINTOSH LIMITED LES MISERABLES Queen’s Theatre London MISS SAIGON Prince Edward Theatre MARY POPPINS UK TOUR FOR OTHER PRODUCERS CHITTY CHITTY BANG BANG UK TOUR ELF THE MUSICAL Dominion Theatre GYPSY Savoy Theatre (Chichester Festival Theatre) THE LION KING UK Tour – currently in Basel THE LION KING Cub School Lyceum Theatre London THE SOUND OF MUSIC UK Tour As Children’s Manager/Administrator MATILDA Cambridge Theatre CHARLIE AND THE CHOCOLATE FACTORY Drury Lane PREVIOUS PRODUCTIONS For Cameron Mackintosh OLIVER! at The London Palladium 1995 and the recent production at the Theatre Royal Drury Lane OLIVER! UK Tour LES MISERABLES Tour LES MISERABLES 02 MARY POPPINS London and on Tour MISS SAIGON London and on Tour HEY MR PRODUCER! Lyceum OKLAHOMA! Lyceum For The Really Useful Group THE SOUND OF MUSIC London Palladium WHISTLE DOWN THE WIND Aldwych THE BEAUTIFUL GAME Cambridge Theatre Other productions include ~ A LITTLE NIGHT MUSIC Garrick Theatre London A MIDSUMMER NIGHT’S DREAM All Indian UK Tour A VOYAGE ROUND MY FATHER Donmar Warehouse and West End ANNIE Apollo Victoria and UK Tour ANNIE GET YOUR GUN UK Tour ASPECTS OF LOVE Menier Chocolate Factory BEAUTY AND THE BEAST Dominion Theatre BEFORE THE PARTY Almeida Theatre BLACK AND WHITE BALL The King’s Head BUGSY MALONE Queens Theatre CAROUSEL Savoy Theatre CAT ON A HOT TIN ROOF Novello Theatre CHITTY CHITTY BANG BANG London Palladium and UK tour DR DOLITTLE Labatts Apollo and UK tour EDNA Haymarket Theatre and UK Tour EMIL AND THE DETECTIVES Royal National Theatre FENCES Theatre Royal Bath UK tour and West End FINDING NEVERLAND Curve Leicester GONE WITH THE WIND New London Theatre GOODNIGHT MR TOM UK Tour HEATHCLIFF Labatts Apollo and UK Tour IMAGINE THIS New London KRISTINA @ the Royal Albert Hall Benny Andersson and Bjorn Ulvaeus LAUTREC Shaftesbury Theatre MACBETH Gielgud Theatre MADAM BUTTERFLY Royal Albert Hall MEDEA Queens Theatre NINE Donmar Warehouse PORGY AND BESS Savoy Theatre SHOWBOAT Prince Edward SHREK Theatre Royal Drury Lane SOUTH PACIFIC UK Tour SPEND SPEND SPEND Piccadilly Theatre TESS OF THE D’URBERVILLES Savoy Theatre THE BOY IN THE STRIPED PYJAMAS UK TOUR Fiery Angel THE FIX Donmar Warehouse THE FULL MONTY UK Tour THE KING AND I London Palladium and UK Tour THE KING AND I Royal Albert Hall THE SECRET DIARY OF ADRIAN MOLE AGED 13 ¾ Curve Leicester THE SECRET GARDEN Aldwych Theatre THE SOUND OF MUSIC UK TOUR David Ian Productions THE TURN OF THE SCREW Almeida Theatre WHITE CHRISTMAS Dominion Theatre .
Recommended publications
  • Gregory Clarke Sound Designer
    Gregory Clarke Sound Designer Agents Giles Smart Assistant Ellie Byrne [email protected] +44 (020 3214 0812 Credits In Development Production Company Notes THE HOUSE OF SHADES Almeida By Beth Steel 2020 Dir. Blanche McIntyre ALL OF US National Theatre By Francesca Martinez 2020 Dir. Ian Rickson THE REALISTIC JONESES Theatre Royal Bath By Will Eno 2020 Dir. Simon Evans Theatre Production Company Notes THE BOY FRIEND Menier Chocolate Factory Book, Music and Lyrics by Sandy Wilson 2020 Dir. Matthew White THE WIZARD OF OZ Chichester Festival Adapted by John Kane from the motion 2019 Theatre picture screenplay A DOLL'S HOUSE Lyric Hammersmith By Henrik Ibsen in a new adaptation by 2019 Tanika Gupta Dir. Rachel O’Riordan. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE SECRET DIARY OF Ambassadors Theatre Based on the novel by Sue Townsend ADRIAN MOLE AGED 13 3/4 Dir. Luke Sheppard Book & Lyrics by 2019 Jake Brunger, Music & Lyrics by Pippa Cleary Transfer of Menier Chocolate Factory production THE BRIDGES OF MADISON Menier Chocolate Factory Book by Marsha Norman COUNTY Music & Lyrics by Jason Robert Brown 2019 Based on the novel by Robert James Waller Direction Trevor Nunn THE BEACON Druid By Nancy Harris 2019 Dir. Garry Hynes RICHARD III Druid / Lincoln Center NYC By William Shakespeare 2019 Dir. Garry Hynes ORPHEUS DESCENDING Theatr Clwyd / Menier By Tennessee Williams 2019 Chocolate Factory Dir. Tamara Harvey THE BAY AT NICE Menier Chocolate Factory By David Hare 2019 Dir.
    [Show full text]
  • Gareth Owen Theatrical Sound Designer
    Gareth Owen Theatrical Sound Designer Musical Theatre Sound Design Awards highlights include : Outer Critics Circle Award COME FROM AWAY Schoenfeld, New York Olivier Award MEMPHIS Shaftesbury Theatre, London Craig Noel Award COME FROM AWAY La Jolla Playhouse, San Diego Pro Sound Award MEMPHIS Shaftesbury Theatre, London Olivier Award MERRILY WE ROLL ALONG Comedy Theatre, London Olivier Nomination TOP HAT Aldwych Theatre, London Tony Nomination END OF THE RAINBOW Belasco Theatre, New York Olivier Nomination END OF THE RAINBOW Trafalgar Studios, London Tony Nomination A LITTLE NIGHT MUSIC Walter Kerr, New York Upcoming Sound Design highlights include : Susan Stroman’s YOUNG FRANKENSTEIN on London’s West End; Stephen Schwartz’s PRINCE OF EGYPT (World Premiere), and Des McAnuff’s DONNA SUMMER PROJECT both on Broadway; COME FROM AWAY in Toronto and on tour in the USA; Don Black’s THE THIRD MAN (World Premiere) in Vienna; BODYGUARD in Madrid; and the JERSEY BOYS International Tour. International Musical Sound Design highlights include : Lead Producer Director A BRONX TALE (World Première) Long Acre, Broadway Dodgers Theatrical Robert DeNiro COME FROM AWAY (World Première) Schoenfeld, Broadway Junkyard Dog Chris Ashley STRICTLY BALLROOM (European Première) Worldwide (2 versions) Global Creatures Drew McConie DISNEY’S HUNCHBACK OF NOTRE DAME Worldwide (5 versions) Disney Scott Schwartz SCHIKANEDER (World Premiere) Raimund, Vienna Stephen Schwartz & VBM Trevor Nunn CINDERELLA Rossia, Moscow Stage Entertainment Lindsay Posner SECRET GARDEN Lincoln
    [Show full text]
  • E.M. Parry Designer
    E.M. Parry Designer E.M. Parry is a transgender, trans-disciplinary artist and theatre- maker, best known for theatre design, specialising in work which centres queer bodies and narratives. They are an Associate Artist at Shakespeare’s Globe, a Linbury Prize Finalist, winner of the Jocelyn Herbert Award, and shared an Olivier Award for Outstanding Achievement as part of the team behind Rotterdam, for which they designed set and costumes. Agents Dan Usztan Assistant [email protected] Charlotte Edwards 0203 214 0873 [email protected] 0203 214 0924 Credits In Development Production Company Notes DORIAN Reading Rep Dir. Owen Horsley 2021 Written by Phoebe Eclair-Powell and Owen Horsley Theatre Production Company Notes STAGING PLACES: UK Victoria and Albert Museum Designs included in exhibition DESIGN FOR PERFORMANCE 2019 AS YOU LIKE IT Shakespeare's Globe Revival of 2018 production 2019 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE STRANGE New Vic Theatre Dir. Anna Marsland UNDOING OF By David Grieg PRUDENCIA HART 2019 ROTTERDAM Hartshorn Hook UK tour of Olivier Award-winning production 2019 TRANSLYRIA Sogn og Fjordane Teater, Dir. Frode Gjerlow 2019 Norway By William Shakespeare & Frode Gjerlow GRIMM TALES Unicorn Theatre Dir. Kirsty Housley 2018 Adapted from Philip Pullman's Grimm Tales by Philip Wilson SKETCHING Wilton's Music Hall Dir. Thomas Hescott 2018 By James Graham AS YOU LIKE IT Shakespeare's Globe Dir. Federay Holmes and Elle While 2018 By William Shakespeare HAMLET Shakespeare's Globe Dir.
    [Show full text]
  • Covent Garden London Wc2
    COVENT GARDEN LONDON WC2 2,597 & 2,613 SQ FT F IRST & T H IRD F LOOR O FFICES TO LET 41-44 GREAT QUEEN STREET COVENT GARDEN British Museum Holborn CONNECTIVITY 8 mins Lincoln’s 5 mins Inn Fields Tottenham Court Road 10 mins 6 mins 6 mins Seven Dials 3 mins 3 mins Located at the vibrant heart of the 7 mins capital in Covent Garden, you’ll Royal fnd a creative and contemporary Covent Opera House Garden offce space with the quality, the style and the character to suit a Leicester business as individual as yours. Square LOCAL OCCUPIERS GENERAL LOCAL BUSINESSES RESTAURANTS / BARS RETAIL 1. Somerset House 12. Red Bull 22. Rules 36. M&S 2. Royal Opera House 13. Google 23. Flat Iron 37. Aesop 3. Covent Garden Piazza/Market 14. Marks & Clerk 24. Clos Maggiore 38. Apple 4. Theatre Royal 25. Sticks ‘n’ Sushi 39. Chanel 5. Sir John Soane’s Museum HOTELS 26. Ivy Market Grill 40. Paul Smith 6. Aldwych Theatre 15. The Waldorf 27. The Delaunay 41. Dior 7. Novello Theatre 16. One Aldwych 28. Bunga Bunga 42. Burberry 8. Lyceum Theatre 17. ME London 29. Frenchie 43. Hackett 9. New London Theatre 18. Strand Palace 30. Balthazar 44. Lulu Guiness 10. Freemasons’ Hall 19. The Hoxton Hotel 31. Barrafina 45. Karen Millen 11. Palace Theatre 20. Club Quarters 32. Henrietta 46. Ray-Ban 21. Rosewood Hotel 33. Radio Roof Top 47. Hobbs 34. Margot 48. All Saints 35. Homeslice 49. Urban Outfitters 50. Carhartt WIP 21 ER STREET RT BA N HIGH HOLBOR HOLBORN PARK 19 GA TE STREET WHETSTONE 5 NEWTON STREET KINGS WA E Y TWYFORD PLAC LINCOLN’S INN FIELDS T SMAR T’S REMNANT STREE
    [Show full text]
  • HYEWON AHN - Bio Make up Artist/Special Effects/ Body Painter/Wig Designer
    HYEWON AHN - Bio Make Up Artist/Special Effects/ Body Painter/Wig Designer With over 14 years professional experience in the TV, film, fashion, photography and theatre, Hyewon is a leading figure in make-up, body painting, wig design and special effects not just in the UK and South Korea, but now also internationally. The highlights of this amazing career, so far to date, have been Hyewon's works being presented to the president of Korea on live TV by the country's leading make-up artist association. Spending eight years at the Royal Opera House in Covent Garden. Graduating with a BA from the London College of Fashion. Receiving invitations to teach in other countries, and lead Master Classes. Feeling honoured and privileged to have worked on feature films, such as Harry Potter, plus episodes of BBC’s Dr Who. First hand experience of London's West End theatres, and working on wax models at the world renowned Madam Tussauds Hyewon began her make-up career in 2001 with the KBS Broadcast Network and at the Opera House in South Korea. After moving to the UK to study at the London College of Fashion, she graduated with a BA in Costume, Technical Effects & Make-up for the Performing Arts. Awarded a finalist place in the 2007 BBC Vision Design Competition for Make-up, she went on to become the 2012 World Champion at the International Body Painting Festival in Asia. Employed from 2007 to 2015 at the Royal Opera House Covent Garden in London, Hyewon became used to a fast-paced, real-time work environment, with tight deadlines, high expectations and always the possibility of the unexpected.
    [Show full text]
  • Theater Latté Da Continues New Work Development and Awards $20,000 Next Generation Commission to Support New Musical Theatre by Women Artists and Artists of Color
    TH 345 13 ​ AVE NE / MINNEAPOLIS, MN 55413 / 612-339-3003 / latteda.org ​ FOR IMMEDIATE RELEASE Contact: Andrew Leshovsky Apr 2, 2020 [email protected] 612-767-5646 office Kate Kilbane and Dan Moses (left), photo by Emily Sevin, Jessie Austrian and Noah Brody (right), photo by Walter McBride ​ THEATER LATTÉ DA CONTINUES NEW WORK DEVELOPMENT AND AWARDS $20,000 NEXT GENERATION COMMISSION TO SUPPORT NEW MUSICAL THEATRE BY WOMEN ARTISTS AND ARTISTS OF COLOR (Minneapolis/St. Paul) Theater Latté Da today announces singer/songwriters Kate Kilbane and Dan ​ ​ Moses, who together form the musical duo, The Kilbanes, and actor/directors Jessie Austrian and Noah Brody as the recipients of the NEXT Generation Commission, a new opportunity for women artists and artists of color, funded in part by the NEA and designed to support the creation and development of new musical theatre projects. The creative team will share the $20,000 commission. The project will receive creative and developmental support over an 18-month period, including two developmental workshops and inclusion in Latté Da’s annual NEXT Festival. In addition to the NEXT Generation Commission, Theater Latté Da’s new works initiative is also supporting playwrights Steven Epp, Bradley Greenwald, Harrison David Rivers, Kate Sutton-Johnson and Joserra Zuniga to create new musicals. Throughout its history, Theater Latté Da has found ways to bring artists together to create new work, resulting in some of its most memorable and beloved productions from All is Calm: The Christmas ​ Truce of 1914 and A Christmas Carol Peterson to Five Points. “Even in these uncertain times, we are ​ ​ ​ ​ ​ investing in our future and the future of the art form by continuing to seed and support new work.
    [Show full text]
  • The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
    Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media.
    [Show full text]
  • A PSILLAS Biog Audiocraft
    Sound Designer: Mr Avgoustos Psillas Avgoustos established AudioCarft Scandinavia in 2020 after 12 years at Autograph Sound in London, where he worked as a sound designer. Autograph Sound is a leading British sound design and equipment hire company, responsible for numerous theatre productions in the UK and abroad, including: Hamilton, Les Misérables, Wicked!, Mamma Mia!, Book of Mormon, Marry Poppins, Matilda, Harry Potter and the cursed child and many others. Avgoustos’ designer credits for musical theatre and theatre: The Sound of Music Stockholm Stadsteater Circus Days and Night Malmö Opera & Circus Cirkör Matilda The Musical Royal Danish Theatre Funny Girl Malmö Opera Sweeney Todd Royal Danish Opera BIG The Musical Dominion Theatre, London Blues in the Night The Kiln Theatre Matilda The Musical Malmö Opera The Ferryman St James Theatre, on Broadway, NY Kiss Me Kate Opera North, London Coliseum Pippin Malmö Opera Elf The Musical The Lowry, Manchester BIG The Musical Theatre Royal Plymouth & Bord Gais, Dublin Oliver! The Curve, Leicester AGES The Old Vic, London Pygmalion Garrick Theatre, London Strangers on a Train Gielgud Theatre, London Spamalot The Harold Pinter Theatre, London Spamalot (Remount) London Playhouse EPIDEMIC The Musical The Old Vic, London Henry V Open Air Theatre Regent’s Park Hobson’s Choice Open Air Theatre Regent’s Park Winter’s Tale Open Air Theatre Regent’s Park AudioCraft Scandinavia AB | Svanvägen 59, 611 62, Nyköping, Sweden e: [email protected] | t: +44 79 50292095 | Organisation no: 559281-2035 | VAT
    [Show full text]
  • Elevating Voices Across Stage and Screen
    Elevating voices across stage and screen clients include beginners, aspiring singers Based in London, Fiona continued to coach and performing arts students as well as singers and, in 2010, started working for top-tier professionals. Passionate about Andrew Lloyd Webber and his production vocal health and technique, Fiona believes company, the Really Useful Group. She that anyone can sing and tailors each worked on her first major international lesson to the client’s needs. She works production in 2012, as the vocal coach on remotely via Skype and in person from her Lloyd Webber’s Jesus Christ Superstar, studio at the London Palladium. and has since worked on dozens of major shows across television, film and theatre Fiona grew up on a farm outside around the world. Edinburgh where she immersed herself in music from a young age, initially training Fiona is always at the leading edge of in dance. In 2006, she left Scotland to vocal education. She travels globally to FIONA study Music at the Paul McCartney conferences that are advancing the field Liverpool Institute for Performing Arts, of vocal science and is supported by MCDOUGAL where her vocal coach inspired her to a network of exceptional ENT doctors, study voice education alongside her speech and language therapists, and degree. When she graduated with a first physiotherapists. She is considered a Fiona has worked with some of the biggest class honours degree in 2010, she already valuable link between singers and industry names in the entertainment industry, from had three years of coaching experience. representatives and consults for record Glenn Close to Taylor Swift, Judi Dench to She was the lead singer in a pop duo labels, agents, managers, performing Jennifer Hudson – but her busy studio also called Untouched (along with songwriting arts colleges, choreographers, directors, embraces people who sing for pleasure partner David Wilson), which later signed songwriters, film studios, musicians and and want to improve their voice.
    [Show full text]
  • A Midsummer Night's Dream
    Thursday 26 November, 7.30pm Friday 27 November, 2pm & 7.30pm Saturday 28 November, 7.30pm A Midsummer Night’s Dream By William Shakespeare Suba Das director Guildhall School of Music & Drama Milton Court Founded in 1880 by the Situated across the road from Guildhall City of London Corporation School’s Silk Street building, Milton Court offers the School state-of-the-art Chairman of the Board of Governors performance and teaching spaces. Milton Vivienne Littlechild Court houses a 608-seat Concert Hall, a 223-seat theatre, a Studio theatre, three Principal major rehearsal rooms and a TV studio suite. Lynne Williams Students, staff and visitors to the School experience outstanding training spaces as Vice-Principal & Director of Drama well as world-class performance venues. Orla O’Loughlin Please visit our website at gsmd.ac.uk Photographs of the final year acting company are by: David Buttle (Charlie Beck, Lily Hardy, Hope Kenna, Isla Lee, Noah Marullo, Umi Myers, Felix Newman, Jidé Guildhall School is part of Culture Mile: Okunola, Sonny Pilgrem, Alyth Ross), Samuel Black (Dan culturemile.london Wolff), Harry Livingstone (Nia Towle), Wolf Marloh (Zachary Nachbar-Seckel), Clare Park (Grace Cooper Milton), Phil Sharp (Kitty Hawthorne, Sam Thorpe-Spinks), Michael Shelford (Levi Brown, Sheyi Cole, Aoife Gaston, Guildhall School is provided by the City of London Brandon Grace, Conor McLeod, Hassan Najib, Millie Smith, Corporation as part of its Tara Tijani, Dolly LeVack), David Stone (Justice Ritchie), contribution to the cultural life Faye Thomas (Caitlin Ffion Griffiths, Genevieve Lewis) of London and the nation A Midsummer Night’s Dream by William Shakespeare Suba Das director Grace Smart designer Ed Lewis composer Lucy Cullingford movement director Jack Stevens lighting designer Thomas Dixon sound designer Thursday 26, Friday 27, Saturday 28 November 2020 Live performances broadcast from Milton Court Theatre Recording of this performance by any means whatsoever is strictly prohibited.
    [Show full text]
  • A Career Overview 2019
    ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour)
    [Show full text]
  • The City University London Law Society Caters Well for Its Members Who Have a Diverse Range of Interests
    CITY UNIVERSITY LONDON LAW SOCIETY The City University London Law Society caters well for its members who have a diverse range of interests; be it the socials (including the Christmas boat party which has sold out in the last two years), epic cinema screenings, lively debates, mooting competitions, pro-bono/voluntary activities and excellent careers events. This year the law society is hoping to stage more sporting activities between its members and law society members in other Universities in response to widening interest. As law students ourselves we appreciate that reading law at university is not a walk in the park and so the City University London Law Society endeavours to support students in every aspect of their life as a law student. Most people seek advice from those closest to them and those who have been through similar experiences in their own lives as students. We therefore take very seriously the importance of hosting events where students can get to know one another. There will be a number of day and evening activities at the beginning of term, but also throughout the academic year, enabling new students to make and build upon lasting relationships. Without a doubt students get far more out of the society than they put in, and so we encourage them all to become involved. The law society works very hard to provide students with the type of events that they are interested in, we just ask that they make sure they come to events once they have signed up and to keep us constantly informed about the type of events that they wish to participate in.
    [Show full text]